Madhusudan_Das
Madhusudan_Das
Madhusudan_Das
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198 <strong>Madhusudan</strong> <strong>Das</strong>:<br />
think, he had no choice than to accept the 'ideology of liberalism' (as a<br />
theory before theory ) of the British Empire -- where the 'imperial sun'<br />
never set. In other words, the prevalent English style was penetrating the<br />
elitist mind and outlook. But <strong>Madhusudan</strong> was an exception. He<br />
welcomed the western tradition, but was passionate about the past glory<br />
and some of the rites of Oriya people. His comments on 'suttee' may be<br />
quoted as an example :<br />
... if you wish to see such a picture to back to the days that will<br />
never return, the golden days of our forefathers, when chaste<br />
women died the death of Suttee...Picture to your imagination a<br />
'Suttee' and tell me whether you do not believe that there is a<br />
thing in man which cannot be measured in any way." (Ibid : p.<br />
209)<br />
That may be one of the reasons, for which he learnt to respect 'Swadeshi'<br />
— the fine cratmanship in literature and art ware.<br />
To <strong>Madhusudan</strong>. each country and its people always have<br />
something unique to offer. So he suggested : 'learn anything that is good<br />
in others, never their faults." He wanted to establish a 'forum' through<br />
which he could transform his ideas. The seven poems he composed were<br />
basically for rejuvenating 'Utkal Sammilani' as such a forum. Though a<br />
'devout christian' by faith, he was seeking an 'Oriya identity' in the crucible<br />
of pan-Indian culture. Even while visiting other countries (see his letters<br />
from London and Egypt) his emotive faculty is expressed in a lucid style<br />
— through his letters — a 'cry' from afar as if a 'son of the soil' is lost in the<br />
panoramic beauty and grandeur. At the same time he was confident that<br />
'the glory and dignity of Oriya nationality will grow and develop during<br />
British rule.'<br />
So he advised the<br />
Oriya people' not to be critical of administration and religious discourse<br />
but to boycott it.'<br />
To comprehend <strong>Madhusudan</strong>'s contribution to the 'nationalistic''<br />
(Swaraj) dream of the period (1903-1934). the main theme was to consider<br />
language (Oriya) as a legitimate socio-political activity and the 'primal<br />
power' for divine, heroic and human development in Orissa..'Language<br />
was the practical consciousness' which guided <strong>Madhusudan</strong>'s literary<br />
and emotive personality.<br />
His childhood experience in Cuttack Government High School<br />
and sojourn in Calcutta confirms that he was accommodative to the 'new