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198 <strong>Madhusudan</strong> <strong>Das</strong>:<br />

think, he had no choice than to accept the 'ideology of liberalism' (as a<br />

theory before theory ) of the British Empire -- where the 'imperial sun'<br />

never set. In other words, the prevalent English style was penetrating the<br />

elitist mind and outlook. But <strong>Madhusudan</strong> was an exception. He<br />

welcomed the western tradition, but was passionate about the past glory<br />

and some of the rites of Oriya people. His comments on 'suttee' may be<br />

quoted as an example :<br />

... if you wish to see such a picture to back to the days that will<br />

never return, the golden days of our forefathers, when chaste<br />

women died the death of Suttee...Picture to your imagination a<br />

'Suttee' and tell me whether you do not believe that there is a<br />

thing in man which cannot be measured in any way." (Ibid : p.<br />

209)<br />

That may be one of the reasons, for which he learnt to respect 'Swadeshi'<br />

— the fine cratmanship in literature and art ware.<br />

To <strong>Madhusudan</strong>. each country and its people always have<br />

something unique to offer. So he suggested : 'learn anything that is good<br />

in others, never their faults." He wanted to establish a 'forum' through<br />

which he could transform his ideas. The seven poems he composed were<br />

basically for rejuvenating 'Utkal Sammilani' as such a forum. Though a<br />

'devout christian' by faith, he was seeking an 'Oriya identity' in the crucible<br />

of pan-Indian culture. Even while visiting other countries (see his letters<br />

from London and Egypt) his emotive faculty is expressed in a lucid style<br />

— through his letters — a 'cry' from afar as if a 'son of the soil' is lost in the<br />

panoramic beauty and grandeur. At the same time he was confident that<br />

'the glory and dignity of Oriya nationality will grow and develop during<br />

British rule.'<br />

So he advised the<br />

Oriya people' not to be critical of administration and religious discourse<br />

but to boycott it.'<br />

To comprehend <strong>Madhusudan</strong>'s contribution to the 'nationalistic''<br />

(Swaraj) dream of the period (1903-1934). the main theme was to consider<br />

language (Oriya) as a legitimate socio-political activity and the 'primal<br />

power' for divine, heroic and human development in Orissa..'Language<br />

was the practical consciousness' which guided <strong>Madhusudan</strong>'s literary<br />

and emotive personality.<br />

His childhood experience in Cuttack Government High School<br />

and sojourn in Calcutta confirms that he was accommodative to the 'new

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