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Anderson's Winesburg, Ohio: The Individual in the Village Dr ...

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Damascus University Journal, Vol.٢٠, No. (١+٢), ٢٠٠٤<br />

Kutrieh<br />

Ahmad Ramez<br />

Descriptions are made to pa<strong>in</strong>t <strong>the</strong> canvas of <strong>the</strong> scene but often<br />

seem to add noth<strong>in</strong>g to <strong>the</strong> forward movement of <strong>the</strong> narrative. Quite <strong>the</strong><br />

contrary, <strong>the</strong>y freeze that movement. Incidents that went on before are<br />

mentioned often and what <strong>the</strong> characters are plann<strong>in</strong>g to do is also<br />

mentioned but it is <strong>the</strong> present moment that is fixed <strong>in</strong> <strong>the</strong> m<strong>in</strong>d and<br />

occupies front stage. One can argue, that this is <strong>the</strong> way Anderson<br />

shows his love for <strong>the</strong> village he is writ<strong>in</strong>g about. It is a keen awareness<br />

of <strong>the</strong> little th<strong>in</strong>gs of life <strong>in</strong> <strong>the</strong> village, <strong>the</strong> th<strong>in</strong>gs that constitute all that<br />

<strong>the</strong> characters of <strong>the</strong> village have and know. <strong>The</strong>se little th<strong>in</strong>gs function<br />

often to create almost a visceral response <strong>in</strong> <strong>the</strong> reader who is bound to<br />

respond to some of <strong>the</strong> little th<strong>in</strong>gs that are mentioned because <strong>the</strong>y come<br />

out of universal human experience. <strong>Anderson's</strong> description of <strong>the</strong> fight of<br />

a shop owner with a cat comes out of <strong>the</strong> experience of anyone who<br />

observed cats with any <strong>in</strong>terest sometime <strong>in</strong> life. <strong>The</strong>re are many more<br />

examples.<br />

<strong>The</strong> sett<strong>in</strong>g compounds <strong>the</strong> feel<strong>in</strong>g of lonel<strong>in</strong>ess and separateness<br />

of <strong>the</strong> characters. <strong>The</strong> scene of George and Helen White <strong>in</strong><br />

"Sophistication" as <strong>the</strong>y sit <strong>in</strong> <strong>the</strong> darkness of <strong>the</strong> grandstand is a good<br />

example. <strong>The</strong>y have gone up to <strong>the</strong> hill <strong>in</strong> <strong>the</strong> Fairground. "<strong>The</strong> feel<strong>in</strong>g<br />

of lonel<strong>in</strong>ess and isolation that had come to <strong>the</strong> young man <strong>in</strong> <strong>the</strong><br />

crowded streets of his town was both broken and <strong>in</strong>tensified by <strong>the</strong><br />

presence of Helen. What he felt was reflected <strong>in</strong> her”(٢٣٢). <strong>The</strong> fair had<br />

been held a day before and <strong>the</strong> fair ground stand gave <strong>the</strong>m a special<br />

feel<strong>in</strong>g. “<strong>The</strong> sensation is one never to be forgotten. On all sides are<br />

ghosts, not of <strong>the</strong> dead, but of liv<strong>in</strong>g people. Here . . . People have come<br />

with <strong>the</strong>ir families and ga<strong>the</strong>red and filled <strong>the</strong> place with life--but now <strong>the</strong><br />

life has all gone away. <strong>The</strong> silence is almost terrify<strong>in</strong>g”(٢٣٢).<br />

Readers rema<strong>in</strong> aware of <strong>the</strong> vast frustration, lack of fulfillment,<br />

deficiency of communion, and simply <strong>the</strong> general absence of happ<strong>in</strong>ess <strong>in</strong><br />

<strong>the</strong> characters’ lives <strong>in</strong> <strong>Anderson's</strong> book. <strong>The</strong>re are however two nonrepresentative<br />

cases that show some hope for happ<strong>in</strong>ess .٤ <strong>Dr</strong>. Reefy and<br />

Elizabeth Willard, we are told <strong>in</strong> "Death," had a chance to have genu<strong>in</strong>e<br />

love between <strong>the</strong>m for <strong>the</strong>y were communicat<strong>in</strong>g well with each o<strong>the</strong>r<br />

dur<strong>in</strong>g Elizabeth's visit to <strong>the</strong> doctor's office. However, a chance passerby<br />

shatters that possibility quickly. In "Paper Pills," <strong>the</strong> o<strong>the</strong>r<br />

relationship with happ<strong>in</strong>ess also <strong>in</strong>volves <strong>Dr</strong>. Reefy. He married a tall<br />

٤٣

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