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Anderson's Winesburg, Ohio: The Individual in the Village Dr ...

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Damascus University Journal, Vol.٢٠, No. (١+٢), ٢٠٠٤<br />

Kutrieh<br />

Ahmad Ramez<br />

<strong>Anderson's</strong> characters have <strong>the</strong>ir own truths that make <strong>the</strong>m<br />

grotesques, separate, and unable to commune with o<strong>the</strong>rs. Even <strong>the</strong><br />

m<strong>in</strong>or characters of <strong>the</strong> book are grotesques. We are told that <strong>the</strong> old<br />

carpenter who fixes <strong>the</strong> writer’s bed is mentioned <strong>in</strong> <strong>the</strong> first story only<br />

"because he, like many of what are called very common people, became<br />

<strong>the</strong> nearest th<strong>in</strong>g to what is understandable and lovable of all <strong>the</strong><br />

grotesques <strong>in</strong> <strong>the</strong> writer's book”(٥-٦). George Willard, <strong>the</strong> young<br />

reporter, hears <strong>the</strong>ir stories. He hears with <strong>the</strong> adult Anderson’s ears; his<br />

empathy for <strong>the</strong> pitiable grotesques drives him to write about <strong>the</strong>ir plight.<br />

<strong>The</strong> <strong>in</strong>dividual <strong>in</strong> <strong>W<strong>in</strong>esburg</strong> feels lonely and isolated even<br />

among crowds (٣١٣). Even when George is with Helen White, <strong>the</strong><br />

feel<strong>in</strong>g of lonel<strong>in</strong>ess is <strong>in</strong>tensified. He wants <strong>in</strong>dividualism to take over<br />

not only his life but also that of o<strong>the</strong>rs. He tells Helen, "I want you today<br />

to be different from o<strong>the</strong>r women”(٣٠٨). His mo<strong>the</strong>r is no different: her<br />

<strong>in</strong>dividuality prompts her to get hold of an idea when she is on a ride one<br />

spr<strong>in</strong>g afternoon.<br />

Thoughts came and I wanted to get away from<br />

my thoughts. I began to beat <strong>the</strong> horse...I wanted<br />

to get out of town, out of my clo<strong>the</strong>s, out of my<br />

marriage, out of my body out of everyth<strong>in</strong>g.<br />

(٢٩٤)<br />

She wanted "to run away from everyth<strong>in</strong>g." but wanted "to<br />

run towards someth<strong>in</strong>g too"(٢٩٤).<br />

Anderson was not just describ<strong>in</strong>g grotesque characters of <strong>the</strong> village<br />

but was show<strong>in</strong>g <strong>the</strong> failure of <strong>the</strong> emphasis on <strong>in</strong>dividualism. Such<br />

emphasis leads to <strong>the</strong> excesses that one sees <strong>in</strong> <strong>the</strong> characters of<br />

<strong>W<strong>in</strong>esburg</strong>. Total absorption with <strong>in</strong>ner light does not illum<strong>in</strong>ate his<br />

characters’ way towards salvation and fulfillment but to isolation and<br />

frustration. <strong>The</strong>re is no way for that <strong>in</strong>dividual to accomplish anyth<strong>in</strong>g<br />

alone when separated from his society. A society of <strong>in</strong>dividuals,<br />

<strong>W<strong>in</strong>esburg</strong> shows us, is not a society but a group of <strong>in</strong>dividuals who live<br />

side by side without hav<strong>in</strong>g <strong>the</strong> same goals, outlook on life, or genu<strong>in</strong>e<br />

concern for o<strong>the</strong>rs. Some characters of <strong>W<strong>in</strong>esburg</strong> are capable of<br />

stepp<strong>in</strong>g out of <strong>the</strong>ir separate existences to show signs that not everyth<strong>in</strong>g<br />

is totally lost when <strong>the</strong>y do show concern for o<strong>the</strong>rs and stop th<strong>in</strong>k<strong>in</strong>g<br />

about <strong>the</strong>ir obsessive ideas that keep <strong>the</strong>m apart. <strong>The</strong> reader sees this <strong>in</strong><br />

٤٧

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