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09 Natural History.pdf - Grosvenor Prints

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them and and hung up their bodies at the sanctuary at<br />

Gibeah. Rizpah stood guard over the bodies for five<br />

months, preventing them from being devoured by wild<br />

animals, before David finally had them buried. From<br />

Turner's 'Liber Studiorum".<br />

Finsberg: 46, iv of iv. Rawlinson: 46, iv of iv.<br />

Ref: 8307<br />

376. [Laboratory.]<br />

Frank Hall [n.d., c.1920.]<br />

Etching, 155 x 230mm. 6 x 9". £70<br />

Unusual image of a woman surrounded by<br />

disproportionately large bottles and receptacles. On a<br />

board in the background is a list of elements- "oxygen,<br />

hydrogen, carbon, nitrogen, a little sulphur, + a few<br />

grains of iron"- that make up the human body.<br />

Ref: 9293<br />

377. [Leith & Edinburgh.]<br />

W.L. Wyllie [signed in pencil]. [n.d., c.1930.]<br />

Drypoint. 165 x 375mm. Framed. Unexamined out of<br />

frame. £450<br />

William Lionel Wyllie (1851-1931). In the early 1870s<br />

Wyllie became an illustrator for the Graphic. He held<br />

several exhibitions at galleries of the Fine Art Society<br />

and elsewhere. In 1889 he was elected an associate of<br />

the Royal Academy, and exhibited his work their in<br />

1901. He worked for the White Star Shipping Line and<br />

served in the Royal Navy during WWI. It was his<br />

etchings and watercolours showing working life on the<br />

Thames and the Medway that brought him widespread<br />

popularity. Later in his life he played an important role<br />

in the restoration of the Victory.<br />

Ref: 8464<br />

NATURAL HISTORY<br />

378. Cedar of Lebanon. Plate 15. [top<br />

right-hand corner]<br />

H.W. Burgess delt. 1828. Printed by C. Hullmandel.<br />

[J.Dickinson, 114 New Bond Street, London.]<br />

Lithograph. 335 x 419mm. 13¼" x 16½". Cut and laid<br />

on paper. £95<br />

From 'Eidodendron : views of the general character and<br />

appearance of trees foreign and indigenous connected<br />

with picturesque scenery'. (published 1827)<br />

Ref: 8770<br />

379. The Cotton Plant. Dedicated to the<br />

Cotton Planters of the South.<br />

From Nature By T.B. Thorpe Esq. Of Louisiana. Lith.<br />

Of G. & W. Endicott N. York. Lithographed And<br />

Published By G. & W. Endicott No.59 Beekman St.<br />

New York [n.d., c.1860].<br />

Coloured lithograph, sheet 470 x 600mm. 18 x 23"<br />

Some marginal staining and tears. Paper surface<br />

scuffed through part of title. Image good. £490<br />

Parts of image numbered in white with key below title.<br />

Ref: 8535<br />

380. Red Cedar. In the Grounds at<br />

Wimbledon House. Plate 21. [top righthand<br />

corner]<br />

H.W. Burgess delt. 1829. Printed by C. Hullmandel.<br />

[J.Dickinson, 114 New Bond Street, London.]<br />

Lithograph. 432 x 348mm. 17" x 13¾". Cut and laid on<br />

paper. £90<br />

From 'Eidodendron : views of the general character and<br />

appearance of trees foreign and indigenous connected<br />

with picturesque scenery'. (published 1827)<br />

Ref: 8773<br />

381. [Draught Horses.] Engraved from<br />

the Original Picture in the Collection of Sir<br />

J.E. Swinburne. Bart. to whom this Plate is<br />

humbly dedicated by his obedient Servants.<br />

A. Cooper & W. Giller. ]<br />

Painted by A. Cooper Esqr. R.A. Engraved by W.<br />

Giller. London, Published Feby. 14. 1829. by Messrs.<br />

Moon Boys & Graves, Pall Mall.<br />

Mezzotint, proof before title. 360 x 410mm. £490<br />

Fine engraving of two shire horses in a stable.<br />

Ref: 8233<br />

382. The Elephant &.c.<br />

[n.d., c.1850.]<br />

Coloured lithograph. Sheet 125 x 165mm, 5 x 6½".<br />

Trimmed to image, laid on album sheet with title<br />

separate. £50<br />

An elephant in a zoo enclosure, with a zebra in the next<br />

cage.<br />

Ref: 9217<br />

383. Head of a Lion. The Drawing in the<br />

possession of Sir J.E.Swinburne, Bart.<br />

Drawn & Engraved by J.F. Lewis. London, Published<br />

May, 1st. 1824, W.B.Cooke, 9, Soho Square.<br />

Etching. 298 x 226mm. 11¾" x 8" 7/8. Fine. £160<br />

John Frederick Lewis (1804 – 1876) is best known for<br />

his glittering scenes of oriental life inspired by a<br />

decade living in Cairo. As a young artist in London,<br />

however, Lewis showed great promise as a painter and<br />

draughtsman of animals. This image is from his "Six<br />

Studies of Wild Animals".<br />

Ref: 8455


387. Sleeping Lion. The Drawing in the<br />

possession of Sir Thos. Lawrence, P.R.A.<br />

Drawn & Engraved by J.F. Lewis. London, Published<br />

June, 1. 1824, by W.B. Cooke, 9, Soho Square.<br />

Etching. 248 x 330mm. 9¾" x 13". Fine. £160<br />

John Frederick Lewis (1804 – 1876) is best known for<br />

his glittering scenes of oriental life inspired by a<br />

decade living in Cairo. As a young artist in London,<br />

however, Lewis showed great promise as a painter and<br />

draughtsman of animals. This image is from his "Six<br />

Studies of Wild Animals".<br />

Ref: 8456<br />

384. Lion & Lioness (Prowling). The<br />

Drawing in the possession of Sir Thos.<br />

Lawrence, P.R.A. Proof.<br />

Drawn & Engraved by J.F. Lewis. London, Published<br />

Septr. 10. 1825, by W.B. Cooke, 9, Soho Square.<br />

Etching. 248 x 330mm. 9¾" x 13". £300<br />

John Frederick Lewis (1804 – 1876) is best known for<br />

his glittering scenes of oriental life inspired by a<br />

decade living in Cairo. As a young artist in London,<br />

however, Lewis showed great promise as a painter and<br />

draughtsman of animals. This image is from his "Six<br />

Studies of Wild Animals".<br />

Ref: 8707<br />

385. [Peace]<br />

HD 1906 [In the bottom right-hand corner of the<br />

image] KH [stamp to the bottom left-hand side of the<br />

plate] Copyright 1906, in the United States of America<br />

by Frost & Reed, Bristol England. Published at 8, Clare<br />

Street, Bristol by Frost & Reed, <strong>Prints</strong>ellers of Bristol,<br />

Clifton, and London. November 30th. 1906 Berlin<br />

Stiefbold & Co. No. 25, Mankgrafenstrausse copyright<br />

registered.<br />

Signed etching on vellum. Plate 362 x 571mm. 14¼" x<br />

22½". Laid on a sheet. £950<br />

Lioness and cubs, drinking, at side of a stream.<br />

Ref: 9191<br />

386. A Short Horned Heifer, 7 Years old.<br />

Bred & fed by Mr Robert Colling of<br />

Barmpton, near Darlington, in the County<br />

of Durham, to whom this Print is<br />

respectfully inscribed by his obedient<br />

Servant, Wm. Robinson.<br />

Painted by Thos. Weaver. Engraved by Willm Ward,<br />

Engraver extraordinary to their R.H. the Prince Regent<br />

& Duke of York. Published Decr 13, 1811, by W.<br />

Robinson, Darlington.<br />

Coloured mezzotint engraving. 602 x 505mm.<br />

Unexamined out of frame, but appears to have<br />

undergone repair work. £680<br />

Boalch: 28.<br />

Ref: 9306<br />

388. King Eider. Male and Female. Half<br />

natural size [in ink].<br />

[Illegible artist's signature in pencil lower left.] [n.d.,<br />

c.1860.]<br />

Watercolour over pencil, sheet 430 x 335mm. 17 x<br />

13¼". Tatty extremities, some spotting. £240<br />

The King Eider (Somateria spectabilis) is a large sea<br />

duck, which breeds along northern hemisphere Arctic<br />

coasts of northeast Europe, North America and Asia.<br />

This species is smaller than Common Eider. The male<br />

is unmistakable with its black body, white breast and<br />

multicoloured head.<br />

Ref: 9311<br />

389. Trichoglossus concinnus.<br />

[n.d., c.1830.]<br />

Etching with watercolour, 275 x 225mm. 10¾ x 9".<br />

£140<br />

A handsome portrait, in fine contemporary colour, of<br />

the Musk Lorikeet. These birds are only found in<br />

south-eastern Australia, being widespread in eastern<br />

New South Wales, all regions of Victoria and in the<br />

south-east of South Australia.<br />

Musk Lorikeets live in tall, open, dry forest and<br />

woodlands, dominated by eucalypts and are usually<br />

found in the canopy.<br />

Plate 34 (as numbered upper right) to Volume 1 of<br />

'Illustrations of Ornithology by Sir W. Jardine, Bart.,<br />

and Prideaux John Selby, with the co-operation of J. E.<br />

Bicheno, J. G. Children, T. Hardwicke, T. Horsfield, R.<br />

Jameson, Sir T. S. Raffles, N. A. Vigors.' Published in<br />

Edinburgh by Daniel Lizars in 2 vols c.1830.<br />

Offered with titlepage.<br />

Ref: 9102<br />

390. In the Reeds.<br />

[Signed in pencil Herbert Dicksee.] Frost & Reed,<br />

1928.<br />

Etching 385 x 220mm, 15¼ x 8½inches. £750<br />

A pensive tiger.<br />

Ref: 9333<br />

391. Lioness Sleeping<br />

[Signed in pencil Herbert Dicksee] Frost & Reed<br />

limited to 125 signed proofs.<br />

Etching. 305 x 185mm, 12 x 7¼". £750<br />

Ref: 9322


392. [A Tiger.]<br />

[Signed in pencil by Herbert Dicksee] Frost & Reed.<br />

Etching 17½ x 7¼ inches, 445 x 198mm. £750<br />

Ref: 9334<br />

393. Plovers. 9th Plate of the British<br />

Feather Game.<br />

Barenger pinx.t. Turner sculp.t. London Publish'd Sept.<br />

1 1810 at R.Ackermann's Repository of Arts, 101<br />

Strand.<br />

Mezzotint, printed in colours. 365 x 435mm, 14¼ x<br />

17¼". Some damage in title area. £320<br />

James Barenger (1780 - 1831), nephew of William<br />

Woollett, the eminent engraver. He obtained some<br />

celebrity as a painter of racehorses, dogs, deer, and<br />

other animals, which he exhibited at the Royal<br />

Academy from 1807 until his death.<br />

From a series of fourteen prints ""British Feather<br />

Game", depicting English game birds, all engraved by<br />

Charles Turner and published 1810-12.<br />

Whitman: 659. Siltzer: pg. 79.<br />

Ref: 8669<br />

Déssiné Et Gravé par P. T le Grand. Chez le Grand<br />

Rue des noyers no. 13. [n.d., c.1850.]<br />

Aquatint partly printed in colours, very fine and rare.<br />

510 x 405mm. 20 x 16". Several small tears and<br />

creases around image. £750<br />

Depicting a bouquet of flowers.<br />

Ref: 86<strong>09</strong><br />

398. The Quadrangular Passion Flower.<br />

Henderson pinx.t. Hopwood sculp.t. London. Published<br />

by Dr Thornton June 1st 1802.<br />

Aquatint with stipple, printed in colours and handfinished.<br />

540 x 425mm, 21¼ x 16½". Watermarked<br />

"H.Smith 1810". Faint mount burn £1500<br />

Published in Thornton's 'Temple of Flora', the first<br />

series our flower prints to have the plant in its natural<br />

habitat. Although originally from South America the<br />

plant is shown here climbing a column, with a Grecian<br />

temple in the background.<br />

State ii of ii. Dunthorne, p.251: "One of the best<br />

examples of colour printing".<br />

Ref: 9081<br />

394. Snipes. 3.d Plate of the British<br />

Feather Game.<br />

C.Turner del.t et sculp.t. London Published March 1<br />

1810 at R.Ackermann's Repository of Arts, 101 Strand.<br />

Mezzotint, printed in colours. 365 x 435mm, 14¼ x<br />

17¼". £780<br />

From a series of fourteen prints "British Feather<br />

Game", depicting English game birds, all engraved by<br />

Charles Turner and published 1810-12. Other birds in<br />

the series were painted by James Barenger (1780 -<br />

1831), nephew of William Woollett.<br />

Not in Whitman. Siltzer: pg. 79.<br />

Ref: 8670<br />

395. Woodcocks 4th Plate of the British<br />

Feather Game.<br />

C.Turner del.t et sculp.t. London Published March 1<br />

1810 at R.Ackermann's Repository of Arts, 101 Strand.<br />

Mezzotint, printed in colours. 365 x 435mm, 14¼ x<br />

17¼". £780<br />

From a series of fourteen prints ""British Feather<br />

Game", depicting English game birds, all engraved by<br />

Charles Turner and published 1810-12. Other birds in<br />

the series were painted by James Barenger (1780 -<br />

1831), nephew of William Woollett.<br />

Not in Whitman. Siltzer: pg. 79.<br />

Ref: 8672<br />

396. [Fleurs Naturelles.]<br />

[le Grand.] [n.d., c.1850.]<br />

Very fine and rare aquatint partly printed in colours,<br />

510 x 405mm. 20 x 16". Several small tears and<br />

creases around image. £650<br />

Depicting a bouquet of flowers.<br />

Ref: 8611<br />

397. Fleurs Naturelles. Déposé à la<br />

Bibliotheque nationale.<br />

399. The Winged Passion Flower.<br />

Henderson del.t. Warner sculp.t. London. Published by<br />

Dr Thornton June 1st 1802.<br />

Aquatint with stipple and line, printed in colours and<br />

hand-finished. 540 x 425mm, 21¼ x 16½".<br />

Watermarked "H.Smith 1810". Faint mount burn£1500<br />

Published in Thornton's 'Temple of Flora', the first<br />

series our flower prints to have the plant in its natural<br />

habitat. Although originally from Peru the plant is<br />

shown here climbing a column, with a Grecian temple<br />

in the background.<br />

State ii of ii. Dunthorne, p.251: "One of the best<br />

examples of colour printing".<br />

Ref: 9080


400. ('Black Buck') The Alarm [in pencil]<br />

Horace W. Williamson [signature in pencil] [n.d.<br />

c.1930.]<br />

Etching. Plate 203 x 266mm. 8" x 10½". Small crease<br />

in the paper. £180<br />

Blackbuck (Antilope cervicapra) is a species of<br />

antelope found mainly in India, but also in parts of<br />

Pakistan and Nepal.<br />

Ref: 8951<br />

NAVAL & MILITARY<br />

401. Faits Mémorables. de la Vie Militaire<br />

et Privée de sa Majesté L'Empereur des<br />

Français et Roi d'Italie.<br />

Paris, chez Ostervald Ainé, rue du Petit-Lion-Saint-<br />

Sulpice, No 20. 1807 [-18<strong>09</strong>].<br />

Large oblong folio, original half calf with marbled<br />

boards, rubbed, front board detached, endpapers<br />

creased; engr. title, 1pp. text, 33 engraved plates. Some<br />

creasing and tears throughout. £850<br />

The achievements of Napoleon Bonaparte including,<br />

despite the date on the titlepage, the Battle of Wagram<br />

in 18<strong>09</strong>.<br />

Ref: 8838<br />

402. The Landing of the British Forces<br />

under Lord Hood on the Island of Corsica.<br />

Publish'd as the Act directs Sep.r 4th by C.Sheppard,<br />

No 15, St Peters Hill Doctors Commons.<br />

Engraving. Sheet 170 x 275mm. Trimmed within plate,<br />

laid on album sheet. £160<br />

Ref: 8537<br />

403. [Taking of Delhi.]<br />

[Signed by Orlando Norrie.] [n.d. c.1850.]<br />

Watercolour Sandwiched between old mount boards,<br />

although not laid flat. £650<br />

Orlando Norrie (1832-1901) was a popular and prolific<br />

painter of military subjects. He exhibited at the Royal<br />

Academy between 1876 and 1889 and had a studio at<br />

Aldershot to study his military subjects at first hand.<br />

The Sepoy Mutiny: On the morning of 11 May,<br />

mutineers stormed into the Red Castle in Delhi, killed<br />

what British officers they found, and begged Bahadur<br />

Shah, the aging Moghul king, to lead them. He knew<br />

the likely outcome, but felt compelled to cooperate. His<br />

sons quickly joined the uprising, Mirza Moghul taking<br />

command of the army. More sepoys in Delhi killed<br />

their British officers and joined the mutiny. After a few<br />

hours’ defense, the British blew up the magazine rather<br />

than have it fall into rebel hands. Most Europeans,<br />

living outside the city, fled for Meerut or Karnal. Fifty<br />

British civilians, including women and children, were<br />

held for a few days, then hacked to pieces when they<br />

refused to convert to Islam. The Britsh regained the<br />

city and showed very little mercy on their return. It<br />

lead to the downfall of the Moghul Dynasty.<br />

Ref: 8855<br />

404. The New York & London Packet<br />

Ship Devonshire, 1300 Tons. To Captain<br />

E.E. Morgan, this print is by permission<br />

most respectfully dedicated by his obedient<br />

Servant, Thomas G. Dutton.<br />

T.G. Dutton del & lith. Day & Son Lith.rs to the<br />

Queen. Published June 1848 by the Artist, at Bale's<br />

Cottage, Wandsworth Road, Vauxhall, also by<br />

Ackermann & Co Strand, & W.Foster Fenchurch<br />

Street.<br />

Tinted lithograph. Printed area 340 x 460mm. £1250<br />

Very scarce. One of Dutton's very first shipping scenes.<br />

NMM: PAH061.<br />

Ref: 8444<br />

405. Paul Jones Attaque une Flotte<br />

Anglaise commandée par Pearson revenant<br />

de la Baltique en 1793.<br />

Dessiné et lith par Ferd. Perrot. Imp. par Lemercier.<br />

London, published 15th March 1844, by the<br />

Anaglyphic Company, 25 Berniers St., Oxford St.<br />

Paris, publié par V.or Delarue & C.ie, Place de Louvre,<br />

10.<br />

Lithograph on india. 380 x 495mm, 15 x 19½".<br />

Publisher's blind stamp in title. £580<br />

The Battle of Flamborough Head, 23 September 1779<br />

[not 1793 as the title], was one of the most bitter naval<br />

contests of the century. The American naval<br />

commander, John Paul Jones, attacked a British<br />

convoy escorted by Captain Richard Pearson in HMS<br />

Serapis. Jones took the Serapis but his own ship was so<br />

badly damaged that she sank two days later. The<br />

convoy escaped<br />

Ref: 9071<br />

406. 'Mirage', R.Y..S., 200 Tons. 5th<br />

October 1872.<br />

T.G. Dutton, del.t et lith. M. & N. Hanhart, Imp.t.<br />

London: Published March 1st 1873 by Arthur<br />

Ackermann, 191, Regent Street.<br />

Colour tinted lithograph. Printed area 420 x 600mm.<br />

£1450<br />

Ref: 8402

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