ÎαÏÎ¬Î»Î¿Î³Î¿Ï Street Cinema - ΦεÏÏιβάλ ÎινημαÏογÏάÏÎ¿Ï ÎεÏÏαλονίκηÏ
ÎαÏÎ¬Î»Î¿Î³Î¿Ï Street Cinema - ΦεÏÏιβάλ ÎινημαÏογÏάÏÎ¿Ï ÎεÏÏÎ±Î»Î¿Î½Î¯ÎºÎ·Ï ÎαÏÎ¬Î»Î¿Î³Î¿Ï Street Cinema - ΦεÏÏιβάλ ÎινημαÏογÏάÏÎ¿Ï ÎεÏÏαλονίκηÏ
PROJECT ODYSSEYS Α 4 Μ | 88 Alongside its other activities, the Street Cinema project welcomes the A4M experimental performance arts research group and its especially interesting Project Odysseys, a sitespecific promenade performance that meets the cinema by way of another road. This is an ‘ambulant’ performance that combines different art forms, such as visual and sonic arts, installations and live music, but also different theatre techniques like physical theatre, opera and acrobatics, among others. Project Odysseys selects the public areas of the city as its field of activity. The city is transformed into a living organism in which the everyday becomes non-everyday and the familiar surrenders its place to the unknown and the mysterious. Dusty walls half-knocked down by former times, old railway lines that lead to nowhere, stories of the city that come to life before our eyes, doors that we didn’t open and human stories that were fermented with the past and left to fizzle out into oblivion. Inspired by the Homeric epic, the viewer is invited-as another Odysseus-to perambulate in the city of Thessaloniki, discover treasures, meet whatever is different and be guided in corresponding adventures comparable to those experienced by the Homeric hero. The viewer is called upon to follow a series of live images and walk in both real and mental streets in the city, in space and in time. At the same time, some of the viewers use a camera to record the performance / journey itself, thus creating their own Odyssey, their own document, through the choices they themselves make. The Odysseys is not a performance-it is a life experience.
- Page 38: | 38 Η Μακεδονική Καλ
- Page 42: | 42 Πόσα δολάρια χρε
- Page 46: | 46 The Beforelight team arrive to
- Page 50: | 50 The Out of hand team put on a
- Page 54: | 54
- Page 58: | 58
- Page 62: | 62 Wheel. Reel. The similarity be
- Page 66: | 66 Οι σκιές μεταλλά
- Page 70: | 70 Μέχρι πού θα έφτ
- Page 74: | 74ΔΕΣΠΟΙΝΙΔΕΣ ΜΕ Κ
- Page 78: | 78 Η σκηνή του εστι
- Page 82: | 82 30 νέα παιδιά οπλ
- Page 86: PROJECT ΟΔΥΣΣΕΙΕΣ Α 4 Μ
- Page 92: | 92 ΠΡΟΓΡΑΜΜΑ PROGRAMME
- Page 96: | 96 1 1 / 1 1 τ ε τ α ρ τ η
- Page 100: | 100 1 4 / 1 1 Σ Α Β Β Α Τ
- Page 104: | 104 1 5 / 1 1 Κ Υ Ρ Ι Α Κ
- Page 108: | 108 1 7 / 1 1 τ ρ ι τ η τ u
- Page 112: | 112 1 9 / 1 1 π ε μ π τ η
- Page 116: | 116 2 1 / 1 1 σ α β β α τ
- Page 120: | 120 ΤΙ ΞΕΡΩ ΓΙ’ΑΥΤΗ
- Page 124: | 124 THE ROBBERY a r t m i n d s
- Page 128: | 128 ΤΑ ΚΟΡΙΤΣΙΑ ΤΟΥ
- Page 132: | 132 SWEET MOVIE a r t m i n d s
- Page 136: | 136
PROJECT ODYSSEYS<br />
Α 4 Μ<br />
| 88 Alongside its other activities, the <strong>Street</strong> <strong>Cinema</strong> project welcomes<br />
the A4M experimental performance arts research<br />
group and its especially interesting Project Odysseys, a sitespecific<br />
promenade performance that meets the cinema by<br />
way of another road.<br />
This is an ‘ambulant’ performance that combines different art<br />
forms, such as visual and sonic arts, installations and live music,<br />
but also different theatre techniques like physical theatre,<br />
opera and acrobatics, among others. Project Odysseys selects<br />
the public areas of the city as its field of activity. The city is<br />
transformed into a living organism in which the everyday becomes<br />
non-everyday and the familiar surrenders its place to the<br />
unknown and the mysterious. Dusty walls half-knocked down by<br />
former times, old railway lines that lead to nowhere, stories of<br />
the city that come to life before our eyes, doors that we didn’t<br />
open and human stories that were fermented with the past and<br />
left to fizzle out into oblivion. Inspired by the Homeric epic, the<br />
viewer is invited-as another Odysseus-to perambulate in the<br />
city of Thessaloniki, discover treasures, meet whatever is different<br />
and be guided in corresponding adventures comparable<br />
to those experienced by the Homeric hero. The viewer is called<br />
upon to follow a series of live images and walk in both real and<br />
mental streets in the city, in space and in time.<br />
At the same time, some of the viewers use a camera to record<br />
the performance / journey itself, thus creating their own Odyssey,<br />
their own document, through the choices they themselves<br />
make.<br />
The Odysseys is not a performance-it is a life experience.