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GREETINGS FROM GENERAL SHAW CLIFTON<br />

ON THE<br />

<strong>125</strong>th ANNIVERSARY OF BOSCOMBE BAND<br />

To: Bandmaster Howard J Evans and the members of Boscombe Band<br />

Dear Bandmaster Evans,<br />

I am delighted to have the opportunity to greet you and all the members of<br />

the Boscombe Band as you celebrate <strong>125</strong> years of ministry through music.<br />

Music-making has for a long time been a distinctive of Salvation Army worship<br />

and Boscombe Corps is renowned for its standard of musicianship,<br />

deportment, and above all, of bringing blessing to its hearers and glory to God.<br />

You have many exciting events scheduled for the year, not least the visit of the<br />

International Staff Band in April and the Chicago Staff Band in May. Special<br />

mention needs to be made of the anniversary weekend in October, led by<br />

Colonel Robert Redhead. May every engagement and endeavour be fruitful<br />

for the Kingdom.<br />

As you look back over many, many years, you will be giving thanks to God for<br />

the faithfulness of all those who have been members of the band. I<br />

encourage you also to look to the future and to seek the guiding hand of God<br />

as you strive to be effective and relevant in your ministry during the years<br />

ahead.<br />

My wife, Commissioner Helen Clifton, joins me in sending you warm wishes,<br />

and may each of you know the blessing and empowering of God as you seek<br />

to witness and minister.<br />

Yours in Christ,<br />

Shaw Clifton<br />

GENERAL<br />

February 2011<br />

Bandmaster Howard J Evans and members of the Boscombe Band<br />

Dear Friends,<br />

Commissioner Betty and I would not want this important occasion to pass by<br />

without sending congratulations to you on achieving one hundred and twenty<br />

five years of service as a Salvation Army Band. This is a fine record of service<br />

and one of which you can be proud.<br />

It is doubtful that any of the present members were in the band one hundred<br />

and twenty five years ago! However, it is only because each is faithfully serving<br />

the Lord today that this celebration is possible. As we celebrate such an<br />

anniversary we are conscious of the quality of dedication which has been<br />

displayed down through the years. The music has been used to bless and<br />

attract people not simply to the Army, but to the message of the Gospel.<br />

The world is clearly vastly different to that experienced by your comrades one<br />

hundred and twenty five years ago. The spiritual needs of people however are<br />

just the same as is the power and love of an unchanging God.<br />

May your continued music-making bring edification to Salvationists and friends<br />

alike but, more importantly, may it encourage and convict those who hear of<br />

their need for a personal, living Saviour - Jesus Christ.<br />

God bless you all.<br />

Yours in Christ,<br />

John Matear<br />

Commissioner – Territorial Commander


Bandmaster Howard Evans<br />

Boscombe Corps<br />

Dear Bandmaster<br />

On behalf of everyone at Divisional Headquarters, I write to<br />

congratulate you and the members of your band as you<br />

celebrate <strong>125</strong> years of Salvationist service and witness.<br />

The excellence of your playing has, over the years, uplifted<br />

both the worship and outreach of Boscombe Corps, and<br />

been the means of drawing many people closer to the<br />

presence of God.<br />

We pray that this will continue to be the driving force of the Band, as you<br />

minister - through your music making - to both corps and community.<br />

Yours Sincerely<br />

Graham Owen<br />

Lieutenant Colonel – Divisional Commander<br />

Dear Bandmaster and Band<br />

Congratulations on the Boscombe Band reaching its <strong>125</strong>th Year! One could not<br />

hazard to guess how many million notes have been played to the glory of God and<br />

blessing of people during that time.<br />

Originally formed to aid the street ministry of the Boscombe Corps, itself only one<br />

year old at the time, it was heard by small crowds of people. Throughout the <strong>125</strong><br />

years the Band’s open air ministry has continued, in places like Fisherman’s Walk,<br />

Boscombe Seafront and Boumemouth Gardens and elsewhere at various times of<br />

the year, but its mission and ministry has expanded greatly. Today, through the<br />

miracle of God’s grace and modern technology, the Band’s playing is heard on the<br />

weekly CD ministry by people as far apart as North America, Australia, South<br />

Africa, parts of Europe and South East Asia.<br />

The Band continues to enhance the weekly indoor worship, the monthly<br />

celebration meetings, the Easter convention, monthly visits to hospitals, nursing<br />

homes, and special events like the summer bandstands, the Bournemouth Air<br />

Show, the Keyhaven songs of praise, fund raising concerts for many different<br />

charities, carolling to raise monies to support our community work, the annual<br />

cenotaph service, the Battle of Britain parade, joint concerts with other bands and<br />

with our own songster brigade, visits to local churches and Corps in the UK, and<br />

tours internationally. This year the Band completes an exhausting, but<br />

exhilarating, tour of Scandinavia.<br />

The Band’s repertoire encompasses a huge range of music from traditional hymns<br />

to complex tone poems, from lively marches to soul-searching meditations, from<br />

the classics to jazzy arrangements of negro spirituals, in fact music for almost<br />

every taste. The Band’s recent CD releases have been acclaimed, not just by<br />

Salvationists but by the Brass Band fraternity, as being of a remarkably high<br />

standard of playing. Through the years the Band has been blessed with<br />

excellent bandmasters, each with their own contribution to its development<br />

and effectiveness. Our current bandmaster, Dr. Howard Evans, has enriched,<br />

enabled and encouraged the Band in a wonderful way. Thank you Howard<br />

and your team of band locals. Roll on the next <strong>125</strong> years!<br />

With gratitude to God and all the members of Boscombe Band,<br />

past and present.<br />

Yours sincerely,<br />

Peter and Val Mylechreest,<br />

Majors – Commanding Officers (Boscombe)


Congratulations to everyone at Boscombe on their <strong>125</strong>th<br />

anniversary.<br />

Black Dyke and myself have had close relationships with<br />

the Salvation Army and indeed I have had the pleasure of<br />

conducting in your Citadel at Boscombe.<br />

The Band and Corps are a constant inspiration to all who<br />

visit and with your planed tour to Scandinavia, you carry<br />

your name proudly not only in the UK but around the<br />

world!<br />

Here’s to the next <strong>125</strong> years and what you represent so<br />

well!<br />

Dr Nicholas Childs<br />

Director of Music – Black Dyke Band<br />

The Boscombe Band of The Salvation Army<br />

1st March 2011<br />

Dear friends,<br />

Boscombe Band <strong>125</strong>th Anniversary<br />

We are living in days when many Salvation Army bands<br />

are celebrating significant anniversaries and, as I look<br />

around the territory, I am constantly reminded of the<br />

dedicated and faithful service that Salvationist<br />

musicians give in their local settings. I therefore count it<br />

a real privilege and pleasure to be able to extend my<br />

greetings and congratulations to you all on the occasion<br />

of the Boscombe Band’s <strong>125</strong>th anniversary celebrations.<br />

I am deeply aware of the strong level of commitment<br />

and the high musical standards that have been<br />

maintained at Boscombe throughout the long and<br />

illustrious history of the Band. Such standards are only<br />

achieved and maintained through faithful leadership,<br />

loyal and dedicated support and a strong sense of the<br />

value of Salvation Army banding. I salute the current<br />

leaders and members of the band for their continued<br />

work, but also recognise and acknowledge the strong<br />

foundations and traditions that were laid down and<br />

established by their predecessors.<br />

Knowing the corps as I do, I am confident that this very<br />

significant anniversary will not just be a time when past<br />

achievements are relived and memories stirred. It will<br />

also be a point from which the band will move forward<br />

with renewed enthusiasm and energy to find new ways<br />

of living out the purpose that you outline on every page<br />

of your band website ‘To know Christ, To live Christ, To<br />

share Christ’.<br />

May God continue to bless and use you in His service,<br />

both collectively as a band and as individuals as you<br />

march from this important milestone into the future.<br />

Yours sincerely,<br />

Dr Stephen Cobb<br />

Territorial Music Director<br />

Bandmaster – The International Staff Band<br />

It is a pleasure to send greetings to Boscombe Band on this<br />

remarkable occasion. Achieving <strong>125</strong> years of faithful service,<br />

ministering with music at home and abroad, means that many<br />

people will have been blessed during that time. The world has<br />

changed greatly since 1886, but the need to hear the good<br />

news of the gospel, by a variety of means, including music,<br />

has surely not diminished.<br />

I count myself as one of the many blessed by the band’s<br />

music. In its early days, only local people would have been<br />

able to hear the band; now it is heard around the world<br />

through recordings. Even forty years ago, when I was<br />

commissioned Boscombe Bandmaster, such recordings were<br />

rare. As a composer I am very grateful for the encouragement<br />

that I receive from hearing the band feature my music, and I<br />

have a wonderful sense of reward when I hear that it has been<br />

helpful to others.<br />

As well as extending congratulations on reaching this<br />

milestone, I would urge you all to take inspiration from the<br />

past, and use it to channel your skill and energy towards<br />

achieving even greater things in the future.<br />

May God bless you, your musical message, and all who hear it.<br />

Bandmaster Kenneth Downie


BOSCOMBE SALVATION ARMY<br />

March 2011<br />

I am delighted to send my sincere congratulations on the <strong>125</strong>th Anniversary of the<br />

Boscombe Salvation Army Band, particularly as Bournemouth last year celebrated its<br />

own Bicentenary.<br />

The Boscombe Corps plays a very active role in the local community by visiting<br />

Hospitals and Care Homes every week throughout the winter months, and performing<br />

concerts in the Bournemouth Gardens’ Bandstand during the summer. This, in<br />

addition to running various Clubs for the local residents and providing Christmas Day<br />

meals for those in need.<br />

Of course, the Salvation Army is well known for its Band’s visits abroad and the<br />

Mayoress and I wish them well for their forthcoming trip to Scandinavia.<br />

Councillor Barry Goldbart<br />

Mayor of Bournemouth 2010-2011


G Glass<br />

1886<br />

H Langridge<br />

1886<br />

Jack Pond<br />

1886-1908<br />

Albert Webber<br />

1909-1911<br />

Gilbert Anstell<br />

1911-1926<br />

William Walker<br />

1927-1938<br />

Sylvester Henning<br />

1938-1943<br />

Herbert Mountain<br />

1945-1950<br />

Courtney Bosanko<br />

1950-1964<br />

Kenneth Cook<br />

1964-1971<br />

Kenneth Downie<br />

1971-1974<br />

Geoff Otter<br />

1975-1995<br />

Roland Wright<br />

1995-1996<br />

Garry Lawrence<br />

1996-2001


Since its formation in 1886<br />

Boscombe Band of the Salvation<br />

Army has built a tradition of music<br />

making around the foundation of<br />

"the best for the highest". Within<br />

the Salvation Army the role of a band<br />

is like that of the church organ -<br />

providing accompaniments for the<br />

hymn singing as well as musical<br />

contributions to the church services.<br />

However, unlike the church organ, a<br />

band has the ability to take its music<br />

outside the walls of the church and<br />

into the community. Throughout its<br />

<strong>125</strong> year history the Band has<br />

always focused on Christian witness<br />

and evangelism.<br />

To this day the main purpose of the<br />

Band is to be a living testimony,<br />

whether it be in the Sunday morning<br />

Holiness meeting; playing to patients<br />

and staff at local hospitals;<br />

entertaining crowds in Bournemouth<br />

Gardens from the Pinewalk<br />

Bandstand; or taking the Christmas<br />

message to hotel residents. The<br />

proclamation of the gospel always<br />

provides the focal point.<br />

The Beginnings<br />

The Band now has a 'traditional'<br />

brass band instrumentation but it<br />

was not always thus. Early reports<br />

speak of "4 cornets, a violin, flute,<br />

triangle and drum" and more than<br />

one report highlighted the drummer.<br />

Just a few years after the Band was<br />

formed the Founder's daughter, Lucy<br />

Booth, wrote in the War Cry - "there<br />

was plenty of drum as might be<br />

expected from a man who evidently<br />

is possessed of the idea he has a<br />

mission and the standard of the<br />

instrumentalists was far above the<br />

ordinary".<br />

The Bournemouth Guardian in<br />

February of 1887 was much less<br />

charitable towards the drummer.<br />

If the Salvation Army wish to retain<br />

the goodwill of the residents here<br />

they will endeavour to restrain the<br />

ardour of the man with the big drum.<br />

It is very annoying for paterfamilias<br />

to be roused from the 40 winks he<br />

generally indulges in after his<br />

Sunday dinner and for<br />

materfamilias, just as she has<br />

succeeded in getting her olive<br />

branches to settle down for the<br />

night, to have them frightened out of<br />

their wits by the banging of the<br />

drum. Less noise and more music<br />

would be more creditable to the<br />

band, and pleasanter to those who<br />

are obliged to be hearers.<br />

By 1895 the Band had grown in size<br />

to 31 members and, according to all<br />

available photographic evidence, has<br />

never fallen below this number.<br />

The Travels<br />

It was in 1891 that the Band<br />

undertook its first recorded trip<br />

outside of Bournemouth - along with<br />

over 100 local Salvationists the<br />

Band boarded the SS Empress and<br />

set sail for Swanage - playing music<br />

on the journey to help defray the<br />

expenses! This was the first of many<br />

trips to be undertaken by the Band.<br />

In addition to well over one hundred<br />

towns and cities throughout the<br />

length and breadth of England and<br />

Wales the Band has also travelled to<br />

Scotland (Glasgow - for the Glasgow<br />

Garden Festival and the Salvation<br />

Army's Scottish Congress), Ireland<br />

(Belfast) and the Channel Islands (St<br />

Peter Port, Guernsey).<br />

On one occasion the Band went<br />

away for a weekend, visiting the<br />

corps of Alton during the August<br />

bank holiday of 1924. Travelling in a<br />

charabanc that they nicknamed the<br />

'egg boiler', they had only reached<br />

Holmsley in the New Forest when the<br />

inevitable happened and the radiator<br />

boiled over. While waiting for the<br />

vehicle to be repaired the bandsmen<br />

did not sit idly by, but enjoyed a<br />

game of cricket. Inevitably the<br />

evening festival started two hours<br />

late, but the rest of the weekend did<br />

pass without further calamity.<br />

Many invitations were received for<br />

the Band to visit corps in the North<br />

of England, but distance always<br />

proved an obstacle. It was overcome<br />

on Friday 16th June 1950 when forty<br />

four bandsmen, plus wives and<br />

sweethearts departed Boscombe for<br />

an eight day tour of the Midlands<br />

and the North - an event then<br />

considered unique in post war<br />

Salvation Army banding. Travelling<br />

over 800 miles, the Band gave<br />

festivals at Nottingham Memorial<br />

Halls, Sheffield Citadel, Hull, South<br />

Shields, Leeds (where they also<br />

played for their lunch at the<br />

Montague Burton factory),<br />

Manchester and Birmingham Citadel.


At South Shields, the bandmaster<br />

took good wishes to Bandmaster<br />

George Marshall, whose weak<br />

condition made it impossible for him<br />

to receive all the Boscombe men<br />

who desired to visit him. He sent<br />

instead a stirring message to the<br />

bandsmen.<br />

With only limited free time - to visit<br />

the Founder's birthplace at<br />

Nottingham, examine the crooked<br />

spire at Chesterfield, and visit a steel<br />

works in Sheffield - the tour was<br />

rather strenuous for the bandsmen.<br />

They no doubt were encouraged by<br />

the support of the ladies for whom<br />

accommodation was reserved in<br />

hotels and hostels, at a total cost of<br />

£4 1s 6d.<br />

This was not the first tour for the<br />

Band. In 1947 they were awarded<br />

the singular honour of being the first<br />

Salvation Army band to campaign<br />

overseas after World War II.<br />

Brindley Boon wrote an evocative<br />

account of the departure from<br />

London for The Musician.<br />

As the clock of a nearby church<br />

began to strike eight on Thursday<br />

evening (June 19th) the Hook of<br />

Holland continental train slid<br />

casually out of Liverpool Street<br />

Station carrying Boscombe Band on<br />

the second stage of its journey to<br />

Holland.<br />

For the 48 men comprising the<br />

touring party it was no casual<br />

departure. Theirs was the first<br />

British corps band to visit the<br />

continent of Europe in this new postwar<br />

era and whilst Major George<br />

Baker (the Boscombe CO -<br />

accompanying the band as IHQ<br />

representative), Bandmaster Herbert<br />

Mountain and the bandsmen were in<br />

excellent spirits, keenly anticipating<br />

the campaign, they were humbly<br />

conscious of a heavy responsibility<br />

resting upon them.<br />

By the time the last stroke had<br />

sounded the train had become<br />

swallowed up in the distant cloud of<br />

engine smoke and as the small<br />

company of well-wishers, headed by<br />

Major Saywell, quietly dispersed it<br />

was difficult to realise that, if<br />

everything went 'according to plan',<br />

the band would have arrived on<br />

Dutch soil before the friendly clock<br />

again struck eight.<br />

The Band returned to Holland in<br />

1961 revisiting many of the venues<br />

of the earlier tour including<br />

Oosterbeek Cemetery near Arnhem<br />

where they had the opportunity to<br />

remember those who had given their<br />

lives for their country.<br />

In 1990, the Band once again went<br />

on tour, this time to Sweden. Hosted<br />

by Södertalje Band a busy week saw<br />

the Band travelling as far south as<br />

Jönköping and as far north as Umeå<br />

for the divisional congress.<br />

The Band’s last two tours have seen<br />

them cross the atlantic - first to<br />

Florida and then further north to<br />

Minneapolis, Chicago, Toronto and<br />

New York, along with a number of<br />

other venues. In addition, a small<br />

group of bandsmen have also played<br />

in Moscow’s Red Square.<br />

Recordings<br />

Early in 1938 the BBC sent Mr Denis<br />

Wright to hear and assess the Band's<br />

broadcasting potential. Following<br />

the audition the bandsmen sat<br />

tensed like ramrods, holding their<br />

breath until the verdict had been<br />

announced. When told of their<br />

success they slumped with relief<br />

and, after the departure of the<br />

assessors, they were nearly dancing<br />

with joy such was their excitement.<br />

Although surely thrilled by the<br />

outcome Bandmaster Walker could<br />

not even raise a smile but sat stern<br />

faced, as usual. Denis Wright highly<br />

commended the bandsmen on their<br />

technique and general performance.<br />

Soon arrangements were made for a<br />

live broadcast which took place at<br />

Bristol Citadel where the Band was<br />

leading the meetings on the 12th<br />

and 13th of February. The<br />

programme notes described the<br />

Band as "one of the best in the<br />

South of England. A great favourite<br />

with Sir Dan Godfrey who speaks in<br />

appreciative terms of its musical<br />

efficiency. The band not only gives<br />

splendid festivals but are particularly<br />

adapted to conducting very<br />

impressive and inspiring services".<br />

On Sunday afternoon the Band<br />

performed their festival as normal<br />

then, after a short interval,<br />

commenced a live broadcast at 4pm.<br />

The twenty minute programme<br />

consisted of Scandinavian Songs,<br />

the cornet solo Wondrous Love -<br />

played by Harold Walker - and the<br />

march The Fount.<br />

Back at Boscombe, Adjutant Wingett<br />

had forestalled any absenteeism<br />

from the afternoon meeting by<br />

installing a radio - daring any of the<br />

congregation to stay at home.<br />

Wives, families and friends sat with<br />

bated breath as the Band came over<br />

the air. When the broadcast finished<br />

there was a sigh of relief and<br />

thunderous applause.<br />

Preparations were soon under way<br />

for the Band's second broadcast on<br />

25th April in the Alexandra Hall,<br />

Bournemouth which earned the<br />

Band a fee of 12 guineas. A printed<br />

card was given to each bandsman<br />

warning against possible pitfalls in<br />

the music and advising of uniform to<br />

be worn. The bandmaster added:<br />

"Be calm and do not overblow. This<br />

is your great opportunity - take it"<br />

The advice was heeded, and the<br />

resultant broadcast was very well<br />

received, with many letters sent<br />

complimenting the Band on their<br />

wonderful playing, tone and<br />

execution.


The Boscombe new building scheme<br />

prompted the Band to produce its<br />

first cassette in March 1983.<br />

Recorded at the Bournemouth<br />

studios of Two Counties Radio, the<br />

cassette took its title “Fisherman's<br />

Walk” from Kenneth Downie's march<br />

and featured a wide range of brass<br />

and vocal music, including Daystar,<br />

Glory and Brooklyn Citadel. Eric<br />

Ball's specially written meditation<br />

Brantwood was also included,<br />

together with solos played by Roland<br />

Wright (cornet) and Graham<br />

Lawrence (euphonium).<br />

Over 1000 copies of this cassette<br />

were sold, even though it was never<br />

made available through shops. In<br />

1985 the recording was re-released<br />

in LP form as Priceless Treasure,<br />

with the title coming from one of the<br />

featured songs. Marching Along was<br />

the Band's second recording,<br />

produced in both LP and cassette<br />

form in 1985, and featuring only<br />

marches and marching songs.<br />

Extracts from these recordings were<br />

often featured by the local radio<br />

stations - 2CR and Radio Solent -<br />

and the Band has also made a<br />

number of recordings especially for<br />

the BBC, both for radio - on Listen to<br />

the Band on Radio 2 and Bandstand<br />

on Radio 3 - and on television.<br />

In more recent years the band has<br />

made a number of CDs - you can<br />

find details of these elsewhere in the<br />

brochure. These recordings have<br />

enabled the Band to be heard in<br />

many far flung corners of the world<br />

that it could not possibly hope to visit<br />

and taken the Band’s message to<br />

thousands of people.<br />

Summer Activities<br />

Ever eager to find new avenues for<br />

band service, Band Secretary Percy<br />

Cutler and the CO Major Baker,<br />

approached Bournemouth Council in<br />

1946 for permission to use the<br />

Fisherman’s Walk bandstand.<br />

Undaunted by refusal Major Baker<br />

later returned to the park<br />

entertainments officials, armed with<br />

the band scores of the Unfinished<br />

Symphony and Memories of the<br />

Masters.<br />

Once convinced that the Band did<br />

feature this type of music in their<br />

festivals a trial programme was<br />

arranged and the Band duly played<br />

at Fisherman’s Walk during the<br />

August Bank holiday.<br />

A short season of about 4 bandstand<br />

programmes was also given in 1947,<br />

but the real breakthough came in<br />

1948 when the Band was invited by<br />

the council to give a series of ten<br />

concerts. Each programme<br />

commenced at 7pm, lasted ninety<br />

minutes and featured music from a<br />

repertoire of fifty pieces. With<br />

marches, selections, meditations,<br />

hymn tune arrangements, the full<br />

range of Army music was<br />

demonstrated. Three soloists of that<br />

time were regularly featured - Harold<br />

Walker, even in his late forties, never<br />

failed to thrill with his cornet solos;<br />

YP Band Leader Reg Tubbs, who had<br />

been the Band’s soprano player<br />

since 1936; and Chris Hayes on<br />

trombone. Nine guineas per<br />

programme was gratefully received<br />

for the band fund.<br />

From this grew a tradition,<br />

maintained to this day, of a series of<br />

bandstand concerts throughout each<br />

summer - recently at Pinewalk<br />

Bandstand in Bournemouth.<br />

This is just one of the ways in which<br />

the Band participates in community<br />

events in association with the civic<br />

authorities. Since 1971 the Band<br />

has led the march of war veterans to<br />

the cenotaph on Remembrance<br />

Sunday, accompanying the hymns<br />

and providing music during the<br />

laying of wreaths.<br />

Another tradition was started in<br />

December 1966 with a concert in<br />

Christchurch Priory. The report in the<br />

Bournemouth Echo read<br />

For the first time in history the Priory<br />

Church, Christchurch, resounded to<br />

the sound of Salvation Army brass<br />

bands, when the massed bands of<br />

Boscombe and Christchurch,<br />

together with their combined singing<br />

companies and songsters, presented<br />

a carol concert at the Church. The<br />

event drew one of the largest<br />

congregations ever known to the<br />

church - some people had to be<br />

turned away - and raised £85 for<br />

Christchurch Hospital League of<br />

Friends. The 40 musicians of the<br />

Boscombe Citadel Band, under<br />

Bandmaster Kenneth Cook, played a<br />

selection of Christmas music<br />

including Christmas in Europe and<br />

the tone poem The Kingdom<br />

Triumphant.<br />

Although this series of concerts was<br />

interrupted during the 1980s it is<br />

now once again established as a<br />

regular part of the Band's annual<br />

programme. Taking place near the<br />

beginning of December it is seen by<br />

many to mark the start of Christmas<br />

and alongside regular summer<br />

concerts and the Battle of Britain<br />

service each September means that<br />

the Band is now a regular visitor to<br />

the Priory.<br />

In July 1970 the Punshon Memorial<br />

Church invited the Band to lead an<br />

after church holidaymaker's service<br />

and this saw the commencement of<br />

another engagement that became an<br />

annual fixture in the Band’s<br />

calendar.<br />

A great honour was bestowed upon<br />

the Band in March 1979 when they<br />

were chosen to play for the visit to<br />

Bournemouth of Her Majesty Queen<br />

Elizabeth and the Duke of Edinburgh.<br />

Assembled in Madeira Road, the<br />

Band played for two hours while the<br />

royal couple visited the police station<br />

and had a walkabout but, due to the<br />

vast crowds, few of the bandsmen<br />

were able to get even a glimpse of<br />

them.


Prestigious Events<br />

Visits to Crystal Palace in the early<br />

part of the 20th century presaged<br />

involvement in prestigious events in<br />

famous concert halls.<br />

In November 1934 the Band were<br />

honoured by their inclusion in a<br />

festival at Queen's Hall, London,<br />

together with the bands of<br />

Tottenham I, Harlesden, Rayleigh<br />

and Kettering. The first Boscombe<br />

item was the cornet solo Tucker,<br />

played by Harold Walker, during<br />

which he accidentally blew out the<br />

slide of his first valve. Calmly he<br />

bent down, replaced it and carried<br />

on. The audience were thrilled at his<br />

brilliant delivery of this difficult solo<br />

although the composer, Erik Leidzen,<br />

writing his impressions for ‘The<br />

Bandsman and Songster’ found<br />

more than a few faults with it!<br />

In June 1962 the Band was<br />

honoured by a second appearance in<br />

the Royal Albert Hall for the<br />

Bandmasters' councils festival. As in<br />

1949 they shared the platform with<br />

Coventry City Band and the ISB, with<br />

Tottenham Citadel being the other<br />

guests. More recently the Band was<br />

further honoured by appearances in<br />

two major London festivals. At the<br />

Royal Festival Hall, 8th October<br />

1980, they shared the platform with<br />

bands from Derby Central, Ilford and<br />

Belfast Temple, and played Ray<br />

Steadman-<strong>All</strong>en's Daystar and at the<br />

Bandmasters’ Councils festival held<br />

in the Royal Albert Hall, 2nd June<br />

1984, they featured another of this<br />

composer's major works - The Holy<br />

War.<br />

For a number of years Eric Ball had<br />

friendly associations with Boscombe<br />

Band, regularly being invited to<br />

conduct a Fisherman's Walk<br />

bandstand programme, lead a band<br />

practice and attend the annual<br />

dinner. He became<br />

widely respected and<br />

admired by the<br />

bandsmen, and it was<br />

fitting then that on his<br />

80th birthday in<br />

November 1983 a<br />

special concert was given<br />

by the Band - supported<br />

by the songsters.<br />

Apart from Symphony of<br />

Thanksgiving - included at his own<br />

request - every item on the<br />

programme was written by Eric Ball<br />

himself and the occasion was truly<br />

savoured by the congregation of<br />

400, which included Harry Mortimer<br />

and other special guests.<br />

It is not only in the United Kingdom<br />

that the Band has performed in<br />

famous venues - whilst on tour<br />

abroad the band have had the<br />

honour and opportunity to play in<br />

great auditoriums such as the<br />

Concertgebouw in Amsterdam and<br />

the Historic State Theatre in<br />

Minneapolis.<br />

The Band Today<br />

One recent concert featured Duncan<br />

Hopkins (double bass) as soloist.<br />

This concert was typical of many<br />

instances throughout its history<br />

when the Band has used its music<br />

making to build bridges to the<br />

'secular' music world and therefore<br />

gain opportunities to witness to<br />

completely new audiences. Recent<br />

examples include working with Brett<br />

Baker (trombone) and Steven Mead<br />

(euphonium - a former member of<br />

the Band) on recordings and in<br />

concert as well as partnership<br />

concerts with Fountain City Brass<br />

Band (USA), SWT Woodfalls Band<br />

and Foden's Richardson Band.<br />

Such prestigious events are few and<br />

far between and account for only a<br />

small portion of the Band's workload.<br />

They are more regularly to be found<br />

playing at hospitals or homes for the<br />

elderly; proclaiming the gospel in the<br />

street or on the seafront; witnessing<br />

on the march or in the bandstand.<br />

<strong>125</strong> years after its commencement,<br />

Boscombe Band is one of the busiest<br />

in the Salvation Army.<br />

Today the Band comprises around<br />

thirty-seven men and women - who<br />

each give of their time and talent as<br />

volunteers. This considerable<br />

commitment enables the Band to<br />

continue to proclaim the Christian<br />

message through its music.<br />

Clearly these few pages can only<br />

scratch the surface of the history<br />

and heritage of the men and women<br />

who have served in the Band. It is<br />

perhaps fitting to end this summary<br />

with words from Bandmaster Walker<br />

on his retirement.<br />

We have spent years in pegging<br />

away at ourselves and at the music,<br />

but the band has now arrived at the<br />

stage where it is proving a blessing<br />

to thousands who listen to it from<br />

time to time, whether in the Citadel,<br />

in the openair or on the cliffs in<br />

summertime. Many testimonials to<br />

this fact have been received, both<br />

from persons of high rank and from<br />

the man in the street.<br />

Of the musical efficiency of the band<br />

others must speak. Suffice it to say<br />

that I lay down the baton with<br />

confidence that the band is going to<br />

be better than ever. 'Onward and<br />

Upward' must be its motto.<br />

We salute all who<br />

have gone before!


Back Row : Ray Jones, Stephen Main, Niall Marshallsay, Adrian Whittingham, John Pearce-Haydon,<br />

Keith Varley, Nicola Oakden<br />

Front Row : Craig Snell, Kevin Whittingham, Mark Forsyth, George Lawrence, Victor Hinchliffe<br />

Back Row : David Phillips, Ray Moye, Garry Lawrence, Tony Christopher, Malcolm Randell, Barney Lawrence<br />

Front Row : Maurice Smith, Ben Thompson, Colin Lowe, Kevin Bromage, John Starkes


Tom Lynch, Wayne Nock, Trevor Smith, David Wilkinson<br />

Brian Wright, Ian Mercer, Ian Clapcott, John Meredith, Ross Mercer


Back Row : Craig Snell (Treasurer), Terence Carey (PR and Media),<br />

Howard J Evans (Bandmaster), Garry Lawrence (Deputy)<br />

Front Row : Brian Wright (Sergeant), Ray Jones (Librarian),<br />

George McConnell (Secretary)<br />

Matt Worthington, George McConnell<br />

Eric Frampton<br />

The map to the left shows where in<br />

England and Wales the Band have<br />

visited during the last <strong>125</strong> years.<br />

As mentioned in the history pages<br />

the Band has also been to<br />

Scotland, Ireland and Guernsey as<br />

well as undertaking overseas<br />

tours.<br />

Visit the Band’s website to see<br />

details of the tours that have been<br />

undertaken and maps of the<br />

venues that the Band has visited.<br />

www.boscombebandsa.org.uk


In its <strong>125</strong> years the Band has had the privilege of being<br />

associated with (and conducted by) many great musicians -<br />

some from the local area, such as Sir Dan Godfrey (who was<br />

largely responsible for the success of the Bournemouth<br />

Municipal Orchestra) and Eric Ball (a legend within the brass<br />

band world who often worked with the Band, including<br />

regularly conducting at the bandstand concerts), and some<br />

international vistors, most recently with William Himes and,<br />

later this year, Robert Redhead.<br />

However, just fifteen have been privileged to be bandmaster -<br />

many of them amongst the leading musicians and composers<br />

of the Salvation Army. This is exemplified by the current<br />

bandmaster, Howard J. Evans.<br />

Howard has been the bandmaster at Boscombe since April<br />

2001 and has a well-established musical career as a pianist<br />

and teacher as well as a conductor. He graduated with a<br />

Mus.B(Hons) degree from the University of Manchester and<br />

also obtained LRAM, LTCL and ARCM(Hons) diplomas in piano<br />

teaching and performing as well as brass teaching. As a<br />

postgraduate pianist of the Royal Northern College of Music,<br />

Manchester, he obtained a Diploma in Performance Studies.<br />

His piano studies were undertaken with the British pianist<br />

Gordon Fergus-Thompson and later with the distinguished<br />

Russian pianist and international teacher, Sulamita<br />

Aronovsky.<br />

As a pianist and conductor he has performed extensively at<br />

many major concert venues throughout the United Kingdom,<br />

including the Queen Elizabeth Hall, the Bridgewater Hall and<br />

the Royal Albert Hall. He has also made regular visits<br />

overseas to Canada and the USA, as well as to European<br />

countries such as the Netherlands, Norway, Sweden, Germany,<br />

Austria and Switzerland. In addition he undertakes work as an<br />

examiner for the Associated Board of the Royal Schools of<br />

Music and maintains a piano teaching practice.<br />

For some time he has also been involved in the Salvation<br />

Army brass scene, becoming the National Bandmaster United<br />

Kingdom in 1988. In May 2000 he was appointed Director of<br />

Music in the Netherlands and conductor of the Amsterdam<br />

Staff Band. During a period of nearly six years with the band<br />

he undertook two major tours - to USA West in 2003 and to<br />

the UK in 2005.<br />

During the last few years he has also been in demand as a<br />

guest conductor for a number of bands at significant events,<br />

directing a Celebrity Brass Band in the premiere recording of<br />

the brass version of Karl Jenkins’ The Armed Man; appearing<br />

with the Leyland Band at the RNCM Festival of Brass in 2008;<br />

directing the Grimethorpe Colliery Band for their appearances<br />

at the Deal Festival in the summer of 2008 and the Festival of<br />

Brass in 2011; and an appearance at the Festival of Brass in<br />

2010 with the famous Brighouse and Rastrick Band.<br />

In 2005 Howard completed a performance based<br />

Masters Degree with Distinction from Salford<br />

University, majoring in conducting. Since January<br />

2007 he has also been working as a Lecturer at the<br />

University and was appointed to a Fellowship in<br />

October 2008, specialising in performance areas.<br />

This was followed in July 2009 by the award of a<br />

Doctor of Musical Arts (DMA) degree from Salford<br />

University. His doctoral studies included the<br />

recording of The Armed Man. The significance of<br />

this recording rests in pushing the boundaries of the<br />

brass band genre and integration with other<br />

performance disciplines which allows it to build<br />

bridges with the wider music community. Also<br />

within the doctoral submission was the recording<br />

Sanctuary (with the Boscombe Band), a unique<br />

survey from a major area of the Salvation Army’s<br />

reflective music in a form known as the<br />

‘Meditation’. This received critical praise for<br />

renewing a sense of intellectual and musical centre<br />

within church music through the medium of the<br />

brass band literature. Sanctuary was also noted for<br />

performances that gave significant new insights<br />

into repertoire which had developed its own<br />

historicity of performance practice. Distinguished<br />

premieres of the work of Ray Steadman-<strong>All</strong>en, one<br />

of the most distinctive voices within the brass scene<br />

across all boundaries, were also a major feature of<br />

his doctoral success.<br />

In November 2010 Howard was appointed as a<br />

permanent Lecturer in Performance and is now the<br />

Classical Performance Director for the Music<br />

Directorate.


Having a father who occupied the<br />

principal cornet seat of the<br />

International Staff Band for a<br />

number of years, there was always<br />

an expectation that Craig would one<br />

day learn to play the cornet. At the<br />

early age of four Craig’s journey<br />

began and then soon took off when<br />

he started playing in the YP Band at<br />

his local Salvation Army Citadel in<br />

Romford.<br />

His family moved to Bournemouth<br />

in 1984, where he began attending<br />

local and national music camps run<br />

by the Salvation Army - for a<br />

number of years enjoying Cobham<br />

Hall Territorial Music School.<br />

Craig joined Boscombe Band in<br />

1986 in the Band’s 100th year and<br />

began his rise up the cornet bench<br />

‘one part at a time’, until eventually<br />

sitting next to his father following<br />

his attainment of principal cornet at<br />

the age of twenty-three. Craig has<br />

also enjoyed the position of<br />

assistant principal cornet or<br />

principal cornet in the Household<br />

Troops Band for ten years, the<br />

Clarence Adoo Brass Band since its<br />

inception, and for various concerts<br />

for local Champion Section bands<br />

including Woodfalls, Bournemouth<br />

Concert Brass, Bodmin Town Band<br />

and Hyde Band. He was also a<br />

member of the Egon Virtuosi Brass<br />

Band.<br />

Barney is a fourth generation<br />

Salvationist and Boscombe<br />

bandsman. He started playing the<br />

cornet as a six year old, passing his<br />

grade 8 exam with distinction when<br />

he was fifteen. He then switched to<br />

Tenor Horn at sixteen, and passed<br />

his grade 8 on horn when he was<br />

eighteen, before passing his grade 8<br />

in music theory a year later.<br />

Barney has always been a lover of<br />

music, studying it at GCSE and A<br />

Level at school. He is very active<br />

within the corps, playing in the Band<br />

as well as playing bass guitar for the<br />

corps songsters. He has also played<br />

bass guitar for the choirs at<br />

Territorial Music School, Northern<br />

Summer School, the Territorial<br />

Youth Choir, and also Salvacosta.<br />

Barney works at Cliff House Holiday<br />

and Conference Centre, which is a<br />

Salvation Army run hotel in<br />

Bournemouth.


Trevor has played in all sections of<br />

Salvation Army bands excluding<br />

percussion with most of his time at<br />

Boscombe being on trombone. He<br />

has played over twenty fie different<br />

solos on four different instruments -<br />

including the Vaughan Williams<br />

Tuba Concerto with orchestra.<br />

In his youth he participated in semiprofessional<br />

orchestras doing pit<br />

work for musicals, opera and many<br />

different choral societies. He has<br />

played with people such as John<br />

Ogdon, John Wilbraham, David<br />

Cripps, Michael Laird, Sarah Walker<br />

and Felicity Lott<br />

Trevor is a Capital Plant Sales<br />

Manager for the largest milking<br />

machine manufacturer in the world.<br />

His interests include travel, eating<br />

out, his grandchildren, listening to<br />

music and regular workouts at the<br />

gym.<br />

John started playing at the tender<br />

age of four within a few years he<br />

was travelling round the north of<br />

Scotland as euphonium player in<br />

Inverness Salvation Army band<br />

learning his art as a stand up<br />

soloist. He was eighteen when he<br />

joined the renowned Govan Citadel<br />

band under the guidance of<br />

Bandmaster John Baillie and he<br />

moved to Boscombe in 1988 where<br />

he really started to learn his craft<br />

under the late Geoff Otter and<br />

former principal euphonium<br />

Graham Lawrence.<br />

John has also been a member of the<br />

Woodfalls Band under the<br />

leadership of Dr. Nick Childs and<br />

Melvin White and is now a member<br />

of Bournemouth Concert Brass.<br />

John is a devoted family man -<br />

husband to Jo and father to<br />

Catherine and Stephen and in all<br />

that he does he embodies the ethos<br />

of “the best for the highest”.<br />

John is a first generation<br />

Salvationist having been introduced<br />

to the Army by the parents of his<br />

friend David Wilkinson at the age of<br />

ten. Attendance at Sunday school<br />

eventually led to becoming a learner<br />

and subsequently joining the YP<br />

Band under the leadership of<br />

Norman Cutler and, for the majority<br />

of the time, Roy Doncaster. Initially<br />

playing second cornet, John spent<br />

most of his time in the YP Band on<br />

euphonium.<br />

In 1961 he transferred to the senior<br />

band (Courtney Bosanko) on Eb<br />

tuba. From 1962 until 1965 John<br />

joined the RAF Music Services as a<br />

tuba player serving at RAF Uxbridge,<br />

Locking and Akrotiri. On his return<br />

to the corps he became the Band's<br />

principal Eb tuba which remains his<br />

current position.<br />

In 2009 John attained a PhD in<br />

composition from Salford University<br />

under the auspices of Peter Graham<br />

and holds a Master of Arts (Dist.)<br />

degree in composition. He also is a<br />

Fellow of the Trinity College of<br />

Music, Licentiate of the Trinity<br />

College of Music and an Associate<br />

of the Royal College of Music.<br />

John, a retired Facilities Manager, is<br />

married to Diane who is the corps<br />

pianist and they have two children -<br />

Timothy and Holly - and a<br />

granddaughter - Abigail.


James Anderson<br />

Camp Happyland<br />

Goldcrest<br />

The Pioneers<br />

Michael Babb<br />

Love Cannot Fail<br />

John Larsson<br />

Eric Ball<br />

Glory To His Name<br />

Star Lake<br />

The Eternal Presence<br />

The Old Wells<br />

The Kingdom Triumphant<br />

Leonard Ballantine<br />

Heart Beat<br />

His Eye is on the Sparrow<br />

'Mid <strong>All</strong> The Traffic<br />

O Magnum Mysterium<br />

Morten Lauridsen<br />

Norman Bearcroft<br />

Just Like John<br />

Spirit of the Army<br />

Suite - Reflections<br />

The Call of Christ<br />

The Calvary Track<br />

Albert Orsborn<br />

The Word of Grace<br />

David Bertie<br />

Gabriel’s Oboe (The Mission)<br />

Ennio Morricone<br />

Thomas Bidgood<br />

The British Legion March<br />

Ivor Bosanko<br />

Share My Yoke<br />

Joy Webb<br />

Brian Bowen<br />

Amen, Amen!<br />

City of God<br />

Ray Bowes<br />

Abide with Me<br />

Dudley Bright<br />

Are You Joyful?<br />

Paean<br />

The Greatest of These<br />

William Broughton<br />

Deep River<br />

Negro Spiritual<br />

Stephen Bulla<br />

Washington Salute <strong>125</strong><br />

Morley Calvert<br />

My <strong>All</strong> is on the Altar<br />

Phil Catelinet<br />

Reclamation<br />

Bramwell Coles<br />

Lloyd<br />

Cuthbert Howard<br />

The Story of Old<br />

James Asher Parks<br />

Treasures From Tchaikovsky<br />

Piotr Ilyich Tchaikovsky<br />

Victors Acclaimed<br />

Martin Cordner<br />

In Christ Alone<br />

Stuart Townend, Keith Getty<br />

Light-Bringer<br />

Round-Up<br />

The Name<br />

Ray Cresswell<br />

The Defenders<br />

James Curnow<br />

A Psalm of Praise (Psalm 100)<br />

Breathe on me, Breath of God<br />

Ellacombe Chronicles<br />

Procession of Nobles<br />

Nikolai Andreyevich Rimsky-Korsakov<br />

Henry Walford Davies<br />

RAF March Past<br />

Howard Davies<br />

You Know That We Love You<br />

Trevor Davis<br />

<strong>All</strong> over the world<br />

Swan Lake - Extract from Act I<br />

Piotr Ilyich Tchaikovsky<br />

Kenneth Downie<br />

Brother James' Air<br />

The Lord's my Shepherd<br />

James Leith Macbeth Bain<br />

Christmas Angels<br />

Coming Home! music of reconciliation<br />

William Thompson<br />

Even Me<br />

Grant us Thy peace<br />

In Perfect Peace<br />

Jesus Answers Prayer<br />

My Name is Written There<br />

Myfanwy<br />

Joseph Parry<br />

Purcell Variations<br />

Quiet Time<br />

Reverie<br />

Silent Vigil<br />

Stars of the Morning<br />

The Great Parade<br />

Through the Blood of the Lamb<br />

You Know That We Love You<br />

After the song by Howard Davies<br />

Paul Drury<br />

Such Love<br />

Howard J Evans<br />

Amazing Grace<br />

Beauty for Brokenness<br />

Chassidic Dance<br />

Easter Hymn<br />

Full Surrender<br />

Joy Through the Ages<br />

Dedicated to all those who have<br />

served in Boscombe Band -<br />

“Now you are kept for good by the<br />

Shepherd of your soul”<br />

(1 Peter 2:21)<br />

Lobe Den Herren<br />

Miles Lane<br />

Now Thank We <strong>All</strong> Our God<br />

Passport to Heaven<br />

Ride on in Majesty<br />

St Clements<br />

St Francis<br />

Westminster Abbey<br />

When He Cometh<br />

Ray Farr<br />

Toccata in D minor<br />

Johann Sebastian Bach<br />

Dorothy Gates<br />

Agape<br />

<strong>All</strong> Glorious<br />

Dean Goffin<br />

Nimrod<br />

Edward Elgar<br />

Wonderful Healer<br />

Henry Goffin<br />

The Red Shield<br />

Arthur Goldsmith<br />

Hallelujah Chorus<br />

Georg Friderich Handel<br />

William Gordon<br />

God be With You<br />

Ralph Vaughan Williams<br />

Barrie Gott<br />

Let There be Praise<br />

Dick and Melody Tunney<br />

Light Walk<br />

Power in the Blood<br />

Peter Graham<br />

Bravura<br />

A Fantasy on British Folk Songs<br />

Dance Before the Lord<br />

Dear Lord and Father<br />

Lament<br />

Ronan Hardiman<br />

Shine as the Light<br />

Swedish Folk Song - O Lord my God<br />

Traditional<br />

The Shining Star


Arthur Gullidge<br />

Emblem of the Army<br />

Philip Harper<br />

In Love For Me<br />

Carol and Jimmy Owens<br />

Eiliv Herikstad<br />

<strong>All</strong> to Jesus<br />

William Himes<br />

<strong>All</strong> That I Am<br />

Cause for Celebration<br />

Festival Prelude - Ellacombe<br />

Motivation<br />

Pastorale - Precious Fountain<br />

for my father on his 80th birthday<br />

Prayer of Thanksgiving<br />

Procession to Covenant<br />

This I Know<br />

To my friend, James Anderson,<br />

for his faith and courage<br />

To Know Thee<br />

To the Chief Musician<br />

Total Praise<br />

Richard Smallwood<br />

Paul Hindmarsh<br />

Pilgrim Song<br />

Wilfred Heaton<br />

Brian Hogg<br />

Trust and Obey<br />

Albert H Jakeway<br />

Ave Verum<br />

Wolfgang Amadeus Mozart<br />

Jerusalem<br />

Hubert Parry<br />

Rosehill<br />

Dean Jones<br />

Written in Red<br />

Michael Kenyon<br />

The Magic Flute Overture<br />

Wolfgang Amadeus Mozart<br />

Simon Kerwin<br />

Eg Veit I Himmerik Ei Borg<br />

Castle in the Sky<br />

Norwegian Traditional<br />

Erik Liedzen<br />

Steadily Onward<br />

Paul Lovatt-Cooper<br />

'neath Dublin Skies<br />

Andrew Mackereth<br />

Fall Afresh<br />

Daniel Iverson<br />

George Marshall<br />

God So Loved the World<br />

Sir John Stainer<br />

John Meredith<br />

Come See the Lord<br />

Down Ampney<br />

Heaven’s Gate<br />

Here is Love<br />

In Moments Like These<br />

Jesus is the Name<br />

Lord of the Years<br />

Make me a Channel of Your Peace<br />

One More Step Along the World I Go<br />

Pieds-en-l'Air<br />

Peter Warlock<br />

Tell Out my Soul<br />

The Quiet Heart<br />

June Collin<br />

What a Faithful God<br />

Ed Mylchreest<br />

I the Lord of Sea and Sky<br />

Hugh Nash<br />

Demelza<br />

Kevin Norbury<br />

Pie Jesu<br />

Gabriel Faure<br />

Ramsgate<br />

Edgar Hollis<br />

Ralph Pearce<br />

Ascalon<br />

Grace<br />

Whisper a Prayer<br />

Richard Phillips<br />

Blaenwern<br />

There Will Be God<br />

Joy Webb<br />

Who is He?<br />

Benjamin Hanby<br />

Steven Ponsford<br />

Fanfare to Worship<br />

Turris Fortissima<br />

A. Stanley Raikes<br />

Cairo Red Shield<br />

Robert Redhead<br />

Christ Hymn<br />

Euphony<br />

Quintessence<br />

Reflections in Nature<br />

Goff Richards<br />

Hymns of Praise<br />

I Will Follow Him<br />

Franck Pourcel, Paul Mauriat<br />

I'll Walk With God<br />

Nicholas Brodszky<br />

Olaf J Ritman<br />

Denn er Hat Seinen Engeln Befohlen<br />

(Psalm 91)<br />

Felix Mendelssohn-Bartholdy<br />

Greater Things<br />

The Lord Bless You And Keep You<br />

John Rutter<br />

Ian Robinson<br />

To a God Like This<br />

John Larsson<br />

Paul Sharman<br />

Righteousness, Peace and Joy<br />

Erik Silfverberg<br />

Don't Let the Devil<br />

Graham Press<br />

Nobody Knows<br />

Negro Spiritual<br />

Tony Small<br />

Benedictus<br />

Karl Jenkins<br />

Kenneth Smith<br />

Bless our Army!<br />

The Wonder of it <strong>All</strong><br />

George Beverley Shea<br />

Ray Steadman-<strong>All</strong>en<br />

A Gaelic Blessing<br />

John Rutter<br />

Angels Watching Over Me<br />

Negro Spiritual arr. Joy Webb<br />

Evening Hymn<br />

Hadleigh Camp<br />

Holy, Holy, Holy (Nicæa)<br />

Suite - Lord of the Sea<br />

The Ransomed Host<br />

Alastair Taylor<br />

Chorale and Prelude - Beethoven<br />

Andrew Wainwright<br />

Carol of the Bells<br />

traditional<br />

Andrew Lloyd Webber<br />

Jesus Christ Superstar<br />

Gavin Whitehouse<br />

Forever You Will Be<br />

Craig Woodland<br />

Don't Doubt Him Now<br />

Leonard Ballantine


For full details of all the band recordings visit<br />

www.boscombebandsa.org.uk<br />

Older<br />

Recordings<br />

Our current CD is detailed on a<br />

later page in this brochure<br />

A collection of Salvation Army meditations<br />

Featuring Brett Baker<br />

The two bands live in concert and featuring<br />

Brett Baker on trombone<br />

Double CD with 30 marches<br />

Featuring Steven Mead as soloist with the<br />

band he grew up in


Friday at 7.30pm : Band Dinner<br />

Saturday at 2.30pm : March through Bournemouth town<br />

centre to Civic Reception at the Town Hall<br />

Saturday at 4.30pm : Reception for present and former<br />

bandsmen<br />

Saturday at 7.30pm : Evening Concert<br />

Sunday at 11.00am : Holiness Meeting<br />

Sunday at 4.00pm : Sunday Concert<br />

Special guests for the weekend will be Colonel Robert<br />

Redhead and his wife Gwenyth. The Redheads retired in<br />

Canada from active service on July 1, 2005. While<br />

continuing to receive invitations to share in ministry in a<br />

variety of ways in all parts of the world, since September<br />

2008 they have become “worship practitioners” in their<br />

local corps of Orillia where they co-share the leadership of<br />

the Worship Committee. In addition, Robert is the lead<br />

worshipper with the worship team, and leader of the corps<br />

band.<br />

Their last appointment was as the General’s<br />

representatives for the Development of Worship and<br />

Evangelism through music and other creative arts. For two<br />

years they travelled extensively, in fulfillment of their<br />

mandate, visiting territorial leaderships and conducting<br />

workshops in 31 territories and commands.<br />

In June 2004 they hosted MOSAIC in Toronto, the second<br />

International Music and Other Creative Ministries Forum,<br />

attended by 61 territorial creative ministries leaders from<br />

34 territories and commands, with an African version of the<br />

forum being held later in the same year in Nairobi, Kenya<br />

for delegates from 6 African territories and commands.<br />

In the years immediately prior, they had been Chief<br />

Secretary and Territorial Women’s Ministries Secretary<br />

respectively in both the New Zealand, Fiji and Tonga<br />

Territory, and the Canada and Bermuda Territory, and had<br />

held divisional leadership in the latter territory.<br />

Earlier, from 1990 - 1994 Robert had been the Head of the<br />

International Music Editorial Department and bandmaster<br />

of the International Staff Band. Later he became the Head<br />

of Creative Ministries in the new UK territory. During this<br />

time, sweeping changes were made to International Orders<br />

and Regulations governing Salvation Army music and<br />

musicians, opening up what had previously been a very<br />

closed area of Salvation Army ministry. During this time<br />

Gwenyth applied her gifts towards teaching biblical studies<br />

at the UK training college for officers.<br />

Prior to this, in 1985, they had been appointed as<br />

corps officers of the Southmount Corps in<br />

Vancouver, Canada, following nine years at<br />

Territorial Headquarters during which time Robert<br />

served as Territorial Music Secretary and<br />

Bandmaster of the Canadian Staff Band.<br />

Gwenyth became the territory’s first Drama<br />

Consultant, and began to use her gifts through<br />

the medium of writing and drama towards<br />

creative approaches to worship. She collaborated<br />

with Robert in the writing and production of<br />

several musicals.<br />

Besides writing lyrics for many published songs,<br />

Gwenyth has had a novel published, and many<br />

articles featured in Salvation Army periodicals<br />

internationally. Robert’s music has been<br />

published by the Salvation Army around the<br />

world, and many of his works have been recorded.<br />

The Redheads were born and bred in England,<br />

and trained to become Salvation Army Officers in<br />

London. Robert was commissioned in 1964 and<br />

married Gwenyth following her commissioning in<br />

1965. Corps and training college appointments<br />

were followed by six years in the International<br />

Music Editorial Department before they were<br />

appointed to the Canada and Bermuda Territory.<br />

They have two daughters, two grandsons, and one<br />

granddaughter. Joanne is a school principal and<br />

lives in Bolton, Ontario. Corinne, and her husband<br />

Steven Cameron, are corps officers at the Haven<br />

of Hope Church in Regina, Saskatchewan.


The Band have a number of special events this year, but the focus of its service will continue to be its week to week<br />

activities supporting the services at Boscombe as well as outdoor activities - in Bournemouth Gardens, at the hospital and<br />

at various homes throughout the area. Listed below are some of the extra events that will be happening and that will<br />

keep the Band busy throughout the year.<br />

Saturday February 5th<br />

Supporting Staines Songsters<br />

at Boscombe<br />

Thursday, March 17th<br />

Band Open Evening and CD launch<br />

Saturday April 9th<br />

Wedding of Ben Thompson and Ali<br />

Thursday April 21st<br />

Maundy Thursday Music<br />

Friday April 22nd<br />

Good Friday Service<br />

Saturday-Sunday April 23rd-24th<br />

Visit of the International Staff Band<br />

Saturday May 7th<br />

Visit to Exeter<br />

Friday-Sunday May 27th-29th<br />

Visit of the Chicago Staff Band<br />

June 11th-19th<br />

Tour of Scandinavia<br />

Thursday June 30th<br />

Concert at Christchurch Priory<br />

guest soloist- Les Neish (tuba)<br />

Friday July 1st<br />

Pinewalk Bandstand<br />

Friday July 15th<br />

Pinewalk Bandstand<br />

Thursday July 28th<br />

Pinewalk Bandstand<br />

Sunday July 31st<br />

Keyhaven Songs of Praise<br />

Thursday August 11th<br />

Pinewalk Bandstand<br />

Sunday September 18th<br />

Battle of Britain Day Parade<br />

Friday-Sunday October 21st-23rd<br />

Band <strong>125</strong>th Anniversary Weekend<br />

Sunday November 13th<br />

Bournemouth Cenotaph<br />

Sunday November 13th<br />

A Night to Remember<br />

Thursday December 1st<br />

Christmas Concert at<br />

Christchurch Priory<br />

Friday December 16th<br />

Tree of Light Service<br />

Sunday December 18th<br />

Hospital Carol Service<br />

Sunday December 18th<br />

Corps Carol Service<br />

Saturday December 24th<br />

Carolling at Hotels<br />

Sunday December 25th<br />

Bournemouth Hospital<br />

For up to date information about the Band’s engagements visit<br />

www.boscombebandsa.org.uk<br />

March - The Defenders - Ray Cresswell<br />

Coming Home - Kenneth Downie<br />

Horn solo - His Eye is on the Sparrow - Leonard Ballantine<br />

Are You Joyful? - Dudley Bright<br />

Joy Through the Ages - Howard J. Evans<br />

Cornet solo - The Call of Christ - Norman Bearcroft<br />

Lord of the Sea - Ray Steadman-<strong>All</strong>en<br />

The Quiet Heart - June Collin trs. John Meredith<br />

Euphonium solo - The Ransomed Host - Ray Steadman-<strong>All</strong>en<br />

Male voices - The Calvary Track - Albert Orsborn arr. Norman Bearcroft<br />

The Eternal Presence - Eric Ball<br />

Première recordings


The first tour of Norway was made in 1891 by the Norwegian Staff Band. Hopefully our travels around<br />

the country will be far easier than was the case in those days. However, one thing we do have in<br />

common is the reason for taking our music around the country. That original staff band adopted a<br />

“mission statement” (in today’s parlance) that is apt for our own tour as well.<br />

To bless as many people as<br />

possible, encourage officers<br />

and soldiers and use every<br />

opportunity to play, sing and<br />

witness for both great and<br />

small, and win souls for Jesus.<br />

Vi gleder oss til å bli bedre kjent med Norge


Dear Comrades,<br />

A trip from Boscombe, in the south of England, to Trondheim, in<br />

central Norway, may not be as daunting today as it would have<br />

been in those far-off days of the marauding Vikings. Despite the<br />

challenges of transporting a brass band bass section (I am<br />

referring to the instruments, not the players – though you may<br />

well have cause to wonder about some of them as well, if your<br />

bass players are anything like some of those I’ve encountered in<br />

the various bands in which I’ve occupied a seat on the trombone<br />

bench!), modern travel is such that the relatively short distance<br />

is covered long before the journey becomes uncomfortable.<br />

The cultural distance between Boscombe and Trondheim (or any of the other Norwegian cities you will visit) is traversed as<br />

easily these days... there is no need to be apprehensive about meeting these descendents of Thorkell the Tall – they have<br />

been transformed into a peace-loving, amiable people who though reserved generally, are very warm in their welcome of<br />

visitors - especially their own. Your love for Christ, for the Army, and for brass banding (preferably in that order!) will<br />

ensure that the welcome you receive is warm, the hospitality benevolent and the reception of your ministry enthusiastic.<br />

“The song of the Lord began with the trumpet” (2 Chron. 29:27) is often quoted in the context of a band’s ministry. It is<br />

appropriate because it describes worship being led by the musicians in the context of the sanctification of God’s people.<br />

We look forward to being blessed, sanctified, and – yes – entertained by your ministry. Welcome!<br />

Clive Adams<br />

Territorial Commander<br />

Dear Friends!<br />

We are very excited about hosting the Boscombe Citadel Band as part of<br />

your Scandinavian tour. The Salvation Army Corps centres you will be<br />

visiting will have made great preparations believing that your visit will<br />

present an opportunity to celebrate Christ in their locality in a wonderful<br />

way. They also hope that the occasion will also present a chance to<br />

experience enriching fellowship with fellow salvationists from overseas.<br />

Norway should be at its most beautiful at the time of your visit, and I am<br />

sure that you will enjoy the journey almost as much as the meeting with<br />

salvationists, the concerts and the meetings. Please be assured that we<br />

are praying for you and the tour.<br />

We are happy that you followed the saying "look to Norway"! And the<br />

best way is come to see it with your own eyes. You are most welcome.<br />

May God bless you.<br />

Major Jan Harald Hagen<br />

Territorial Music Secretary.<br />

Lieutenant Colonel Gilbert Ellis, tour leader, is<br />

well acquainted with Scandinavia having served<br />

in Norway for nearly 30 years in a variety of<br />

appointments at corps, divisional and territorial<br />

levels. His service has taken him to all the<br />

Nordic countries, including Iceland, The Faeroes<br />

and Spitzbergen.<br />

Now retired to his home territory, the Colonel<br />

soldiers at Boscombe and is well acquainted<br />

with excellence of the Band, and appreciative of<br />

their faithful service week by week in the<br />

Bournemouth area.<br />

The Colonel's book What a Hope! was published<br />

in 2010 and has been well received throughout<br />

the British Territory. It will be on sale during the<br />

Band’s tour of Scandinavia


Saturday 11th June and Sunday 12th June<br />

København (Copenhagen) is the capital and largest city of Denmark,<br />

with an urban population of over 1m (2010) and a metropolitan<br />

population of nearly 2m (2010). It is situated on the islands of<br />

Zealand and Amager. Copenhagen has repeatedly been recognised<br />

as one of the cities with the best quality of life. It is also considered<br />

one of the world’s most environmentally friendly cities. The water in<br />

the inner harbour is so clean that it can be swum in, and 36% of all<br />

citizens commute to work by bicycle.<br />

In addition to a concert at the Temple on the Saturday evening the<br />

Band will also be marching on Sunday morning and participating in<br />

the Holiness meeting.<br />

Sunday 12th June<br />

Göteborg (Gothenburg) is the second-largest city in Sweden (after<br />

Stockholm) and the fifth-largest in the Nordic countries. The city was<br />

founded in 1621 by King Gustavus Adolphus of Sweden. It lies by<br />

the sea at the mouth of Göta Älv - the river running through the city<br />

- and is the largest seaport in the Nordic countries. The city proper<br />

has almost 1m inhabitants in the metropolitan area and is also<br />

home to many students, as the city includes both the University of<br />

Gothenburg and Chalmers University of Technology. Volvo Cars<br />

was founded in Gothenburg in 1927.<br />

On the previous visit to Sweden in 1990 the Band did not come to the<br />

west of Sweden so this will be their first concert in Gothenburg.<br />

Monday 13th June<br />

Halden is a beautiful town, situated between Oslo and<br />

Gothenburg (Sweden). The majestic Fredriksten fortress<br />

towers over the town with the marina nestling at it's foot. The<br />

fortress was previously the bastion of Norway's defences and<br />

the town itself is today's gateway to Norway.<br />

The Band will perform a short outdoor concert at the fortress at<br />

lunchtime during their journey from Gothenburg to Askim.<br />

Monday 13th June<br />

Askim is a town and a municipality in Østfold county. It was<br />

established as a municipality on 1 January 1838 and is the<br />

largest population centre in Indre Østfold. It lies next to the<br />

longest river in Norway, Glomma, which forms the border with<br />

Spydeberg to the north and west, and Skiptvet to the south.<br />

Askim produces large amounts of hydroelectricity at three dams:<br />

Solbergfoss, Kykkelsrud, then Vamma. There was nickel mining<br />

at Kykkelsrud at the turn of the 20th century. These mines are<br />

also one of the few places where "kulenoritt" is found. An<br />

industrial city for most of the 20th century, the main employer,<br />

Viking, shut down its rubber product manufacture in 1992.<br />

Glava is the main employer today.<br />

The Band will be giving a concert in the Askim Menighet.


Tuesday 14th June<br />

Røros is a town and municipality in Sør-Trøndelag county - part of the<br />

Gauldalen region. Røros was established as a municipality in 1838 and<br />

was split into four municipalities in 1926 (Røros town, Røros landsogn,<br />

Brekken, and Glåmos), but these four were merged together again in<br />

1964. Røros municipality has been used by the South Sami people for<br />

reindeer herding up until today. Known for its copper mines, Røros is<br />

one of Norway’s two nationally significant mining towns with activity<br />

starting in the 17th century - the other one being the "silver-town"<br />

Kongsberg.<br />

Wednesday 15th June<br />

Trondheim, historically Kaupangen, Nidaros and Trondhjem, is a city and municipality in<br />

Sør-Trøndelag. It is the fourth most populated city in the country. The settlement was<br />

founded in 997 as a trading post, and was the capital of Norway during the Viking Age<br />

until 1217. From 1152 to 1537, the city was the seat of the Archdiocese of Nidaros;<br />

since then it has remained the seat of the Diocese of Nidaros and the Nidaros<br />

Cathedral. Trondheim lies on the south shore of the Trondheimsfjord at the mouth of<br />

the river Nidelva.<br />

The Band will be giving a concert at Lademoen Menighet, an openair in Trondheim and<br />

will also have the opportunity to visit the Ringve museum.<br />

Thursday 16th June<br />

Lillehammer is a town and municipality in Oppland county, globally known for<br />

hosting the 1994 Winter Olympics. It is part of the traditional region of<br />

Gudbrandsdal. As of January 2010, the population of the town of Lillehammer<br />

was 26,381. The city centre is a late 19th century concentration of wooden<br />

houses, which enjoys a picturesque location overlooking the northern part of<br />

lake Mjøsa and the river Lågen, surrounded by mountains.<br />

Friday 17th June<br />

Drammen is a city and municipality in Buskerud county. It is a suburb of<br />

Oslo. The municipality of Drammen was established in 1838. The rural<br />

municipality of Skoger was merged with the municipality of Drammen in<br />

1964 and was transferred from Vestfold county to Buskerud county at the<br />

same time. The city has 62,566 inhabitants, making it Norway’s seventh<br />

largest.<br />

Saturday 18th June and Sunday 19th June<br />

Oslo was founded around 1048 by King Harald III "Hardrada" of Norway.<br />

The city was largely destroyed by a fire in 1624 and The Danish-Norwegian<br />

King Christian IV rebuilt the city as Christiania (briefly also spelt<br />

Kristiania). In 1925 the city reclaimed its original Norwegian name, Oslo.<br />

The diocese of Oslo is one of the five original dioceses in Norway, which<br />

originated around the year 1070. As of 2010, the metropolitan area of<br />

Oslo has a population of 1.5m and is increasing at a record rate of over<br />

2% annually, making it the fastest growing capital in Europe. This growth<br />

stems from immigration changing Oslo into a multicultural city. In 2009<br />

Oslo regained its status as the worlds most expensive city.<br />

On the final weekend of the tour, the Band will have an openair concert in<br />

Oslo and a concert on the Saturday evening as well as sharing in worship<br />

on the Sunday.


Victors Acclaimed Bramwell Coles OR Rosehill Albert Jakeway<br />

To the Chief Musician William Himes<br />

Congregational Song<br />

Two solos from:<br />

Cornet : Gabriel's Oboe (The Mission) Ennio Morricone arranged David Bertie<br />

Cornet : Glory to His Name Eric Ball<br />

Horn : Demelza Hugh Nash<br />

Horn : His Eye is on the Sparrow Leonard Ballantine<br />

Euphonium : Bravura (A Fantasy on British Folk Songs) Peter Graham<br />

Euphonium : The Ransomed Host Ray Steadman-<strong>All</strong>en<br />

Trombone Trio : I Will Follow Him Franck Pourcel and Paul Mauriat<br />

arranged Goff Richards<br />

Eg Veit I Himmerik Ei Borg OR <strong>All</strong> to Jesus Eiliv Herikstad<br />

(Castle in the Sky)<br />

Norwegian Traditional arranged Simon Kerwin<br />

Ellacombe Chronicles James Curnow OR Quintessence Robert Redhead<br />

–Interval–<br />

Chassidic Dance Howard J Evans OR Light Walk Barrie Gott<br />

A Hymn to Christ<br />

Therefore God exalted Him to the highest place and gave Him the name that is<br />

above every name that at the name of Jesus every knee should bow, in heaven<br />

and on earth and under the earth, and every tongue acknowledge that Jesus<br />

Christ is Lord, to the glory of God the Father. (Phil 2: 10-11)<br />

Are You Joyful? Dudley Bright<br />

Congregational Song<br />

<strong>All</strong> Glorious Dorothy Gates<br />

Ascalon Ralph Pearce<br />

Coming Home! music of reconciliation Kenneth Downie<br />

Joy Through the Ages Howard J Evans<br />

Dedicated to all those who have served in Boscombe Band<br />

Now you are kept for good by the Shepherd of your soul (1 Peter 2:21)<br />

Christ Hymn Robert Redhead<br />

Benediction


BED & BREAKFAST<br />

EVENING DINNER &<br />

SUNDAY CARVERY<br />

RETREATS<br />

Close to Boscombe<br />

Salvation Army<br />

Bournemouth Quality Standards<br />

GOLD Safer Food Award<br />

With seven miles of golden beach and sparkling sea Bournemouth has<br />

great things to see and do. With over 100 attractions around the area<br />

and unspoilt countryside there is something for everyone to enjoy<br />

www.cliffhouse-bournemouth.co.uk<br />

+44 (0)1202 424701 info@cliffhouse-bournemouth.co.uk<br />

Footsteps group owned & managed by the Salvation Army<br />

SimOnis (Bournemouth)<br />

Florist Ltd<br />

10 Sea Road<br />

Boscombe<br />

Bournemouth<br />

BH5 1DB<br />

NORMAL OPENING HOURS<br />

MONDAY - FRIDAY: 7.30am - 5.30pm<br />

SATURDAY: 7.30am - 4.00pm<br />

+44 (0)1202 394363<br />

Ê +44 (0)1202 396982<br />

simonisflorist@fsmail.net<br />

Acknowledgements :<br />

Formal Band Photography - Alan Edwards (Studio 38)<br />

Brochure Concept - Terence W Carey<br />

Brochure Printing - Kolour Krazy (www.kolourkrazy.com)

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