Paula af Malmborg W ard - Svensk Musik - Stim

NEWSLETTER 2·2004 

Paula af Malmborg Ward 

on ‘ÄRRET’ 

Preferably a little whacky 

humour, leaning, if at all 

possible, towards the surreal. 

Paula af Malmborg 

Ward has nothing against 

turning to the weird and 

wonderful in her musical 

depiction of the world. On 

the contrary. 

“I feel that it’s often 

through the absurd that 

you really get to the heart 

of something,” she explains. 

“In the opera ‘The 

Bomb Party’ for instance, I 

have the guests stand there 

for several minutes wittering 

on about how great 

everything was, while what 

I was really trying to get 

across was how little they 

actually had to say.” Her 

sixth opera, which is receiving 

its original première 

at the Vadstena 

Academy this summer, 

gives a lot of elbow room 

to the funny and the bizarre. 

“Ärret” (“The Scar” 

in English) is based on Bulgakov’s 

novel “The Heart 

of a Dog”. 

“It was originally set 

designer Marika Feinsilber’s 

idea. By the time I 

was contacted, in around 

1999, librettist Kerstin 

Perski and director Nils 

Spangenberg had also become 

involved.” 

The book, written 

in the 1920s, tells of 

how rejuvenation expert 

Professor Gudomlikov 

carries out a scientific 

experiment in which he takes a 

dog from off the streets and 

replaces some of its vital organs 

with those of a dead human. Instead 

of creating something congenial and 

well-mannered, the professor ends 

up building a monster, a hell-raising, 

dog-man abomination. On another 

level, explains af Malmborg 

Ward, the book deals with how 

bolshevism represses individualism, 

just like how the world intrudes 

on the professor, who just 

wishes to live his life of affluence in 

peace and quiet, free to research undisturbed. 

“What we wanted to do was ask 

questions about the moral responsibilities 

of science, without, of course, giving 

any answers. The story is shifted 

forward in time, the “baddy” is economism 

and the intruder on the professor’s 

life is a kind of wide-boy, a 

property shark, keen to make a quick 

buck – not a Bolshevik as in the original 

tale. The bones of the story are 

the same as Bulgakov’s, it’s just been 

updated.” 

“I also felt it needed a new title. 

“The Scar” sums things up nicely – 

all disciplines get their scars, time 

gets scars, morality gets scars. We 

move on, but something of the 

trauma remains in the form 

of a scar.” 

A hint of the 

Russian has 

also flavoured 

the music in 

places, although 

admittedly her 

plans to use a 

bass domra (a 

kind of stringed instrument) 

had to be 

shelved. Meanwhile the incorporation 

of the tune “Brightly shines the moon” 

into the opera has its own little explanation: 

“The book tells of how the dogman’s 

implanted human organs come 

from a restaurant musician, who liked 

to play this particular 

tune. Although this 

isn’t mentioned in 

the opera, the melody’s 

still there, 

though perhaps 

mainly for our own 

smug amusement!” 

What was it about 

the story that first 

caught your attention? 

VISIT OUR WEB SITE – www.mic.stim.se 

Photo: Ewa K. Andinsson 

“It suits my temperament.There’s a 

lot that happens, the people are a bit 

nutty, a little obsessed in some way, all 

Continued on page 3 ➤ 

• New acquisitions _____________________ 2 

• Obituary - Jan Carlstedt 

• First performances ___________________ 3 

• What’s on: ___________________________ 3 

• Swedish Jazz on tour in Canada 

• Three Opera Premières 

• The Kalv Festival 

• Warsaw Autumn 

• ISCM - World Music Days 2004 

• Nordic Music Days 2004 

• Music awards: ________________________ 4 

• From-Sweden.com 

• New releases on Phono Suecia 

• Svensk Jazz 2003

NEW ACQUISITIONS 

This is a list of works recently deposited at the Swedish 

MIC. Further details are to be found on ww.mic.stim.se. 

Copies of the works are obtainable from the Swedish MIC 

at SEK 6.80 (minimum price SEK 50) 

Keyboard 

EYSER, EBERHARD 

(1932) 

Lumaris : 3 pièces faciles 

pour le piano pour enfants 

(2004) pf 

Rumorli : 6 pièces faciles 

pour le piano pour enfants 

(2004) pf 

GULGOWSKI, WLODEK 

(1944) 

13 works for piano (1997- 

2002) pf 

HEDWALL, LENNART 

(1932) 

Fantasia pastorale (2003) 

org 

LINDSTEN, RUNE (1932) 

Marcia e Fantasia (2004) 

org 

Svit (1998) org 

Trumpet voluntary (2003) 

org 

SANDBERG, LARS (1955) 

Fem rum (2002) org 

SVENSSON, MARTIN 

(1978) 

Fugue, and then some 

(2003) cemb 

VARELA, VICTOR (1955) 

Otoño-occidente (1995) pf 

Strings 

KOHLRUSCH,ARAM 

(1922-90) 

Serenad, vl 

Quintette à cordes op.3:2 

(1972) 2vl, vla, 2vlc 

LARSSON, HÅKAN 

(1959) 

Stråkkvartett nr 3 (2003) 

string quartet 

LINDROTH, PETER 

(1950) 

Cello music 1 (2003) vlc 


Två kanon (1991) 4vl 

SCHNELZER,ALBERT 

(1972) 

Apollonian dances (2003) 

vl & pf 

WILLERT, MARTIN (1974) 

Love song (2002) vla 

Love song (2002) vl 

Winds 

EYSER, EBERHARD 

(1932) 

Flux (2000) cb-cl 

Hymnus inno anthem 

(2004) sax quartet 

Schattenspiel (2003) 

cb-cl & pf 

Speculi (1988) 

cl/a-sax & cb-cl 

LINDGREN, STEFAN 

(1960) 

Duo (2002) cl & pf 

MARTINSSON, ROLF 

(1956) 

Flames op.63 (2003) 

fl, cl, cor, fag 


(1978) 

Escape (2002-03) fl 

SWÄRD, DAVID (1958) 

Windstep (2002) trb 


Hallucination solo (2003) cl 

Plucked 

instruments 

ERIKSSON, ANNA (1963) 

Stjärnskruvmejsel för gitarrduo 

(2002) 2git 

Stjärnskruvmejsel för gitarrsolo 

(2002) git 

Ensemble 

CHINI, ANDRÉ (1945) 

Silent notes for Madrid 

(2004) fl & git 

EDÉN, MATS (1957) 

Shame on you (2003) 

2tr, trb, tu, 2perc, pf 

FREDRIKSSON, 

LENNART (1952) 

Short serenade (1998) 

ob/cl, vl, cb 

LEVITT, VLADIMIR 

(1934) 

Composition for oboe and 

string quartet (2003) 

ob & string quartet 

LUNDIN, DAG (1943) 

Intima kammarröster : svit 

(2003) vl, vlc & pf 

MARTINSSON, ROLF 

(1956) 

Twins op.64 (2003) 

git & vlc 


Landskap med ruiner 

(2002) vl & 4perc 

SCHNELZER,ALBERT 

(1972) 

Predatory dances (2003) 

vl, vlc, pf 

WESTMAN, LENNART 

(1953) 

Dialogo in tre (2003) 

2vl & git 

Orchestra 

ANDERSSON, 

MAGNUS F (1953) 

Symphony no.1 : Road symphony 

(1989-2001) 

-- 3*34*3* 4331 03 2 str 

EK, HANS (1964) 

Dreams and sad fountains 

(2003) -- 2*11*1 2211 02 1 

str, pf/cel 

ENGLUND, AXEL (1979) 

Miserere (2002) 

recit & orch 

-- 2*22*2* 4230 12 0 str, pf 

FLODIN, ANDERS (1961) 

Col age (2003) string orch 

KOZAKURA, HIDEKI 

(1970) 

Zigzag concerto (2003-04) 

-- 2*2*22 4330 12 1 str 


(1950) 

Music for sad people (2003) 

strings 

NAESSÉN, RAY (1950) 

I den långa väntans skog nr 

10 (2003) string orch 

Concertos 

JOHANSSON, ROGER 

(1968) 

Violin concerto (2004) 

vl & orch 

-- 1022 2000 00 0 str 


(1922-90) 

Violinkonzert 

-- 2222 4330 10 0 str 

OLOFSSON, KENT (1962) 

Fascia (2002) charango/ 

electric MIDI-guitar, electronics 

& orch - - 4*3*4*3* 

4431 03 1 str, cel 


Korsade spår (2002) perc 

solo(marim/vibra) & ensemble 

- - 3cl, 3tr, 3vla 


Hallucination : version A 

(2003) cl solo & string orch 

Hallucination : version B 

(2003) cl solo & orch 

-- 2*2*1*1* 2220 01 0 str 

Voice 

FORSMAN, MIKAEL 

(1968) 

Tre ordfamningar (2003) 

Sopr & perc 

HEDWALL, LENNART 

(1932) 

6 Trakl-Lieder (2003) 

voice & pf 

HEDÅS, KIM (1965) 

Sommar och snö (2003) 

Sopr, Mz, Ten, Bar, pf, vlc, 

2perc 


(1922-1990) 

Gesicht in dieser Zeit op.12 : 

Quintett (1988) 

Alto & String quartet/orch 

LARSSON, MARTIN Q 

(1968) 

Ghost stories (2003) 

recit, Mz, 2git, cb, perc 

Méditation (2004) 

Mz, 2git, cb, perc 

MONNAKGOTLA, 

TEBOGO (1972) 

Li Po under den flygande 

spegeln (2004) Bar & orch 

-- 2121 2200 02 1 str 


Orfeo mobile (2003-04) 

Mz & tape 

SCHÖNBERG, 

STIG GUSTAV (1933) 

Messa misura op.180b 

(2003) Sopr, Ten, wind band 

SIMMERUD, PATRIC 

(1963) 

Soli (1997) voice, sopr-sax, 

tape, live electronics 

SKOG,YLVA (1963) 

Baudelairesånger (2003) 

Sopr/Mz & git 

VARELA, VICTOR (1955) 

Andromaca (1996) 

Mz & ob/cor i 

WINTER, TOMAS (1954) 

Drottning Christina : dramatisk 

scen (2003) 

Sopr, fl, pf, vibra, perc 

Du gick ut rak : Tre Kerro 

Holmberg-sånger : dramatisk 

scen (2004) Alto & 3perc 

WIRKANDER, YNGVE 

(1917) 

Var inte rädd för mörkret 

(2004) voice & pf 

ÖJEBO, PÄR (1940) 

Om jag hade ett ord : sex 

dikter (2004) recit, voice, 

choir & string orch 

Choir 

BRANDQVIST, HÅKAN 

(1940) 

Herre, du utrannsakar mig 

(2004) mixed choir 

Nu lättar mitt gröna moln 

(2003) mixed choir & string 

quartet 

CARLSTEDT, JAN (1926- 

2004) 

Carol mixed choir 

The Irish dancer (2004) 

mixed choir 

Madrigal mixed choir 

GRAHN, ULF (1942) 

When daises pied and violets 

blue (2004) mixed choir 

HEMBERG, ESKIL (1938) 

Tre fruntimmer op.121:1 

(2004) female choir 

JOHNSSON, STEFAN 

(1959) 

Fem Martinson-sånger 

(2004) 

mixed choir, tr, pf, cb, batt 

KARKOFF, INGVAR 

(1958) 

Två Lorcapoem (2004) 

cl, git & mixed choir 


(1922-1990) 

Schalom (1988) STB soli, 

mixed choir, org, 2fl, vl 


(1950) 

Nootka (2003) 

mixed voices & ensemble 

-- fl, cl/fl, perc, accord/harmonium, 

git/mand, vl, vlc 

LÖFBERG, MARIA (1968) 

Magnificat anima mea 

Sopr/T solo, mixed choir, 

2cor, str, cemb 

OLOFSSON, OLOV 

(1947) 

700 dagar : oratorium 

(2003) soli, choir, org, wind 

band - - 4*24*2 4442 14 0 

vibr, 5sax, cb 


(1978) 

Drömmen (1998/2001) 

mixed choir 

Stage music 

FLODIN, ANDERS (1961) 

Tid efter mörkrets färger : en 

skräckopera (2003) Sopr, 

2fl, 2cor, 2tr, vla, synth, 2git 

JÖNSSON, REINE (1960) 

Cecilia och Apkungen 

(2003-04) soli & orch 

af MALMBORG WARD, 

PAULA (1962) 

Ärret (2004) 

11soli & chamber orch 

OBITUARY 

Jan Carlstedt, born in Orsa in Dalecarlia on 15th 

June 1926, a man who for many years had an especially 

strong profile in Swedish musical life, with several 

significant contributions in the areas of cultural 

politics and composers’ 

rights behind him – died in 

Stockholm on March 14th. 

He was well-known internationally 

primarily for his 

chamber music. 

He was also the founder 

of the contemporary chamber 

music society ‘Samtida 

Musik’. 

Meticulous craftsmanship 

and an abundant personal 

fantasy made his 

work an essential manifestation 

of Swedish modernism. 

Photo: Moona 

2

This is a list of first performances due in the near future. 

Visit our website for information on all premières. 

June 

FIRST PERFORMANCES 

2 LARS-ERIK ROSELL 

Solrosen och Molnet : 

fem sonetter av E.J. 

Stagnelius (2002-04) 

P: Stockholm, Adolf 

Fredriks kyrka. Mikaeli 

Chamber Choir/A Eby 

4 KJELL PERDER 

Alfabeta (2004) 

P: Stockholm. Adolf 

Fredriks Gosskör/ 

Ch Holgersson 

MATTIAS LYSELL 

Rotate and levitate 

(2004) P: Stockholm. 

KMH:s SO 

5 CECILIA FRANKE 

Ljuvlig är din boning, 

Herre Sebaot! (2003) 

Lova Herren, min själ! 

(2003) 

Magnificat (2003) 

O väldiga Treenighet 

(2004) 

Till ingång (2003) 

P: Gävle, Heliga Trefaldighets 

kyrka. Choir & 

ensemble/J Jönsson 

8 STEFAN JOHNSSON 

Fem Martinson-sånger 

(2004) P: Olofström, 

Folkets Hus, Aniarasalen. 

Unit, S Johnsson, Tonsättarna/K 

Andersson 

21 LEILEI TIAN 

Xiu II (2004) 

P:Arnhem, Holland 

(Stravinsky Festival). 

Ensemble de Ereprijs 

26 RAY NAESSÉN 

Fyra sånger av Harry 

Martinson (2004) 

P: Fridhem, Stallet. 

K Stobaeus, L Linna, 

P Hallgren 

29 ANDERS NILSSON 

Lamento - 59°23’N, 

21°40’E (2004) 

P: Pärnu (David Oistrach 

festival). A Jonhäll, 

A Kaasik, M Mäkinen 

30 KENT OLOFSSON 

Reeal beeats (2004) 

P: Båstad, Kammarmusikfestivalen. 

Peter Wilgotsson 

July 

4 PAULA af MALM- 

BORG WARD 

Ärret (2004) Opera. 

P:Vadstena Old Theatre. 

Vadstena Academy 

ensemble/D Björkman 

7 ULF GRAHN 

The fly (2001) 

I’m nobody (1979) 

P:Washington DC, 

National Museum of 

Women in Arts. 

C Frazier-Neely, 

B Dahlman 

13 FREDRIK HAGSTEDT 

Allegretto för 12 blåsare 

(2004) 

P:Västervåla kyrka. 

Ensemble fr Bergslagen 

chamber SO/F Hagstedt 

15 DAG LUNDIN 

Gavotte (2003) 

P: Norrbärke kyrka. 

J Björklund, P Östlund 

17 YLVA NYBERG 

Ut ur historien (2004) 

P: Grängesberg, Cassels. 

M Keohane, Bergslagen 

chamber SO/G Mossop 

31 STAFFAN LUNDÉN- 

WELDEN 

Planeten Opus Opera 

(2004) P: Vadstena, Vadstena 

Castle.Vadstena 

Academy ensemble/ 

Ch Hörnell 

September 

19 JOHAN-MAGNUS 

SJÖBERG 

Tantum ergo (2004) 

P: Århus, Denmark 

(Nordisk Kirkemusik 

Symposium). Les Jolies 

WHAT’S ON ? 

Swedish jazz on tour in Canada 

June and July 

The Swedish jazz groups Torbjörn Zetterberg Hot 5 and Ståhls Blå will be touring 

in Canada this summer: 

Torbjörn Zetterberg Hot 5 (Jonas Kullhammar, s, Alberto Pinton, s, Ludvig Berghe, 

p, Torbjörn Zetterberg, b, Daniel Fredriksson, d) - in June: 24th Winnipeg, 26th Calgary 

and Edmonton, 27th Saskatoon, 28th and 29th Vancouver. 

Ståhls Blå (Joakim Milder, s, Mattias Ståhl, v, Filip Augustson, b, Thomas Strønen, 

d) - in June: 24th Winnipeg, 25th Edmonton, 26th Calgary, 27th and 29th Vancouver 

in July: 1st Ottawa, and 2nd Toronto. 

Opera premières 

July 4th 

At Vadstena Old Theatre, Vadstena. Paula af Malmborg Ward: Ärret. Libretto: Kerstin 

Perski after the Bulgakov novel “The heart of a dog”. Read more on page 1. 

July 10th 

At the Drottningholm Theatre, Stockholm. Reine Jönsson: Cecilia och Apkungen. 

Libretto: Peter Bull-Simonsen. 

July 31st 

At Vadstena Castle, Vadstena. Staffan Lundén-Welden: Planeten Opus Opera. 

Libretto: Margot Lande. 

The Kalv Festival 

August 12th-15th. 

A completely new festival for contemporary classical music in Sweden. The idea is 

to establish a new meeting-point for composers and musicians and stimulate creation 

whilst also reaching out to a new audience for this music. The programme will be 

published on the website www.kalvfestival.se together with a summary of the intentions 

behind the festival. 

Warsaw Autumn 

September 17th-25th 

A festival with a long history – it was set up for the first time in 1956 – it has always 

been an important meeting-point for people in the contemporary classical music 

field. 

The programme for the 2004 festival has yet to be published but you can get the 

latest news via their website www.warsaw-autumn.art.pl. Saturday September 25th 

will see a special concert with music proposed by members of IAMIC designed to 

make the IAMIC presence at the festival more visible. 

ISCM – World Music Days 2004 

November 3rd-12th 

As mentioned previously the International Society of Contemporary Music (ISCM) 

will hold this year’s World Music Days in Switzerland. The festival theme, “Trans-it”, 

stands for a decentralised conception which focuses on travelling from place to place, 

on travelling together in a “sound train”. Among the works by international composers 

chosen to be performed during the festival days will be individual compositions 

from the Swedish quintet Britta Byström, Mikael Edlund, Rolf Enström, Jesper 

Nordin and S Pat. Simmerud. 

For more information visit the web site www.iscm.nl/ind/wmd2004b.htm 

Nordic Music Days 2004 

November 18th-28th 

The Nordic festival for contemporary classical music (initiated in 1888) will, in 2004, 

take place not only in Copenhagen, Denmark but also in Malmö and Helsingborg in 

Sweden. Some 30 events will be organised across these 10 days. The festival is organized 

for the Nordic Council of Composers by the Danish Composers’ Society. 

The main purpose of Nordic Music Days 2004 is to demonstrate the various major 

aesthetic currents in contemporary Nordic music at a qualitatively high level. The 

festival features a wide cross-section of the new music from Denmark, Norway, 

Sweden, Finland and Iceland – played by Nordic and other European ensembles. 

For further information please go to www.nordicmusicdays.com where you also 

find the latest version of the planned programme. 

PAULA af MALMBORG WARD ... 

➤ Continuing from page 1 

of them. This makes it easy to pin 

down the characters. And this is particularly 

true, of course, of the dogman, 

who’s a mishmash of expressions 

and crazy features with no real identity 

or voice.” 

“The Scar” has five principal roles 

and six choir roles (with students of 

Vadstena community college), and is 

written for a scant little orchestra of 

six musicians. “The Scar” is the second 

opera af Malmborg Ward has written 

for the Vadstena Academy, the first 

being the mini opera “Would you like 

a frosty pear” in 2002. 

“In that opera the superficial plot 

was slow, but the psychological one 

was buzzing with action. In “The 

Scar”, you’ve got action on all levels. 

In both acts, mostly in the second 

when the situations and sub-plots 

develop, there are also more reflective 

moments, something which I think is 

necessary for both the drama and the 

audience.” 

Article by: Tony Lundman, Freelance journalist 

and music critic for Svenska Dagbladet 

English translation: Neil Betteridge 

Ärret (The Scar).Music: Paula af Malmborg 

Ward. Libretto: Kerstin Perski after the Bulgakov 

novel “The Heart of a Dog”. Conductor: 

David Björkman. Director: Nils Spangenberg. 

Set design: Marika Feinsilber. 

Performances at Vadstena Old Theatre from 

July 4th to 20th. www.vadstena-akademien.org 

VISIT OUR WEB SITE – www.mic.stim.se 

3

AWARDS 

The Swedish Jazz Celebration – which took place late in March 

this year – has become the great feast of jazz awards in Sweden. 

Among the many significant prizes awarded during the festival 

weekend were: 

The Swedish Broadcasting Corporation Award 

‘Jazzkatten’ (“The Jazz Cat”) 

Jazz Artist Jonas Kullhammar 

Jazz Group E.S.T 

Grand Cru Fredrik Ljungkvist 

New Artist Ludvig Berghe 

The Django d’Or Awards 

Legend of Jazz Rolf Billberg 

Master of Jazz Monica Zetterlund 

Contemporary Star of Jazz Jonas Kullhammar 

From-Sweden.com 

‘‘ From Sweden” is a British-Swedish music festival in London taking 

place over a period of 14 months. Begun in April this year the 

festival embraces more than 30 concerts and features five orchestras, 

a choir, ensembles, soloists, actors, and dancers. In sum it 

includes the cream of Swedish and British musicians playing Swedish 

and British music. 

The anniversary of the signing of the historic treaty of peace 

and trade in 1654 by Queen Christina and Oliver Cromwell has 

provided the idea behind this ambitious music project in London. 

Entitled “From Sweden”, the project’s primary aim is to showcase 

Swedish music, with the added dimensions of exploring 

deep-rooted links between British and Swedish composers from 

the first half of the twentieth century and providing a platform for 

collaborative music-making among artists from both countries. 

The music of Swedish composers such as Hugo Alfvén, Lars- 

Erik Larsson, Gösta Nystroem and Hilding Rosenberg lies at the 

heart of the festival; so too does contemporary composition. 

Premièred in April 2005 will, for example, be Rolf Martinsson’s 

new cello concerto written for the cellist Mats Lidström (who also 

is the artistic director of the festival). 

For more information visit the festivals web site: 

www.from-sweden.com 

NEW PUBLICATION 

Svensk Jazz 2003 

The third yearbook book 

in the Swedish Jazz series 

has now been issued. It 

covers jazz events in 

Sweden from 2003 as well 

as containing articles on 

new research in the fields 

of jazz music, improvisation, 

artists, and new 

releases on CD. The book 

is in Swedish but most of 

the articles will be translated 

and published on 

www.jazzfact.com, a part of 

our web site. 

Svensk Jazz 2003 / ed: Odd Sneeggen. 

Stockholm : STIM/Svensk Musik 2004. - ISBN 91-85470-93-7 

NEW RELEASES ON PHONO SUECIA 

OLLE ADOLPHSON 

MÄSSA PÅ SVENSKA SPRÅKET/MASS IN SWEDISH 

THE STOCKHOLM CATHEDRAL CHOIR 

GUSTAF SJÖKVIST, conductor 

O 

PSCD 161 

lle Adolphson’s Mass in 

Swedish has enriched the 

Swedish mass repertoire both 

liturgically and performance 

wise. One of our favourite songwriters 

has revealed himself to 

be a great creator of serious 

music. This is perhaps a novelty 

to many. 

Mass in Swedish is the full 

title, composed in the early 

eighties, commissioned by a 

Danish choir, first performed in 

1983. A few years later, Olle 

himself led a performance of the many-headed choir at the choral 

meeting in Skinnskatteberg. 

Recorded on this cd are also a few of Olle Adolphson’s expressive 

songs: Nu kommer kvällen/Now the Evening Comes, Majvisa/ 

May Song, Koral/Chorale, Så rinner tiden bort/Time Runs Away, 

Aria, Så går vi bort /So We Pass Away 

ENCORES 

S TOCKHOLM S AXOPHONE Q UARTET 

SVEN WESTERBERG · JÖRGEN PETTERSSON 

LEIF KARLBORG · PER HEDLUND 

PSCD 146 

The members of the Stockholm Saxophone 

Quartet have been playing 

and performing together for almost 

twenty years. They have made a speciality 

of chamber music for saxophone 

– by composers from at home 

and abroad. They also specialise in 

advanced electro-acoustic music. The 

members of the Quartet have had 

over 400 works written for them. 

A recurrent feature of their work is 

the close collaboration they undertake 

with Swedish and foreign composers. 

Daniel Nelson Full Throttle • Dror 

Feiler Ki • Jonas Bohlin Deep Beeps 

Karin Rehnqvist Rädda mig ur dyn /Rescue me from sinking in the mud 

Ingvar Karkoff Tzivaeri • Johan Jeverud Piece in Colours of Autumn • Erik 

Förare Tre dikter/Three Poems by Eva Runefelt • Arne Mellnäs No Roses for 

Madame F Erland von Koch Dans nr 2 /Dance nr 2 • Sten Melin 

Källarbacksvariationer/Källarback variations • Sergej Dmitriev Intrada • 

Sergej Dmitriev Vikingen kommer/The Vikings are coming • S Pat Simmerud 

Soli • Jan W. Morthenson Hymn /Chorale Mats Larsson Gothe Gopak 

www.phonosuecia.com 

New CDs from Sweden 

Take a look at www.swedishmusicshop.com and click on Latest releases 

In the Swedish Music Shop 

can be found CDs produced 

by independent labels 

SWEDISHMUSICSHOP 

from Sweden as distributed by CDA – recordings which can be difficult 

to track down in record stores outside Sweden. 

Other web sites with CDs from Sweden: 

www.moserobie.com · www.bis.se · www.prophonerecords.se 

www.proprius.com · www.flc.se · www.mnw.se/ · www.amigo.se 

Svensk Musik / Swedish Music Information Centre is concerned with the documentation 

and the spreading of information on contemporary Swedish music, and is financed by 

STIM and the Swedish government. Chief Editor: Roland Sandberg. Editor: Karin Heurling. 

Editorial staff: Ann Marie Belfrage, Gustaf Bergel, Karin Heurling, Jan Kling, Roland Sandberg, 

Odd Sneeggen. Distribution: Svensk Musik, P.O. Box 27327, SE-102 54 Stockholm. Phone: 

+46 8 783 88 00. Fax: +468783 95 10. E-mail: swedmic@stim.se Production: MEJ Communications 

AB. Graphic design&prepress: Ateljé Hunting Flower AB. ISSN 0283-2526. 

4

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