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TEMPO OF RECOLLECTION - Hosfeld Artist Management

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<strong>TEMPO</strong> <strong>OF</strong> <strong>RECOLLECTION</strong><br />

Music of Erwin Schulhoff<br />

in a much more serious tone, however still written in<br />

an audience-friendly style, as opposed to the Song<br />

from the Funf Gesange heard earlier. This work demonstrates<br />

Schulhoff’s experimentation with a popular<br />

dance form in a more formalized concert setting. Placing<br />

this work at this point in the show begins to give<br />

context for Schulhoff’s eclectic tastes and capabilities,<br />

ranging from vernacular popular songs to serious concert<br />

works.<br />

Symphonica Germanica<br />

Symphonica Germanica is a short dada-esque work, similar to the<br />

Sonata Erotica in that it is categorized as “opus extra” and is designed<br />

to be a shocking send-up of “normal” music. Again, like the<br />

Sonata Erotica, it is notated, however in a manner purposefully unplayable<br />

in any conventional sense as it is scored for right hand, left<br />

hand, nose, head, etc. and contains the melody and words to<br />

Deutchland Uber Alles, the German National Anthem. At this point<br />

in the action, the waiter, who has seen a variety of different performances<br />

throughout the evening steps forward and decides he<br />

can join in the fun as well by very earnestly presenting this grotesque<br />

version of Symphonica Germanica.<br />

Dneska kazda modni zena<br />

The bourgeois singer, after her triumph with the Sonata Erotica<br />

and now fully appreciating the appropriate tone for the room,<br />

sings this gently lilting Czech song accompanied by Schulhoff on<br />

the piano. The melody is in a style that would be popular for a<br />

fashionable woman of the 1930s, very appropriate for a common<br />

radio audience for which it was probably originally written. Just<br />

like the “Susi. Fox-Song”, Schulhoff writes it using a pseudonym,<br />

in this case George Hannel. Several of the musicians in the<br />

dancehall, recognizing the tune, gladly join in. This final song<br />

before the performance of the string quartet serves to further illustrate<br />

the range of Schulhoff’s eclectic taste, from the popular<br />

to the serious.<br />

visit www.TempoOfRecollection.com<br />

Music Descriptions Page 5

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