TEMPO OF RECOLLECTION - Hosfeld Artist Management
TEMPO OF RECOLLECTION - Hosfeld Artist Management
TEMPO OF RECOLLECTION - Hosfeld Artist Management
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<strong>TEMPO</strong> <strong>OF</strong> <strong>RECOLLECTION</strong><br />
Music of Erwin Schulhoff<br />
NICK SCHWARTZ-HALL, CREATOR AND DIRECTOR<br />
Nick Schwartz-Hall is a theater maker and producer working<br />
with innovative approaches to live performance and new<br />
technology. He is the Co-<strong>Artist</strong>ic Director of Assemblage, an<br />
evolving collective of artists dedicated to developing the widest<br />
variety new performance employing music, theater,<br />
movement and new technologies. As line producer for the<br />
Brooklyn Academy of Music (BAM), he has supervised the<br />
creation of lost objects, directed by Francois Girard and composed<br />
by the artists of Bang on a Can, and Shelter, a collaboration<br />
with the Ridge Theater, Bang on a Can, Trio Medieval<br />
and MusikFabrik of Köln. Also for BAM he is currently line<br />
producing Tan Dun’s The Gate with the Brooklyn Philharmonic.<br />
As production manager for the internationally-acclaimed performance company Complicite<br />
and <strong>Artist</strong>ic Director Simon McBurney, he helped create The Noise of Time (with the Emerson<br />
String Quartet), The Elephant (with Tokyo’s Setagaya Public Theater), The Resistible Rise<br />
of Arturo Ui (with Al Pacino, for Tony Randall’s National Actor’s Theater), and Strange Poetry<br />
(with the Los Angeles Philharmonic). From 2001 -2003 he was the in-house production supervisor<br />
for the Harold Prince Organization, supervising Carol Burnett's HOLLYWOOD ARMS on<br />
Broadway, and the musicals 3HREE and BOUNCE by Stephen Sondheim. His passion for the<br />
integration of performance and technology began with The American Music Theater Festival's<br />
CrossWaves Festival in 1994, headlined by Graham Nash's World Premiere of LifeSighs, a multimedia,<br />
real-time interactive, live performance, co-produced with Silicon Graphics. Since then<br />
he has been involved as a designer or producer with companies such as Martyn Ware and Vince<br />
Clark’s The Illustrious Company (UK) and The Flying Machine and worked with theatrical creators,<br />
dancers, musicians, designers and technologists to create new work in venues ranging from<br />
Grand Central Station to the West End, Off-off Broadway to Moscow, art installations to industrials.<br />
From 1994-96 he was the General Manager of the American Music Theater Festival, developing<br />
innovative new works of music theater, and from 1997-2000 he was the Production<br />
Manager for The Public Theater/New York Shakespeare Festival. Since 2000, in addition to<br />
working with Complicite and Harold Prince, he also has developed new work with Elizabeth<br />
Streb (ACTION HEROES), The Builders Association/moti roti (ALLADEEN), TheatreWorks<br />
Singapore (SILVER RIVER, an opera) and worked with a number of prominent Off-Broadway<br />
theater companies. His work is guided by the belief that utilizing new technology is not about<br />
imposing cutting-edge equipment on a performance, but about creating compelling content integrated<br />
appropriately with emergent techniques to communicate with audiences and facilitate<br />
the work of artists. Schwartz-Hall explores new realms of performance and time-based art made<br />
possible by computer processing, video and graphic technology, 3-D sound imaging, animatronics,<br />
wireless communication, new scenic materials, various kinds of sensors, and physical performance.<br />
Now based in Seattle, he recently designed the scenery for the World Premiere of Ariel<br />
Dorfman’s Purgatorio and video of My Name is Rachel Corrie at Seattle Repertory Theater.<br />
visit www.TempoOfRecollection.com<br />
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