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V<br />

POUND'S LAST effort with group participation in the arts, before<br />

he retreated to a position of individualism, was his association with<br />

the Vorticists in London. Although some of the principles advanced<br />

by this group had first been heard in the rooms of T. E. Hulme, its<br />

key figures were Pound, Wyndham Lewis, and Gaudier-Brzeska.<br />

Hulme was not a joiner, and he preferred to watch them from a<br />

distance. A giant of a man, he once startled Wyndham Lewis by<br />

holding him upside down over the railings of Soho Square in order<br />

to emphasize a point. There were many quarrels and fierce rivalries<br />

in the London Bohemia, and Hulme had Gaudier-Brzeska make a<br />

brass knuckle-duster for him which he carried everywhere.<br />

One of the characters prominently seen, and gawked at, during<br />

this period was a Cheapside tout named Hixen, who sometimes<br />

performed missions for the artists. He ran about the town like<br />

a Western road runner. Hixen suffered from a pronounced stutter,<br />

the result of his having been caught stealing from a church poorbox<br />

when he was about six years old. The priest had painted such<br />

a frightening picture of the torments of hell that the poor lad had<br />

gone into shock, and stuttered ever afterwards.<br />

Pound was boosting the work of his various "discoveries" in<br />

every issue of The Egoist. These enthusiasms included Lewis,<br />

Gaudier-Brzeska, Jacob Epstein, and James Joyce. His closest friend<br />

during the Vorticist period was Wyndham Lewis, who later was to<br />

88

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