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EZRA POUND 87<br />

The poem was taken seriously, and the irrepressible Pound included<br />

it in his collected works. Because the critics of what he<br />

terms "littachoor" know so little of his work, it was inevitable that<br />

they should attack "Papyrus" as evidence of his poetic weaknesses.<br />

Howling with the pack, as usual, is Robert Graves, who complains<br />

in his collection of essays, The Common Asphodel, that this poem<br />

is typical of Pound's obscurantism. 28<br />

In the final analysis, the conflict between Pound and Miss Lowell<br />

was a conflict of standards. He had set up definite boundaries of<br />

excellence for his little group, and he refused to publish anything<br />

that did not measure up. He also refused to put his name to any<br />

Imagist anthology unless he had the last word on what was to be<br />

included, for rightly or wrongly, he believed that his judgment was<br />

the most valid of the group. Time proved him right, for under<br />

Amy's leadership, poetry was published as "Imagist" that was even<br />

worse than her own.

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