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80 THIS DIFFICULT INDIVIDUAL<br />

poems, and they saw no reason why they should endure further<br />

insolence from Ezra. They read aloud their immortal lines, and<br />

found that their depth of perception was surprisingly similar.<br />

Fletcher tells us, in Life Is My Song, that he was amazed when<br />

Amy Lowell declaimed,<br />

The loud pink of bursting hydrangeas<br />

and he immediately responded with his own<br />

In the green gardens of my soul<br />

The crimson peonies explode. 14<br />

Amidst coronae of gaily-bursting flowers, Amy Lowell and Fletcher<br />

sat down to plot the overthrow of the literary dictator and upstart,<br />

Pound. Fletcher complained that Pound had loudly disapproved<br />

of the exploding peonies, and Amy Lowell replied that<br />

he had been unable to appreciate her volatile blooms. A blow<br />

for freedom would have to be struck. The most readily available<br />

weapon was money. Fletcher suggested that Amy Lowell offer to<br />

contribute a large sum of money to The Egoist, with the stipulation<br />

that Miss Weaver get rid of Pound, but his mode of attack<br />

was too direct.<br />

Fletcher was a person of unstable loyalties, and he mentions<br />

his "own peculiar bad temper." A prey to increasing depression,<br />

he finally drowned himself in a little pond in Arkansas. His alliance<br />

with Amy Lowell, like most of his relationships, was shortlived.<br />

He later wrote,<br />

"Had I been wise enough with that wisdom which comes only<br />

to the intellectually mature, I would have seen in Miss Lowell's<br />

fresh arrival in England the opening attack in a carefully-planned<br />

and long-sustained literary campaign; a campaign, in fact, which<br />

only ended on the day of her death, and which, I am convinced,<br />

she enormously enjoyed. . . . Between the time of her first trip<br />

in 1913 and her second she had become transformed from the<br />

obscure amateur of 'A Dome of Many-Coloured Glass' (an early<br />

book of her poems) to the professional leader of the new poets.<br />

. . . From one included in the first Imagist anthology only for

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