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EZRA POUND 79<br />

for protracted periods, the result was often non-literary, and the<br />

parting inevitable. What woman, after all, could watch this redmaned<br />

rooster strutting about and still think logically about his<br />

ideas? Consequently, his associations with lady writers and editors<br />

degenerated into Strindbergian battles between the sexes, with<br />

Pound achieving a series of Pyrrhic victories.<br />

After having obtained possession of a suffragette publication,<br />

which in itself was an ironic event, he could hardly have supposed<br />

that he would be vulnerable to an attack from a female poetaster.<br />

Yet this was the threat which now loomed on the horizon. Miss<br />

Amy Lowell, wealthy, eccentric, cigar-smoking sister of the President<br />

of Harvard College (of whom Oliver St. John Gogarty wrote,<br />

"Dr. Lowell came to visit me wearing a frock coat and brown<br />

shoes, and the brown shoes distracted me so that I cannot remember<br />

what was said." 13 ), was on the high seas. She had been<br />

a common, or garden variety, lady versifier until March, 1913,<br />

when she spied Pound's Imagist principles in Poetry. She had<br />

dashed off an Imagist poem, and set out for London. She arrived<br />

there in the summer of 1913, armed with her contribution to the<br />

Imagist movement and a letter of introduction from Miss Harriet<br />

Monroe.<br />

Pound was not impressed by Miss Lowell's Imagist poem, but<br />

he charitably agreed to include it in the anthology he was then<br />

compiling. The new recruit was soon chafing at the bit, and she<br />

found an ally in John Gould Fletcher. Both Fletcher and Miss<br />

Lowell were annoyed by Pound's brusque manner, and also by<br />

his refusal to spend his time in that age-old amusement of poets,<br />

that is, sitting down and reading their poems to one another. Pound<br />

had no time to spend in listening to poets read their verse. He<br />

usually snatched the manuscript from the hand of the genius,<br />

glanced over it, scribbled a suggestion or two, blue-pencilling the<br />

most soaring lines, and handed it back. What really sensitive soul<br />

could bear such treatment?<br />

Amy Lowell was seeking a sympathetic listener who could<br />

appreciate her verse. She invited Fletcher to visit her in her<br />

sumptuous suite at the Berkeley, and the two poets discovered<br />

that they had much in common. They were accustomed to paying<br />

their way, that is, footing the bills for the publication of their

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