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76 THIS DIFFICULT INDIVIDUAL<br />

find a copy may read in Ezra's 'Ripostes' the five or six poems<br />

Hulme wrote to illustrate his theories. They are pretty good,<br />

especially the one about the moon like a red-faced farmer looking<br />

over a gate. Ezra's note on Hulme's poems contains the ominous<br />

threat: 'as to the future, that is in the hands of the Imagists.'<br />

"But at that time who and where were the Imagists? My own<br />

belief is that the name took Ezra's fancy, and that he kept it in<br />

petto for the right occasion. If there were no Imagists, obviously<br />

they would have to be invented. Wherever Ezra has launched a<br />

new movement—and he had made such a hobby of it that I always<br />

expect to find one day that Pound and Mussolini are really one<br />

and the same person—he has never had any difficulty about finding<br />

members. He just calls on his friends." 5<br />

As Pound's Imagist movement took hold in London, T. E.<br />

Hulme and Wyndham Lewis made an effort to reassert themselves<br />

in it. They announced a series of lectures at the Kensington Town<br />

Hall to discuss this new development in poetry, but Ezra was<br />

not asked to speak. Michael Roberts, in his biography of T. E.<br />

Hulme, describes the first of these lectures:<br />

"Hulme was not a good lecturer and Wyndham Lewis read a<br />

paper supporting Hulme and came off pretty badly himself, mumbling<br />

in a husky voice, with his head buried in his manuscript.<br />

The audience felt as if they could snatch the papers from the<br />

poets and read them for themselves—there was so obviously something<br />

very worthwhile buried in all their abstract mumbling. To<br />

end it all, Ezra Pound stood up, all self-possessed, complete with<br />

velvet coat, flowing tie, pointed beard, and a halo of fiery hair.<br />

Lolling against the stage, he became very witty and fluent, and<br />

with his yankee voice snarled out some of his poems. Somehow,<br />

such a voice rather clowned verse." 6<br />

Pound emerged as the victor that evening, still the leader of<br />

the Imagists. He now occupied a dominant position, due to his<br />

role as foreign editor of the leading American magazine of verse,<br />

Poetry, and to his free hand in editing the literary section of The<br />

Egoist. His department had mushroomed until it had all but pushed<br />

Miss Marsden and her suffragette propaganda out of the magazine.<br />

She still held forth on the front page and a few paragraphs inside,

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