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EZRA POUND 69<br />

These lines conclude Pound's great soliloquy (Yeats has remarked<br />

that all that is great in modern literature is soliloquy) in<br />

which he examines his past career to see if he has committed the<br />

sin of vanity.<br />

Yeats provided a roast peacock as his contribution to the Blunt<br />

festivities. Although Masefield was unable to be present, the others<br />

enjoyed themselves, and ate heartily. Most of them had two helpings<br />

of the peacock, which had been brought before them in full<br />

plumage, and when that was gone, Blunt had a roast beef for them.<br />

The press had been notified by the specialist in public relations,<br />

Pound, that the award was to be presented to Blunt, and the occasion<br />

caused widespread public indignation. Blunt was then as controversial<br />

a figure as Pound is today, and the poets were denounced<br />

when they returned to London. The Times quoted one critic as saying,<br />

"A man at the Foreign Office says he will never speak to any of<br />

those men again." 22<br />

Pound's association with Yeats produced a phrase that critics<br />

have been using ever since, the "later Yeats". Hart Crane, in a<br />

letter to Allen Tate, May 16, 1922, says that he has read and<br />

admired Yeats, "the later poems," he adds. 23<br />

Douglas Goldring,<br />

who knew both Pound and Yeats well, has written, "The 'later<br />

Yeats', who is now so universally admired, was unmistakably influenced<br />

by Pound." 24<br />

It was the "later Yeats" who received the Nobel Prize in 1923.<br />

There have been many critical judgments on the effect of Pound's<br />

onslaught against the complacency of the "Collected Yeats" of<br />

1908. T. R. Henn says, "Pound's mind and talk offered many<br />

things; pity for the underdog; a studied violence of language; an<br />

attempt to combine classical pattern and form in the intensity of<br />

the last Romantics." 25<br />

Although Pound has never referred to any assistance that he may<br />

have been able to render Yeats, the contribution has not gone<br />

unnoticed. The distinguished poet Valentine Ironmonger has suggested,<br />

in a letter to The Irish Times, November 3, 1952, that no<br />

better use of a Yeats Memorial Fund could be made than to turn it<br />

over to Ezra Pound, so that he could live out his last years in any<br />

place of his choosing, and in the comfort he has earned.

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