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50 THIS DIFFICULT INDIVIDUAL<br />

as only he could do, a grim picture of his increasing depression and<br />

his determination to end his life. He had thought it through very<br />

carefully, he told her, and had decided to dose himself with poison.<br />

As this began to take effect, he would throw himself under one of<br />

the omnibuses that rolled past on Notting Hill. No one, he assured<br />

her, would think to perform an autopsy on a man who had been<br />

run over by a bus. The insurance company would provide for his<br />

family, as he intended to insure himself for a large sum just before<br />

undertaking this "accident", and his own problems would be over.<br />

The Ford-Hunt affair seems to have been more literary than<br />

passionate—the protagonists had both been listed in the British<br />

Who's Who for their efforts—and Violet Hunt was not seriously<br />

inclined to assume charge of the depressed writer until she discovered,<br />

in a pocket of Ford's dressing gown, which he had left<br />

temptingly near, a large bottle that was dramatically labelled<br />

"POISON". She moved into the offices of the Review.<br />

A marriage is said to have taken place at some point between<br />

the married Ford and the unmarried Violet Hunt, perhaps in<br />

Germany, where the couple resided for several years after the<br />

collapse of the Review. Ford claimed, in his customary vague<br />

manner, that he had gotten a divorce from his first wife in Germany,<br />

but apparently she had never been informed of it. At any rate,<br />

when the consort wrote a letter to the London press about some<br />

literary matter, she signed it impressively as "Violet Hunt Hueffer,"<br />

indicating that she was now the legitimate spouse. The first, or original,<br />

Mrs. Hueffer was outraged by this act, which she considered to<br />

be unpardonable insolence, and she sued Violet Hunt for libel. At<br />

the same time, she had Ford jailed for nonpayment of alimony. 37<br />

Thus he joined the great company of twentieth century writers<br />

and artists who have served their time. The lack of a prison record<br />

today is a serious indictment of one's talent, and it excites suspicion<br />

among one's fellow artists as well. Having spent much of the last<br />

two decades in visiting various imprisoned intellectuals, I have become<br />

familiar with the sort of government housing that is provided<br />

for the creative personalities of the time. Ezra's first advice to me was<br />

"Keep out of jail. It is too great a restriction on your activities."<br />

After leaving the Holland Park office to Mr. Chandler, the Ford-<br />

Hunt ménage was established at South Lodge. The open house for

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