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EZRA POUND 47<br />

"Many poets have done that," writes Ford of this experience<br />

(although he does not cite any other instances of would-be poets<br />

arriving in Europe by cattle boat). "But I doubt that any other ever<br />

made a living by showing American tourists about Spain without<br />

previous knowledge of the country or language. It was, too, just<br />

after the Spanish-American war, when the cattle-boat dropped<br />

him in that country." 28<br />

"The living" to which Ford refers was occasioned by Pound's<br />

meeting an American family in Spain who were the proverbial<br />

Innocents Abroad. He agreed to show them around, without mentioning<br />

that this was also his first view of the sights, and received in<br />

return a modest honorarium. There is an advantage to having a<br />

guide who is also seeing the wonders for the first time, as enthusiasm<br />

may be communicated. The guidebooks carried him triumphantly<br />

through his first European venture.<br />

Critics have always complained of Pound, whether he leads us<br />

into the Middle Ages, Greece, or China, that he does not know<br />

the country well enough to function as a guide. But guiding parties<br />

across wildernesses that one had not yet traversed was an old<br />

Western custom.<br />

"It was with that aura of romance about him," says Ford, "that<br />

he appeared to me in my drawing-room. I guessed that he must be<br />

rather hard up, bought his poem at once, and paid him more than<br />

it was usual to pay for a ballad. It was not a large sum, but Ezra<br />

managed to live on it for a long time—six months, I think—in<br />

unknown London. Perhaps my pastry helped." 29<br />

Ford was continually amused by Pound's impact upon the society<br />

of lady novelists and plump gentlemen of letters who maintained a<br />

virtually impassable barrier against new talent. In Thus to Revisit,<br />

a book that he wrote to boost the young Imagist poets of London,<br />

Ford remarks, "I wish I had Mr. Pound's knack of cutting the heart<br />

out of a subject." 30<br />

"Mr. Pound's harsh aphorisms," he continues, "are like sharp<br />

splinters of granite struck off by a careless but violent chisel. But<br />

whatever Mr. Pound is or is not, of this the Reader may be certain:<br />

wherever two or three men of Letters—of Printed Matter—are found<br />

united in irritations, some splinters from one or other of Mr. Pound's<br />

chippings will be found at the bottom of their poor, dear abscesses." 31

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