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378 THIS DIFFICULT INDIVIDUAL<br />

28. Yeats, A Packet for Ezra Pound, p. 2.<br />

29. Pound has variously termed the Cantos "the tale of the tribe"<br />

and "an epic poem containing history."<br />

30. Allen Tate, "Ezra Pound's Golden Ass," An Examination of<br />

Ezra Pound, New York, New Directions, 1950, pp. 66-72.<br />

31. Eliot, Ezra Pound: His Metric and Poetry, p. 28.<br />

32. Aldington, Ezra Pound and T. S. Eliot, Hurst Berkshire, Redcocks<br />

Press, 1954, p. 18.<br />

33. The Selected Letters of William Carlos Williams, p. 132.<br />

34. The Letters of Ezra Pound, pp. 196-97.<br />

35. Caresse Crosby, The Passionate Years, New York, The Dial<br />

Press, Inc., 1953, p. 256.<br />

36. Alfred Perles, My Friend Henry Miller, London, Neville<br />

Spearman, Ltd., 1955, p. 20.<br />

37. This interview was reprinted in a collection of Pound miscellany,<br />

Pavannes and Divigations, New York, New Directions, 1958, pp.<br />

153-55.<br />

38. Pound, ABC of Reading, Norfolk, New Directions, 1951, p. 50.<br />

39. The Letters of Ezra Pound, pp. 255-56.<br />

40. Desmond Chute, The Pound Newsletter, October, 1955, p. 12.<br />

41. Stella Bowen, Drawn from Life, London, Collins Publishers,<br />

1941, pp. 142-3.<br />

42. Goldring, People and Places, Boston, Houghton Mifflin Company,<br />

1929, p. 264.<br />

43. Chute, op. cit., pp. 13-14.<br />

44. Pound, "Canto 92," Section: Rock-Drill, p. 81.<br />

45. Chute, op. cit., p. 14.<br />

46. Pound, Impact, Chicago, Henry Regnery Company, 1960,<br />

p. 222.<br />

47. Pound, Polite Essays, p. 193.<br />

48. Conversation with Eustace Mullins.<br />

49. Conversation with Eustace Mullins, September, 1950.<br />

50. Washington Daily News, April 30, 1958.<br />

51. The Selected Letters of William Carlos Williams, pp. 177-78.<br />

52. Pound, The Pisan Cantos: "Canto LXXIV," p. 11; "Canto<br />

LXXVI," p. 39; "Canto LXXVIII," p. 59; "Canto LXXX," p. 87.<br />

X<br />

1. Bottome, From the Life, pp. 70-73.<br />

2. In Culture (Norfolk, New Directions, 1959), Pound says that<br />

"Sovereignty rests in money. The United States Constitution is the<br />

greatest document yet written, because it alone of them all, clearly<br />

recognizes this power and places it in the hand of Congress."—p. 270.<br />

As Professor Giovanni Giovannini, Professor of English at Catholic

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