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366 THIS DIFFICULT INDIVIDUAL<br />

professors, psychiatrists, and millionaires. This idea is also touched<br />

upon by Nietzsche, when he says, "Whereas modern man fears<br />

nothing in an artist more than the emotion of any personal fight,<br />

the Greek knows the artist only as engaged in a personal fight." 2<br />

Because Ezra engaged in a personal fight, he found every<br />

group up in arms against him. He too found another genius, Confucius,<br />

as a sparring partner and comrade-in-arms. One day he<br />

showed me a battered book whose binding was in shreds and<br />

heavily patched with Band-aids and pieces of Scotch tape. This<br />

was James Legge's version of Confucius' The Four Books. Ezra<br />

said that this book had carried him through the Pisa experience.<br />

"Without it," he wryly remarked, "I really would have gone nuts."<br />

As Ezra had warned his people in one of his broadcasts, "Some<br />

day you will need to know, need to know more than you do at<br />

present." This statement, made against the background of a war,<br />

was ignored, because the only thing one needs to know in wartime<br />

is how to survive.<br />

But now the moment has arrived when Americans "need to<br />

know," need to know more than the pap that is fed them by the<br />

professors and the journalists. This need can be filled by the work<br />

of Ezra Pound, even though he has returned to Italy. The only<br />

thing that prevents the American people from reading Pound is the<br />

fear that knowledge may be more challenging than slavery.<br />

When the governments of the United States and Italy finally<br />

agreed that it was safe to let Pound go abroad, T. D. Horton and<br />

his wife accompanied the "exiles" to New York. They stopped<br />

on the way to visit the old home in Wyncote, Pennsylvania, and<br />

on the following day drove to Rutherford, New Jersey, where they<br />

spent several days with William Carlos Williams before sailing.<br />

In Italy, Pound has continued to work on his Cantos. Since his<br />

return, he has published Impact, a volume of essays, and Thrones,<br />

a new section of the Cantos. Giacomo Oreglia interviewed him for<br />

one of Europe's most important newspapers, Stockholm's Dagens<br />

Nyheter, November 5, 1958, and I quote, in part:<br />

". . . Showing old-fashioned chivalry Ezra Pound, together<br />

with his wife Dorothy Shakespear, a finely-built, reserved lady,<br />

and his amiable, well-educated daughter Mary de Rachewiltz met<br />

me at some distance from Castel de Fontana.

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