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350 THIS DIFFICULT INDIVIDUAL<br />

on composing new poetry, making new translations, and revising<br />

and editing previous writing."<br />

Surprisingly enough, newspaper accounts of Pound's release<br />

began to give Robert Frost complete credit for the event. Since<br />

Frost had never visited Pound, and was not in court when the<br />

charges were dismissed, this was an odd conclusion, even for<br />

reporters who were accustomed to treat the facts with drunken<br />

abandon. The patient work of many others, such as T. S. Eliot,<br />

who had begun to protest the brutality of Pound's treatment as<br />

long ago as September, 1945, when he was still confined in Pisa,<br />

was ignored by the press.<br />

When Mary McGrory of the Washington Star interviewed Pound<br />

on April 29, 1958, she noted, "He (Pound) was asked about an<br />

old friend, the completely non-political and much venerated poet,<br />

Robert Frost, whose intervention in the case last summer is<br />

largely credited with bringing about his release. . . . 'he ain't<br />

been in much of a harry,' Mr. Pound said dryly."<br />

To those who know nothing of Frost's relationship with Pound,<br />

this may seem like ingratitude. Frost was one of the many poets<br />

whom Pound launched on their careers, and who forever afterward<br />

shuddered with fear that their names might be linked with<br />

his. The fact is that Frost had consistently refused to visit Pound<br />

or to have anything to do with him during the twelve years of his<br />

imprisonment at St. Elizabeths. Frost was not concerned about<br />

Pound's plight, even though Pound had been his first booster.<br />

Frost was in his late thirties when, unable to get his poems<br />

published in the United States, he went to England. His resources<br />

were nearly gone when he met Pound, who, with his characteristic<br />

enthusiasm, at once went to work to make a reputation for him.<br />

After Pound played a key role in Frost's acceptance in England,<br />

Frost returned to the United States, an established poet. He never<br />

referred to the help that Pound had given him.<br />

In his autobiography, John Gould Fletcher says, "One day he<br />

[Pound] spoke to me very highly of Robert Frost, an obscure<br />

New England farmer who, at the age of forty, had come to live<br />

in England . . . At my very next visit to Pound's lodging, as I<br />

recall it, he picked up a typewritten manuscript lying on the table<br />

and proceeded to read it aloud. The title was The Death of a

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