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278 THIS DIFFICULT INDIVIDUAL<br />

small token of gratitude for Pound's assistance to Jewish artists.<br />

The suggestion was passed on, but nothing came of it, because the<br />

artificial flames of hate were still being stoked, years after the<br />

end of the Second World War.<br />

Typical was the statement in Partisan Review by its editor,<br />

William Barrett, that Pound's lines in The Pisan Cantos,<br />

Pétain defended Verdun while Blum<br />

was defending a bidet 18 [.]<br />

"Express a vicious anti-semitic lie." 18<br />

My understanding of "anti-<br />

Semitism" is that it is an expression of hate or prejudice against<br />

the Jews either as a group or as a race. Yet the Jews are not<br />

mentioned in these two lines. When I read them, I had no knowledge<br />

that Blum was Jewish, and only my curiosity as to what<br />

Barrett was driving at led me to check into it. Because he had<br />

called my attention to the fact, I became aware that Blum was a<br />

Jew, yet it was Barrett, not Pound, who had mentioned it. Now,<br />

who is spreading anti-Semitism by bringing up the Jewish issue in<br />

connection with these two lines? It is not Pound, but Barrett, who<br />

forces us to consider the Jewish question, and thus brings in the<br />

issue of "anti-Semitism".<br />

Peter Viereck, whose logic compares favorably with William<br />

Barrett's, wrote in Commentary, April 1, 1951, "Is it anti-poetic<br />

and philistine to feel rather violently about the 'Pisan Cantos'<br />

and other influential neo-fascist revivals when one hears of an<br />

ex-Nazi official boasting this year in Frankfort that, when Jewish<br />

mothers asked him where their missing two-year-old babies went,<br />

he replied, 'Up the chimney!' "<br />

In contrast to this sort of hysteria, Babette Deutsch, the eminent<br />

Jewish poet and critic, has made one of the most sweeping comments<br />

on Pound's influence as a teacher, in The Yale Literary<br />

Magazine, December, 1958, saying, "The major poets of the<br />

twentieth century have acknowledged publicly their debt to Pound,<br />

the teacher."<br />

Perhaps Peter Viereck modestly does not include himself in<br />

this category. Frederick Morgan, publisher of The Hudson Review,

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