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EZRA POUND 275<br />

was released without compensation for his sufferings. Where was<br />

justice in this case?<br />

One of the excuses offered by politicians for their failure to<br />

speak up for Pound was the charge that he was "anti-Semitic", and<br />

that the wrath of the Jewish community would fall on any politician<br />

who tried to help him. Walter Winchell, Bennett Cerf, Karl<br />

Shapiro and many others waged virulent hate campaigns against<br />

Pound on the grounds that as Jews they were bound to attack anyone<br />

who was anti-Semitic. Karl Shapiro stated quite frankly that<br />

he could not vote for The Pisan Cantos because he would not<br />

support anyone who was "anti-Semitic", regardless of the merits of<br />

the work. 10<br />

The editorial page of the B'nai B'rith Messenger of April 8,<br />

1955, carried this note: "TALKING ABOUT unsavory characters,<br />

you might be interested in the fact that Ezra Pound, the poet who<br />

joined Hitler and Mussolini in the campaign of extermination of<br />

Jews is well taken care of in the St. Elizabeths Hospital for<br />

mental diseases, in Washington, D.C."<br />

This was typical of the allegations that were hurled against<br />

Pound throughout his imprisonment. This was the gratitude that<br />

was offered him for the forty years during which he helped Jewish<br />

poets, and shielded them from the death cars of the Gestapo.<br />

Pound had publicly criticized Hitler, was persona non grata with<br />

the Nazi government, as proven by their refusal to grant him a<br />

pass to Katyn, and had met Mussolini only once.<br />

After the war, a public ceremony of thanksgiving was held in<br />

Florence, Italy, in honor of Dr. Gerhard Wolf, the German wartime<br />

consul, who had saved hundreds of Jews from the Gestapo,<br />

openly defying that organization in many instances. It is to be<br />

hoped that Ezra Pound's work on behalf of the Jewish artists will<br />

likewise be recognized.<br />

Throughout his life, Pound sponsored Jewish writers and artists<br />

who were beginning their careers. In a letter to his mother, written<br />

in November, 1913, he said "Epstein is a great sculptor." In the<br />

March 16, 1914 issue of The Egoist, he wrote an enthusiastic<br />

review of Epstein's work. Another of Pound's enthusiasms was<br />

Ben Hecht, at that time a promising young avant-garde writer. In

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