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EZRA POUND 181<br />

sole editor, cancelled in the third number of This Quarter the<br />

dedication which the first number bore in honor of Ezra Pound,<br />

in a long editorial from which we abstract the following: 'I herewith<br />

take back that dedication. I have said before that Ernest<br />

Walsh was disillusioned about Ezra Pound before he died. We<br />

take back our generous dedication.' Now that reason which underlay<br />

the withdrawal of the dedication did not interest us then and<br />

does not interest us now, but the passion, the frenesie mystique,<br />

the courage, the moral fervor, the gesture, the utterly rectitudinous<br />

illwill and the unprecedented irregularity of it aroused our admiration.<br />

In the history of literary quarrels it is, as far as we know,<br />

unparallelled. 'Meriting the gratitude of this generation,' the<br />

Arbiter Poetarium,—as once the Roman populace hurled from the<br />

cliffs Eumolpus, the playmate of that other Arbiter, Petronius,<br />

wreathed in vervain and sacred garments,—was by the frail hand<br />

of brave little Ethel Moorhead thrown headlong from his eminence."<br />

In 1931, Pound agreed to become a contributing editor for<br />

another little magazine, called The New Review. It was to be edited<br />

by Samuel Putnam, who had arranged for the printing of Ezra's<br />

magazine, The Exile, in Chicago. Putnam had been assisting Edward<br />

Titus, husband of Helena Rubinstein, in editing This Quarter, but,<br />

according to Alfred Perles, he quarrelled with the stingy Titus and<br />

started his own review. Perles describes Putnam as a "dried-up,<br />

dyspeptic scholar who translated Rabelais into Modern American."<br />

36<br />

The New Review attained a total circulation of seventy-three<br />

subscribers. Putnam turned it over to Perles and Henry Miller for<br />

a few weeks while he was engaged in New York, and discarding<br />

a long story by McAlmon, they enlivened the issue with some of<br />

Miller's prose. When Putnam returned, he threw them both out.<br />

Pound's association with the magazine also was a short one. He<br />

intensely disliked one of the other editors, Peter Neagoe, author of<br />

Easter Sun (1934), and so he resigned. His place was taken by<br />

Maxwell Bodenheim.<br />

In August, 1932, Olga Rudge was present when Ford Madox<br />

Ford came to Rapallo. She recorded the following conversation,

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