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158 THIS DIFFICULT INDIVIDUAL<br />

book, The Well of Loneliness (1928), which deals with the problems<br />

of a lesbian.<br />

Antheil noted that there was only one decent restaurant in<br />

the town, the café at the main hotel. There he sat at table one<br />

afternoon with two Nobel Prize winners, Yeats and the German<br />

playwright Gerhart Hauptmann. They were both fond of reading<br />

detective stories, so Antheil wrote one for them. It was published<br />

under the name of "Stacey Bishop" and was entitled Death in<br />

the Dark.<br />

One day, Antheil fainted on the street. Pound picked him up<br />

and carried him to the doctor, who found that he was suffering<br />

from some sort of condition that would be improved by a stay on<br />

the Isle of Capri. This was the scene of some of Norman Douglas'<br />

scrapes with the law. Antheil departed for this romantic place,<br />

leaving Ezra to the companionship of his Nobel Prize winners<br />

and to such occasional visitors as Emil Ludwig and Franz Werfel.<br />

Richard Aldington has recorded one of the most interesting non<br />

sequiturs in literary history, as follows: "William Butler Yeats and<br />

his wife once dined with me at my hotel in Rapallo. Spaghetti<br />

was served, and a long thin lock of Yeats' hair got into the corner<br />

of his mouth, while the rest of us watched in silent awe his efforts<br />

to swallow a bit of his own hair instead of the pasta. Giving up<br />

this hopeless task, in dudgeon he suddenly turned to me and said<br />

in a deep voice: 'How do you account for Ezra?' "<br />

Apparently Aldington was unequal to the question, for he has<br />

not recorded his reply. He delivered this anecdote in a lecture to<br />

an American university audience, and later included it in his<br />

autobiography. 7<br />

The story proves one thing—whenever one of the<br />

twentieth century literati comes upon something which he cannot<br />

swallow, he instinctively thinks of Ezra Pound. It is odd that<br />

Yeats, who used to introduce his friends to the ghosts who sat<br />

at his table, never considered Ezra as some sort of supernatural<br />

phenomenon; but if so, he never mentioned it. Probably he thought<br />

of Ezra as the most earthbound of men, and Ezra had little use<br />

for Yeats' "spooks", as he termed them.<br />

Nevertheless, it was his friendship with Pound that drew Yeats<br />

to Rapallo for some of the most pleasant months of his life. He<br />

had been a Senator in Ireland for some six years, at a tax-free

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