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EZRA POUND 145<br />

Pound's studio. No wonder that Ezra felt the need to escape his<br />

admirers.<br />

Not all of the visitors were merely tourists. Harriet Monroe<br />

arrived in 1923 to meet the man who had done so much to put her<br />

magazine on the map. Pound informed her that the poem he was<br />

then working on would take forty years to complete. By this estimate,<br />

the Cantos should be in their final form by 1963.<br />

Margaret Anderson also came to Paris in 1923, to meet her<br />

ex-foreign editor. The Little Review, having lasted almost a decade,<br />

was now on its last legs. She was impressed with Pound's lovely<br />

garden studio, and she describes the poet as wearing a large<br />

velvet beret, with the famed emerald dangling from his ear, a<br />

flowing tie like an artist of the 1830s, and a high Rooseveltian<br />

(TR) voice. She noted his "robust red blondness" and his nervous<br />

self-consciousness.<br />

With some irritation, she comments, "Ezra had become fairly<br />

patriarchal in his attitude to women. He kissed them upon the<br />

forehead or drew them upon his knees with perfect obliviousness<br />

to their distaste for these mannerisms. In fact Ezra ran true to<br />

form, as the academic type, in everything—as I had anticipated." 29<br />

One can only wonder what sort of academicians Miss Anderson<br />

had been accustomed to. She declared that Ezra had stayed away<br />

from his homeland too long, and had become "a typical expatriate,<br />

which results in an oriental attitude towards women." 30<br />

Ezra never failed to arouse conflicting emotions in the opposite<br />

sex. One of my first missions for him was to call upon a pair of<br />

aged spinsters in Washington, the originals of the "Soeurs Randall"<br />

of the Imaginary Letters. One of them said, with some asperity,<br />

that Ezra had gotten into trouble because he had failed to come<br />

back to the United States every couple of years. The elder of the<br />

two was eighty-seven, her little sister was eighty-four, but even<br />

here I felt they had a lingering feminine irritation with Ezra.<br />

They were characters from a Henry James story, who lived in<br />

a charming Georgetown house, and the gulf between them and Ezra<br />

was simply the gulf between Henry James' characters and life.<br />

Ezra had not come back to the United States every couple of<br />

years, to refresh his roots in the Fountain of Youth, because he<br />

did not have the money for the trips. But Henry James' characters

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