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138 THIS DIFFICULT INDIVIDUAL typed by McAlmon while it was being readied for the printer. He recounts that he arbitrarily changed some of the words, and that some of his typographical errors appeared in the final version. So it is with literature. On one occasion, says McAlmon, a dinner party by the editors of The New Review in honor of Pound almost became a tragedy. A Maltese youth was seated between Pound and McAlmon, and across from them was an English youth who was the rival of the Maltese in some sort of an affair. The Maltese was under the influence of drugs, and he had come to the dinner party, not in the service of literature or because he was hungry, but merely to assassinate his rival. As Ford Madox Ford arose to deliver an oration on the achievements of Ezra Pound, McAlmon saw the Maltese draw a stiletto from under his jacket, and lean across the table to dispose of his enemy. The English boy jumped out of the window, and the drugcrazed youth then turned on Pound. McAlmon seized his wrist, and managed to stop him. After the police had taken the Maltese away, McAlmon found that his coat sleeve had been entirely cut away by one pass of the knife. It had missed his artery by a fraction of an inch. The incident was hushed up, and the American papers published in Paris never mentioned it. And, says McAlmon, Ford never did get to make his speech. 18 The ubiquitous Ford was on hand in Paris to chronicle Pound's doings. No longer Hueffer, he was now officially Mr. Ford. His change of name and active service in the British army had done nothing to convince Ford's neighbors in London that he was not a German spy, or that confidential documents stolen from Whitehall had not been cached nightly beneath the stern visage of Gaudier's Pound in the garden. After all, the neighbors reasoned, why wouldn't a German spy try to deceive people by enlisting in the British army? One cannot reproach Mr. Ford for leaving England and seeking a more hospitable environment. As he points out, it was actually dangerous for an English veteran to live in England after the war, for the populace was filled with bitter hatred against the men who had saved them from the Germans. The perfect army (and I believe there was such a corps in the history of Greece) is one
EZRA POUND 139 which, in the act of defeating the enemy, manages to get itself entirely annihilated, relieving the succored inhabitants of any necessity for gratitude or for reabsorbing the veterans into their society. So, Mr. Ford: "The story goes—and it is too good not to be true—that, to add to the harmony of the war years, Mr. Pound left England because he had sent seconds to a harmless poet of the type that writes articles on Milton on the front page of the London Times Literary Supplement. The poet asked for police protection. So Ezra went. To issue a challenge to a duel to a British subject is, by British law, to conspire to commit murder, and the British police model themselves on Milton. "Anyhow," says Ford, "It is always good to come upon Mr. Pound in a new city. I never could discover that he had any sympathy for my writing. He wrote to me last week to say that eighty per cent of my work is rubbish—because I am an English gentleman. Patriotism is a fine thing! "All the same, if Mr. Pound is in Caparnaum and I go there Mr. Pound leads me in procession incontinently to the sound of shawms around the city walls. You would think I was the infinitely aged mummy of a Pharaoh, nodding in senility on the box seat of Miss Stein's first automobile. And before the car Mr. Pound dances the slow, ceremonial dance that William Penn danced before the Sachems. Then when I have told the elders and the scribes that Ezra is the greatest poet in the world, Ezra goes and whispers into the loud speakers that beneath the bedizened shawls I have asses' ears. The drone is thus killed." 19 In Ford's books of reminiscences (there are quite a few of them), he wanders from the green fields of England to the fields of Provence, or from Paris to New York, without visible transition in his prose. In one paragraph, we are sitting in the Brevoort; in the next, we are ensconced at the Café Dome, and apparently we have been there for some time. It is a sort of magic carpet prose, rather pleasant, although somewhat bewildering. Ford himself has written somewhere, "My brain, I think, is a sort of dove-cote." The real explanation of this curious mode of transition is that Ford is the last cosmopolitan; he is at home anywhere in western civilization. Whether he is observing the antics of a Fifth Avenue
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138 THIS DIFFICULT INDIVIDUAL<br />
typed by McAlmon while it was being readied for the printer. He<br />
recounts that he arbitrarily changed some of the words, and that<br />
some of his typographical errors appeared in the final version. So it<br />
is with literature.<br />
On one occasion, says McAlmon, a dinner party by the editors<br />
of The New Review in honor of Pound almost became a tragedy.<br />
A Maltese youth was seated between Pound and McAlmon, and<br />
across from them was an English youth who was the rival of the<br />
Maltese in some sort of an affair. The Maltese was under the influence<br />
of drugs, and he had come to the dinner party, not in the<br />
service of literature or because he was hungry, but merely to assassinate<br />
his rival.<br />
As Ford Madox Ford arose to deliver an oration on the achievements<br />
of Ezra Pound, McAlmon saw the Maltese draw a stiletto<br />
from under his jacket, and lean across the table to dispose of his<br />
enemy. The English boy jumped out of the window, and the drugcrazed<br />
youth then turned on Pound. McAlmon seized his wrist, and<br />
managed to stop him. After the police had taken the Maltese away,<br />
McAlmon found that his coat sleeve had been entirely cut away by<br />
one pass of the knife. It had missed his artery by a fraction of an<br />
inch. The incident was hushed up, and the American papers published<br />
in Paris never mentioned it. And, says McAlmon, Ford<br />
never did get to make his speech. 18<br />
The ubiquitous Ford was on hand in Paris to chronicle Pound's<br />
doings. No longer Hueffer, he was now officially Mr. Ford. His<br />
change of name and active service in the British army had done<br />
nothing to convince Ford's neighbors in London that he was not<br />
a German spy, or that confidential documents stolen from Whitehall<br />
had not been cached nightly beneath the stern visage of<br />
Gaudier's Pound in the garden. After all, the neighbors reasoned,<br />
why wouldn't a German spy try to deceive people by enlisting in<br />
the British army?<br />
One cannot reproach Mr. Ford for leaving England and seeking<br />
a more hospitable environment. As he points out, it was actually<br />
dangerous for an English veteran to live in England after the war,<br />
for the populace was filled with bitter hatred against the men who<br />
had saved them from the Germans. The perfect army (and I<br />
believe there was such a corps in the history of Greece) is one