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116 THIS DIFFICULT INDIVIDUAL Élysées; Wilson arrived on the scene with a vacant grin already tugging at his somber mouth; and the old order was suitably buried. It was a schoolboy farce in which three precocious offspring of Europe capered about, sniggering at the gaucheries, pretensions and hallucinations of their American classmate, while the Germans sat impatiently in the wings, waiting for their cue to come on stage again. Pound's growing disaffection with the English was stimulated by an incident over one of his pet dislikes, John Milton. Pound considered Lascelles Abercrombie, of The Times Literary Supplement, a symbol of all that he opposed in modern poetry. Abercrombie was the leader of the Georgian group of poets, which had grown steadily in influence, and had even enlisted D. H. Lawrence in one of their annuals. Abercrombie started a magazine, New Numbers, which proved very successful, and his successive anthologies of Georgian Poetry became best sellers. The reason was simple. He had worked with Rupert Brooke, Wilfrid Gibson, and other war poets who obligingly got themselves killed. An inevitable reaction to the horrors of modern warfare was a sort of literary shellshock, a wallowing in sentimental slush, such as inundated the United States during both World Wars (pass the ammunition, Pops, or whatever!). The mounting Poundian rage at this tendency, which was sweeping away his few accomplishments in England, was accelerated when Abercrombie published an article in praise of Milton in The Times Literary Supplement. He fired off a letter, challenging Abercrombie to a duel. There are several versions of the reaction. Ford insists that Abercrombie, knowing that Pound was an accomplished fencer, was genuinely frightened, and that he went to the police. Dueling had long been outlawed, and the statutes now listed a challenge to such an affair as engaging in conspiracy to commit a murder. The police went to Pound, says Ford, and shortly thereafter Pound removed to France. Another and perhaps more accurate version (we should not condemn Ford if he prefers the picture of Pound fleeing England with Scotland Yard detectives in full pursuit) is that Abercrombie,
EZRA POUND 117 taking advantage of the fact that the challenged party has the choice of weapons, suggested that the two authors bombard each other with unsold copies of their books. In any case, Ezra, with invective suitable for the occasion, left the country where he had spent the last twelve years, and became a resident of Paris.
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THIS DIFFICULT INDIVIDUAL, EZRA POU
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COPYRIGHT © 1961 by FLEET PUBLISHI
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6 ACKNOWLEDGEMENTS Henderson, for e
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THIS DIFFICULT INDIVIDUAL, EZRA POU
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14 THIS DIFFICULT INDIVIDUAL new an
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16 THIS DIFFICULT INDIVIDUAL "Isn't
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18 THIS DIFFICULT INDIVIDUAL mentio
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20 THIS DIFFICULT INDIVIDUAL 1959),
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II EZRA POUND was born on October 3
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38 THIS DIFFICULT INDIVIDUAL Percy
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40 THIS DIFFICULT INDIVIDUAL Federa
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42 THIS DIFFICULT INDIVIDUAL in tak
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44 THIS DIFFICULT INDIVIDUAL known
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46 THIS DIFFICULT INDIVIDUAL tities
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48 THIS DIFFICULT INDIVIDUAL Ford w
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50 THIS DIFFICULT INDIVIDUAL as onl
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52 THIS DIFFICULT INDIVIDUAL The bo
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56 THIS DIFFICULT INDIVIDUAL lation
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58 THIS DIFFICULT INDIVIDUAL Crowle
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XI THOSE INNOCENT of the intrigues
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The author Mullins, and painter She
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Dorothy Pound at the door of her Wa
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XIII EZRA'S VISITORS were divided i
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380 THIS DIFFICULT INDIVIDUAL 5. Ed
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INDEX OF PROPER NAMES Abercrombie,
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384 Espey, John J., 150 Evans, Luth
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386 McAlmon, Robert, 125, 128, 136-
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388 Vandenberg, Arthur, 271 Van Dor
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(continued from front flap) whole r
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