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EZRA POUND 115<br />

This information reached Westbrook Pegler in somewhat garbled<br />

form, and he supposed that Ezra too had had something to do<br />

with Wallace's "guru" period, and that he had been locked up to<br />

keep from telling what he knew about the lunatic government<br />

officials in Washington. But Ezra had no connection with the<br />

"guru", nor with Orage during his Gurdjieff days. He did lunch<br />

with Wallace in 1939, when he came over to try to prevent the<br />

Second World War, but the "peace luncheon" failed in its purpose.<br />

From 1917-20, Pound contributed a column, "Art Notes", under<br />

the pseudonym "B. H. Dias", to The New Age; from 1917-21,<br />

as "William Atheling", he wrote "Music", a review of events in<br />

the musical world. Those who sneer at his knowledge of music<br />

do not know that he was a respected music critic in England for<br />

four years.<br />

Orage had come a cropper by printing a strong editorial on the<br />

Friday before England went into the war, in which he said that<br />

there positively would be no war. The threat of hostilities was<br />

simply a capitalist romp to play with the stock market. He later<br />

realized that a genuine war provides the speculators with even<br />

more opportunities to play with the stock market than the threat<br />

of one.<br />

Pound also published an article in The New Masses, June 28,<br />

1915. He has been called a Fascist because some of his writings<br />

appeared in pro-Fascist journals. Perhaps we should now call him<br />

a Communist because of The New Masses effort. This article,<br />

entitled "The damn fool bureaukrats", was the first public expression<br />

of his discovery that government officials are every whit<br />

as dangerous villains as are other stock types, such as bankers<br />

and munitions-makers.<br />

As Wyndham Lewis had foreseen, Pound's luck was running<br />

out with the English. He had begun to look across the channel<br />

to Paris, where world attention had focused. The Great War was<br />

over, and the manipulators had gathered to commit a worse crime,<br />

which Ezra defines as "ending one war so as to make another<br />

one inevitable." 26<br />

Sisley Huddleston, later a member of Pound's Paris coterie, and<br />

Paris correspondent for the Times, soon dismissed Versailles as<br />

"panem et circenses." The victors paraded down the Champs

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