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108 THIS DIFFICULT INDIVIDUAL<br />

had not been in order. She was penniless. After selling her furniture,<br />

she continued to live in the bare apartment. Nevertheless,<br />

she was able to bring out the magazine on a more or less regular<br />

basis.<br />

She moved to San Francisco, and in September, 1916, produced<br />

an issue with many blank pages, because she found nothing<br />

worth printing. This set an excellent example for her contemporaries,<br />

but none of them were moved to emulate it. The<br />

blank pages, she said, comprised a "want ad" to let able contributors<br />

know that she was in need of material. Such a gesture<br />

could not escape Pound's eagle eye, and in 1917, he became the<br />

Review's unsalaried foreign editor, having once again parted company<br />

with Miss Monroe. He suggested a new motto, which was<br />

immediately adopted—"The magazine that is read by those who<br />

write the others." 16<br />

With this new vehicle, which was now being published in New<br />

York, Pound got into print several projects that he had been<br />

planning for years. Among them was a special Henry James<br />

number, in homage to the master. He also brought out a French<br />

number, presenting the latest French poets in the original.<br />

One of his first pieces appeared in the May, 1917 number,<br />

a parting salvo to an old alliance. "Poetry (magazine)," he<br />

wrote, "has shown an unflagging courtesy to a lot of old fools<br />

and fogies whom I should have told to go to hell tout pleinement<br />

and bonnement. . . . There is no misanthropy in a thorough<br />

contempt for the mob. There is no respect for mankind save in<br />

detached individuals."<br />

This last sentence is especially important, inasmuch as the<br />

terrible accusation has been levelled against Ezra that he has<br />

been a practitioner of group prejudice. Yet here he is stating<br />

definitely that he accepts people only as individuals, not as members<br />

of a group, a flat rejection of stereotyped racial attitudes.<br />

One of Pound's best short pieces, "Advice to a Young Poet",<br />

also appeared in The Little Review. He said, in part, "Mastering<br />

an art does not consist in trying to bluff people. Work shows;<br />

there is no substitute for it; holding one theory or another doesn't<br />

in the least get a man over the difficulty." 17

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