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Matthew Shepard: The Horst Wessel of the
American “Gay” Movement
It was 1930 and a culture war was raging between the fascists and the communists in Germany. The
growing Nazi Party was strong, but the people still favored the communists. It fell to young Josef
Goebbels to win hearts and minds to the Nazi cause. How could this be done? The Nazis were
newcomers, trying to change the social order, and their aggressive tactics were offensive to many
people. But in a move that would establish him as a master propagandist, Goebbels turned the tables
by casting the Nazis as victims of the communists. The key was Horst Wessel.
Horst Wessel was just another Nazi street thug, but on February 23, 1930 he was murdered by a
militant communist. Wessel wasn’t killed over ideology; it was a matter of unpaid rent to his
landlady. However, the timing was right for Goebbels’ scheme and so Horst Wessel became the first
martyr of the movement: the symbol of Nazi victimhood at the hands of the evil communists. The
“Horst Wessel Song” became, literally, the anthem of the Nazi Party, and Wessel assumed mythic
stature as a figure of near-religious worship.
In 1998 a culture war was waging between the homosexuals and the Christians in America. The
growing “gay” movement was strong, but the people still favored the Christian values of marriage and
the natural family. The leaders of the “gay” movement needed to win more of the public to their
position. How could this be done? The “gays” were still relative newcomers, trying to change the
social and moral order of the nation, and their aggressive tactics (“We’re Queer, We’re Here, Get
Used to It!) were offensive to many people. But in a move that would confirm their reputation as
master propagandists, the “gay” leaders turned the tables, casting the homosexuals as victims of
Christian “homophobia.” The key was Matthew Shepard.
Matthew Shepard was just another self-identified “gay,” but on October 12, 1998, he was murdered
by two men. He wasn’t killed because he was a homosexual, it was a matter of robbery. And the
robbers obviously weren’t Christians. However, the timing was right for the “gay” scheme, and so
Matthew Shepard became the new martyr of the homosexual movement: a symbol of “gay” victimhood
at the hands of the evil Christians. A play about his death, “The Laramie Project” became the
showpiece of the “gay” movement, and Shepard himself assumed mythic stature as a figure of
near-religious worship.
Matthew Shepard is the Horst Wessel of the modern “gay” movement. He was probably a nice young
man, despite his lifestyle, and his murder was certainly a deplorable act. However, his legend is a lie.
Its purpose is to deceive and manipulate the public. And its proponents are fascists.
Indeed, the American “gay” movement is just as fascist as the German fascist movement was “gay,”
and there are many links between the two. For example, the first U.S. homosexual organization,
formed in 1924, was the Chicago Chapter of the German Society for Human Rights. The most
Redeeming the Rainbow 159