VIL OCT 08 GRID.indd - Tubac Villager

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Celebrating the Art of Living in Southern Arizona October 2008 Vol. III No. 12 Santa Cruz County Update by Kathleen Vandervoet On the Jaguar Trail by Roseann Hanson Excerpt: Trinity by Charles Bowden The Borderland Photographer by Murray Bolesta The Amazing Herman Ehrenberg by Mary Bingham American Zinfandel by Bernard Berlin Election information by Kathleen Vandervoet Nothingness by Carol Egmont St. John New Faces, Tubac Map, Events, Ruthie’s Recipes, Letters, and more...

Celebrating the Art of Living in Southern Arizona<br />

October 20<strong>08</strong><br />

Vol. III No. 12<br />

Santa Cruz County Update<br />

by Kathleen Vandervoet<br />

On the Jaguar Trail<br />

by Roseann Hanson<br />

Excerpt: Trinity<br />

by Charles Bowden<br />

The Borderland Photographer<br />

by Murray Bolesta<br />

The Amazing Herman Ehrenberg<br />

by Mary Bingham<br />

American Zinfandel<br />

by Bernard Berlin<br />

Election information<br />

by Kathleen Vandervoet<br />

Nothingness<br />

by Carol Egmont St. John<br />

New Faces, <strong>Tubac</strong> Map, Events,<br />

Ruthie’s Recipes, Letters, and more...


October 20<strong>08</strong><br />

Park’s Anza Days<br />

offers entertainment<br />

The <strong>Tubac</strong> Presidio State Historic Park is the host to the annual Anza<br />

Days celebration on Saturday and Sunday, Oct. 18-19. It provides a<br />

great opportunity to learn more about the history of the area and to<br />

be entertained by historic re-enactors.<br />

The celebration marks the second of two expeditions to the San<br />

Francisco Bay area, when Juan Bautista de Anza II in 1776 led<br />

240 men, women and children across the deserts and mountains<br />

to California. Anza was stationed in <strong>Tubac</strong> at the Spanish fort,<br />

or presidio. As Americans fought for their independence in the<br />

East, Anza led the group across 1,200 miles to settle Alta California.<br />

It was the first overland route established to connect New Spain with<br />

San Francisco.<br />

The official re-enactment ride will take place on Saturday, but<br />

costumed horsemen and women will ride through <strong>Tubac</strong> and into the<br />

park periodically to add to the ambience on both days.<br />

There will be a wide range of information booths, and activities<br />

for adults and for families including a Junior Ranger program and<br />

a living history presentation. There will be a Mass at Tumacácori<br />

Mission on Saturday at 9 a.m., and the Anza Riders will arrive at<br />

the <strong>Tubac</strong> Park at noon. The Nogales High School Mariachi Apache<br />

group will perform from 1:30 to 3 p.m., a spokeswoman said.<br />

Admission is free to the<br />

park on Oct. 18 and 19.<br />

Donations to support<br />

that came from the <strong>Tubac</strong><br />

Historical Society and<br />

the Anza Trail Coalition,<br />

Santa Cruz County Trail<br />

Management Council.<br />

The <strong>Tubac</strong> Presidio State<br />

Historic Park is located<br />

on the east side of the<br />

retail area of <strong>Tubac</strong>, and<br />

is reached by driving on<br />

<strong>Tubac</strong> Road. For more<br />

details, call the park at<br />

(520) 398-2252.<br />

“After the Rain” 18x24 Oil/Board<br />

Top left - <strong>Tubac</strong> Presidio state Historic Park is Arizona’s first state park and is located<br />

inside Arizona’s oldest European community. The Museum is open daily.<br />

Top, right - Displays of Juan Bautista de Anza II, second commander of the presidio (or<br />

Spanish garrison), explain his significant contribution to the area’s history.<br />

Above - The extensive museum houses many treasures and covers much more than the<br />

period of the presidio’s history.<br />

October Cover:<br />

by Fred Collins<br />

Now a full time painter, Fred was a design engineer with his<br />

own consulting firm for over 30 years. He still dabbles in<br />

engineering for a client in California.<br />

The inspiration for the paintings he does comes from the<br />

animals and landscapes that he sees around him, water in its<br />

many forms, and a good title can cause him to ponder what it<br />

would look like as a painting! Fred’s influences are the Hudson<br />

River School, Surrealism and specific painters such as Dali,<br />

Ernst, Bierstadt, Church and Hopper. Fred has no formal<br />

training by choice and prefers oils but will use whatever his<br />

engineering mind might deem useful to create an image.<br />

Painting “After the Rain” will be in the <strong>Tubac</strong> Center of the<br />

Arts’ Members Open Exhibit Sept 5-Oct 12, 20<strong>08</strong><br />

Pg 4 <strong>Tubac</strong> Area Event Calendar<br />

Pg 7 <strong>Tubac</strong> Map<br />

Pg 8 Santa Cruz County Update<br />

by Kathleen Vandervoet<br />

Pg 10 Photographer Warren Allen<br />

by Joseph Birkett<br />

Pg 11 Beads of <strong>Tubac</strong><br />

by Joseph Birkett<br />

Pg 12 On the Jaguar Trail<br />

by Jonathan and Roseann Hanson<br />

Pg 18 excerpt from coming book: Trinity<br />

by Charles Bowden<br />

Pg 20 The Borderland Photographer<br />

by Murray Bolesta<br />

Pg 22 The Amazing Herman Ehrenberg<br />

by Mary Bingham<br />

Pg 24 <strong>Tubac</strong>: Where Art & History Meet?<br />

by Nancy Valentine<br />

Pg 25 American Zinfandel<br />

by Bernard Berlin<br />

Pg 26 Faisal, King of Iraq<br />

by Hattie Wison<br />

Pg 27 Remnants from Ruth<br />

Pg 30 Election information<br />

by Kathleen Vandervoet<br />

Pg 33 Nothingness<br />

by Carol Egmont St. John<br />

Pg 34 County Supervisor Candidates<br />

by Kathleen Vandervoet<br />

This journal is made possible through the support of local<br />

advertisers, artists and writers... please visit their unique<br />

businesses and let them know where you saw their ad, art<br />

or article.<br />

The <strong>Tubac</strong> <strong>Villager</strong> is a locally owned and independently<br />

operated journal, based in <strong>Tubac</strong> and published monthly to<br />

celebrate the art of living in Southern Arizona.<br />

Letters are welcome.<br />

Opinions expressed do not necessarily reflect those of the<br />

advertisers or the publishers. Advertiser and contributor<br />

statements and qualifications are the responsibility of the<br />

advertiser or contributor named.<br />

All articles and images are the property of the <strong>Tubac</strong><br />

<strong>Villager</strong>, and/or writer or artist named, and may not be<br />

reproduced without permission.<br />

October Circulation: 13,000. The <strong>Villager</strong> is made available<br />

at 180 Tucson locations, 400 Phoenix locations, and offered<br />

free of charge at locations in <strong>Tubac</strong>, Tumacacori, Carmen,<br />

Green Valley, Nogales, Rio Rico, Amado and Arivaca,<br />

Arizona.<br />

Deadline for the November 20<strong>08</strong> issue of the <strong>Tubac</strong> <strong>Villager</strong><br />

is October 15th.<br />

Many thanks to the excellent<br />

contributions from:<br />

Bernard Berlin<br />

Mary Bingham<br />

Joseph Birkett<br />

Murray Bolesta<br />

Charles Bowden<br />

Jonathan Hanson<br />

<strong>Tubac</strong> Map:<br />

Bruce Pheneger<br />

Roseann Hanson<br />

Ruthie<br />

Carol St. John<br />

Nancy Valentine<br />

Kathleen Vandervoet<br />

Hattie Wilson<br />

County Update Editor:<br />

Kathleen Vandervoet<br />

Publishers/Editors<br />

Joseph & Hallie Birkett<br />

On-line: www.tubacvillager.com<br />

E-mail: <strong>Tubac</strong><strong>Villager</strong>@mac.com<br />

Write: P.O. Box 4018<br />

<strong>Tubac</strong>, AZ 85646<br />

Phone: 520-398-3980


4<br />

ongoing<br />

Mondays, Fridays - Yoga for Everybody with the <strong>Tubac</strong><br />

Yoga Club at the <strong>Tubac</strong> Community Center. Rm B7. Call<br />

398-2562 for more info.<br />

Mondays, Tuesdays, Wedensdays - Hatha Yoga at Yoga<br />

Saguaro Home Studio located at the Spencer House<br />

south apartment at 2369 E Frontage Rd, <strong>Tubac</strong>. Call<br />

398-2562.<br />

Tuesdays, Thursdays - Yoga at 9am at The Spa at the<br />

<strong>Tubac</strong> Golf Resort.<br />

Tuesdays<br />

- Qi-Gong at 11am at The Spa at the <strong>Tubac</strong> Golf Resort.<br />

Wednesdays<br />

- Green Valley Anglican Church Wed. Night Seminars<br />

(beginning Oct 8th) at 5pm. Each seminar will focus<br />

on aspects of how the Anglican Church evolved in the<br />

great tradition of Western Catholicism and attempt to<br />

explain how our path diverged from that of the Episcopal<br />

Church. Locations will vary please call 520-777-6601 for<br />

more information.<br />

Thursdays<br />

- Farmer’s Market at Plaza de Anza from 10am to 2pm.<br />

- Karaoke & Live Entertainment at Cafe Presiodio in<br />

Plaza de Anza 398-8503.<br />

Fridays<br />

- <strong>Tubac</strong> Rotary Club 8am breakfast meeting @ Stables<br />

Restaurant in the <strong>Tubac</strong> Golf Resort. All Rotarians are<br />

welcome, no reservation nec. 398-1913. golfjcn-rotary@<br />

yahoo.com.<br />

- Movie Night at Agua Linda Farms 5pm to 8pm<br />

Admission $7 car. Take I-19 to Exit 42. We are on the<br />

east side, just south of the exit. for more info visit www.<br />

agualindafarm.net or call 398-3218. Closed 10/31/<strong>08</strong>.<br />

Saturdays<br />

- Fun Fall Festivities at Agua Linda Farms Hayrides, farm<br />

raised burgers, animals, live music & more from 10am<br />

to 5pm Admission $7 car. Take I-19 to Exit 42. We are<br />

on the east side, just south of the exit. for more info visit<br />

www.agualindafarm.net or call 398-3218.<br />

- Karaoke & Live Entertainment at Cafe Presiodio in<br />

Plaza de Anza 398-8503.<br />

Sundays<br />

- Fun Fall Festivities at Agua Linda Farms Hayrides, farm<br />

raised burgers, animals, live music & more from 10am<br />

to 5pm Admission $7 car. Take I-19 to Exit 42. We are<br />

on the east side, just south of the exit. for more info visit<br />

www.agualindafarm.net or call 398-3218.<br />

Now thru Oct 12th - Member’s Open Exhibition at<br />

the <strong>Tubac</strong> Center of the Arts. See this month’s <strong>Tubac</strong><br />

<strong>Villager</strong> cover by Fred Collins.<br />

Now thru Nov 21st - Osher Lifelong Learning Institutes<br />

Fall Program in Green Valley. Why do Americans<br />

pay so much for health care? Are war, violence and<br />

terrorism caused by biology or environment? Does the<br />

mind affect the health of the body? These are a few<br />

of the timely topics to be discussed when the Green<br />

Valley affiliate of the Osher Lifelong Learning Institute<br />

(OLLI) at The University of Arizona launches its fall<br />

semester. Additional study group offerings include:<br />

Consumer Psychology, The American Presidents<br />

– The ‘50s, American Poets – 1920-1970, Great Nature<br />

Writers in America, Introduction to Judaism, Dreams<br />

and Spirituality, The Stage Director, Anglo-Saxons,<br />

Vikings and Normans, Faces and Places of the Tohono<br />

O’odham, How the Media Have Changed, Investing<br />

101 – Beginner’s Guide, Non-Fiction Addiction, & Are<br />

Labor Unions Obsolete? Members also may explore<br />

Classical Jazz, Shakespeare, Readers Theater, Films<br />

that Speak, Photographic Composition, Journeys<br />

Abroad, Museums in Tucson and Supervised Bridge.<br />

The cost of an OLLI/Green Valley membership is $75 for<br />

a two-month semester or $125 for an entire year, which<br />

Come experience the ambiance of Old Town, <strong>Tubac</strong><br />

where our collection from over 30 years<br />

of expert and passionate collecting<br />

is thoughtfully displayed.<br />

Browse over 10,000 works of the<br />

fi nest folk art created by<br />

Latin American artisans<br />

that we work closely with<br />

to ensure the highest quality<br />

and fairness in trade.<br />

74<br />

includes fall, spring and summer programs. Membership<br />

is open to those 50 years of age and older living in<br />

Green Valley, Sahuarita, <strong>Tubac</strong>, Arivaca and other<br />

nearby communities. Members may participate in any or<br />

all of the classes offered in Green Valley. Membership/<br />

registration packets with specific class information are<br />

available at the Joyner-Green Valley Library, or contact<br />

Penny Schmitt at the OLLI/UA office (520) 626-9039 or<br />

ollimail@u.arizona.edu.<br />

Friday, Oct 3rd - Wisdom’s First Fridays - Oktoberfest<br />

Celebration with lunch and dinner specials including<br />

Bratwurst, German Potato Salad & Bavarian Sauerkraut<br />

with LIVE MUSIC by U & The Risk from 7 to 10pm. Call<br />

398-2397 or visit www.wisdomscafe.com.<br />

Saturday, Oct 4th - “Stepping Out” Walk-A-Thon in<br />

Green Valley. at 8am. This is the Greater Green Valley<br />

Community Foundation’s opening fundraiser of the<br />

year. With the support of our sponsors and walking<br />

participants, we hope to receive enough funds to<br />

help organizations from Tumacacori to Sahuarita. We<br />

will walk about 3 miles, have a light breakfast, and<br />

meet some beneficiaries. It begins and finishes at the<br />

Silver Springs Retirement Complex on south Abrego<br />

Drive at Torres Blancas Road. For $25.00 walkers<br />

receive a T-shirt, gift bag, prize ticket and breakfast.<br />

Early registration is appreciated, please contact the<br />

Foundation at 625-4556 or email exdggvcf@qwestoffice.<br />

net.<br />

Saturday, Oct 4th - Way Out West sings classic cowboy<br />

songs at Hacienda Cornona 348 S River Rd in Nogales.<br />

$15 admission. Bring your chair, picnic basket and drink<br />

of choice. For reservations call 520-287-6503.<br />

Sunday, Oct 5th - Tubaqueños Living History from 1 – 4<br />

pm. Come experience the sights, sounds, and tastes of<br />

<strong>Tubac</strong> 1776 during these Spanish Colonial living history<br />

demonstrations at the <strong>Tubac</strong> Presidio State Historic<br />

Park. For more information call 398-2252.<br />

Monday, Oct 6th - La Frontera Corral of Westerners Intl.<br />

will resume their monthly meetings. Speaking will be<br />

Lillian Hoff to tell the group about upcoming events on<br />

the Anza Trail. She will also talk about the Santa Cruz<br />

Co. Courthouse. Also, Don Honnas will introduce his<br />

new book, Happenings on the Pocahonnas: a Southern<br />

Arizona Cattle Ranch. The Corral, an organization<br />

interested in Western history, meets on the first Monday<br />

of each month at Casa Community Center, 780 W. Park<br />

Centre Dr. in Green Valley. The public is invited. Call<br />

398-2344 for information.<br />

Tuesday, Oct 7th - Season Opening at the Out of the<br />

Way Galleria, in <strong>Tubac</strong> Plaza.<br />

Wednesday, October 8th - Salon Grand Opening at<br />

the <strong>Tubac</strong> Golf Resort & Spa from 10am to 5pm. Hors<br />

D’oeuvres and drinks, mingle with hairstylists and nail<br />

technicians. Enjoy complementary hair consultation<br />

and make-up refresher. Call 398-3545 or visit www.<br />

tubacgolfresort.com.<br />

Thursday Oct. 9th- “It’s All a Matter of Timing”<br />

Presentation by Archaeologist William Deaver, only one<br />

of a handful of experts in the field of Archaeomagnetic<br />

Dating—a technique begun in the 1960s utilizing<br />

geophysical studies of changes in the earth’s magnetic<br />

field as a basis for dating artifacts and sites—telling how<br />

the technique has challenged the conventional ideas<br />

of the nature and timing of cultural change from A.D.<br />

950-1100, revealing the dramatic and rapid changes<br />

at acritical point in the prehistory of Southern Arizona.<br />

Monthly program hosted by the <strong>Tubac</strong>/Santa Cruz<br />

County Chapter of the Arizona Archaeological Society.<br />

Public invited. Donations appreciated. <strong>Tubac</strong> Presidio<br />

State Historic Park, Old Town <strong>Tubac</strong>. Meeting/potluck 5<br />

p.m. Presentation 6 p.m. 520-245-9222, or tubacval@<br />

msn.com for more information.<br />

Friday thru Sunday, Oct 10th-12th - Patagonia Fall<br />

Festival.<br />

Friday, Oct 10th - Official dedication of the Rio Rico<br />

Trailhead of the Juan Bautista de Anza National Historic<br />

Trail to Guy Tobin at 3pm.<br />

Saturday, Oct 11th - National Opening of the Guy Tobin<br />

Trailhead of the Juan Bautista de Anza National Historic<br />

Trail connecting Rio Rico to Nogales.<br />

Saturday, Oct 11th - “Golf for the Arts” at the Palo Duro<br />

Creek Golf Club 2690 N Country Club Dr. Nogales. 7:30<br />

am registration, 9am tee time. Consider sponsoring,<br />

donating a prize, or coming out to play in support of<br />

Young Audiences programs in Santa Cruz County<br />

schools. For more infromation call 520-397-7914 or<br />

email youngaudiences@yascc.com<br />

Saturday, Oct 11th - 4th Annual Fire District Golf<br />

Tournament to benefit Rio Rico High School students &<br />

<strong>Tubac</strong> fire employees. Golf at 9AM in <strong>Tubac</strong> with lunch<br />

to follow at Wisdom’s. Contact Rick Kemp at 398-2258 to<br />

sign up or for more info.<br />

Saturday, Oct 11th - Complete Hands On Water<br />

Harvesting. Learning how to use rainfall and storm water<br />

run-off is one of the keys to developing a successful<br />

Permaculture site. It helps us to reduce erosion and<br />

have a lush multi use landscape without having to<br />

import water from outside a site. In this fun workshop<br />

we will install a water cistern, learn how to read the<br />

water situation on a site, and do basic calculations<br />

on the water flow available. We will learn how to<br />

install basic earthworks to hold water on site, and talk<br />

about contours, plant selection, and mulching. This<br />

workshop is more than learning about techniques<br />

for harvesting rainfall; it will show you how water<br />

harvesting can be integrated into your own lifestyle and<br />

into a simple landscape design for your home. Location:<br />

Central Tucson Location, To Be Announced. This class<br />

is limited to 15 participants. 9AM to 4:30PM. Cost: $59<br />

includes all class materials. Taught by Dan Dorsey (520)<br />

624-8030 and guest instructors. dorsey@dakotacom.<br />

net, www.sonoranpermaculture.org/members/dan-dorsey<br />

call Dan for registration or information.<br />

Sunday, Oct 12th - Printing Press Demonstrations 10<br />

am – 2 pm. Come celebrate the 150th anniversary of<br />

the printing press in Arizona! The Washington Press<br />

is original and printed the first newspaper in AZ, “The<br />

Weekly Arizonian” on March 3, 1859. Volunteers operate<br />

the press and reproduce the first edition of the paperat<br />

the <strong>Tubac</strong> Presidio State Historic Park. For more<br />

information call 398-2252.<br />

Monday, Oct 13th - Welcome Back Barbeque 5:00-<br />

8:00pm at the Karin Newby Sculpture Garden, $20 per<br />

person. Call the <strong>Tubac</strong> Center of the Arts for reservations<br />

398-2371.<br />

Wednesday, Oct 15th - Cowgirl Ugly moves to it’s new<br />

location 8 Burruel St, next to South of the Border.<br />

Thursday, Oct 16th - Breakfast at the Cow Palace with<br />

the Bauders, printers of The Weekly Arizonian. Longtime<br />

printers and volunteer docents at the <strong>Tubac</strong> Presidio<br />

State Historic Park Charlie and Arlene Bauder will speak<br />

at 9am in Amado. The Bauders have worked in the<br />

TPSHP Museum for nine years taking visitors through<br />

the printing process step by step, from inking the plates<br />

with rollers to drying and cutting the printed sheets.<br />

They work on the original Washington hand press<br />

which was used in <strong>Tubac</strong> before the Civil War and later<br />

in Tombstone to print the Tombstone Epitaph. Charlie<br />

plans to lead a discussion on the history of printing from<br />

Johann Gutenberg down to the dawn of offset. Two main<br />

categories, the development of type and the evolution<br />

of printing presses, will provide the structure for his<br />

discussion. Charlie and Arlene will have some samples<br />

of earlier printing as well as some reproduced examples<br />

of the March 3, 1859 paper that made printing history<br />

right here in <strong>Tubac</strong>. This paper was the first printed work,<br />

the first newspaper, and the first political mouthpiece in<br />

a newly created Arizona soon after the Gadsden Treaty.<br />

For more information call 398-2252.<br />

Thursday, Oct 16th - National Feral Cat Day. Paws<br />

Patrol is sponsoring a dry cat food drive throughout the<br />

month of October. Call for drop-off locations if you would<br />

like to contribute dry food for our feral cat colonies. You<br />

can help support our efforts by purchasing a 2009 feral<br />

cat calendar, which features photos of a few of our many<br />

success stories - feral cats adopted or placed in colonies<br />

or barns. Cost is $15 plus $2.50 shipping, or call 207-<br />

4024 for a pick-up location. The calendar makes a great<br />

gift for a cat lover and proceeds from its sale will help us<br />

continue our work.<br />

Thurs thru Sat, Oct 16th - 18th - Rio Rico High School<br />

Thespians perform the classic play by Arthur Miller,<br />

Death of a Salesman. Tickets will be available beginning<br />

September 19th from any Thespian student or at San<br />

continued on page 6...


#1 agent in <strong>Tubac</strong> for 2005, 2006 & 2007!<br />

Sally<br />

Barter<br />

Bill<br />

Mack<br />

LOTS IN THE<br />

TUBAC GOLF RESORT<br />

Virtual Tours Available At:<br />

www.<strong>Tubac</strong>.com<br />

WEST TUBAC!<br />

CIELITO LINDO!<br />

NEW<br />

LISTING<br />

LOTS – In the Country Club, Golf Resort, Aliso Springs, <strong>Tubac</strong><br />

Foothills – pick your size & price– ¼ ac to 10+ ac. Offered by<br />

Bill & Sally priced from $38,000 - $450,000.<br />

BARRIO DE TUBAC<br />

1970 W. Frontage Rd. – Remarkable views from this totally<br />

renovated 2900 SF home! Separate guest house features 1<br />

BD, 1BA & kitchen. All this on 3 ac. Offered by Bill & Sally @<br />

$579,000<br />

CENTRO <strong>VIL</strong>LAS!<br />

6 Calle Dorado – Former model w/corian counters, wood<br />

interior doors, 3 fireplaces (1 on the patio!)-1683 SF move-in<br />

ready! Offered by Bill & Sally @ $350,000<br />

TUBAC HEIGHTS!<br />

130 San Miguel Dr. – This patio home backs up to the Anza<br />

Trail. 1634 SF of open living space with beamed ceilings<br />

in Great room, solid alder interior doors & solar screens.<br />

Offered by Bill & Sally @ $375,000<br />

41 Via Campestre - On the 7th fairway of the Otero course, this 2 bd,<br />

2 ba townhome has a dble garage & large laundry/storage room.<br />

Offered by Bill & Sally @ $355,000<br />

40 Keating Circle – 1952 SF home on 2.19 acres with<br />

outstanding views of the Santa Cruz Valley! Enjoy custom<br />

features such as Alder cabinets, 10’ ceilings & corner fireplace!<br />

Offered by Bill & Sally @ $425,000<br />

Sally Barter,<br />

<br />

Office: (520) 398-2770 • Toll Free: (877) 398-2770<br />

©<br />

20<strong>08</strong> Coldwell Banker Real Estate LLC. Coldwell Banker ® is a registered trademark of Coldwell Banker LLC. An Equal Opportunity Company. Equal Housing Opportunity. Owned and operated by NRT LLC.<br />

If your property is currently listed with a real estate broker, please disregard. It is not our intention to solicit the offerings of other real estate brokers. We are happy to work with them and cooperate fully.<br />

Bill Mack,<br />

<br />

2247 E. Frontage Rd. TUBAC<br />

6


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Cayetano Veterinary Hospital in Rio Rico. If you need lots<br />

of tickets, give me a call at 841-3157 and I’ll make sure<br />

you have them. The ticket price of $10 includes dinner by<br />

Las Vigas, candles and tablecloths and a riveting evening<br />

of drama. As usual, doors open and dinner is served<br />

from 6:00 pm until 6:40 pm. The performance will begin<br />

promtly at 7. Introduce a friend to the Rio Rico High School<br />

Thespians. Don’t miss it!<br />

Friday, Oct 17th to Nov 16th - Exhibitions: THE FORGE<br />

AND THE PRESS, a juxtaposition of metal art and print<br />

making in the <strong>Tubac</strong> Center of the Arts Smith Gallery and<br />

TUBAC WALLS, FROM OUR WALLS TO YOURS, works<br />

by featured artists from <strong>Tubac</strong> galleries in the TCA Central<br />

Gallery. For information call 398-2371.<br />

Friday, Oct 17th - Wine Dinner at Esplendor Resort at<br />

Rio Rio. Presenting unique wines from Spain Argentina<br />

and Chile paired with a 4-course meal at 5pm & 7:30pm.<br />

$75 per person plus gratuity. Call 520-377-7311 for<br />

reservations.<br />

Saturday, Oct 18th - AUDITIONS for LOVE LETTERS<br />

1-4pm with callbacks Oct. 19, 1-4pm at the <strong>Tubac</strong> Center<br />

of the Arts Smith Gallery. The acclaimed play will be<br />

performed at TCA Nov.22, 23, 28, 29, Dec. 5 & 6. Look for<br />

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<strong>VIL</strong>LAGER.<br />

Saturday, Oct 18th - Save the Scenic Santa Ritas<br />

and Friends of Madera Canyon Fundraiser and Book<br />

Signing and Awareness Raiser from 1 to 5pm at the<br />

CactusHuggers Gallery, La Entrada de <strong>Tubac</strong> Plaza. Book<br />

signings will be held at the event by authors Joan W. G.<br />

Lewis and Douglas W. Moore, “A Field Guide to Madera<br />

Canyon Wildflowers”, was written and illustrated by Joan<br />

Lewis. Beginning at the Proctor parking area at 4450’,<br />

the guide covers all the canyon trails up to Josephine<br />

Saddle at 7<strong>08</strong>0’. Plants have been grouped by flower<br />

color for easy identification. The guide features 194<br />

colored illustrations of flowering plants and descriptions<br />

of 40 additional wildflowers, trail map with keys, blooming<br />

time in Madera Canyon and much more. “The Nature of<br />

Madera Canyon”, written and illustrated by Douglas Moore,<br />

covers the geography, climate and geology of Madera<br />

Canyon, a profile of the Sky Islands, plants, animals and<br />

ecology and native peoples and recent history. Included<br />

...continued from page 4<br />

are 65 color photos, 23 black & white photos, 10 inkwash<br />

illustrations and more. Doug is a graduate of the University<br />

of California at Santa Cruz with a BA degree in biology and<br />

a post-graduate certificate in natural science illustrations.<br />

A presentation by Save the Scenic Santa Ritas board<br />

president, Gayle Hartmann, will begin at 2 p.m. at the<br />

gallery. She will talk about the threats of open-pit mining<br />

to both the Santa Rita Mountains and the Patagonia<br />

Mountains (within shouting distance of the Santa Cruz<br />

River headwaters). SSSR members will be on hand<br />

outside the gallery as well to provide information about<br />

the impacts and the status of new mining in Southern<br />

Arizona. For further information, contact Murray Bolesta at<br />

520-241-1280.<br />

Saturday, Oct 18th - Anza Days Celebration at Wisdoms’<br />

Lunch & dinner specials with LIVE MUSIC & drink specials<br />

from 5-9PM.<br />

Saturday & Sunday, Oct 18th & 19th - Juan Bautista<br />

de Anza Days. Come join us for an annual cultural<br />

event celebrating the 1775 Anza Expedition. Mass is at<br />

Tumacácori Mission on Saturday, Anza Ride re-enactment<br />

on Saturday, Native dancers, lectures, Spanish history,<br />

and Tubaqueños demonstrations. Sunday Tubaqueños<br />

Living History from 1 – 4 pm. Come experience the sights,<br />

sounds, and tastes of <strong>Tubac</strong> 1776 during these Spanish<br />

Colonial living history demonstrations at the <strong>Tubac</strong> Presidio<br />

State Historic Park. For more info see page 3 of this<br />

month’s <strong>Villager</strong> or call 398-2252.<br />

Sunday, Oct 19 - History & Art—Live from Old Town<br />

<strong>Tubac</strong>—Anza Days Festivities. At Noon, experience the<br />

re-enactment at the <strong>Tubac</strong> Presidio State Historic Park.<br />

Cross the street for an Open House from 1-4 p.m. featuring<br />

photography of the Santa Cruz River Valley’s historical<br />

haunts and natural habitats,and fine art crafts of Warren<br />

Allen and “Martita.” Walk back in time on a tour of Old<br />

Town <strong>Tubac</strong>’s historic buildings and their colorful residents<br />

guided by Nancy Valentine beginning at 2 p.m. Aldea de<br />

Artisticas—working Artists’ Village in Old Town <strong>Tubac</strong>. 14<br />

Calle Iglesia just across the way from the <strong>Tubac</strong> Presidio<br />

State Historic Park and Anza Days. 520-245-9222,<br />

tubacval@msn.com for information.<br />

continued on page 35...<br />

Manos Gallery, Celebrates 3 Years with New Works ... Meet the Artists ... SATURDAY, <strong>OCT</strong>OBER 25 FROM 3 TO 6 PM<br />

Each year Manos Gallery has hosted<br />

a fund-raising event for a local non<br />

profit including Equine Voices,<br />

SCC Humane Society and Young<br />

Audiences of SCC. This year in<br />

support of our local Montessori<br />

schools art programs, Manos will<br />

donate a portion of sales from its<br />

Winter Invitational Exhibit which<br />

is open to members of Southern<br />

Arizona Watercolor Guild and the<br />

Watercolor Society of Oregon. Also<br />

several inspirational educational<br />

workshops are scheduled with<br />

Manos. In November artist Pat<br />

Lambrecht-Hould will be working<br />

and demonstrating with acrylics.<br />

The team of Michaelin Otis and<br />

Deborah Voyda Rogers will teach<br />

watercolors on different surfaces<br />

in March. Michaelin will also<br />

teach Mondays in the gallery and<br />

can be seen demonstrating on the<br />

patio on most Saturdays.. Detailed<br />

information is online at manosgallery.<br />

com.<br />

The past three years have been<br />

wonderful and yet a patience building<br />

experience as the gallery has been in<br />

the heart of La Entrada construction.<br />

When the project is complete it will<br />

be a great addition to the village. Leo<br />

Millers genius architecture with the<br />

beautiful elevation that can be viewed<br />

from the freeway and frontage road<br />

will benefit all <strong>Tubac</strong> merchants.<br />

Mary Helen Watson, gallery<br />

owner, laughingly admits that<br />

although she hasn’t been taking<br />

antidepressants or had a nervous<br />

break down during this construction<br />

period there may still be time.<br />

“Manos has an incredible wealth<br />

of artistic talent with artwork from<br />

over 40 local and regional artists.<br />

I wholeheartedly thank and am<br />

grateful to the artists that have<br />

supported the gallery and my<br />

dream, and for terrific clientele who<br />

return to purchase art and make sure<br />

of this gallery’s continued success.<br />

Honestly, <strong>Tubac</strong> must have an<br />

unwavering awareness in the coming<br />

years and continue to maintain and<br />

support our wonderful galleries,<br />

shops and restaurants, so the success<br />

that I am blessed to be part of in this<br />

unique village continues to be an<br />

inspiration and eventful experience<br />

to the community and visitors alike.<br />

Cheers to a great season!”<br />

520-398-8144<br />

manosgallery.com<br />

13<br />

<strong>Tubac</strong> jewelry designer Sharon Cipriano<br />

and her Manos Collection.<br />

Last Stand, a new watercolor by<br />

local artist Michaelin Otis.<br />

Gallery owner MH Watson with paintings by J Bateman and<br />

P Lambrecht Hould, Manos Gallery’s top selling artists.


North to<br />

Dental Artistry<br />

Green Valley Bike & Hike<br />

Kristofer’s<br />

Ventana Mortgage<br />

<strong>Tubac</strong> Golf Resort<br />

1 dos Silos<br />

1 The Spa<br />

1 Stables Restaurant<br />

1 Pancho’s<br />

1<br />

Golf<br />

Resort<br />

LA ENTRADA<br />

10 Cactus Huggers<br />

Photography<br />

9 Casa Fina de <strong>Tubac</strong><br />

15 CCurry Studio<br />

& Gallery<br />

17 Cowboy’s<br />

Sweetheart<br />

21 Damian Koorey<br />

Designs<br />

14 Feminine Mystique<br />

23 Flor de <strong>Tubac</strong><br />

11 The Harrison Group<br />

11 Horizon Funding<br />

15 Dr. Brian Kniff<br />

22 La Cucaracha<br />

12 La Esplendida<br />

13 Manos<br />

18 Michele’s<br />

11 Office Works<br />

19 Renee Taylor Gallery<br />

23 Rinconart<br />

20 <strong>Tubac</strong> Deli<br />

16 Tumacookery<br />

15 Visitor’s Center<br />

15 Yard Woman<br />

E. FRONTAGE ROAD<br />

BRIDGE ROAD<br />

Montessori<br />

de Santa Cruz<br />

<strong>Tubac</strong><br />

Entrance<br />

HESSELBARTH LANE<br />

89 Beads of <strong>Tubac</strong><br />

90 Casita del Oro<br />

91 Otero Gallery<br />

5<br />

6<br />

7<br />

8<br />

4<br />

3<br />

2<br />

<strong>Tubac</strong> Fire<br />

Station<br />

LA<br />

ENTRADA<br />

23<br />

FRONTAGE ROAD<br />

4 Access Wisdom<br />

Home Care<br />

6 Coldwell Banker -<br />

Bill Mack<br />

2 El Mercado<br />

3 Melio’s Trattoria<br />

5 Realty Executives<br />

6 Lawrence V.<br />

Robertson, Jr. Attorney<br />

5 Saigon Nails<br />

7 Spa Zen<br />

8 <strong>Tubac</strong> Health Center<br />

4 <strong>Tubac</strong> Post Office<br />

7 <strong>Tubac</strong> Art Exchange<br />

CALLE BACA<br />

123 Holistic Haven<br />

128 Los Gatos Locos<br />

129 Rogoway’s<br />

Turquoise Tortoise<br />

125 Terra Flora<br />

30<br />

13<br />

16<br />

14<br />

15<br />

22<br />

32<br />

30 Brasher Real Estate<br />

35 Casa Maya<br />

31 Desert Wind Herb & Tea<br />

33 House of Stone & Light<br />

34 Long Realty<br />

32 Mariah’s<br />

31 The Old Book Shop<br />

33 Red Willow<br />

9<br />

10<br />

TUBAC ROAD<br />

21<br />

31<br />

11<br />

20<br />

33<br />

12<br />

17<br />

18<br />

34<br />

19<br />

96<br />

95<br />

91<br />

90<br />

89<br />

HESSELBARTH LN CALLE BACA<br />

36<br />

TUBAC ROAD<br />

Mercado de Baca<br />

39 Accent on Mexico<br />

44 Chios<br />

45 Crowe’s Nest<br />

41 Karin Newby Gallery<br />

42 Shelby’s Bistro<br />

40 Sole Shoes<br />

143<br />

144<br />

128<br />

129<br />

97<br />

37<br />

122<br />

99<br />

46<br />

39 44<br />

43<br />

Mercado de Baca<br />

PLAZA DE ANZA<br />

149<br />

123<br />

98<br />

38<br />

40<br />

41<br />

145<br />

147<br />

125<br />

100<br />

47<br />

148<br />

101<br />

TUBAC PLAZA<br />

Plaza Antigua<br />

PLAZA DE ANZA<br />

143 Anza Market Place<br />

148 Artist’s Palate<br />

144 Baca Float Water Co.<br />

149 Café Presidio<br />

149 The Chef’s Table<br />

147 Josef’s of <strong>Tubac</strong><br />

149 <strong>Tubac</strong> Culinary School<br />

149 <strong>Tubac</strong> Ranch<br />

CAMINO OTERO<br />

115 Artes Alegres Gallery<br />

116 Clay Hands Studio<br />

117 Cobalt Fine Arts<br />

119 Cowgirl Zen<br />

109 De Anza Restaurante<br />

122 Four Winds Gallery<br />

120 James Culver Leather<br />

111 La Catrina<br />

119 Lavendar Bay Antiques<br />

119 Peter Chope<br />

112 Quilts Ltd Gallery<br />

119 Roberta Rogers Studio<br />

110 Saddle Tramp Cowboy Shop<br />

122 Silver Fox<br />

113 Tohono Village Trading Post<br />

115 <strong>Tubac</strong> Online Sales<br />

118 Turquoise Angel<br />

45<br />

121<br />

86<br />

48<br />

103<br />

120<br />

118<br />

85<br />

54<br />

119<br />

I -19 Exit 34<br />

115<br />

117 116<br />

102<br />

104<br />

49<br />

84<br />

55<br />

50<br />

105<br />

83<br />

51<br />

53<br />

106<br />

57<br />

113<br />

112<br />

82<br />

52<br />

Plaza Antigua<br />

48 Cloud Dancer<br />

49 Cowgirl Ugly<br />

49 Más y Más<br />

49 Mayhew Gallery<br />

49 Sempre Bella<br />

49 Sunrise Jewlers<br />

49 Tile N Art<br />

110<br />

111<br />

CAMINO<br />

OTERO<br />

PLAZA ROAD<br />

58<br />

WILL ROGERS LANE<br />

80<br />

109<br />

81<br />

59 60<br />

TUBAC ROAD<br />

133<br />

135<br />

59 The Artist’s Daughter<br />

61 Big Horn Gallery<br />

46 The Chile Pepper<br />

55 Creative Coyote<br />

47 Digital Brushstrokes<br />

58 Galleria <strong>Tubac</strong><br />

60 Hal Empie<br />

37 La Piñata<br />

52 Los Cántaros<br />

47 Metalmorphosis<br />

57 Old Presidio Traders<br />

36 Purcell Galleries<br />

53 The Shops at <strong>Tubac</strong> Plaza<br />

54 <strong>Tubac</strong> House<br />

47 Galeria de la Vega<br />

51 ZForrest<br />

45 minutes south of Tucson<br />

PLAZA ROAD<br />

105 Casa Maya<br />

101 El Rincon<br />

102 La Viña<br />

106 Lee Blackwell Studio<br />

99 Michael’s of <strong>Tubac</strong><br />

95 Old <strong>Tubac</strong> Inn<br />

100 The Red Door Gallery<br />

103 Sonora Trading Co.<br />

97 <strong>Tubac</strong> Center of the Arts<br />

104 <strong>Tubac</strong> Ironworks<br />

96 <strong>Tubac</strong> Old World Imports<br />

98 <strong>Tubac</strong> Territory<br />

61<br />

134<br />

130<br />

131<br />

BURRUEL ST<br />

132<br />

El<br />

Presidito<br />

65<br />

OLD<br />

TOWN<br />

El Presidito<br />

65 Carol St. John<br />

65 Linda Boylan<br />

65 Kingston Studio<br />

65 Wolf Den Gallery<br />

66<br />

TUBAC PLAZA<br />

CALLE IGLESIA<br />

75<br />

53 Alan’s Imports<br />

80 Country Shop<br />

83 Galileo Antiques & Otherwiz<br />

81 Graham Bell Gallery<br />

85 Jane’s Attic<br />

82 La Tienda de Oaxaca<br />

84 Out of the Way Galleria<br />

86 Paws Here<br />

84 Soulistic Medical Institute<br />

84 Spirit Steps Tours<br />

67<br />

Placita de Anza<br />

68<br />

<strong>Tubac</strong><br />

Presidio<br />

State<br />

Historical<br />

Park<br />

BURRUEL STREET<br />

71<br />

132 Designs in Copper<br />

135 Gallery 219<br />

134 Cowgirl Ugly<br />

133 South of the Border<br />

131 <strong>Tubac</strong> Country Inn<br />

132 <strong>Tubac</strong> Furniture<br />

130 <strong>Tubac</strong> Trailer Tether<br />

OLD TOWN<br />

72 Aldea de Artisticas<br />

73 Anza Inn<br />

73 Floating Stone<br />

67 Hugh Cabot Gallery<br />

68 Intricate Mosaics<br />

72 Kristine White<br />

74 La Paloma de <strong>Tubac</strong><br />

72 Paula Kjorlie<br />

75 St. Ann’s Church<br />

70 Sculpture Garden<br />

66 R Van Reyper Studio<br />

71 <strong>Tubac</strong> Secret Garden Inn<br />

68 <strong>Tubac</strong> <strong>Villager</strong><br />

70<br />

72<br />

OLD<br />

TOWN<br />

COMING SOON!<br />

A new <strong>Tubac</strong> Map<br />

by local artist Roberta Rogers!<br />

PRESIDIO DR.<br />

73<br />

South to<br />

St. Andrew’s Episcopal Church<br />

Santa Cruz Chili & Spice Co.<br />

Tumacácori Nat’l Historic Park<br />

Wisdom’s Café


County adopts 4-day work week<br />

Santa Cruz County government on Sept.<br />

15 implemented a four-day work week<br />

for many of its operations at the county<br />

complex, located north of Mariposa Road<br />

and east of Interstate 19 in Nogales.<br />

Deputy County Manager Carlos Rivera<br />

said the reason was to save money during<br />

a time when state revenues are dropping.<br />

County offices are open Monday through<br />

Thursday, from 7 a.m. to 6 p.m. There is<br />

limited assistance to residents on Fridays<br />

at the county complex.<br />

The change is for offices on the lower<br />

floor of the complex. It doesn’t impact<br />

the county court system, clerk of Superior<br />

Court or the office of the County<br />

Attorney. The sheriff ’s office is not affected<br />

either.<br />

The offices involved include the Assessor,<br />

Treasurer, Public Fiduciary, School<br />

Superintendent, Emergency Services,<br />

Health, Building Codes, Planning and<br />

Zoning, Public Works, Central Permits,<br />

Finance and the Board of Supervisors.<br />

Rivera said the Recorder’s Office will<br />

continue as is until after the Nov. 4<br />

General Election. At that time they will<br />

change over to the same schedule as all<br />

other lower level departments.<br />

On Fridays, one person representing<br />

each office works from 8 a.m. to 5 p.m.<br />

in the county complex in the Emergency<br />

Operations Room, Room 109.<br />

Rivera said the telephone numbers<br />

for each office are forwarded by each<br />

department to that one office, so people<br />

can continue to dial direct lines or can call<br />

the main county number of (520) 375-<br />

7800.<br />

82-home project is reviewed<br />

The Santa Cruz County Planning and<br />

Zoning Commission gave unanimous<br />

approval on Sept. 25 to a new residential<br />

project planned for a 40-acre parcel of<br />

land on the west frontage road in <strong>Tubac</strong>,<br />

between Exits 32 and 40.<br />

Gary Brasher and David Grounds of<br />

Dorn Homes are partners and plan<br />

to build 82 homes. Larger homes on<br />

one-acre lots will be placed around the<br />

perimeter and in the interior they plan<br />

attached patio homes. The developers<br />

will install underground utilities and will<br />

build a constructed wetlands wastewater<br />

treatment plant, Brasher said. There will be<br />

a small community center building with<br />

an exercise room, as well.<br />

He told commission members the homes<br />

will be certified energy efficient. There will<br />

also be steps taken to reduce rainwater<br />

run off so that flooding doesn’t occur on<br />

the opposite side of Interstate 19 in the<br />

Belderrain Wash.<br />

Several of the commissioners praised<br />

Brasher for the planning aspects of<br />

the project, and asked aloud why other<br />

developers can’t provide the same high<br />

quality. They said they liked the lower<br />

density, the wastewater treatment, and the<br />

energy-efficient homes.<br />

In two separate votes, the commission<br />

voted 7-0 to approve the tentative plat,<br />

and to recommend approval to the Board<br />

of Supervisors for the development<br />

guidelines and final plan.<br />

Border Patrol checkpoint oversight<br />

Members of the Coalition for a Safe and<br />

Secure Border, a <strong>Tubac</strong> and Green Valley<br />

area group which was active a year ago, is<br />

reforming, said Gary Brasher.<br />

Brasher gave an update at the Sept. 15<br />

meeting of the Santa Cruz Valley Citizens<br />

Council in <strong>Tubac</strong>. He said the group is<br />

opposed to plans by the Border Patrol<br />

to construct a permanent checkpoint for<br />

immigration and drug interdiction on<br />

Interstate 19 between <strong>Tubac</strong> and Amado.<br />

He said group members developed a<br />

presentation that was given several times<br />

in the summer of 2007 and they are in the<br />

process of “modifying and updating” it.<br />

The presentation gives a range of options<br />

that could be used by the Border Patrol in<br />

place of a permanent checkpoint.<br />

An informational meeting was scheduled<br />

on Sept. 29, after deadline for this issue<br />

of the <strong>Tubac</strong> <strong>Villager</strong>. Brasher said that<br />

for more information, anyone can call his<br />

office at (520) 398-8374. Other contacts<br />

include Carol Cullen, (520) 398-2704 or<br />

Jim DiGiacomo at (520) 625-7575.<br />

Giffords acts on checkpoint<br />

Congresswoman Gabrielle Giffords,<br />

whose District 8 includes <strong>Tubac</strong>, Amado<br />

and Green Valley, released information<br />

on Sept. 26 regarding her concerns about<br />

the Border Patrol’s Interstate 19 proposed<br />

permanent checkpoint between <strong>Tubac</strong> and<br />

Amado.<br />

Ron Barber, Giffords’ district director, said<br />

she had the following language, which<br />

insists on a delay in developing plans<br />

for the checkpoint, included in the U.S.<br />

House of Representatives Appropriations<br />

bill.<br />

“The Committee directs CBP (Customs<br />

and Border Protection) to not finalize<br />

planning for the design and location of a<br />

permanent checkpoint until the findings<br />

from the completed GAO (Government<br />

Accountability Office) study and data on<br />

the performance of the upgraded interim<br />

checkpoint have been collected and<br />

incorporated into such planning.<br />

“The Committee also directs CBP,<br />

as appropriate, to make all interim<br />

checkpoint performance data available on<br />

an ongoing basis to affected communities<br />

and stakeholders, as part of full and<br />

transparent consultation with the public.”<br />

Also, Giffords was a co-signer on a Sept.<br />

24 letter to Border Patrol Chief David<br />

Aguilar. She and Congressman David<br />

Price, the chairman of the Homeland<br />

Security Appropriations Subcommittee,<br />

insisted that the Border Patrol, by Oct. 10,<br />

20<strong>08</strong>, give them “a detailed report on all<br />

current and designated funding for, and<br />

the schedule for work associated with a<br />

permanent checkpoint and the improved<br />

interim checkpoint on I-19.” They wrote<br />

that Giffords requested that in a July<br />

phone conversation, and hasn’t received it.<br />

Flood maps are online<br />

Santa Cruz County Flood Control<br />

District recently released preliminary<br />

digital flood insurance rate maps. The<br />

project was started about three years ago.<br />

Anyone interested in how the new maps<br />

might affect property they own can review<br />

the maps. The address is: www.co.santacruz.az.us/flood/DFIRMS/dfirms.html<br />

The maps are available for comment at<br />

this time, and are not to be used for flood<br />

insurance purposes. A note from the<br />

district said that appeals and protests will<br />

be accepted once the 90-day public appeal<br />

period officially opens. The date for the<br />

appeal period is still to be determined and<br />

will be announced and advertised.<br />

(For questions or comments, contact Kathleen<br />

Vandervoet at kathleenvan@msn.com or<br />

(520) 398-2<strong>08</strong>9.)<br />

Mon-Sat 10-5 26 C-1 <strong>Tubac</strong> Road<br />

Sun 12-5 398-9009<br />

102


Old Mexican Hacienda Character & Charm -<br />

21st<br />

www.tubacmountainvistas.com<br />

520-398-8600<br />

Century Living<br />

The “MESQUITE”<br />

LEO J MILLER, ARCHITECT<br />

<strong>Tubac</strong>’s Newest, Most Unique Homes<br />

Architecture that looks hundreds of years old<br />

21st Century Conveniences, Pleasures and Luxuries<br />

3 Model Homes Available<br />

2,200 - 2,340 - 2,420 Sq Ft<br />

On the <strong>Tubac</strong> Golf Course<br />

New Anza Nine<br />

1 YEAR G UARANTEED L EASEBACK<br />

NO PAYMENTS FOR 26 MONTHS<br />

Broker<br />

participation<br />

welcomed<br />

with open arms<br />

Contact Jim Vernes<br />

Cell: 520-300-1259<br />

Office 520-398-8600<br />

jim@vernesco.com<br />

www.tubacmountainvistas.com<br />

PO Box 4064 <strong>Tubac</strong>, AZ 85646


10<br />

<strong>Tubac</strong> Photographer,<br />

Warren Allen<br />

New Faces New Places<br />

<strong>Tubac</strong>’s Old Town has a new resident artist.<br />

Photographer Warren Allen has brought his<br />

talents and artistic objectives to the Village<br />

and has set up his gallery and studio in the<br />

Historic Lowe House Gallery with Aldea de<br />

Artistica. at 14 Calle Iglesia<br />

Warren comes to us from Tucson most<br />

recently and before that, Oceanside, CA<br />

where he worked and studied various forms<br />

of his art, including the difficult elements of<br />

commercial product photography.<br />

Working from Tucson, Warren says he found<br />

our area while photographing properties for<br />

agents from Nogales to Green Valley.<br />

His area photographs reveal the amount<br />

of ground he’s covered in a short period of<br />

time, as he devotes time and energy into<br />

experiencing our incredible access roads off<br />

into the desert wilderness surrounding <strong>Tubac</strong>.<br />

As an artist, Warren says, “When I was a kid,<br />

I was in the Mojave Desert and I remember<br />

everything was<br />

perfect. Somewhere<br />

along the line I lost<br />

that,” so now he<br />

looks for it through<br />

a camera. Working<br />

on things without<br />

preconceptions, he<br />

will shoot a photo<br />

at high noon to<br />

capture the hard,<br />

short shadows that<br />

most leave until dusk<br />

softens the mood.<br />

images by Warren Allen<br />

It works.<br />

Some of Warren’s images show what time in<br />

the desert does to human endeavors, simply<br />

framed, without comment or suggestion.<br />

These images tease within me a reminiscence<br />

of the subtle novelty of being a kid on a roadtrip,<br />

in the quiet distance from the roadside<br />

picnic table, where good things are looking to<br />

be found again.<br />

His images are reasonably priced and printed<br />

on-site in his studio on archival paper and<br />

Ultra-Chrome pigment inks, which he<br />

guarantees for life. His framed pieces for<br />

sale are also presented in UV glass to ensure<br />

preservation..<br />

You can visit his studio and gallery at Aldea<br />

de Artisticas in Old Town, <strong>Tubac</strong>, #72 on the<br />

<strong>Tubac</strong> <strong>Villager</strong> map, page 7.<br />

Contact Warren Allen for more information<br />

about his photography art and services by<br />

calling 520-444-6107.<br />

You can learn more about Aldea de Artisticas<br />

online at www.aldea-de-artisticas.com/<br />

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40<br />

120


y Joseph Birkett<br />

Southern Arizona’s best bead shop<br />

has moved from its <strong>Tubac</strong> Road<br />

location to Otero Gallery’s former<br />

spot in the two story gallery and<br />

studio at 5 Hesslebarth Lane,<br />

located just southwest of the<br />

<strong>Tubac</strong> Center of the Arts, #91<br />

<strong>Tubac</strong> <strong>Villager</strong> map, page 7 .<br />

In business in <strong>Tubac</strong> since 1991,<br />

owner, Margaret Rose moved<br />

recently into the large, 2,300 sq<br />

ft space as she expands her<br />

ever-changing inventory of<br />

semi precious, glass, fire polish,<br />

crystal, hand-made lamp work,<br />

bone and shell beads, and fine<br />

yarns, to now include professional<br />

grade art supplies.<br />

Margaret will be adding to the<br />

variety of art supplies offered<br />

as she arranges art classes<br />

which will begin in January,<br />

in the large, brightly lit studio<br />

above the gallery. Classes will<br />

feature Southern Arizona artist<br />

instructors: Jan Thompson - pastel,<br />

Barbara Borgwardt - watercolor,<br />

Rick Wheeler - scratchboard,<br />

David Simons - oil, Roberta<br />

Rogers - watercolor, Diana<br />

Tollenaar - gourd art, Kim Keast<br />

- encaustic on wood, Neala French<br />

- basics of sculpting clay.<br />

Visit Beads of <strong>Tubac</strong> online at<br />

www.beadsoftubac.com, or call<br />

Margaret Rose at 398-2070 to<br />

learn more about coming classes,<br />

what art materials she carries, or,<br />

of course, if she has that special<br />

bead you’ve been looking for...<br />

which she does, and then some.<br />

Local Artists • Cactus / Nursery • Salmon<br />

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Village of <strong>Tubac</strong><br />

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Spend $10 at any one<br />

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Must present this coupon. Cannot be combined with any other<br />

offers. One coupon per customer. Expires December 31 20<strong>08</strong>.<br />

And, visit these fine<br />

Plaza de Anza establishments:<br />

Anza Market Place<br />

Anza de <strong>Tubac</strong> - A Management Company<br />

Artist’s Palate Restaurant<br />

Café Presidio • Chef’s Table<br />

Josef’s of <strong>Tubac</strong> — A Salon<br />

<strong>Tubac</strong> Ranch Home Furnishings<br />

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39756. Call Gina at 520-841-1843. Was $475,000. NOW only $374,000!<br />

Top of the hill, at the end of the road!<br />

Gorgeous 41 acre parcel adjoining<br />

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Inground electric to property, well<br />

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Call Gina at 520-841-1843.<br />

Priced at $165,000.<br />

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Ideally situated on a quiet cul-de-sac to<br />

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33 Mountain View – in Aliso Springs<br />

You can’t beat the views from this<br />

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Mountains! It’s simply outstanding with<br />

a 3 bdrm. 2 bath home which has been<br />

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MLS #’s 105372, 37439, 2<strong>08</strong><strong>08</strong>937.<br />

Call Meg at 520-603-8752.<br />

Priced at $639,000.<br />

REDUCED! 264 Camino Magnifico<br />

– NE Rio Rico<br />

Well maintained home on ½ acre<br />

surrounded by mature trees. 3 bdrms,<br />

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kitchen, security system, tile roof.<br />

MLS #’s 104638, 38198, 20743686.<br />

Call Meg at 520-603-8752.<br />

Reduced to $187,500.<br />

12 <strong>Tubac</strong> Road<br />

PO Box 1349<br />

<strong>Tubac</strong>, AZ 85646


y Roseann Hanson<br />

August 31, 1996 – Baboquivari Mountains,<br />

southern Arizona. A hot, muggy summer<br />

day, the best kind, when the normally duncolored<br />

hills are bristling green and alive with<br />

butterflies and flowers and birds, a gift from<br />

what we call monsoon rains. Lifelong cougar<br />

hunter Jack Childs, his wife, Anna Mary, and<br />

hunting partners Matt Colvin and Gavin Weller<br />

were working their hounds in these remote,<br />

rugged mountains two hours southwest of<br />

Tucson. The terrain is so fractured and steep,<br />

it can take hours to cover just a few miles.<br />

The dogs had picked up a scent and were<br />

baying hard up in the oak-and-juniper-dotted<br />

rhyolite crags above. But something sounded<br />

wrong—the dogs were frantic, their calls more<br />

urgent than normal. Two cougars? Cubs?<br />

Scrambling up the scree slopes, the hunters<br />

gained the ridgetop to find their dogs had treed<br />

not the expected mountain lion, but a large male<br />

jaguar—El Tigre stared balefully down at them.<br />

As the legend goes, Jack put down his rifle and<br />

picked up his video camera. And his life was<br />

changed forever.<br />

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On the Jaguar Trail<br />

Cat conservationists come together in the Arizona-Mexico borderlands to find out:<br />

Is North America is ready to ensure a future for our biggest cat?<br />

Panthera onca, the jaguar, is the<br />

largest cat in the Western<br />

Hemisphere. Males average five<br />

to six feet in length and can<br />

top 200 pounds. By contrast,<br />

male cougars in the Southwest<br />

rarely exceed 150 pounds. The<br />

cougar is long and sleek, with<br />

tall legs and a smallish head,<br />

but the jaguar’s blocky head sits<br />

atop powerful shoulders on stocky<br />

legs with large feet. Jaguars are<br />

perfectly suited to climbing, swimming,<br />

and crawling in order to capture their preferred<br />

prey: peccaries, deer, livestock, and even caimans.<br />

Jaguars are “roaring” cats, with a larynx adapted<br />

to make a gutteral, cough-like call that resonates<br />

across even forest landscapes (much like a very<br />

loud leopard’s call).<br />

Like all cats except African lions, jaguars are<br />

solitary, and come together only to mate; females<br />

raise their cubs on their own to an age of about<br />

12 to 18 months. The territories of males might<br />

take in parts of female territories, but males<br />

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don’t share territories—they will<br />

fight to hold their ground. As the<br />

cubs mature, males will disperse<br />

out of their mother’s home<br />

range and strike off to find<br />

their own stomping grounds,<br />

challenging other males<br />

to rights to their land and<br />

females.<br />

Most people relate the jaguar<br />

to tropical Brazil or Belize, where<br />

it has gotten the most press. But<br />

historically the range of El Tigre has<br />

been from the southwestern U.S. to southern<br />

Argentina. A science workshop held in Mexico<br />

in 1999 on the status of the jaguar revealed that<br />

jaguars have been lost from over half their range<br />

since 1900, with most of the loss occurring in<br />

Mexico and the U.S. in the north, and in Brazil<br />

and Argentina in the south. Most of the loss is<br />

due to deforestation, conversion of land to other<br />

uses, and killing of the cats and their prey.<br />

As one of the top predators in our hemisphere,<br />

the jaguar has been a cultural icon for power<br />

and spirituality for millenia. The Maya believed<br />

the jaguar’s spotted coat symbolized the night<br />

sky, while Amazonian people believed them<br />

to be a connection to the spirit world because<br />

of their reflective eyes. The Aztecs fed the<br />

hearts of sacrificial victims to jaguars. Today<br />

the jaguar is a powerful symbol for wildness,<br />

spurring passions across cultural boundaries,<br />

from environmentalists to livestock growers to<br />

scientists to regular citizens. Despite being listed<br />

as an endangered species in the U.S. by the U.S.<br />

Fish and Wildlife Service in 1997, jaguars are<br />

still in extreme peril, particularly because we<br />

continue to fragment their habitat.<br />

This is what brought ten of us together in May<br />

20<strong>08</strong> to learn as much as possible about the<br />

status—and fate—of this incredible predator<br />

that some think might be returning to the<br />

American Southwest.<br />

Our exploratory team comprised myself, a<br />

conservation and business consultant working<br />

in North America and East Africa, along with<br />

my husband, Jonathan Hanson, executive editor<br />

and co-founder of Overland Journal; Scott<br />

Brady, publisher and co-founder of Overland<br />

Journal; Jack Childs, retired land surveyer and<br />

mountain lion hunter; Cathryn Hilker, founder<br />

and director of the Cat Ambassador program<br />

and Angel Fund at the Cincinnati Zoo and<br />

a leader in big cat conservation (particularly<br />

cheetahs); Kathleen Maynard, volunteer with<br />

the Cat Ambassador program and wife of Thane<br />

Maynard, the zoo director; Lily Maynard,<br />

daughter of Kathleen and Thane; Gabriel Paz,<br />

Arizona Game and Fish Department officer;<br />

Marisa Rice, senior hydrologist with Pima<br />

County Water Resources; and Brian DeArmon,<br />

education chairman for the Overland Society,<br />

a new service organization aiding conservation<br />

efforts through education and four-wheel-drive<br />

transport assistance.<br />

Our goal was to explore overland along the<br />

Arizona-Mexico border, visiting key people<br />

involved in conservation, as well as sites where<br />

jaguars have been recorded in the last 14 years<br />

and where conservation efforts are underway—<br />

and where the new border wall has been erected.<br />

We wanted to learn as much as possible about<br />

the natural history of this elusive cat, its habitat,<br />

and interaction with other native wildlife. We<br />

began in Brown Canyon, in the Baboquivari<br />

Mountains opposite the ridge where Jack and<br />

his friends videotaped their first jaguar in 1996.<br />

We were on the Jaguar Trail.<br />

When we picked up the Cincinnati crew at<br />

Tucson International Airport, the weather was<br />

distinctly un-May-like for Arizona: Storm<br />

clouds streamed in from the west on a 40-mph<br />

gale, the temperature hovered at 65 degrees<br />

Fahrenheit, and rain spattered our windshields<br />

as we headed west on Arizona 86.<br />

Brown Canyon was added to the 118,000-acre<br />

Buenos Aires National Wildlife in 1995, and<br />

Jonathan and I were lucky enough to live there<br />

from then until 1998 as volunteer caretakers.<br />

It would be great to return, and show the<br />

team this sub-tropical canyon with Sierra<br />

Madrean influences—tall sycamores, oaks,<br />

junipers, catclaw thickets, agaves and cactuses,<br />

rare reptiles and birds such as vine snakes<br />

<br />

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<br />

<br />

<br />

119


Left: the teams leaves Brown Canyon in the Baboquivari Mountains. Roseann Hanson and Cathryn Hilker inspect a fresh cougar scrape. Center: a close-up of the cat print that gave pause to<br />

the team: big enough for jaguar, but likely cougar. Right: one of 65 photographs of Arizona jaguars captured by remote camera by the Borederland Jaguar Detection Project/Emil McCain.<br />

and gray hawks, and lots of cats, including<br />

jaguar, mountain lion, and bobcat. While we<br />

lived there, we had five visual encounters with<br />

cougars, and regularly tracked a single female<br />

in whose territory we lived. We knew when she<br />

bred, had kittens, and hunted, and found her<br />

kills many times. And we’re certain we heard a<br />

jaguar calling one night in late 1996—though<br />

at the time we did not know what it was, as<br />

Jack’s sighting remained secret for some time.<br />

I hoped to share a glimpse of a cougar with<br />

Kathleen, Lily, and particularly Cathryn, who<br />

has never seen a cougar in the wild, although<br />

she has lots of face-time with cougars: As<br />

the trainer for the Cat Ambassador program,<br />

Cathryn has raised dozens of big cats, from<br />

cheetahs to tigers to ocelots, all of whom<br />

lived at her Ohio farm while learning to be<br />

ambassadors for the zoo’s education program.<br />

Her cougar, Carrie, was one of her first cats.<br />

We set up base camp at the Brown Canyon<br />

Environmental Education Centre, a<br />

comfortable stone lodge in the upper canyon,<br />

just above the creek. That evening we sat<br />

around the fireplace while winds raged in the<br />

canyon walls above and rain fell onto the metal<br />

roof, and talked about how each of us came to<br />

be interested in cat conservation.<br />

“I was a professional horsewoman for years—<br />

fox hunting and training horses—and then I<br />

met a cheetah,” Cathryn said. “It changed my<br />

life. From then on I dedicated my life to that<br />

cat.”<br />

Speaking on the magic of big cats and why<br />

they affect us so much, Kathleen said, “Cats like<br />

cougars and jaguars are the representations of<br />

the ‘wild’ for us humans. A predator is about<br />

life and death. We humans have a primal fear of<br />

predators; as primates we’re genetically coded<br />

for this. Even today we’re no more removed<br />

than we were in the earliest times from this<br />

fear, which is triggered by these predators—and<br />

we’ve dealt with it worldwide by exterminating<br />

them.”<br />

That is the story of the jaguar in Arizona.<br />

In the book Borderland Jaguars: Tigres de la<br />

Frontera, authors Dave Brown and Carlos<br />

A. López González surveyed the last 100<br />

years of documented jaguar sightings—<br />

either photographs or skins. There were 65<br />

occurrences. Three were kittens, and 28 percent<br />

were female, the last of which was killed in the<br />

central White Mountains in 1963. A graph<br />

of the documented occurrences showed that<br />

since 1970, the sightings dropped markedly.<br />

The reason is thought to be that in 1969<br />

the state of Arizona passed a law protecting<br />

jaguars from hunting (including an $850 fine).<br />

Prior to that, jaguars were considered pests<br />

to livestock growing, and hunted for bounty.<br />

So hunting (and thus documentation) both<br />

diminished, but also went secret—it’s unlikely<br />

it ceased altogether. When the Endangered<br />

Species Act was passed in 1972, the jaguar<br />

was listed in Mexico but not in the U.S.,<br />

because it was assumed to be extinct here .<br />

One interesting fact is that there has been no<br />

female documented since 1963, and so it’s still<br />

widely thought there is no breeding population<br />

in Arizona. The nearest confirmed breeding<br />

population is in the western slopes of the Sierra<br />

Madre, around the Ríos Yaqui and Aros, only<br />

about 125 miles due south of Douglas, Arizona.<br />

Jaguars are still being killed at an alarming rate<br />

in Mexico.<br />

The next morning we set out early for a hike<br />

up the canyon, looking for big cats. The sun<br />

had just cleared the canyon wall, and we were<br />

still bundled up against the cold wind and<br />

threatening dark rain clouds. Not more than a<br />

quarter mile up the creekbed that is thick with<br />

continued on page 14...<br />

Hajji<br />

Baba say:<br />

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Above, left: Macho B. This 13-year-old tigre started it all when his meal on a rocky ridgetop in the Baboquivari Mountains was interrupted by Jack et al in 1996. Center map: our “Jaguar Trail”<br />

took us from Tucson west to the Baboquivari Mountains, on the Buenos Aires National Wildlife Refuge, east to the Sierrita Mountains, south to the border town of Sasabe, and then back to<br />

Tucson via the town of Arivaca and the famous Ruby Road. Ruby Road and its wildlands provide some of the Southwest’s most scenic overlanding experiences. On National Forest land, the 25<br />

miles wind through rock canyons and oak-dotted hills deep in jaguar country. Four-wheel-drive side roads abound, offering plenty of remote camping and hiking—though it is drug-smuggling<br />

country and camping is probably best closer to Peña Blanca Lake. Contact Coronado National Forest for more information. Right: this map courtesy the Northern Jaguar Project shows the extent<br />

of jaguar sightings, the two newly purchased private and existing federal reserves in Mexico, and suitable jaguar habitat.<br />

catclaw, mimosa, hackberry, and sycamores, we came upon a very<br />

fresh pile of big cat feces (also called scat) in the middle of the<br />

trail—still practically steaming, not more than a few hours old.<br />

A few paces away was a scrape—a pile of leaf litter next to the<br />

trail that cats such as cougars pile up and then urinate on. These<br />

are scent markers or “signposts” to communicate to fellow cats or<br />

other species, particularly about territory boundaries. The top of<br />

the scrape was still wet.<br />

For the rest of the morning we scanned the hills for signs of a<br />

cat, keeping as quiet as possible. Occasionally a few drops of rain<br />

clattered in the trees while the sun played hide-and-seek with<br />

clouds. On the two-mile hike we found no fewer than 15 scrapes<br />

of varying ages, two more older scat piles, and one fallen log that<br />

has lots of claw marks on it—a big-cat scratching post. Lots<br />

of big cat activity—most likely cougar, although jaguar was of<br />

course a possibility, having been previously recorded in this area.<br />

We also saw several white-tailed deer, and sign of javelina—a<br />

favorite jaguar food—and human sign as well. New and heavily<br />

used trails sliced through the rocky hills heading north to a<br />

spring on the other side of the ridge, used by migrants and drug<br />

runners or ‘mules.’<br />

Fourteen years ago there was no migrant activity in the<br />

canyon, but the continued decline in Mexico’s economy and<br />

the commensurate increase in northward migration, as well as<br />

changing Border Patrol enforcement strategies, have forced<br />

more people into the remotest of terrain. Border issues have<br />

ignited passionate wars of words—and physical conflict—in our<br />

region. Millions of people cross the border into the U.S. where<br />

they readily find work; many are aided by people smugglers who<br />

charge as much as $2,500 per person (representing an estimated<br />

$2.5 billion in revenue per year). Drug smuggling is even more<br />

massive, with a smorgasbord ranging from marijuana to heroine<br />

to cocaine, and now meth. Many billions of dollars’ worth of<br />

people and drugs. Border residents are sick and tired of the trash,<br />

the trails, the human waste, the crime. The borderlands swarm<br />

with border agents and their trucks, helicopters, ATVs, check<br />

points and guard towers—all adding to the war zone feeling<br />

along our borders.<br />

And then there is the border fence. Desperate to show some<br />

sort of effort to stem the impossible flood of people and drugs,<br />

Congress passed the Secure Fence Act and President Bush<br />

signed it into to law on October 26, 2006—calling for 698<br />

miles of mandatory fencing along the Mexico border. Although<br />

specific funding for the fence has been delayed, nearly $1.2<br />

billion in Department of Homeland Security funds for “border<br />

security” are available. And in April this year, DHS announced<br />

it would waive more than 30 environmental and cultural laws to<br />

speed construction of the wall. Eighty miles of the 12-foot-tall<br />

steel barrier have already been built in southern Arizona, seven<br />

in the region where the jaguars have been crossing.<br />

“What do you think? Is it cougar?” Cathryn asked Jack Childs.<br />

We were crouched in the mud at the edge of Champurrado<br />

Tank, a large cattle pond on the southern slopes of the Sierrita<br />

Mountains. Two big cat prints nudged the edge of the water,<br />

which was riffling in the breeze.<br />

A long silence. Too long. My heart leaped—jaguar? They were<br />

big, and the central pad very large—one of the characteristics<br />

of jaguar paws. Jack cocked his head. “Probably cougar, a big<br />

one, but see how it’s slid down toward the water, and the mud<br />

exaggerates size.” Jack gave a tutorial to the group on how to tell<br />

different species prints apart, and then we poured a plaster cast<br />

of the print.<br />

Jack and Arizona Game and Fish officer Gabe Paz, who I<br />

have known for 15 years, had met us at the Marley Ranch<br />

headquarters, and we’d bumped over 10 miles of backcountry<br />

ranch roads to the tank and to see several of the 50 hidden<br />

digital motion-sensor cameras that Jack and his partners<br />

maintain throughout the Tumacacori Highlands. Jack is a<br />

member of the collaborative Arizona-New Mexico Jaguar<br />

Conservation Team, which initiated a monitoring project in late<br />

1996 by supplying five remote cameras to him and to Warner<br />

Glenn, a rancher and cougar hunter who also photographed<br />

a jaguar earlier in ‘96 in the Peloncillo Mountains on the<br />

New Mexico border, a different male than the one in the<br />

Baboquivaris.<br />

49<br />

Plaza Antigua<br />

24 <strong>Tubac</strong> Road<br />

398-8638<br />

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Jack and his wife Anna Mary expanded their monitoring efforts<br />

in 2001 to become the Borderlands Jaguar Detection Project,<br />

seeded with their own money and later grants from sources such<br />

as the Wildlife Conservation Society and the Phoenix Zoo.<br />

The Jaguar Conservation Team supported the research and the<br />

Arizona Game and Fish Department furnished film, batteries,<br />

and developing for additional camera stations. Game and Fish<br />

officers such as Gabe are invaluable for assisting with landowner<br />

relations, Jack said.<br />

On December 9, 2001, one of the cameras captured an adult<br />

male jaguar in Arizona about 6.5 km north of the Mexican<br />

border. On August 7, 2003, 20 months later, the same jaguar<br />

was photographed again at another monitoring station 6 km<br />

farther north in the same mountain range—jaguars’ spots are<br />

as unique as fingerprints. In 2004, Humboldt State University<br />

graduate student Emil McCain began his masters thesis research<br />

on the project. The effort has since increased from 13 camera<br />

stations to 50, and the search effort encompasses a larger area<br />

of more remote and inaccessible mountains and includes track<br />

and scat collection transects. Between June and December<br />

2004 the Borderlands Jaguar Detection Project captured 14<br />

photos of jaguars. To date there have been 89 jaguar ‘events’ (65<br />

photographs and 24 sets of tracks). Jack and Emil have authored<br />

the first comprehensive scientific paper on jaguars at the<br />

northern portion of their range—and were the first to calculate<br />

a jaguar’s home range in the Southwest (525 square miles), as<br />

well as to verify the year-round presence of jaguars in the U.S.<br />

( Journal of Mammology, 89(1):1–10). This is an impressive list<br />

of accomplishments for a true grassroots effort, compared to<br />

the large, staffed organizations that, despite significant funding,<br />

have added little to jaguar science (though plenty to the written<br />

material on the need for jaguar conservation).<br />

Our group hiked up into the brush surrounding the tank, in<br />

a natural terrain “funnel” where one of the trip cameras is<br />

mounted to a tree. Cameras capture everything from migrants<br />

to wildlife deer, skunks, foxes, cougars, black bears, turkeys,<br />

opossum, and bobcats.<br />

“I think there could be a viable Arizona population of jaguars, if<br />

we wanted it,” Jack said. “Obviously, they are here.<br />

The nearest core breeding population is in the Rio<br />

Yaqui, only 150 miles away. One theory (about the<br />

males in Arizona) is that these are ‘surplus’ males<br />

from the core populations, who circulate around<br />

a huge region, from time to time returning to<br />

Mexico.”<br />

Of course, it’s not just about jaguars. The big<br />

spotted cats, Kathleen urges us to remember, are<br />

‘umbrella’ species, meaning if you protect habitat<br />

for an animal that uses such a wide landscape, you<br />

protect many species. Jack said: “If you save the<br />

jaguar, you’ll save the cougar, and the wild turkey,<br />

and the ‘possum. People come to hear me talk<br />

about jaguars, but I end up telling them about<br />

the biodiversity. This jaguar, no matter how much<br />

publicity it gets, is not any more important than the<br />

‘possum.”<br />

Cathryn, with her characteristic disarming<br />

Midwestern directness, got to the main question we’d all been<br />

thinking: “So what about this dumb border fence?”<br />

“The impact of the fence is unstudied,” Jack said. Though<br />

he admitted that the main jaguar, Macho B, has not been<br />

recorded since July last year, when the fence was completed.<br />

The immediate positive effects of the fence have been on the<br />

southern end of the wildlife refuge, keeping out Mexican cattle<br />

and stopping smugglers’ cars, both of which were having a huge<br />

negative impact on the land, according to Fish and Wildlife<br />

biologist Mary Hunnicut, who we had talked with earlier. Mary<br />

admits that the barrier—which is 12 feet tall with tightly spaced<br />

bars—will permanently cut off deer and mammals like cougars<br />

and jaguars that used to use this region.<br />

While we ate lunch in a dense mesquite thicket, our group<br />

talked more about the wall. Cathryn’s work in southern Africa<br />

to save the imperiled cheetah has many parallels, including<br />

barriers. She witnessed first-hand the devastation to wildlife<br />

when massive fence barriers were put up in Botswana, ostensibly<br />

to protect domestic animals from disease . Wildlife died by the<br />

hundreds of thousands, trapped by the fence. Cathryn helped<br />

establish the first cheetah reserves—huge privately owned<br />

ranches—in Namibia. These, and the research, education, and<br />

outreach they provide, have been instrumental in saving one of<br />

Africa’s great cats.<br />

Talk turned to what the immediate future holds for jaguars in<br />

North America. Dave Brown said it well: “We need reservoirs,<br />

not remnants.” Like Cathryn’s Namibian effort, a group called<br />

the Northern Jaguar Project recently raised several million<br />

dollars to purchase two ranches in the Rio Yaqui region where<br />

part of the core breeding population exists—along with ocelots,<br />

river otters, military macaws, and cougars.<br />

“[The jaguar] is a living myth. People can embrace this. There is<br />

a joy of knowing they are here—I’ve never seen a polar bear, but<br />

it gives me great joy to know they are there,” Cathryn said.<br />

“Everything here has a right to be here,” Jack said of the wildlife<br />

of our great borderlands. “God put them here for a reason. We<br />

need to give them a chance.”<br />

continued on page 16...<br />

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May 24, 20<strong>08</strong> – Arizona-Mexico border,<br />

just east of Sasabe. We stand on U.S.<br />

soil looking south into Mexico through the<br />

steel bars of the border wall. It stretches as far<br />

as we can see east and west, 12 feet tall. An<br />

insurmountable, impermeable barrier to all<br />

terrestrial wildlife—the mule deer, pronghorn,<br />

Coues’ whitetail, javelina, cougars, and jaguars.<br />

Not an insurmountable barrier to humans—<br />

where we stand are hundreds of footprints<br />

where people have dropped down into the<br />

U.S. from the top of the fence and rushed off<br />

into the desert grassland to the north, bound<br />

for Phoenix or Chicago or New York, where<br />

plenty of work awaits. The drug smugglers don’t<br />

bother going over; they cart along gas torches.<br />

Humankind has built walls as long as we have<br />

been humans, to keep “undesirables” out—<br />

Hadrian’s Wall, the Great Wall of China; and<br />

to keep people in—the Berlin Wall, the walls of<br />

the Warsaw Ghetto. But they do not work. The<br />

walls always come down.<br />

Our border wall will not last, believes Dr. Peter<br />

Warshall of the Northern Jaguar Project. Like<br />

all others, he said hopefully, it will come down.<br />

But it will take time before any resolution will<br />

solve our border woes enough to bring down<br />

the wall . And by then, will it be too late for<br />

southern Arizona’s jaguars? I am left to wonder<br />

how we can ensure the future of our rarest cat<br />

and its brethren, the cougars and the many<br />

animals of the borderlands, if we do complete<br />

a 700-mile barrier across the borderlands?<br />

Like Dave Brown said, we need reservoirs<br />

not remnants. I’m personally hoping future<br />

generations will be able to enjoy jaguars in the<br />

U.S. once again.<br />

Open 7 days a week<br />

10am - 5pm<br />

Left: Jack Childs checks one of 50 motion-triggered cameras his team has set up and monitors every six weeks. Center: the 12-foot steel border wall near Sasabe, Arizona.<br />

Right: motion-triggered camera captures a jaguar in southern Arizona (Emil McCain, Borderlands Jaguar Detection Project).<br />

Cast of Cat Characters<br />

Jack Childs<br />

Born in Iowa in 1942, Jack moved to Tucson<br />

with his family when he was nine. After high<br />

school, he worked as a land surveyor until<br />

retiring in 1993. His wife, Anna Mary, is a<br />

retired teacher and avid outdoorswoman,<br />

enjoying riding mules and tracking with<br />

Jack. They have two grown children, 10<br />

grandchildren, and two great-grandchildren.<br />

The Childs’ encounter with “Macho B” the<br />

jaguar changed their life, catapulting them into<br />

jaguar research in Arizona, in Brazil’s Pantanal,<br />

and Mexico’s Sierra Madre. Jack is author of<br />

Tracking the Felids of the Borderlands. He<br />

and Anna Mary founded the Borderland<br />

Jaguar Detection Project in 2001 and have<br />

conducted jaguar surveillance and research for<br />

the Arizona-New Mexico Jaguar Conservation<br />

Team since 1997. Their book Ambushed on the<br />

Jaguar Trail: Hidden Cameras on the Mexican<br />

Border will be published this year.<br />

Cathryn Hilker<br />

Cathryn Hilker’s life is filled with animals.<br />

Now in her 70s, Cathryn grew up on an<br />

Ohio farm, where she still lives, and is an avid<br />

horsewoman. Adventure has long been in her<br />

blood. In 1955, a year after finishing college,<br />

she took off on a wild drive across the Congo in<br />

a Studebaker pickup, with a baby gorilla in her<br />

lap. As well as raising her son, Carl, she spent<br />

the next several decades training horses and<br />

volunteering at the Cincinnati Zoo. In 1980 she<br />

jumped at an opportunity to start an education<br />

program for the zoo, giving visitors a chance<br />

to meet animals up close. Her first charge was<br />

Quality Furniture<br />

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Angel the cheetah. The program was<br />

hugely successful; Carrie the cougar<br />

was added, and then a tiger—and the<br />

Cat Ambassador Program was born.<br />

Cathryn continues to lead the program,<br />

raises money for the Angel Fund for<br />

conservation of cheetahs and more, and<br />

zips around Cincinnati in her Subaru<br />

with FELIS 1 plates. On choosing a<br />

life of meaning and adventure, Cathryn<br />

gives sage advice: “All you have to be is<br />

willing to work hard.”<br />

Kathleen and Lily Maynard<br />

Kathleen Maynard is a writer, a film<br />

producer, and the mother of three<br />

daughters. She has studied birds of prey<br />

for 25 years, and big cats, specifically<br />

cheetahs and cougars, for the past eight<br />

years. She tries to teach Cathryn Hilker<br />

about birds of prey in exchange for the<br />

deep and life-changing connections<br />

to a cougar named Sage and a cheetah<br />

named Bravo. She works for the Angel<br />

Fund as a writer and project manager,<br />

and one day hopes to glimpse the rare<br />

Aplomado Falcon (Falco femoralis)<br />

in the wild. Lily Maynard is an avid<br />

explorer: she has kayaked the Boundary<br />

Waters, hiked and kayaked in Alaska,<br />

and has led hiking and kayaking trips<br />

on Isle Royale and the Upper Peninsula of<br />

Michigan. She “grew up” at the Cincinnati Zoo,<br />

where her father is the director. Lily is studying<br />

biology at Smith College; she drives her<br />

parents’ Subaru Forester but admits one of the<br />

highlights of the Jaguar Trail trip driving Scott<br />

Brady’s cool new Jeep Rubicon.<br />

Macho B<br />

This 13-year-old tigre started it all when his<br />

meal on a rocky ridgetop in the Baboquivari<br />

Mountains was interrupted by Jack et al in<br />

1996. He was not seen again in Arizona until<br />

2004, when he reappeared in a now-famous<br />

photo sequence: The jaguar known as “Macho<br />

A” was photographed on June 25, 2004 at 8:47<br />

pm; four hours later, Macho B passed the same<br />

camera, on the trail of Macho A. Macho A<br />

has not been seen since. Over the next three<br />

years Macho B has provided us with a wealth<br />

of information: he is now at least 13 years old;<br />

his home range is at least 525 square miles; he<br />

is part of a population of jaguars that utilize<br />

southern Arizona up to 50 miles north of the<br />

border in every month of the year; he has been<br />

documented 81 times (57 photos and 24 tracks)<br />

in a wide range of habitats and elevations; and<br />

he is nearly strictly nocturnal. Sadly, Macho B<br />

has not been seen since July 2007. We hope he’s<br />

just enjoying a nuptial-stop down south in one<br />

of the reserves.<br />

This article first appeared in the Summer 20<strong>08</strong><br />

Overland Journal. Reprinted with permission from<br />

Roseann Hanson, author and conservation editor<br />

for Overland Journal. For more information visit<br />

www.OverlandJournal.com or call 520-591-1410<br />

Resources:<br />

Borderlands Jaguar Detection Project<br />

swjag.org<br />

Northern Jaguar Project<br />

northernjaguarproject.org<br />

Wildlife Conservation Society and Panthera<br />

Foundation<br />

savethejaguar.com, panthera.org<br />

U.S. Fish & Wildlife Service, Buenos Aires National<br />

Wildlife Refuge<br />

fws.gov/southwest/refuges/arizona/<br />

buenosaires<br />

Coronado National Forest<br />

fs.fed.us/r3/coronado<br />

(click on the map, the Tumacacori Highlands<br />

are west of I-19; click “Scenic Drives” and “Ruby<br />

Road”)<br />

Special thanks to support from:<br />

Overland Society (overlandsociety.org),<br />

Buenos Aires NWR, Bonnie Swarbrick and Mary<br />

Hunnicut;<br />

Zamberlan Boots<br />

Photography for this story by<br />

Roseann Hanson, Jonathan<br />

Hanson, Scott Brady, Brian<br />

DeArmon and Emil McCain


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18<br />

excerpt from Charles Bowden’s coming book to be printed in 2009<br />

He’ll be riding. Across the mountains,<br />

down the valleys, into the canyons, out on the<br />

mesas, day after day, he’ll be riding. He’s hungry,<br />

my God, the hunger, but others do not see it, or if<br />

they do, they write it off, put it on the shelf. Still<br />

the hunger is there and they will one day look<br />

back and say, yes, there was this hunger on his<br />

face. He has just turned eighteen, and his world<br />

has been east, the big city, that big ocean. Nothing<br />

in his years has prepared him for this place. The<br />

sky rolls out an endless blue, the mountains jab at<br />

the horizon, the streams tumble down the canyons<br />

and everything is color, screaming, pure color.<br />

He meets a woman ten years his senior, a young<br />

bride from an old Spanish family, and she teaches<br />

him the horse and then he rides, pack trips that<br />

take days and days, a thin, frail looking eighteenyear-old<br />

relentlessly pushing a horse through this<br />

new country. He astounds others with his sheer<br />

will for movement on a horse. If he is proving<br />

something, he does not say what it is. If he is<br />

learning something, it stays within his mind. He<br />

is friendly and yet there is a silence to him as if he<br />

lives in a place others do not know, a place even<br />

he is barely acquainted with.<br />

He can think very easily and numbers flow through his<br />

mind like water down a river. His name is J. Robert<br />

Oppenheimer and he is American born. Someday,<br />

after these long rides, he’ll be back and the world<br />

will witness a new light and be frightened by the<br />

obliteration of the darkness before dawn.<br />

Earlier visitors sense violence in the air. Often they are<br />

men who do not belong in the place they were born and<br />

so have fled into the wild lands. Around the time of the<br />

American Civil War, travelers into Arizona keep body<br />

and soul together with Pickhandle whiskey, a beverage<br />

fashioned from alcohol, water, cayenne, pepper and<br />

tobacco, the swill stirred with a pick handle. Some<br />

visitors on reaching the Pima villages on the middle<br />

Gila River notice something on the hill above the<br />

floodplain. They climb and find two Apaches on crosses.<br />

They are captives from a raid and have been tied alive<br />

to the crosses with green rawhide. As the leather dries,<br />

it cuts to the bone. As the sun burns in the sky, they<br />

slowly die. Because of the low humidity, the corpses do<br />

not rot but become mummies.<br />

Violence has become life. Between 1491 and 1892,<br />

ninety percent of the native people in the western<br />

hemisphere disappear due to disease, the sword and<br />

deliberate policies of extermination. Between 1491<br />

and today, the land controlled by Native Americans<br />

in the United States shifts from more than 3 million<br />

square miles to around 79,000 square miles.<br />

Plants and beasts have long fought for space and then,<br />

with the migration of humans at some forgotten date,<br />

tribes and finally nations fight for space. The word<br />

native simply means some person or beast or plant<br />

arrives before some other person or beast or plant.<br />

In this arena, there is a belt of ground, a border<br />

country now marked by nations, a dry and trying<br />

place that could be dominated at moments but never<br />

satisfactorily settled. Eventually, those who lord over<br />

this ground, who moved freely through it and put fear<br />

in the hearts of others, are nomadic or semi-nomadic,<br />

men, women and children who shape their lives<br />

around the uncertain rains and the generally scant<br />

plant cover.<br />

Those who defy these realities become ghosts. The corpses<br />

on the crosses by the Gila River can stare south to Casa<br />

Grande, the big adobe house left by earlier settlers<br />

who ceased to matter when the drought came in the<br />

thirteenth century. Ruins stud the region, broken teeth<br />

left by failed hungers.<br />

The Indians know the ground in sharp detail but live<br />

in a world of dreams and enchantment.<br />

Where the boy rides—testing himself and proving that<br />

he can be tough and can suffer—the canyons harbor<br />

ruins left by people who flourished here until some<br />

hard springs came. And then they fled. Always, as he<br />

rides, his eager young flesh brushes against the bones<br />

of failures.<br />

Sycamore canyon comes into my life in my<br />

twelfth year. It is a stone slot knifing five miles<br />

south through the oak hills to Mexico. The dirt<br />

track crawls over the shoulder of the Atascosas. Bear<br />

Canyon opens below, a spot where Yaqui warriors<br />

are caught in the 1920s smuggling guns into<br />

Mexico for the endless wars against outsiders.<br />

In the Apache wars, white men settle at the mouth<br />

of the canyon and then die. The stream purls<br />

along, the banks sporting large sycamores and<br />

cottonwoods. The green breath of the slot inspires<br />

fantasies of bounty. I drink with an old trapper who<br />

once wintered in the canyon murdering bobcats. He<br />

scoffs at the notion that his work could dent their<br />

numbers.<br />

Trogons, that colorful, parrot-like bird, seep into the<br />

canyon from Mexico, as do rosy-throated becards,<br />

five-striped sparrows and hordes of other species.<br />

The canyon hosts bandits, smugglers, drug caravans,<br />

and herds of poor people trekking to the riches of<br />

El Norte. Sometimes gunfire rips the night as men<br />

war over kilos. One exasperated rancher in the area,<br />

after endless cutting of his fence bordering Mexico,<br />

simply puts in a gate for the smugglers’ convenience.<br />

Dawn brings the tolling of the doves, light dancing<br />

on the tops of the cottonwoods while along the<br />

stream cold hangs like a wet sheet. The canyon wren<br />

trills, the tracks of beasts on the soft sands echo the<br />

passing of the night. Moss shelters in the wet places,<br />

the Sonoran chub darts in the pools. The cliffs and<br />

pinnacles always take command of the eye.<br />

Just to the south and east, men found sheets of silver<br />

on the surface of the earth in the early eighteenth<br />

century at a place called Arizonac and this strike,<br />

now lost to memory, lingers on the tongues of<br />

people and becomes the name splattered on an<br />

American state. The slot is a pathway for Apaches<br />

raiding south, for Yaquis during their wars coming<br />

north to buy guns, for Mexican revolutionaries<br />

bartering for supplies.<br />

I am the friend of a man whose grandfather kept<br />

store for less than a year near the canyon during<br />

the Mexican Revolution, a business a few hundred<br />

yards from the border. He took his earnings from<br />

selling produce and dry goods and guns and bought<br />

a ranch of some fifty square miles.<br />

Dreams of power slip through this slot, then fade,<br />

and yet the stone walls remain cool and calm long<br />

after the killing and shouting falls away.<br />

The Mexico of the 1840s had maybe seven million<br />

souls. No one knows the numbers, they have been<br />

lost or doctored. More Blacks came to Mexico in<br />

shackles than Spaniards came as conquerors and<br />

yet the history of Blacks in Mexico has been erased.<br />

The Mexicans face over twenty million Americans,<br />

a nation almost like the Mongol hordes that once<br />

streamed out of the steppes, a restless people<br />

constantly reaching out for new ground, a hungry<br />

TRINITY<br />

people who have six hundred ships in the China<br />

trade and one that thinks, ah, San Francisco Bay<br />

is a useful port and God must have intended this<br />

sheltered estuary for American needs. A nation that<br />

invents out of whole cloth a secular theology and<br />

calls it Manifest Destiny, a hack’s idea of meaning<br />

coined by a newspaper man, John O’Sullivan, editor<br />

of the New York Morning News, who argues in the<br />

year 1845 that the United States “had a manifest<br />

destiny to overspread the continent, allotted by<br />

Providence for the free development of our yearly<br />

multiplying millions,” and, they multiply, coming<br />

down the gangplanks in eastern cities, refugees from<br />

some place called Europe, ambitious Germans,<br />

famine-starved Irish, all cannon fodder for an<br />

idea they have surely never heard, this Manifest<br />

Destiny, something so natural to the nation that<br />

even a conservative leader and one time president<br />

such as John Quincy Adams notes as early as 1819<br />

that the world will soon have to learn a new fact,<br />

and “be familiarized with the idea of considering<br />

our proper dominion to be the continent of North<br />

America,” and they all mean it, that the great<br />

Jehovah or some other potentate has decreed that<br />

Mexico and Canada are meant to fall under the<br />

heel of the United States, and of course, the heel<br />

is always denied, this mission is simply an effort to<br />

extend the joys of democracy but still, the mission is<br />

there and it is like oxygen, something in the air, not<br />

questioned but simply inhaled.<br />

By the 1860s, General James Henry Carleton can<br />

crush the Navajo with a scorched earth policy, herd<br />

the starving tribe into Bosque Redondo far from<br />

their canyon homes and justify the whole enterprise<br />

by simply stating what to him is obvious: “In their<br />

appointed time, God wills that one race of men—as<br />

in the races of lower animals—shall disappear off<br />

the face of the earth and give place to another race,<br />

and so on in the Great Cycle traced out by Himself,<br />

which may be seen but has reasons too deep to<br />

be fathomed by us. The races of mammoths and<br />

mastodons, and the great Sloths, came and passed<br />

away. The Red man of American is passing away!”<br />

His troops guard the Navajos in their concentration<br />

camp and the soldiers run a fifty percent rate for<br />

venereal disease. The starving Navajo women who<br />

prostitute themselves for food sometimes die from<br />

self-inflicted abortions in order to avoid the shame<br />

of bearing a soldier’s child.<br />

This notion of divine right and might is met with<br />

dismay by some—the London Times argues, “To<br />

assert a prospective dominion over territories<br />

beyond [a nation’s] frontiers, is to confuse and<br />

overthrow the barriers of power, and to hasten the<br />

return of universal war and confusion.”<br />

And Henry David Thoreau squats at Walden Pond<br />

and decides all this is bad and refuses to pay a tax<br />

and is thrown in jail and writes his ideas and he<br />

says, “when a sixth of the population of a nation<br />

which has undertaken to be the refuge of liberty<br />

are slaves, and a whole country [Mexico] is unjustly<br />

overrun and conquered by a foreign army,<br />

and subjected to military law, I think that it<br />

is not too soon for honest men to rebel and<br />

revolutionize . . . .” And John C. Calhoun, the<br />

southern man who embodies state’s rights and<br />

the lash, looks at the same facts as Thoreau and<br />

looks at the same Mexican war as Thoreau and<br />

thinks almost the same thought: “Mexico was to<br />

us forbidden fruit; and . . . if we should consume<br />

that fruit, it would be almost tantamount to the<br />

political death of our institutions.”<br />

Ten thousand years ago, the mountains against<br />

Yuma, Arizona had pine and now they are<br />

rock, and cactus and volcanic heat, the small<br />

fort standing at 111 feet above sea level, the<br />

heat so intense soldiers tell tales of a dead man<br />

who came back from Hell the following day to<br />

get his blankets for his new billet, and armies<br />

move through in 1846 as the theater of empire<br />

is played out in this Mexican war, a clash of<br />

cultures, to be sure, what with the Mexican<br />

army having 20,000 soldiers and yet listing in<br />

its records 24,000 officers, and the U.S. forces<br />

being a mob of some regular army and the<br />

rest, volunteers under elected officers. Of the<br />

sixty-two volunteer colonels in the war, only eleven<br />

had any military training. They are men subject to<br />

strong passions and little discipline—on the fourth<br />

of July 1846, a Texas Ranger unit in Mexico salutes<br />

patriotism with two horse buckets of whiskey and<br />

some pigs and chickens “accidentally killed while<br />

firing in honor of the day.” And somehow by hook<br />

or crook, or what they see as the grace of God, they<br />

keep winning battle after battle until they peel off<br />

from Mexico half of its territory—in the main, a<br />

paper Mexico with almost no Mexicans—places<br />

now called California (16,000 Mexicans) or Arizona<br />

(5000 Mexicans), or New Mexico and chunks<br />

of Utah and Nevada, Colorado and Wyoming, a<br />

huge grab of land and all because many Americans<br />

cannot imagine a future without ground for farmers<br />

who will till the soil and be free and safe from<br />

the horrors of big cities and so empire comes into<br />

being in part because of dream forged by Thomas<br />

Jefferson so long ago, a dream built on the hatred of<br />

empire. And it came to pass because of deception by<br />

the president of the United States, James K. Polk,<br />

who insists it is about Mexican troops violating<br />

the border by crossing the Rio Grande when<br />

every previous U.S. administration has seen the<br />

line between Texas and Mexico proper as the Rio<br />

Nueces. But behind this lie is a greater lie: the war is<br />

not about the Texas boundary but a pretext to annex<br />

New Mexico (Arizona was then simply a slab of it)<br />

and of course, California.<br />

The Spaniards and Mexicans claimed this ground<br />

but left it largely alone and seldom lived there or<br />

held sway. The tribes came and went and killed and<br />

surged and then receded as they, too, sought to say<br />

this belongs only to us and then found that others<br />

held the same idea and were willing to use force.<br />

So this ground of Apaches and Comanches and<br />

Tohono O’odham and Maricopas and many other<br />

peoples is hardly a thought, just a happenstance in<br />

seizing the Pacific coast and the key port on the<br />

western coast of both continents, San Francisco, for<br />

the dreams of the China Market.<br />

When the war with Mexico ends, the United States<br />

has added a chunk that finally makes it about the<br />

size of the Roman Empire or the imperial domain<br />

of Alexander the Great.<br />

So I have come down to this slot in the earth, a<br />

place called for the moment Sycamore Canyon,<br />

since I was twelve-years-old and it is the natural<br />

area, the refuge for the plants and beasts, the place<br />

where the song of the canyon wren hangs in the<br />

still air of morning, splashes of green, cool shadows,<br />

the pad of the bobcat and now, in the night, the<br />

movement of drugs and people, and all this in land<br />

stolen in a war and now certified as the property of<br />

the United States but once again the ground is in<br />

play because that is the nature of the zone of dust<br />

and heat regardless of the claims of nations.<br />

continued on page 35...


19<br />

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The Borderlands Photographer<br />

Box Canyon<br />

Area, Part 1<br />

by Murray Bolesta<br />

First, the not-so-good news: the northern Santa Rita<br />

Mountains are threatened by a proposed open-pit copper<br />

mine which southern Arizona residents don’t want.<br />

Now, the better news: “Save the Scenic Santa Ritas” is a nonprofit<br />

organization that is working to protect our local mountains<br />

from environmental degradation caused by mining and mineral<br />

exploration activities.<br />

According to the group’s brochure, “the Rosemont Valley in<br />

the northern Santa Ritas is threatened by the Rosemont Mine<br />

proposal. The Patagonia Mountains are threatened by extensive<br />

open pit mining at numerous proposed sites around the areas of<br />

Harshaw and Duquesne. The San Rafael Valley is being explored<br />

for copper deposits at the headwaters of the Santa Cruz River.”<br />

Getting involved is easy by surfing to www.ScenicSantaRitas.org<br />

You, the borderlands photographer, prefer an untrammeled<br />

natural world, an unspoiled mountain experience within easy<br />

driving distance. You prefer open roads, open vistas, dark skies,<br />

quiet solitude, and plentiful wild nature to the vile alternatives.<br />

The northern Santa Rita Mountains have a convenient access to<br />

all that good stuff which still exists. It’s called Box Canyon, or,<br />

more specifically, Forest Road 62 which traverses the northern<br />

Santa Ritas through Box Canyon and environs.<br />

This month’s article skims above the rocks and trees of this area<br />

and talks about the broad expanse of attractions beckoning the<br />

borderlands photographer. Next month, with any luck, I’ll be back<br />

and delve deeper into the canyon and observe nature more closely.<br />

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Accessed on the west side by turning<br />

east at Green Valley’s Interstate 19<br />

Continental Road exit, and on the east<br />

side via a turnoff north of Sonoita on<br />

State Highway 83, Box Canyon Road is<br />

the scenic avenue over the northern Santa<br />

Rita Mountains.<br />

On the west end of the canyon is the<br />

entrance to the famous Madera Canyon<br />

and a dramatic view of Elephant Head;<br />

on the west end are the heritage sites of<br />

Kentucky Camp and Empire Ranch.<br />

To the north of the canyon, the<br />

mountains of the Santa Ritas, smaller in<br />

scale than the central range, are flanked<br />

by ribbons of grass-covered hills. The<br />

diverse and challenging Arizona Trail cuts<br />

through this area on its way north to Utah<br />

and south to the international border.<br />

According to the Arizona Trail<br />

Association www.aztrail.org, the trail is an<br />

800+ mile scenic pathway linking deserts,<br />

mountains, canyons, communities and<br />

people, and is about 94% complete. Trail<br />

signs exist on our Forest Road 62, but<br />

they’re small and easily missed without<br />

using a map from the website or elsewhere.<br />

Motorists often discover the<br />

canyon road by veering left<br />

instead of right as they approach<br />

Madera Canyon from Green<br />

Valley. Leaving the desert scrub<br />

on the west, they’ll find a very<br />

different scene on the other side,<br />

one of grassy ranchland at about<br />

1,100 feet higher elevation.<br />

It’s quite a distance from<br />

the Madera Canyon Road<br />

(otherwise known as<br />

Whitehouse Canyon Road)<br />

turnoff to Box Canyon itself.<br />

In the meantime you’ll<br />

pass through the Santa<br />

Rita Experimental Range,<br />

administered by the University<br />

of Arizona.<br />

Crossing the creek bridge is<br />

when you begin the actual<br />

canyon experience. The dirt<br />

road thus far is usually smooth,<br />

except after heavy rains, but it<br />

starts to get narrow and rocky<br />

here.<br />

Images:<br />

Above, left - The view to the west when<br />

exiting the canyon is of Baboquivari<br />

Peak in the far distance.<br />

Above, right - A profusion of prickly<br />

poppies greets the photographer heading<br />

to the canyon from the west.<br />

Middle - The aerial view of the<br />

northern Santa Rita Mountains looking<br />

south at Mt. Wrightson, at top left, with<br />

Box Canyon the cut in the ridge at top<br />

center. The entire area at right center<br />

could be devastated by open pit mining<br />

unless we act with urgency.<br />

Bottom - A late afternoon shot of Box<br />

Canyon, center of image, from Green<br />

Valley.<br />

Next page - A trail runs through it: the<br />

Arizona Trail can be accessed at many<br />

points throughout the east flank of the<br />

mountains.


A driver of a regular sedan can negotiate the<br />

canyon road adequately but should use a slow<br />

speed due to rocks. Then, some real care is<br />

needed while negotiating a few narrow sections<br />

of road which can be precarious.<br />

The borderlands photographer, experienced<br />

and wise, knows that to stop on a road of this<br />

type for picture-taking, he or she must choose<br />

a wide section and carefully park the car in a<br />

safe place which can be seen easily from both<br />

directions.<br />

The gorge is a dramatic rocky one with a few<br />

cottonwoods and sycamores lining the bottom.<br />

Water runs through it from time to time. The<br />

canyon slopes are steep and alive with agaves.<br />

Turning your head back towards the west<br />

will afford you wide-open views of the Santa<br />

Cruz River Valley area, and well beyond to<br />

the horizon defined by the sacred Baboquivari<br />

Peak. Even on a moderately hazy day it’s easy<br />

to see the entire 45-mile distance.<br />

Farther east, the road leaves the dangerous<br />

curves behind and flattens into charming<br />

ranchland. The horizon to the east is<br />

dominated by the Whetstone Mountains.<br />

Numerous destinations in this area include<br />

the historic Empire Ranch House and Las<br />

Cienegas National Conservation Area, the<br />

bountiful Gardner Canyon area with the Cave<br />

of the Bells, an active Cistercian Abbey (really),<br />

and Kentucky Camp, home of one of the<br />

largest restored adobe buildings in the state.<br />

And of course, there is access to the Arizona<br />

Trail.<br />

As a gateway to these great east-side<br />

destinations, as well as to the much-loved<br />

Madera Canyon to the west, Box Canyon is<br />

truly the gateway to the northern Santa Ritas.<br />

Next month we’ll get closer to these treasures<br />

sought by so many borderlands photographers.<br />

Murray Bolesta is owner of CactusHuggers<br />

Gallery, selling prints, cards, books and posters<br />

featuring his photography exclusively. The gallery<br />

is located at the new <strong>Tubac</strong> entrance at La<br />

Entrada, facing the freeway next to the bank.<br />

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Friends of Charlie #1:<br />

The Amazing Herman Ehrenberg<br />

by Mary Bingham<br />

Periodically this column will feature<br />

men important to the history of <strong>Tubac</strong><br />

during the early territorial period. The<br />

years 1854 to 1861 brought together a group of<br />

amazing men from diverse backgrounds. Each<br />

contributed something to the history of <strong>Tubac</strong><br />

and the Territory of Arizona, if only for a short<br />

time. All were friends of Charles D. Poston.<br />

Herman Ehrenberg is one such man. In<br />

<strong>Tubac</strong> the name Ehrenberg rings a bell with<br />

a few history buffs, but for most he is merely<br />

a footnote in history usually associated with<br />

Charles D. Poston, the self anointed “Father<br />

of Arizona.” Amazingly Ehrenberg’s exploits<br />

extend far beyond <strong>Tubac</strong> or the little town that<br />

bares his named on the Arizona-California<br />

border. Today his name appears in the dusty<br />

archives of his native Prussia (present-day<br />

Germany), Texas, California, Baja California,<br />

the Sandwich Islands (Hawaii) and Tahiti. His<br />

books, mining reports and articles were much<br />

acclaimed and reside in the top historical and<br />

university libraries in the United States and<br />

worldwide.<br />

Within a year of Ehrenberg’s 1834 arrival in<br />

the United States, he became involved in the<br />

struggle for Texas independence. Ehrenberg was<br />

the third man to volunteer for the New Orleans<br />

Greys, a military force recruited by Adolphus<br />

Sternes in Louisiana.<br />

December 1835 found Ehrenberg’s company<br />

involved in guerrilla warfare, going from house<br />

to house in Bexar (present-day San Antonio)<br />

until they successfully captured the city and<br />

the old Franciscan Mission of San Antonio de<br />

Valero better known as the Alamo. The Alamo<br />

would play a tragic roll in Texas history a few<br />

months later, however after the withdrawal<br />

of Mexican troops in December, a small<br />

detachment of the Greys, including Ehrenberg,<br />

spent the winter within the protective walls of<br />

the old Alamo.<br />

Under the command of Colonel James W.<br />

Fannin, Ehrenberg and the Greys marched to<br />

Goliad. Overwhelmed by the Mexican forces<br />

of General José Urrea, over 300 defeated and<br />

wounded American men were imprisoned within<br />

the walls of a small chapel located inside the<br />

presidio of Goliad. After eight days, on March<br />

27, 1836, an estimated 324 prisoners were<br />

executed on orders from the Mexican president,<br />

Antonio López de Santa Anna.<br />

On that horrific day, the prisoners were marched<br />

out of Goliad and divided into three different<br />

groups, each taking a different road. Ehrenberg’s<br />

group, surrounded by Mexican troops, took<br />

the road toward Victoria. They assumed they<br />

would be placed on a ship, and sent back to New<br />

Orleans. However, Ehrenberg’s suspicions were<br />

soon aroused and he feared the worse. He tossed<br />

his personal items to a couple of the Mexican<br />

soldiers marching next to him and knew they<br />

were in trouble when the Mexican commander<br />

called halt and led them off the road near the<br />

San Antonio River. In the distance they heard a<br />

musket volley and then another from a different<br />

direction. It was too late. The other two groups<br />

were being executed and Ehrenberg’s group was<br />

next!<br />

Miraculously, Ehrenberg was not hit by the first<br />

volley of musket balls. Thick black smoke from<br />

the gunpowder provided cover and he headed for<br />

the river. Chased down by a Mexican lieutenant<br />

Ehrenberg received two blows from his lance.<br />

Fighting for his life, he was able to overcome<br />

his attacker, escape to the river and swim to the<br />

other side. Fortunately his lance wounds were<br />

minor.<br />

Making his way across county while trying to<br />

avoid the Mexican troops, Ehrenberg finally<br />

reached the Mexican camp of General Urrea. In<br />

a bold move he entered the camp and demanded<br />

to see the general. He managed to pass himself<br />

off as a Prussian traveler and remained in camp<br />

with them for over a month. Ehrenberg found<br />

another New Orleans Grey at the camp. Upon<br />

the defeat of General Santa Anna, the two<br />

escaped and headed for Matagorda where Texas<br />

troops were in control. Ehrenberg received an<br />

honorable discharge from the Army of the<br />

Republic of Texas on June 2, 1836 and made his<br />

way back to New Orleans.<br />

Returning to Prussia in 1840, Ehrenberg<br />

sought higher education in the field of mining,<br />

reportedly at the prestigious Freiburg University.<br />

While in his homeland, he wrote a book on his<br />

experiences in Texas. The English translation of<br />

the title is The Fight for Freedom in Texas in the<br />

Year 1836. It became a bestseller and helped to<br />

instill a love of the American West in the hearts<br />

and minds of the Germans, a fascination that<br />

still lives today.<br />

Upon Ehrenberg’s return to the United States<br />

in 1844, he was ready for another adventure. He<br />

signed on with a large wagon company headed<br />

for Oregon over the newly blazed Oregon Trail.<br />

The company was captained by Nathaniel Ford<br />

and led by the well-known former mountain<br />

man, Moses “Black” Harris. Ehrenberg remained<br />

in Oregon for about a year.<br />

1845 found him sailing on board the Chenamus<br />

from the Columbia River to the Sandwich<br />

Islands (Hawaii). The passenger list shows<br />

that he was 29 years old and his occupation-<br />

-surveyor. Once in Honolulu, the local<br />

government requested that Ehrenberg survey the<br />

streets and draw up a map of the city. The map is<br />

dated, Honolulu, Oahu, S.I., October 1, 1845.<br />

From Hawaii, Ehrenberg seems to have made a<br />

grand tour of the South Pacific islands including:<br />

the Marquesas, Samoa and the Society Islands.<br />

In Papeete, Tahiti, French Polynesia, he became<br />

the favorite of Queen Pomare IV, ruler of the<br />

island.<br />

Adventure beckoned and Ehrenberg joined<br />

a trading expedition going to Baja California<br />

and South America. In Valpariso, Chile he<br />

met Colonel J. D. Stevenson who was forming<br />

a regiment with the intent of taking over<br />

possession of California from the Republic of<br />

Mexico. Was Ehrenberg about to participate<br />

in another war of independence—this time<br />

for California? Nothing seems to have come<br />

from this association. However, while returning<br />

to San Francisco, Ehrenberg helped to rescue<br />

seven American naval officers and Marine<br />

privates being held by Mexican officials in Baja<br />

California on March 16, 1848.<br />

Arriving in San Francisco later that year,<br />

Ehrenberg was one of the early participants in<br />

the California gold rush. He was prospecting<br />

the Trinity Valley when it was decided that a<br />

seaport closer to their valley was needed. In<br />

February 1850 with Ehrenberg leading the<br />

group, they sailed north along the California<br />

coast and discovered the mouth of the Klamath<br />

River. Disembarking near Rocky Point [close to<br />

present-day Crescent City], eight members of<br />

the group traveled overland till they located the<br />

mouth of the river and established contact with<br />

the local Indians, the Yurok. After several hours<br />

of tension, Ehrenberg and his men convinced the<br />

natives to take them across the river where they<br />

laid out preliminary plans for a new town site.<br />

On August 15,1850 the San Francisco Weekly


Pacific News, a newspaper published<br />

and distributed for Pacific steamboat<br />

passengers, printed a “Map of the Klamath<br />

Gold Region” drawn by H. Ehrenburg<br />

[sic]. The publication of the map coincided<br />

with a second survey made by Ehrenberg<br />

and partner, A. Sydney Myers. This survey<br />

was for the creation of a town site to be<br />

called Klamath and the opening of the<br />

duo’s new real estate office! Ehrenberg<br />

continued to map the gold regions of<br />

California over the next couple of years.<br />

Ehrenberg probably became acquainted<br />

with Charles D. Poston in 1853 and<br />

Poston was likely aware of Ehrenberg’s<br />

abilities as a cartographer and his<br />

background in mining. The two headed<br />

up an expedition to the newly acquire<br />

Gadsden Purchase in February 1854.<br />

Surviving a shipwreck, they were able<br />

to travel through Sinaloa and Sonora,<br />

Mexico over a three-month period.<br />

They finally crossed into the Gadsden<br />

Purchase in early July where they spent<br />

approximately two weeks including one<br />

week in Fort Yuma. Whether they stopped<br />

in <strong>Tubac</strong> on this expedition is in question.<br />

While in Yuma, Ehrenberg’s mapping<br />

skills came into play as he drew up plans<br />

for a new town site called Colorado City<br />

[present-day Yuma, Arizona]. Ehrenberg<br />

& Poston were able to sell shares in the<br />

new town site, which helped to replenish<br />

their depleted funds for their return to<br />

San Francisco.<br />

The commander of Fort Yuma, Major<br />

Samuel Heintzelman, was interested in<br />

their plans for Colorado City and even<br />

more interested in their plans for starting<br />

a mining company in the Gadsden<br />

Purchase. It is not clear if the name <strong>Tubac</strong><br />

was brought up at this time. The three<br />

would be instrumental in the beginnings<br />

of the mining industry in Arizona with<br />

the establishment of the Sonora Exploring<br />

and Mining Company (SE&MC) in the<br />

Santa Rita Mountains east of <strong>Tubac</strong> and<br />

the Santa Rita Mining Company.<br />

Ehrenberg’s reputation as a cartographer<br />

grew when he made the first map of the<br />

Gadsden Purchase in 1854. The map was<br />

put into immediate use by the military.<br />

Over the next few years, he served as<br />

the mining and topographical engineer,<br />

metallurgist, surveyor, cartographer<br />

and interpreter for the SE&MC. His<br />

mining reports and articles written<br />

for various publications were much<br />

The Amazing Herman Ehrenberg<br />

admired. Ehrenberg revised and updated<br />

his Gadsden Purchase map in 1858.<br />

Resigning from the SE&MC, Ehrenberg<br />

traveled east to promote the map and<br />

obtain financing for his own company<br />

named the Cahuabi Mining Co.<br />

Ehrenberg remained associated with the<br />

SE&MC, sharing a house in Tucson in<br />

1860 with J. Deane Alden, treasure of the<br />

company. The following year Ehrenberg<br />

and Poston published one final edition<br />

of the Arizonian on August 10, 1861.<br />

Historian Virginia Roberts sums up their<br />

publication by saying:<br />

It contained an enumeration of the<br />

killings and other unnatural deaths of<br />

Americans and Mexicans in “Western<br />

Arizona”—that is, from Stein’s Peak on<br />

the east to Fort Yuma on the west—<br />

between 1857 and August 1, 1861, so<br />

far as the two men were aware. The total,<br />

172, amounted to almost a fourth of the<br />

non-Indian population which Ehrenberg<br />

estimated the region to have averaged<br />

during that time. He guessed that whites<br />

had killed about 265 Apaches. ‘Every mine<br />

has been batised [sic] in blood,’ the writers<br />

continued. ‘What country and business<br />

can prosper under such monstrous<br />

adversity? And what man would settle his<br />

family in these blood-drenched valleys?’<br />

The final phase of Ehrenberg’s career<br />

centered around the gold discoveries on<br />

the Colorado River. First discovered by<br />

the legendary mountain man, Pauline<br />

Weaver, on January 12, 1862, Ehrenberg<br />

was in the thick of things, locating, and<br />

promoting land and mines. Establishing<br />

his headquarters in La Paz, north of Yuma<br />

he worked to make the area a worldclass<br />

mining district. In spite of the Civil<br />

War raging in the east, and with Indian<br />

hostilities at an all time high, Ehrenberg<br />

was able to blaze a new road between La<br />

Paz and Weaver Diggings. The only thing<br />

that was lacking was water and he had a<br />

plan for that, too. It would have to wait.<br />

The end for Ehrenberg came in a most<br />

unexpected way for a man who had fought<br />

to survive all of his life. Returning from<br />

San Francisco, Ehrenberg stopped at the<br />

desert stage stop known as Dos Palmas<br />

near present-day Palm Springs. Opting to<br />

spend the night at the station, he sackedout<br />

on a pallet beneath a ramada next to<br />

the station. On October 9, 1866 sometime<br />

during the night Ehrenberg was attacked<br />

and killed. His body was discovered by<br />

“Big Mike” Goldwater and bother Morris.<br />

Controversy has surrounded his death<br />

ever since. Some speculate that it was<br />

the station keeper who killed him, while<br />

others, including the station keeper, blame<br />

his death on a deranged but unknown<br />

local Indian. The case was never solved.<br />

Ehrenberg’s old friend, Charles Poston,<br />

spent the night on the same pallet the<br />

night before the murder. It is possible their<br />

paths crossed somewhere on the same<br />

road without either knowing the other was<br />

traveling in the opposite direction. Poston<br />

let it be known to all that he thought the<br />

station keeper, a man named Smith, was<br />

to blame.<br />

Two year later, in 1868, the Colorado<br />

River changed course, isolating<br />

Ehrenberg’s last hometown of La<br />

Paz. Living in La Paz at the time<br />

was Ehrenberg’s old friend Big Mike<br />

Goldwater. He moved the business<br />

downstream and named the new<br />

community Ehrenberg.<br />

If Poston was the “Father of Arizona,”<br />

then perhaps it can be said, Ehrenberg<br />

put <strong>Tubac</strong> and Southern Arizona on the<br />

map. Goldwater provide one more honor<br />

by adding the name Ehrenberg to the map<br />

of Arizona, a fitting tribute to the history<br />

making cartographer.<br />

Sources:<br />

- Altshuler, Constance Wynn (editor), Latest from Arizona! The<br />

Hesperian Letters, 1859-1861. Tucson: Arizona Pioneer’s<br />

Historical Society, 1969.<br />

- Farish, Thomas Edwin, History of Arizona. San Francisco, The<br />

Filmer Brothers Electrotype Company, 1915.<br />

- Ornish, Natlie, Ehrenberg: Goliad Survivor, Old West Explorer.<br />

Dallas: Texas Heritage Press, 1993.<br />

-Poston, Charles D., Building a State in apache Land. Tempe:<br />

Aztec Press Inc., 1963.<br />

- Roberts, Virginia Culin, With Their Own Blood: A Saga of<br />

Southwestern Pioneers. Fort Worth: Texas Christian University<br />

Press, 1992.<br />

-Wallace, Andrew (editor), Pumpelly’s Arizona... Tucson: The<br />

Palo Verde Press, 1965.<br />

- The Overland Monthly, August 1868. San Francisco: A.<br />

Roman & Company, Publishers.<br />

- Handbook of Texas Online. http://www.tshaonline.org/<br />

handbook/online/articles/EE/feh1.html<br />

- Flora, Stephenie, (compiler), “Emigrants to Oregon in 1844.”<br />

http://www.oregonpioneers.com/1844.htm<br />

- “Morris Goldwater Collection.” www.ahfweb.org/download/<br />

MGoldwater_MSS_8.pdf<br />

Walter Blakelock Wilson<br />

(American 1929 - )<br />

Located in La Entrada<br />

next to the Visitor’s Center<br />

15<br />

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y Nancy Valentine<br />

It was <strong>Tubac</strong>’s working artists during the 1950’s,<br />

60’s and 70’s who contributed to the creation of<br />

the tradition of “Where Art and History Meet.”<br />

That tradition is a large part of the foundation for<br />

the <strong>Tubac</strong> we know today.<br />

Some regard the contributions of the artist colony<br />

as the goose that laid the golden egg. Some feel<br />

that goose is being plucked of its vitality.<br />

In early 2006, at a gathering of a few remaining<br />

Old Town <strong>Tubac</strong> working artist property owners,<br />

members of the group expressed concerns about<br />

the health of <strong>Tubac</strong>’s working artist community,<br />

and, expressed fears about their ability to continue<br />

to live and sustain themselves here due to<br />

escalating costs and, sadly, the loss of their fellow<br />

working artist residents.<br />

The lack of affordable living, studio and exhibition<br />

space was identified as a major cause for these<br />

losses. The high costs—then and more so now--<br />

of rents, land and buildings are making it difficult<br />

for them and near impossible for professional,<br />

up and coming artists to consider relocating to<br />

<strong>Tubac</strong>. This lack of affordable living/studio/gallery<br />

space is, in their view, minimizing the opportunity<br />

for new artists to replenish the artist colony and<br />

jeopardizing the community’s future.<br />

Some of <strong>Tubac</strong>’s earlier residents saw the dilemma<br />

coming.<br />

Will Rogers Jr. along with his wife Collier<br />

were significant contributors to the historic<br />

preservation of Old Town <strong>Tubac</strong> in the late 1950s<br />

to the early 1980s and to the “Where Art and<br />

History Meet” tradition. In a 1986 interview,<br />

(available at the <strong>Tubac</strong> Historical Society) Rogers<br />

shared his concerns: “The people have expressed<br />

to me that they worry because the ground is so<br />

expensive, and buildings are expensive, how good<br />

young artists can manage to come in here.”<br />

Painter and ceramicist Susi Hesselbarth, along<br />

with her husband Jarl--sculptor and metal<br />

worker—both from New York state, were among<br />

the early recruits to the <strong>Tubac</strong> artist colony. Susi<br />

passed away a few years back but her painted tile<br />

street signs remain at <strong>Tubac</strong>’s intersections to<br />

remind us of just one of her many contributions.<br />

Susi also expressed worry about the future of<br />

<strong>Tubac</strong>’s artist community in a 1985 interview.<br />

(Available at the <strong>Tubac</strong> Historical Society) Susi<br />

observed then that, “For a young leather worker<br />

to come in, or for a young man who makes<br />

jewelry or a young potter… there’s nothing to<br />

rent. Who has the money now to buy land? To<br />

buy the house? To set themselves up in business?<br />

Not many of the young ones are that affluent, so<br />

that’s a problem….”<br />

A problem indeed.<br />

Adding fuel to the fire, beginning in the mid-<br />

1980’s, the model of the resident artist living,<br />

working and exhibiting in one space gave way<br />

to focusing on new construction primarily for<br />

commercial or retail use, further diminishing<br />

space for affordable housing for working artists.<br />

As a result, costs for housing, studio space and<br />

exhibition space increased dramatically and grew<br />

out of reach for most professional working artists.<br />

Today, there are only four active working artists<br />

in Old Town <strong>Tubac</strong>, - two of whom own their<br />

buildings - and two or three living/working/<br />

exhibiting in one location they own in the balance<br />

of the village.<br />

The ability of the <strong>Tubac</strong> working artist sector to<br />

survive and to be contributory to the economic<br />

viability , panache and uniqueness of the broader<br />

community is seriously marginalized.<br />

The plight of <strong>Tubac</strong>’s working artists is not unlike<br />

that of many established “artist colonies” and<br />

districts across the country—and closer to home<br />

such as in Sedona and Tucson.<br />

In a 2004 article entitled “Building Roots: The<br />

Installation of Chicago Artists Community”<br />

by Abby Glogower, the author identified the<br />

chronology that has plagued existing artist<br />

colonies .<br />

It’s a familiar pattern: … energetic artists seeking<br />

work space and cheap rent disperse into devalued<br />

communities. With them they bring an attractive<br />

cultural wealth. As people rediscover these areas<br />

through art openings and other events, the<br />

landscape begins to change. An organic grocery,<br />

a coffee shop and a bookstore spring up. The<br />

neighborhood gains a reputation as young and<br />

vibrant and the market responds one incremental<br />

rent rise at a time. Within a few years, the very<br />

artists who carved out the niche find themselves<br />

financially squeezed, but they are not the<br />

only ones; the preexisting communities, often<br />

comprised of families far less mobile than young<br />

artists, are also pushed from their homes. Unable<br />

to keep up with soaring rents and the influx of<br />

newcomers, the cycle of gentrification and forced<br />

migration haunts urban existence.<br />

(www.Fnewsmagazine.com/2004-Nov/<br />

current/2004-nov/pages/1.shtml)<br />

While <strong>Tubac</strong> is by no means urban, the track<br />

of its artist community unfortunately fits the<br />

description.<br />

But, it’s not all bad news for working artists. In<br />

some communities—from ruralesque<br />

Fighting for Southern Arizona Values<br />

Elect<br />

Pat<br />

Fleming<br />

Letter<br />

<strong>Tubac</strong>: Where ART and History Meet…?<br />

western states to large growing cities and small<br />

depressed rural villages—existing working artist<br />

communities are being shored up and working<br />

artists themselves recruited by savvy community<br />

leaders interested in deriving the economic<br />

benefits and community revitalization resulting<br />

from a healthy and vital artist community.<br />

In an economic impact study of the importance of<br />

the artist sector to the economic well-being of the<br />

state of Montana, it was determined that the state<br />

derived $233 million and 4,274 jobs as a direct or<br />

indirect result of the state’s 5,840 working artists. 1<br />

Phoenix acknowledged that arts and cultural<br />

organizations are an “economic driver” with a<br />

$361 million annual economic impact. They<br />

confirmed that artist activity generates state and<br />

city tax revenue, and pumps vital income into<br />

local restaurants, hotels, retail stores…and other<br />

businesses. 2<br />

For the 15, 500 residents of Brown County,<br />

Indiana, their 100-year old art colony, 240<br />

resident artists and more than 300 art studios,<br />

galleries and specialty shops, and their state park<br />

attract over 3.5 million visitors a year.<br />

With all these findings confirming the economic<br />

impacts of their artist sectors, it is no wonder<br />

community leaders are revving up their marketing<br />

strategies to both hold on to existing and support<br />

expansion of their artist communities.<br />

Some cities and towns are going so far as to<br />

recruit artists, some taking into account the<br />

crucial factors—affordable housing/working and<br />

exhibition space and an artist-friendly community.<br />

Among them are Paducah, Kentucky which<br />

claims to have had a successful campaign to<br />

attract working artists who have relocated there<br />

from 17 states, including Arizona.<br />

For the most part, it’s been the sound fiscal<br />

choices of municipalities and states who have<br />

taken the lead in pro-economic development<br />

measures to provide affordable live/work<br />

ownership opportunities and bolster artistfriendly<br />

options. However, in recent times,<br />

support for artists in the context of broader<br />

economic development has leapt the fence<br />

to private sector development. Milepost 5 in<br />

Portland Oregon, Acme Artists Housing in<br />

Chicago, Surreal Estates in Sacramento are a few<br />

private sector artists’ villages that are leading the<br />

way.<br />

Now <strong>Tubac</strong> has its own boost for the revitalization<br />

of its artist community on the drawing boards—<br />

Aldea de Artisticas—working artists village in<br />

Old Town <strong>Tubac</strong>.<br />

I was among my dear fellow resident working<br />

artists in 2006 who shared our feelings of the<br />

loss and squeeze. As the daughter of Hans and<br />

Marion Valentine, two of the early artists who<br />

contributed to the creation of <strong>Tubac</strong>’s artist colony<br />

and community from the 1965 to 1994, I am<br />

fortunate to be able to do something about it.<br />

My experiences during the beginnings and heyday<br />

of <strong>Tubac</strong>’s creative enclave contribute to my<br />

appreciation, sense of privilege and responsibility<br />

and passionate commitment to secure and<br />

enhance the integrity and economic viability of<br />

“<strong>Tubac</strong>: Where Art and History Meet.”<br />

Since 2006, with the participation of landowners<br />

abutting my property, support and participation<br />

of neighbors and fellow working artists,<br />

guidance from Santa Cruz County Planning<br />

and Development staff, and technical and<br />

design support from engineers and architects,<br />

the expansion plan for Aldea de Artisticas is<br />

on the drawing boards. Scheme 20 represents a<br />

thoughtful, compliant, and purposeful approach to<br />

enhancing and securing the tradition of “<strong>Tubac</strong>;<br />

Where Art and History Meet” - in a caring,<br />

responsive, affordable (to artists), green and<br />

sustainable way.<br />

On Sunday, Oct. 19, in conjunction with <strong>Tubac</strong>’s<br />

Anza Days Celebration and after the reenactment<br />

at the <strong>Tubac</strong> Presidio State Historic<br />

Park, Aldea de Artisticas will be celebrating “Art<br />

& History—Live in Old Town <strong>Tubac</strong>” with an<br />

open house in the gallery from 1-4 p.m, featuring<br />

the work of current Aldea de Artisticas resident<br />

working artists—Warren Allen and Martita,<br />

photographers and fine crafts persons, and Mike<br />

Taylor, sculptor—a walking tour of Old Town<br />

<strong>Tubac</strong> guided by me at 2 p.m., and an opportunity<br />

for the broader <strong>Tubac</strong> community to view the<br />

Aldea de Artisticas plans—a work in progress—<br />

as well as to provide input and to share the vision.<br />

For more information, on the Aldea de Artisticas<br />

plans and “Art & History—Live in Old Town<br />

<strong>Tubac</strong>”, call 520-245-9222.<br />

Sources<br />

art.mt.gov/resources/econartists/econartists_<br />

eimpacts.asp<br />

phoenix.gov/ARTS/artplan.html<br />

goliath.ecnext.com/coms2/gi_0199-4969926/Anartful-approach-Brown-County.html<br />

lowertownartdistrict.com/<br />

milepostfive.com<br />

acmeartists.com<br />

surrealestates.org<br />

ARIZONA<br />

HOUSE OF REPRESENTATIVES<br />

Legislative District 25<br />

Vote November 4, 20<strong>08</strong><br />

fl eming20<strong>08</strong>@gmail.com<br />

www.fl eming20<strong>08</strong>.com<br />

Paid for by Fleming 20<strong>08</strong>


The Not So American…<br />

American Zinfandel<br />

Searching for a good, easy drinking, and<br />

affordable wine? Try the not so American,<br />

“American Zinfandel”.<br />

Up until 1967, Zinfandel had been considered<br />

an indigenous American grape. That year, a<br />

Professor at UC Davis, while visiting Italy,<br />

noticed a similarity between the American<br />

Zinfandel and the Italian Primitivo. To an<br />

academic, the question begged to be answered.<br />

Was this just a coincidence or is there a deeper<br />

connection? Others at UC Davis also noticed<br />

the similarity and joined in the research to<br />

determine just how far this resemblance went.<br />

After five years of exhaustive study, it was<br />

declared in1972 that the American Zinfandel<br />

and the Italian Primitivo had the same isozyme<br />

fingerprints (molecular markers). Then, in<br />

1993 this finding was confirmed using DNA<br />

fingerprinting technology. Our American<br />

Zinfandel is genetically the same as the Italian<br />

Primitivo with origins in Croatia.<br />

At its best, Zinfandel is a rich, medium to full<br />

bodied wine with moderate tannins, lingering<br />

pepper or anise finishes and mouth-coating<br />

flavors of black fruits. Its lack of respect stems<br />

from the inexpensive blush wines or White<br />

Zinfandels lining our grocer’s shelves. These<br />

wines are the poorest examples of what a<br />

wonderful drinking wine Zinfandel can be.<br />

Good Zinfandel can be bold or mellow, spicy<br />

or fruity depending on the producer and where<br />

it is made. This is a varietal that pairs well with<br />

many different foods and should be regarded<br />

more favorably by wine lovers for its quality.<br />

By chance, this year I discovered some very<br />

enjoyable wines from California’s Central<br />

Coast and decided to unearth some hidden<br />

Zinfandel gems there. We embarked on our<br />

treasure hunt for “hidden” Zins, with high<br />

hopes.<br />

The undulating, verdant countryside of Paso<br />

Robles is one of the fastest growing wine areas<br />

in California. It is situated approximately<br />

twenty-five miles inland from the Pacific<br />

Ocean, about midway between Los Angeles<br />

and San Francisco. The weather there is ideal<br />

for living and farming; the days are warm,<br />

but not dessert hot, and the nights are cool.<br />

In some locations the temperature variation<br />

between daytime highs and nighttime lows can<br />

be as much a fifty degrees. This temperature<br />

variance enables the fruit to stay longer on the<br />

vine and consequently, the grapes have more<br />

flavor. It is an AVA (American Viticultural<br />

Area) that is making lush, vibrant wines that<br />

do not overpower food or ravage the tongue<br />

with tannins and acids. This is a wine region<br />

that is well worth getting to know.<br />

Rio Seco Vineyard & Winery<br />

Making good “old fashioned” drinking wine<br />

that tastes good from the first sip to the last<br />

swallow is in Rio Seco’s owner, Tom Hinkle’s<br />

blood. He was raised by Sicilian grandparents<br />

in Kansas City, Missouri and consequently<br />

Tom is no stranger to home winemaking.<br />

Twelve years ago Tom and Carol Hinkle<br />

purchased their sixty-three acre estate to make<br />

wine for the same reason his grandfather<br />

did— good wine to have with food. Today<br />

they have thirty-one acres planted with about<br />

six varietals and their own winery producing<br />

over 3,500 cases of quality wine a year. Tom’s<br />

grandfather would be very proud of his<br />

grandson’s wines.<br />

The Rio Seco Zinfandel is a well balanced,<br />

lush wine that invites food without calling too<br />

much attention to itself. The wine is aged in<br />

neutral oak barrels. Each year the length of<br />

barrel aging is determined by the vintage to<br />

produce a soft, easy drinking wine. Aromas<br />

of black cherry and stewed prunes waft from<br />

the glass with the first sip. To the taste, the<br />

same aromatics of black cherry and stewed<br />

prunes come forward on the palate with a long,<br />

moderately spicy finish. The wine’s Italian<br />

heritage shows when pairing it with food.<br />

It is a good, heavier alternative to Chianti<br />

or Sangiovese to accompany pasta with red<br />

sauce, meatballs, sausages, grilled beef and<br />

hamburgers. We had it with some dried Italian<br />

salami, not pepperoni, and loved it.<br />

There are many references to baseball on Rio<br />

Seco’s web site ( www.rioseco.com) and for<br />

good reason. Tom Hinkle spent twenty-eight<br />

years in major league baseball, mostly as a<br />

scout. If asked he will proudly show off his<br />

World Series ring from the Toronto Blue<br />

Jays. Rio Seco ships directly into Arizona, a<br />

state where Tom spent many spring trainings<br />

scouting and getting to know people in Tempe,<br />

Tucson and other spring training venues.<br />

Maybe you noticed him; Tom would be the<br />

amiable one with an engaging smile.<br />

Opolo Vineyards<br />

One of the lessons I learned visiting Paso<br />

Robles was to rethink everything I thought<br />

I knew about wine. Many of my wine tenets<br />

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Rick Quinn, proudly hosts at a busy tasting room during our visit.<br />

were either shattered or put to question. For<br />

example, I always believed that good wine<br />

comes from a vineyard where the owner or<br />

winemaker is on site daily as opposed one with<br />

absentee or part time management. Opolo<br />

Vineyards proved this belief to be false.<br />

The winery does not have a designated<br />

winemaker per se. Wine is produced<br />

collectively by the winery and vineyard staff<br />

in conjunction with the two proprietors. The<br />

owners, Rick Quinn and Dave Nichols still<br />

operate other full time businesses; one a<br />

successful Century 21 real estate operation and<br />

the other a wireless electronics firm. If anyone<br />

asked me if this approach was a formula for<br />

making good wine, my answer would be no<br />

and I would be wrong. I tasted all ten of the<br />

Opolo wines and they are all very good.<br />

The Opolo Mountain Zinfandel is a classic<br />

example of a hearty Zinfandel for all occasions.<br />

It is a deep dark garnet hue with black<br />

raspberry spice flavors and a long lingering<br />

white pepper finish. The tannins and acids are<br />

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moderate and well balanced. The wine will<br />

compliment and stand up to hearty red meats<br />

and casseroles but not take over the meal. Try<br />

it with a Hungarian style Goulash and you will<br />

find a touch of Rick Quinn’s Eastern European<br />

lineage in the wine. Opolo wines are sold retail<br />

in Arizona or can be ordered by your local<br />

wine merchant.<br />

Our search for hidden gems in Paso Robles<br />

was richly rewarded with other discoveries.<br />

These are just two that will add pleasure to<br />

your next meal and impress you friends with<br />

your skillful selection of an “American” wine.<br />

All totaled, we visited thirty-one producers and<br />

personally spoke with twenty-nine vineyard<br />

owners or winemakers. I tasted over two<br />

hundred various wines, not just Zinfandels and<br />

recorded tasting notes on all of them. These<br />

notes are from very small producers, making<br />

less than two hundred cases per year, to larger<br />

wineries making over 10,000 cases. I invite<br />

you to e-mail me for information on the other<br />

wines from Paso Robles.<br />

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26<br />

by Hattie Wilson<br />

hen Faisal’s troops marched into the<br />

W capital of Damascus September 1918<br />

women flung their veils aside and<br />

scattered flowers on the soldiers’ path<br />

and men threw their fezzes in the air.<br />

The ancient country of Mesopotamia became<br />

the Arab kingdom of Iraq after World War<br />

I, thanks to the British and thanks also to<br />

two British citizens, Lawrence of Arabia and<br />

Gertrude Bell. England had a practical reason<br />

for its interest: The pipe line of the Anglo-<br />

Persian Oil Company passed through the south<br />

tip of Mesopotamia. T. E. Lawrence and Miss<br />

Bell backed the Arab cause for sentimental<br />

reasons. They were fascinated by the Bedouin<br />

mystique and saw the Arab Sheikhs as the<br />

aristocrats of the desert.<br />

Lawrence felt that, “The Bedouin has been<br />

born and brought up in the desert and has<br />

embraced the barrenness with all his soul,<br />

for the reason that there he finds himself<br />

indubitably free. He finds luxury in abnegation,<br />

renunciation, self-restraint.”<br />

35<br />

14<br />

<strong>Tubac</strong><br />

Road<br />

2 locations in <strong>Tubac</strong><br />

Faisal, King of Iraq<br />

Chapter 2<br />

First, the Arabs with the help of British<br />

soldiers, guns and planes pushed out the Turks<br />

who had occupied Arabia for centuries. After<br />

that they were promised help in forming an<br />

independent Arab kingdom but they were to be<br />

disappointed.<br />

After the Armistice was declared, in 1919 a<br />

Peace Conference in Paris was set up to handle<br />

countries affected by the war. That included the<br />

various fiefdoms in the Middle East but their<br />

representatives who traveled to France were<br />

ignored. The three major allies, France, Britain<br />

and the United States, were concerned with<br />

Europe. However, a major mandate system had<br />

been set up for the small countries. This offered<br />

each the help of a powerful country like Britain<br />

or France to form a new nation until that<br />

nation was able to stand alone. In return the<br />

supervising country gained trading advantages.<br />

It was an underfinanced Marshall Plan.<br />

For eastern Arabia which included<br />

Mesopotamia that help came from England.<br />

A British staff at Baghdad was rebuilding the<br />

country’s railways and canals, its<br />

markets and mosques. Miss Bell<br />

was on that staff and because of<br />

her years in Arabia one of her<br />

jobs was to explain the status<br />

quo and who the important<br />

sheikhs were to administrators<br />

being sent to Baghdad.<br />

As a result of two years<br />

of British aid the cities of<br />

Basra and Baghdad became<br />

prosperous, a condition they had<br />

not enjoyed for centuries during<br />

their exploitation by the Turks,<br />

but there were delays. One was<br />

a decision on the east border of<br />

Mesopotamia, dividing it from<br />

the old enemy, Iran.<br />

105<br />

16<br />

Plaza<br />

Road<br />

The Kingdom of Iraq<br />

Meanwhile, back in London<br />

Winston Churchill, soon to<br />

be Secretary of State for the<br />

Colonies, argued that the<br />

several million pounds a month<br />

spent for the rebuilding of<br />

Mesopotamia should be cut<br />

off. He advised concentrating<br />

on the protection of the port at<br />

Basra on the Persian Gulf. There<br />

the English could oversee their<br />

shipments of oil from Persia.<br />

The Arabs would have to take<br />

care of themselves.<br />

The office at Baghdad had to act fast. They<br />

saw no chance of a pan-Arab government in<br />

the form of a democratic republic. Most of the<br />

Arabs were illiterate with every tribe fighting<br />

for its particular interests.<br />

The brother Gertrude and Lawrence chose<br />

was Faisal ibn Hussain. In his book, “Seven<br />

Pillars of Wisdom,” Lawrence of Arabia wrote<br />

he decided on Faisal because, “I found in him<br />

the leader with the necessary fire. I felt at first<br />

glance that this was the man I had to come to<br />

Arabia to seek – the leader who would bring<br />

the Arab Revolt to full glory.”<br />

The name Faisal means the flashing down<br />

stroke of a sword.<br />

Faisal was in his mid-thirties, tall and thin with<br />

heavy black eyebrows and moustache but his<br />

close cropped beard was touched with gray. His<br />

slanted eyes were hazel. He dressed in white<br />

robes and a brown keffiyeh bound with red and<br />

gold cords.<br />

Lawrence described Faisal’s effect on his fellow<br />

Arabs: “He made the Arab Independence<br />

Movement national and alive by the force of<br />

his personality. When the Sheikhs came to him<br />

to assert their allegiance, he made them swear<br />

on the Koran to wait while he waited, march<br />

when he marched, to yield obedience to no<br />

Turk, to deal kindly with all who spoke Arabic<br />

and to put independence above life, family and<br />

goods.”<br />

Lawrence fought alongside Faisal during the<br />

first battles for independence. That was when<br />

at Faisal’s suggestion he began wearing Arab<br />

clothing, changing his British khaki uniform<br />

for the Arab keffiyeh and flowing robes so the<br />

tribesmen following Faisal would not mistake<br />

him for a Turkish officer. Lawrence was<br />

constantly demanding money and technical<br />

experts from the British and even asked for<br />

guns that made a lot of noise explaining that<br />

was what the Arabs liked.<br />

With British help Faisal became the ruler of<br />

Syria. It was his and Arabia’s greatest success.<br />

When Faisal’s troops marched into the capital<br />

of Damascus September 1918, women flung<br />

their veils aside and scattered flowers on the<br />

soldiers’ path, men threw their fezzes in the<br />

air. A few days later when Faisal entered the<br />

city on horseback there was a hush. The crowds<br />

heard the drumming of hooves, then saw him,<br />

alone, galloping. His arm raised in a salute. The<br />

thousands of cheers became a roar of triumph.<br />

The new administration under Faisal<br />

functioned well. But a few months later Syria<br />

was placed under a French mandate, since<br />

France was given control of the west half<br />

of Arabia. The French sent 90,000 troops<br />

into Syria and took the ports along the<br />

Mediterranean. When Faisal protested the<br />

foreign occupation, the French general ordered<br />

him out of Damascus within 24 hours. And so<br />

the French stamped out the Arabs’ first try at<br />

independence. Syria was left in chaos.<br />

There was no chance of an uprising for<br />

independence elsewhere. The French were<br />

treating the lands under their mandate like<br />

colonies and besides, since Churchill was<br />

arguing for retreat, the Arabs feared the British<br />

government which had been generous in<br />

rebuilding Iraq would not stay the course. The<br />

Turks could return and take vengeance.<br />

All that was left for Faisal was Iraq. He had<br />

expected greater glory, but finally agreed to<br />

become its king. Churchill gave his approval,<br />

because as he put it, “Shariff ’s son Faisal offers<br />

hope of the best and cheapest solution.”<br />

A series of grand receptions were arranged<br />

for Faisal. They were to impress him and the<br />

people of Iraq. One celebration took place at<br />

Ramadi west of Baghdad. On the way there<br />

Faisal was driven down a road lined with<br />

tribesmen roaring a salute and waving their<br />

rifles over their heads then galloping alongside<br />

his car.<br />

On his arrival at Baghdad by train he was<br />

greeted by a band and a guard of honor. The<br />

city was decorated with triumphal arches<br />

and Arab flags. People lined the streets and<br />

a reception was held at the old government<br />

offices, the Serai, furnished with carpets and<br />

wall hangings donated by Baghdad’s 300<br />

nobles. In July 1921 the Council of State<br />

chosen by the British office at Baghdad<br />

declared Faisal King of Iraq. After that a<br />

referendum of the people had to be held.<br />

Papers printed with the question “Do you agree<br />

to Faisal as King and leader of Iraq?” were sent<br />

to the tribal leaders and the 300 nobles. The<br />

referendum was almost unanimous.<br />

In August of 1921 Faisal was crowned king in<br />

the courtyard of the Serai in Baghdad. It was<br />

at six in the morning while the city was still<br />

cool. More that a thousand guests were seated<br />

in the courtyard: British and Arab officials and<br />

townspeople. After the cry “Long Live the<br />

King,” the audience stood and the band played,<br />

“God Save the King,” since Iraq did not yet<br />

have a national anthem.<br />

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Thanks for the memory you wonderful monsoon rains.<br />

What an incredible treat during July, August and much of September. The clouds were exciting, then the<br />

thunder and lightening added the finishing touches to this great show. It satisfied the earth and gave me<br />

joy.<br />

It was a beautiful summer, never has the green been so green, so lush, yes, it was hot at times, that is to<br />

be expected. The birds are slowly coming home from their summer vacation, the hummingbirds have left<br />

for a shopping trip, the wildflowers said good-bye, they were so lovely. To everything there is a season<br />

and now as we step through the door to October, we’ll see the beauty of fall. Columbus Day will soon be<br />

here, the month will close with Halloween which is so popular that advertising begins in August! And<br />

then the holiday season enters and everyone gets warm and cuddly. Bah Humbug! Let’s be warm and<br />

cuddly all the time. So be it!<br />

With the holidays fast approaching, you’re going to need to freshen up your<br />

spices. Here is a wonderful old-fashioned recipe that uses delicious spices.<br />

Old Fashioned Gingerbread<br />

2 ½ cups flour<br />

1 ½ tsp ground ginger<br />

1 tsp. baking soda<br />

1 tsp. cinnamon<br />

½ tsp. nutmeg<br />

¼ tsp. salt<br />

Stir together flour, ginger, baking soda, cinnamon, nutmeg and salt,<br />

set aside.<br />

Cream butter. Gradually beat sugar into butter. Beat in eggs one<br />

at a time. Stir together molasses and hot water. Add flour mixture<br />

alternately with molasses mixture to butter mixture, beating well after<br />

each addition.<br />

Turn batter into greased and floured 9 x 13 inch pan. Bake in 375º<br />

oven 35-45 minutes or until tester inserted in center comes out clean.<br />

Whipped cream is delicious on this old timey cake.<br />

1 cup butter<br />

1 cup sugar<br />

3 eggs<br />

1 cup molasses<br />

¾ cup hot water<br />

Have you<br />

tried the<br />

new butter<br />

for people<br />

Beefy Sour Cream Enchiladas<br />

over 40?<br />

It’s called<br />

2 lbs. ground chuck<br />

Middle Age<br />

1 onion, finely chopped<br />

Spread.<br />

Garlic clove, chopped<br />

Salt, pepper<br />

2 cups cheddar cheese<br />

Haiku for the month<br />

1 ½ cups sour cream<br />

Keep your eyes open<br />

1 can cream of chicken soup<br />

1 large can chopped green chilies Holidays are coming soon<br />

10-12 flour tortillas<br />

Recipes abound<br />

Brown meat with onion, garlic, salt and<br />

pepper. Add sour cream, soup and chilies.<br />

Spoon half of this mixture in pan, pour<br />

remaining mixture on top, also remaining<br />

cheese.<br />

Bake 325º for 30 minutes covered. Remove<br />

cover and bake an additional 10 minutes.<br />

In 1900 when my father was a boy, he began a journal in a<br />

very small notebook. He pasted newspaper articles from<br />

The Boston Globe to the Wisconsin State Journal ( and<br />

many in between).<br />

Articles on poetry from Disraeli to Emerson, scripture<br />

verses, sayings, a potpourri numbering nearly a thousand.<br />

This is one poem I discovered. People worried about their<br />

weight even then.<br />

Scientific Feeding<br />

Give me three grains of corn, mother<br />

Only three grains of corn!<br />

It’s all that I wish<br />

For my breakfast dish<br />

I’ll Fletcherize* all the morn.<br />

I’m in the care of a specialist<br />

Who says that we eat too much;<br />

On a jeweler’s scale<br />

He tells the tales<br />

Of my calories and such.<br />

For luncheon I’ll have a minim of milk<br />

And the half of a soft boiled pea,<br />

And a portion of fig,<br />

If is isn’t too big,<br />

And that will be all for me.<br />

Tonight I’ll revel and hold a feast<br />

So roast me a peanut, rare<br />

With a pinch of tea<br />

And a cracker, Gee!<br />

And all I want for fresh air<br />

Tomorrow, I diet no more, mother!<br />

With coffee, 100 proof.<br />

Some porterhouse steaks<br />

And plenty of cakes,<br />

I will not dry up on the hoof!<br />

*Fletcherize: meaning chewing food slowly and thoroughly.<br />

Made popular by Horace Fletcher in the late 1800’s. From<br />

age 5 and on, my father never stopped telling my brothers<br />

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TRINITY continued from page 18 ...<br />

In 1771, James Murray, the Earl of Dunsmore,<br />

and at the moment, the Governor of Virginia, pens a<br />

few thoughts about the Americans. He sees them as<br />

white trash and he sees them as beyond the power of<br />

government. He writes:<br />

“My Lord I have learnt from experience that the<br />

established Authority of any government in America<br />

and the policy of the Government at home, are both<br />

insufficient to restrain the Americans; and that they<br />

do and will remove as their avidity and restlessness<br />

incite them. They acquire no attachment to Place: But<br />

wandering about seems engrafted in their Nature:<br />

and it is a weakness incident to it, that they should<br />

forever imagine the Lands further off are Still better<br />

than those upon which they are already settled . . . .<br />

they do not conceive that Government has any right<br />

to forbid their taking possession of a Vast tract of<br />

Country, either uninhabited, or which serves only as<br />

Shelter to a few scattered Tribes of Indians. Nor can<br />

they be easily brought to entertain any belief of the<br />

permanent obligations of Treaties made with those<br />

People, whom they consider as but little removed from<br />

the brute Creation.”<br />

In 1853, Captain John Pope writes out his<br />

understanding of the problem:<br />

“The great obstacle to our successful negotiation with<br />

them results from the peculiar form or rather want<br />

of form of their government. They are eminently<br />

democratic in their notions and recognize no control<br />

whatever. They are divided into numerous families<br />

and cliques and are only amenable to control through<br />

their personal interests . . . . In such a state of things it<br />

is impossible to make a treaty with them which is not<br />

likely to be violated.”<br />

The Captain is in New Mexico and is writing of<br />

Navajo raiders.<br />

People for centuries have said things like the<br />

border, the frontier, the boundary line, the rim of<br />

Christendom, the edge of civilization, the place<br />

where the rain stops and old ways of working the<br />

land curl up and die. I used to think of it this way<br />

myself, as a jagged edge much like a knife’s, between<br />

two nations. That is when I thought nations had<br />

a future. Then, for a spell, I saw it as place where<br />

two cultures, that of northern Europe and southern<br />

Europe, sloshed up against each other and enriched<br />

and polluted each other’s waters.<br />

Now I think it is the center of the future because the<br />

future is past the grasp of nations and the future may<br />

beyond reach of humans but the future, seas rising,<br />

temperatures soaring, beasts and plants vanishing<br />

forever in a global shake-out of life, that future<br />

will belong to the land and the big deep waters.<br />

And this zone between so many centers of power<br />

has never been broken or tamed and now grows<br />

wilder and wilder as the claws of nations’ weaken<br />

and their talons break and fall to the ground. The<br />

two republics that pretend control of ground at the<br />

moment both feature eagles as national symbols.<br />

The various tribes that once knew the area paid<br />

more heed to ravens and coyotes and got better<br />

information through this act of attention.<br />

I write by a creek that is most likely doomed. The<br />

trees along it will also go and the hillsides around<br />

me have oaks retreating and mesquite reaching<br />

higher and higher onto the slopes as the sky burns<br />

and the rains decline.<br />

The movement of drugs and people, despite the<br />

efforts of cops and nations, merely underscores this<br />

reality. Just as the empty promises of new wealth<br />

and prosperity through various theologies of trade<br />

and economics fix almost nothing. The only real fix<br />

on the line at the moment is in a syringe.<br />

The species are moving also, those killer bees that<br />

were supposedly going to be stopped, that dengue<br />

fever and all plagues that scamper and move without<br />

heed of nations and borders.<br />

The zone is a laboratory where the delusions of<br />

life—economic, religious, military, foreign policy,<br />

biological and agricultural—can be tested. This time<br />

the edge is the center, this time the edge is the face<br />

of the future.<br />

Sources:<br />

Peter Cozzens, Eyewitnesses to the Indian Wars<br />

1865-1890, Volume One, The Struggle for Apacheria,<br />

Stackpole Books, Mechanicsburg, PA., 2001, pp. 18,<br />

22.<br />

Chip Colwell-Chanthaphonh, Massacre at Camp<br />

Grant: forgetting and remembering Apache history,<br />

University of Arizona Press, Tucson, 2007, pp. 14-15.<br />

Calloway, One Vast Winter Count, see pp. 53-65 for<br />

an overview of the tumult in motion in the North<br />

America before the arrival of Europeans.<br />

We have a deep need for an Eden in the deep time<br />

of the past, a new world garden that we violated and<br />

destroyed. This dream denies facts. In 1325, 486 men,<br />

women and children are slaughtered and scalped<br />

in a fortified village on Crow Creek and the Missouri<br />

River. Evidence suggests the killing resulted from a<br />

fight over dwindling resources in a time of climatic<br />

stress. See Calloway, One Vast Winter Count, p. 64.<br />

Hampton Sides, Blood and Thunder: an epic of the<br />

American West, Doubleday, New York, 2007, pp. 387,<br />

368..<br />

For Manifest Destiny and the Mexican War see<br />

Bernard Devoto, 1846: the year of decision, and Joseph<br />

Wheelan, Invading Mexico: America’s continental<br />

dream and the Mexican war, 1846-1848, Carrol & Graf,<br />

New York, 2007.<br />

Bil Gilbert, Westering Man: the life of Joseph Walker,<br />

master of the frontier, Atheneum, New York, 1983, p.<br />

45.<br />

Tom Dunlay, Kit Carson and the Indians, University of<br />

Nebraska Press, Lincoln, 2000, p. 256.<br />

online store at www.oldpresidiotraders.com<br />

Watch for the Turquoise Hudson Hornet - It’s in the shop.<br />

520-245-8449<br />

Price Reduced<br />

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“LOOKING FOR...<br />

A BIG THANK YOU! HERE IT IS:<br />

“THANK YOU” FOR...<br />

• Your Business - It’s my 2-year Anniversary at LONG REALTY CO!!<br />

Helping you with Listing and Purchases of Property.<br />

• Your Referrals -<br />

A huge part of making my business successful!<br />

• Visiting my Open Houses -<br />

Come by anytime!!<br />

• Viewing and Contributing to my website -<br />

www.chacha.longrealty.com & ”JUST FOR FUN”.<br />

• All your support and friendship -<br />

I love what I do and it is because of you!!<br />

520-591-4982<br />

“To get information about the above properties or discover new properties - contact me:”


30<br />

by Kathleen Vandervoet<br />

FIRE DISTRICT BOARD<br />

DRAWS MUCH INTEREST<br />

Being a firefighter is an exciting job, but<br />

serving as a member of a fire district governing<br />

board may not rank up there among the things<br />

kids aspire to do when they grow up.<br />

The <strong>Tubac</strong> Fire District has a five-member<br />

governing board, and there are three vacancies.<br />

That has drawn interest from seven candidates,<br />

and voters will have to make their choices at<br />

the Nov. 4 general election.<br />

The <strong>Tubac</strong> Fire District includes the north half<br />

of Rio Rico, Tumacácori, <strong>Tubac</strong> and Amado<br />

to the Santa Cruz County boundary. Board<br />

members serve without pay, and usually attend<br />

meetings once a month. They hire the fire<br />

chief, which is presently Kevin Keeley.<br />

INCUMBENT MEMBERS<br />

Incumbents who would like to be re-elected<br />

are Dottie Bergmann, Michael Burns and<br />

Denny Scanlan.<br />

Doris “Dottie” Bergmann, 68, of <strong>Tubac</strong>, has<br />

been on the board six years. She was appointed<br />

to fill a vacancy, then elected four years ago.<br />

She’s retired and has lived in the area for seven<br />

years. If re-elected, she said she will stand<br />

behind the chief and his staff, and “help out<br />

the best way we can,” advising him when he<br />

needs the assistance.<br />

Carmen resident Michael Burns, 52, is a<br />

paramedic and firefighter for the Rio Rico Fire<br />

District and a flight paramedic for LifeNet<br />

helicopter medical service in <strong>Tubac</strong>. He’s lived<br />

in Santa Cruz County for 22 years and is now<br />

completing a four-year term on the fire district<br />

board.<br />

Burns said if he’s re-elected, “I would ensure<br />

that the department has adequate staffing, and<br />

adequate facilities and equipment.” He also<br />

will focus on making sure that “people’s tax<br />

money is being spent very wisely.”<br />

Scanlan, 69, a Rio Rico resident, has served<br />

one four-year term. He’s retired, but in<br />

addition to former jobs, he served as a<br />

volunteer for 20 years with the <strong>Tubac</strong> and Rio<br />

Rico fire departments. If re-elected, he said<br />

his main concern is to “watch the expenses”<br />

related to construction of new fire stations,<br />

and “making wise decisions.” He also plans to<br />

work towards merging the two fire districts,<br />

<strong>Tubac</strong> and Rio Rico, to benefit residents.<br />

4 OTHER CANDIDATES<br />

There are four other candidates who would<br />

like to be elected to the board.<br />

Ron Campana, 60, is retired and spent 30<br />

years in law enforcement in California. He’s<br />

lived in Rio Rico for three and a half years. He<br />

would like to see the fire district develop and<br />

implement a policy and procedures manual.<br />

“The board has to be more active in policy<br />

making for the district,” and he said his work<br />

experience will assist in that. As well, he<br />

thinks the board should take a look at how the<br />

district’s assets are allocated and spent.<br />

Richard Conroy, 72, of Rio Rico, is retired<br />

and has lived in Santa Cruz County since<br />

July 2006. If elected, he said he will oversee<br />

building plans and financing. “I think that’s<br />

the job of the board.” He also anticipates<br />

that “I can bring fresher ideas in.” He said<br />

he wants to be part of the community and<br />

support the “forward movement.”<br />

Douglas Muri, 48, lives in Tumacácori and<br />

is a teacher in the Nogales Unified School<br />

District. He said he was a fire district chief<br />

in Ganado, Ariz., from 1990 to 2000, and he<br />

served under a five-member elected board.<br />

He’s lived in Santa Cruz County since 2001.<br />

Muri said he wants to investigate the ISO<br />

insurance rating for the area “to see if we<br />

can improve it,” to save costs for residents.<br />

He wants to focus on “the life-safety side of<br />

things,” which includes fire prevention and<br />

pre-planning. As well, “I have the firefighters’<br />

interests at heart and want them to have the<br />

tools to do their job,” he said.<br />

Randy Williams, 53, has lived in Santa Cruz<br />

County all his life. A Rio Rico resident, he<br />

is an aircraft mechanic. His father, Donald<br />

D. Williams, was one of the founders of<br />

the <strong>Tubac</strong>-Tumacácori Volunteer Fire<br />

Department.<br />

If elected, he would like to assure that vehicles<br />

are well-maintained and that drivers have<br />

training that will assist in keeping equipment<br />

in good shape. He also is proposing that the<br />

department have mechanics who are also<br />

trained firefighters and EMTs. He wants to<br />

investigate the budget with an eye to saving<br />

some money.<br />

3 SCHOOL BOARD VACANCIES<br />

TO BE FILLED<br />

by Kathleen Vandervoet<br />

There are five members of the governing board of the Santa Cruz Valley<br />

Unified School District No. 35 (<strong>Tubac</strong> and Rio Rico). Members serve<br />

without pay and meet twice a month in public sessions.<br />

On the Nov. 4 ballot there will be three candidates for two, four-year terms.<br />

Also, Susan Faubion is running unopposed for a two-year term.<br />

Faubion, 59, of Rio Rico, works in the Nogales Unified School District for<br />

assistant superintendent Dr. Lucina Romero. She said she ran for the office<br />

to improve educational opportunities. She hopes to see an ROTC program<br />

at Rio Rico High School and more funding to support music programs. She<br />

is also concerned about test score reports and wants to see the scores rise.<br />

Two incumbents would like to remain on the school board. Harry Clapeck,<br />

61, is a manager in general accounting. He has lived in Rio Rico 21 years<br />

and was appointed to the District 35 board in October 2007 to fill a vacancy<br />

when Frank Bejarano resigned.<br />

“The hiring, retention, training and pay of qualified teachers are major<br />

ingredients to improving education,” Clapeck said. He said the board must<br />

continually focus on these issues and seek ways to improve on them.<br />

He’s hoping to get extra help for teachers by seeking volunteers. He said<br />

he wants to lower the teacher/student ratio, which “has a huge and positive<br />

impact on learning. Without additional state help, one way to accomplish<br />

this is by establishing a structured volunteer program. The community is a<br />

valuable source of help. We need to tap into it with vigor,” he said.<br />

Finally, he said, “The management of funds is vital to ensure that they<br />

are used appropriately and earmarked to get the best results from our<br />

investment.”<br />

Brian Vandervoet, 60, of <strong>Tubac</strong>, has served two four-year terms. He works in<br />

produce imports and sales and has been a county resident since 1973.<br />

Several standards guide good school systems, he said, “The two most critical<br />

factors for excellent educational opportunities are small classroom size and<br />

highly qualified teachers. It should be the policy of the governing board to<br />

always see that these two goals are met.”<br />

Vandervoet said the highest priority should be in providing excellent<br />

education in the primary grades. “Well-educated students in grades<br />

kindergarten through 3 will always be well-educated students in middle<br />

school and high school,” he said.<br />

Rio Rico resident Jack Scholnick, 63, is a candidate for a four-year term. He<br />

previously was a board member for about a year for the Santa Cruz Training<br />

Program in Nogales. Scholnick has lived in Santa Cruz County since 2001.<br />

His priorities will include increasing teacher pay so it’s close to the level of<br />

Tucson, he said. To fund that, he said there can be cutbacks in other areas,<br />

such as administrative pay. He also wants to increase the money for teachers<br />

to purchase classroom supplies, he said.<br />

Another concern is that he wants to focus on “setting up guidelines when<br />

a child is hurt or abused on campus,” he said. He will push for more library<br />

books, and said he has donated books and other resources to the district.<br />

(Note: Candidate Brian Vandervoet is the husband of reporter Kathleen<br />

Vandervoet.)<br />

15


y Kathleen Vandervoet<br />

A $15 million <strong>Tubac</strong> Fire District bond election, and two<br />

propositions about that would allow planning to continue for nearly<br />

9,500 new homes in <strong>Tubac</strong> and Amado are on the Nov. 4 general<br />

election ballot.<br />

TUBAC FIRE DISTRICT ELECTION<br />

The five-member governing board of the <strong>Tubac</strong> Fire District is<br />

holding a $15 million bond election as part of the Nov. 4 general<br />

election. The revenue would be used to build more fire stations<br />

and purchase large fire trucks.<br />

Fire Chief Kevin Keeley said the funding would include a new<br />

three-building <strong>Tubac</strong> complex on a four-acre parcel south and<br />

west of the Chavez Siding intersection of Interstate 19. Two<br />

more fire stations would be built in east Rio Rico. The entire<br />

northern half of Rio Rico is within the boundaries of the <strong>Tubac</strong><br />

Fire District.<br />

One Rio Rico station will be on Camino Josefina, about four<br />

miles east of Pendleton Drive. A second station is planned near<br />

the Pendleton Drive and Palo Parado Road area, Keeley said, but<br />

a piece of property has not yet been determined.<br />

The district’s Station 2 which is on the I-19 West Frontage Road<br />

just south of the Peck Canyon interchange in Rio Rico would<br />

have needed remodeling.<br />

Some are concerned that the district’s current station No. 1, on<br />

the East Frontage Road just north of the entrance to the village<br />

of <strong>Tubac</strong>, now more than 30 years old, would no longer be used<br />

as a fire station and would be a vehicle maintenance and repair<br />

center.<br />

The fire district’s present tax rate is $2.64 per $100 of assessed<br />

valuation, or $792 a year on a home with a valuation of $300,000.<br />

A brochure printed by the fire district lists an extra $46 a year<br />

in taxes per $100,000 value of a home. For example, a home<br />

valued at $400,000 would pay an extra $184. A business valued<br />

at $315,000 would pay an additional $339 a year, while a $2.5<br />

million business would pay an extra $2,289 a year.<br />

Some homes may see their fire insurance premium reduced,<br />

Keeley said, when a fire station is located closer. Other homes<br />

may not see a drop in fire insurance but will benefit by having the<br />

availability of resources that can remain nearby to respond, rather<br />

than traveling far distances.<br />

Keeley said anyone with questions can call him or Louis Chaboya<br />

at (520) 398-2255.<br />

LOCAL ANGLE ON<br />

ELECTION ISSUES<br />

PROPOSITIONS 400 AND 401<br />

All Santa Cruz County residents will have the opportunity to<br />

vote on Prop. 400 and 401. The referendum propositions are<br />

responses to requests by developers to change farm land into<br />

housing developments, with some resort, commercial and retail<br />

sections.<br />

Supporters call it responsible master planning, while opponents<br />

say it will set a dangerous precedent for irresponsible sprawl.<br />

“Yes” votes on Prop. 400 and 401 will allow the developers to<br />

move forward in the county-regulated process to the next step,<br />

and ask for the needed zoning changes. “No” votes will halt the<br />

developments, allowing the developers will have the opportunity<br />

to bring forward modified plans in the future.<br />

Prop. 400 is the proposed Sopori Ranch in Amado on the west<br />

side of Interstate 19, south of the Arivaca Road interchange.<br />

It would include 6,839 homes, two golf courses, a resort,<br />

commercial and retail shops on 6,076 acres of land now used for<br />

cattle grazing and farming.<br />

Prop. 401 is the proposed Las Mesas in <strong>Tubac</strong> on the east side<br />

of Interstate 19, north of Chavez Siding Road. The land spans<br />

both east and west of the Santa Cruz River and the Union Pacific<br />

railroad tracks and it would have 2,630 new homes, a resort and<br />

an equestrian center.<br />

Opponents formed a political action committee called Coalition<br />

for Responsible Growth. They say the developments have too<br />

many houses and fault the planners for trying to get the most<br />

money possible out of the projects. They say the environment will<br />

suffer, and water supplies will be adversely affected.<br />

In a fact sheet distributed by the political action committee in<br />

favor of the developments, it’s said that they will bring many jobs<br />

in construction, retail and community work. Higher wages are<br />

promised but no specifics explain that.<br />

Another benefit is that there will be wastewater treatment<br />

systems constructed for the effluent created by the new homes,<br />

businesses, and golf courses. It’s said that roads will be built by<br />

the developers and maintained in future years by fees paid to<br />

homeowners’ associations.<br />

Opponents say that if the projects aren’t stopped now, it will<br />

create a legal difficulty to the Santa Cruz County Board of<br />

Supervisors to hold back other developers who want to receive<br />

the same approval for numerous other ranches.<br />

To learn more, visit these web sites: www.yes400-401.com, or<br />

www.cforrg.org.<br />

Remember The Trailer<br />

We Fixed Up For<br />

Pontchartrain<br />

Humane Society?<br />

Here’s A<br />

Hurricane Gustav<br />

And Ike Update!<br />

For those folks who generously stepped<br />

up to the plate in September of 2006<br />

and helped out financially or with plain<br />

old sweat - the people from the Slidell’s<br />

Pontchartrain Humane Society, who<br />

were wiped out from Hurricanes Katrina<br />

and Rita, wanted us to tell you that they<br />

will always remember <strong>Tubac</strong>. They have<br />

used the travel trailer we redid for them<br />

hundreds of times and they thank you all<br />

every day.<br />

Most recently the trailer was used for<br />

Hurricane Gustav and Ike, evacuating 64<br />

dogs and 15 cats in just 2 trips! Once at<br />

their temporary location the dogs were<br />

moved to kennels and the trailer became<br />

“the cat house.”<br />

They also thank the Tucson Humane<br />

Society for the 6 special stainless steel<br />

crates that fit so well in the 17 ft. trailer,<br />

which serves mainly as their weekend pet<br />

adoption trailer at local shopping malls.<br />

They will never forget Southern<br />

Arizona’s help and generosity!<br />

Micki & David Voisard<br />

To make a donation for much needed help<br />

please go to:<br />

www.PontchartrainHumaneSociety.org<br />

Full Scale<br />

Catering<br />

On or Off Site<br />

Thomas’ Blue Room Gallery<br />

Wine Bar and Appetizer Bar<br />

now open<br />

Barbeque Mondays<br />

Around the World Dinners in 13 weeks<br />

Visit our fine galleries & shops<br />

Alan’s Imports Los Cántaros<br />

Los Reyes Gallery ZForrest<br />

53<br />

NOW LEASING - Prime office/retail space in<br />

heart of <strong>Tubac</strong> Village. We have from 725 up to 2,800<br />

s.f. available for lease. Call Kristi at 520-906-7292


32<br />

Rio Rico Trailhead to be Dedicated to Guy Tobin<br />

Rio Rico Properties, a subsidiary of Avatar<br />

Properties, Inc., announced that the Rio<br />

Rico Trailhead of the Juan Bautista de Anza<br />

National Historic Trail is to be dedicated in<br />

honor of Guy Tobin, President of the Arizona<br />

Division of Avatar Holdings, Inc., who passed<br />

away July 22. An official dedication and ribbon<br />

cutting for the Guy Tobin Trailhead will be<br />

held on Friday, October 10, at 3:00 PM at<br />

the trailhead, with a national dedication and<br />

opening of the trail segment from Rio Rico to<br />

Nogales on Saturday, October 11.<br />

Guy was instrumental in working with the<br />

Anza Trail Coalition of Arizona and the<br />

National Park Service to establish the 13<br />

mile segment of the Anza National Historic<br />

Trail from Rio Rico to <strong>Tubac</strong>, which received<br />

official certification from the National Park<br />

Service in November of 2005. Rio Rico<br />

Properties received official recognition from<br />

the National Park Service for their donation of<br />

Powell’s<br />

Pet Sitting & Home Help<br />

The alternative to boarding your pet.<br />

We care for them in your home<br />

while you are away.<br />

Pet Care – Plant Care – House Watch<br />

Horses and Farm Animals<br />

Steve and Glenda Powell<br />

520 377 8484<br />

520 841 0277<br />

burrdonk@q.com<br />

When you leave, they stay.<br />

the easements for the trail segment. All of Rio<br />

Rico’s neighborhoods are designed with trails<br />

linking them to the Anza National Historic<br />

Trail, allowing residents to literally walk out<br />

their front doors and retrace the footsteps of<br />

history.<br />

Richard Williams, President of the Anza<br />

Trail Coalition of Arizona, said, “In their<br />

capacities as landowners and developers, Rio<br />

Rico Properties under the guidance of Guy<br />

Tobin showed extraordinary foresight and<br />

public spirit in contributing part of their land<br />

towards creating this National Historic Trail<br />

to be preserved in perpetuity for all to enjoy.<br />

It’s a fitting tribute that we in turn dedicate<br />

this trailhead to preserving his memory.” The<br />

coalition is a non-profit organization that<br />

was formed over 10 years ago to oversee the<br />

volunteer effort in building the trail in Arizona,<br />

with a wonderful group of members from<br />

Santa Cruz County and the other counties that<br />

Steve the Handy Guy<br />

Home Repair/Maintenance<br />

Product Assembly/Fencing/<br />

Animal Enclosures, etc.<br />

Not a licensed Contractor<br />

Steve Powell<br />

520 377 8484<br />

520 841 0277<br />

burrdonk@q.com<br />

LARGE TWO BEDROOM HOUSE on 6 acres on private hill.<br />

Living room, dining room. One mile outside of <strong>Tubac</strong> village.<br />

Call (517) 546-3351.<br />

Available December 1st. Long term desired, references required.<br />

Avalon Organic Gardens Community Supported Agriculture<br />

program (520) 603-9932, Email: csa@AvalonGardens.org Fresh<br />

produce, locally-grown and chemically-free in Tumacacori, pick-up<br />

location at Out of the Way Galleria, 29 <strong>Tubac</strong> Plaza. June - November.<br />

Mindhance Holistic Learning Center is an Online Certification program<br />

offering 30 credit hour certifications in Holistic Mental Health Coaching,<br />

Holistic Grief Coaching, or Professional Mediation. These comprehensive<br />

programs are fully accredited by the AADP (American Association of<br />

Drugless Practitioners). Enhance your career or begin a new career today.<br />

Go to http://www.mindhancelearning.com and learn about these exciting<br />

new programs. Mention this ad and get $150.00 off tuition.<br />

Join the vision of global change agents! Skilled Craftsmen,<br />

Draftsmen, Engineers, Carpenters, Plumbers, Electricians, help<br />

us build a sustainable agrarian EcoVillage. Join us (room & board<br />

provided), work study, or volunteer part-time. Experimental energy<br />

and green building. Global Community Communications Alliance,<br />

a nonprofit organization of 105 people from around the world.<br />

Tumacacori, Arizona. (928) 203-9323 or (928) 300-1311.<br />

the trail crosses from Nogales to Yuma.<br />

Guy was a true visionary who changed the<br />

face of Rio Rico. His accomplishments in Rio<br />

Rico are numerous. He took a basically stalled<br />

and somewhat negative development at Rio<br />

Rico and turned it into what it is today, The<br />

Villages of Rio Rico, which has expanded from<br />

one development to six successful projects,<br />

including custom homes, golf course homes at<br />

<strong>Tubac</strong> Golf Resort, equestrian properties, and<br />

soon-to-be golf course homes in Rio Rico.<br />

Guy also had the foresight to perform a<br />

complete renovation on the former Rio Rico<br />

Resort, upgrade the Swim, Racquet & Fitness<br />

Center, and spearheaded the revitalization<br />

of The Plaza at Rio Rico, attracting such<br />

major tenants as Wells Fargo Bank. Guy<br />

Tobin is listed in the national “Who’s Who of<br />

Homebuilding” as the person spearheading the<br />

revitalization of Rio Rico.<br />

Once part of a vast land grant from the King of<br />

Spain, Rio Rico maintains the unique balance<br />

of new homes planned around thousands of<br />

acres of open space, a new State Park, the Anza<br />

National Historic Trail, the Esplendor Resort,<br />

and the par-72 Robert Trent Jones, Sr. golf<br />

course, which is consistently rated among the<br />

best in the state. Rio Rico’s major attraction<br />

is its resort lifestyle, affordable housing, and<br />

proximity to both Tucson and the Mexican<br />

border.<br />

A subsidiary of Avatar Properties Inc., Rio<br />

Rico Properties is the residential, commercial<br />

and industrial developer of the 35,000-acre<br />

community. Rio Rico Properties has enjoyed<br />

more than 12 years helping to develop and<br />

build the town of Rio Rico, with a lasting<br />

commitment to preserving the culture and<br />

natural beauty of the area.<br />

www.TheVillagesOfRioRico.com<br />

REPRINTED THIS SUMMER AND AGAIN AVAILABLE!<br />

THEY LIVED IN TUBAC<br />

by Elizabeth R. Brownell, Ph.D. - Past President of the <strong>Tubac</strong> Historical Society<br />

The peculiar charm of <strong>Tubac</strong> has attracted people for more than two centuries. For<br />

Spanish missionaries the attraction was a new field for soul-saving endeavor; for settlers<br />

out of Mexico it was the fertile bottomlands of the Santa Cruz River for farms and<br />

orchards; for the prospector the promise of gold and silver. To the modern day settler<br />

<strong>Tubac</strong>’s charm is the beauty of the valley, the bright warm sunshine in winter, vivid<br />

sunsets, or the opalescent sky behind the black silhouettes of the Tumacacori and the<br />

Santa Rita mountains.<br />

The settlers of <strong>Tubac</strong> came from a variety of homelands and home towns: Spanish<br />

Franciscans and Jesuits from Germany, Sweden, Bohemia, and Italy. Soldiers, ranchers,<br />

and farmers from Mexico; mining engineers from Germany, shop keepers from<br />

Switzerland, tradesmen from northern European countries, and a long procession of<br />

North Americans from every state in the Union. In many cases the Anglo-Americans<br />

married into Spanish or Mexican families and became more Mexican than Yankee.<br />

Around these individuals Elizabeth Brownell weaves her tapestry of history. And she<br />

neglects no one — soldier-explorer Juan Batista de Anza, visionary Charles Poston,<br />

miner Phocion Way, libertine and entrepreneur Sylvester Mowry, <strong>Tubac</strong>’s early and<br />

modern developers, the artists, and the retirees. The drama of <strong>Tubac</strong>’s fight against the<br />

Apaches, drought, economic chaos, as well as its roller coaster ride through depressions<br />

and two world wars, and the town’s final emergence into a period when “art and history<br />

meet” in the Santa Cruz Valley is related with great insight.<br />

This handsome casebound volume is the culmination of years of research through<br />

historical collections, family papers, first person interviews, territorial, state, and<br />

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y Carol Egmont St. John<br />

Nothingness<br />

33<br />

“The greatest purity is nothing or nothingness - no thinking, no<br />

desiring, no imagining. You are then one with the moment and<br />

the great movement of life so nothing can happen that is not<br />

right.”<br />

Barry Long<br />

I get bored when things are slow. I have to revise my<br />

thinking to incorporate down times into my life and<br />

remember some people seek nothingness. They sit and<br />

meditate and try to rest their minds by not thinking. Some<br />

people take long walks in highlands and let the birds do the<br />

talking. Others find a beach where they can vegetate. But<br />

then there are still more, people like me, who are afraid<br />

of the challenges of emptying out their lives and stopping<br />

the clutter inside their heads. We run from silence, work at<br />

vacations, and schedule our lives away which don’t lead to<br />

satisfaction, only anxiety. I believe my way of being needs to<br />

be re-thought.<br />

Sounds good, no? But how to get there is something else.<br />

Any person who meditates knows how hard it is not to think.<br />

The utilization of music, mantras or chants is testimony.<br />

Even Jesus had to get away, go to the desert to purify his<br />

thoughts, as have many other wisemen--I get that. But I am<br />

already in the desert, so what am I not tapping in on?<br />

Of course, the primal desert involves transformation. It is<br />

where snakes shed their skins and butterflies the size of<br />

earmuffs arise from nowhere, where drought stricken plants<br />

don crowns of fuchsia and gold in the face of suffocating<br />

heat. It is the place where the land is so parched and so<br />

inhospitable that dogs sleep and toads hide and even<br />

javalinas stand perfectly still until all of a sudden the rains<br />

arrive. Like a benediction, they sweep over us and we watch<br />

as energy is released from bolts in the sky, the grasses are<br />

pushed up and arroyos filled, tiny bugs take flight and<br />

all things seem to radiantly return to life again. But our<br />

monsoons are tricksters. They grace us with relief and then<br />

leave us to face the return of autumn’s unwelcome heat.<br />

These are the dog days of summer, the quiet forerunners of<br />

a brisk northern front coming in to revive us. It is a time<br />

I should learn to make the most of, because an artistic life<br />

demands a time out. It wants a blank canvas, a new page, an<br />

emptiness to recover from work completed.<br />

Have you ever made a huge effort like organizing a wedding,<br />

creating a theatrical event, teaching a difficult class or<br />

putting on a fundraiser and found yourself totally depleted<br />

afterward? At first you’re glad it’s over and declare I will<br />

never do that again, then you find yourself slipping into a<br />

crash zone. But it doesn’t have to be crashing; it could look<br />

more like going to nowhere and nothingness, a rest that<br />

allows your mind and body to heal.<br />

In the summer things tend to be slow. Time for alternative<br />

lives, for gathering and sorting. The fall seems to be the<br />

time for setting the stage and building the energy required<br />

to perform winter’s tasks. I saw this happening in <strong>Tubac</strong><br />

this past week. Stores were open, despite the few shoppers,<br />

and storekeepers were primping shelves and unpacking new<br />

items in anticipation of the new season. They were in the<br />

incubation mode, imagining.<br />

Billy Joel describes the place where we can go during the in<br />

between times, the times of not knowing what to do, where<br />

to go, how to live in the chaos of the indefinite.<br />

I listen and choose to believe the Dalai Lama when he says:<br />

If one’s life is simple, contentment has to come. Simplicity<br />

is extremely important for happiness. Having few desires,<br />

feeling satisfied with what you have, is very vital: satisfaction<br />

with just enough food, clothing, and shelter to protect yourself<br />

from the elements. And finally, there is an intense delight in<br />

abandoning faulty states of mind and in cultivating helpful<br />

ones in meditation.<br />

They say that these are not the best of times.<br />

But they’re the only times I’ve ever known<br />

And I believe there is a time for meditation<br />

In cathedrals of our own.<br />

And where is our cathedral? It is wherever we are of course.<br />

It is that universal space where we can let go and not fall. It<br />

is allowing what is, to just be.<br />

My little cathedral is my studio in <strong>Tubac</strong>. Bug infested<br />

and tired at the end of a summer, I have only gone there to<br />

restore the space, paint the floor, touch my supplies, rearrange<br />

furniture and put a blank canvas on the easel. I visited my<br />

neighbors and privately wondered what I would come up<br />

with to make my creative life interesting this year. Although<br />

what that will be is still not defined, I remember Erich<br />

Fromm’s words, creativity requires the courage to let go of<br />

certainties. The absence of certainties is alright.<br />

But negative thinking is not. Instead of allowing dark<br />

thoughts to dominate my mind I hereby commit myself to<br />

put aside those worries that tend to overwhelm me, stuff like<br />

failing energy, dirty politics, dropping house values, stock<br />

market maneuvering, war and border issues. I will grow<br />

simple instead. Become quiet. Pause. Take a break. Let go<br />

and let God. Clean house.<br />

I listen and choose to believe the Dalai Lama when he says:<br />

If one’s life is simple, contentment has to come. Simplicity<br />

is extremely important for happiness. Having few desires,<br />

feeling satisfied with what you have, is very vital: satisfaction<br />

with just enough food, clothing, and shelter to protect yourself<br />

from the elements. And finally, there is an intense delight in<br />

abandoning faulty states of mind and in cultivating helpful<br />

ones in meditation.<br />

Who can see the face on the butterfly’s wings if they are<br />

looking at its head? Who will see the landscape on the face<br />

of a rock if they are only focused on its weight? Open minds<br />

see things anew. They discover planets in a puddle and tunes<br />

in the rain. But to open the mind you have to get your self<br />

out of the way.<br />

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34<br />

Voters in <strong>Tubac</strong>, Amado,<br />

Tumacácori and north<br />

Rio Rico will be asked<br />

to choose a Santa Cruz<br />

County Supervisor for<br />

District 3 at the Nov. 4<br />

general election.<br />

The salary for the<br />

supervisor’s position<br />

is set by state law, and<br />

will rise to $63,800 a<br />

year as of Jan. 1, 2009.<br />

Santa Cruz County has<br />

three supervisors. Again,<br />

state law determines<br />

that. Any county with a<br />

population of more than<br />

500,000 residents has a<br />

five-member board of<br />

supervisors.<br />

Democrat John Maynard<br />

has been District 3<br />

supervisor for two fouryear<br />

terms and wants to<br />

be elected again. He is<br />

being challenged by Joel<br />

Kramer and Juan Andres<br />

Ibarra, both running as<br />

Independents.<br />

The candidates were each<br />

asked questions. They are:<br />

What is your strongest<br />

asset as an individual<br />

that you believe you<br />

can use to benefit the<br />

constituents of District<br />

3? Do you believe the<br />

county’s Comprehensive<br />

Plan should remain as<br />

it has been written? Do<br />

you believe amendments<br />

to the plan should be<br />

accepted when requested<br />

by developers?<br />

by Kathleen Vandervoet<br />

A Santa Cruz County resident for 47 years, Juan<br />

Andres Ibarra, 53, lives in Rio Rico. He works as a<br />

financial controller and has had 12 years’ experience in<br />

the position, along with seven years’ experience as an<br />

international commercial loan officer, he said.<br />

Ibarra earned a B.S. degree in business administration<br />

from the University of Phoenix and is working on an<br />

MBA in business.<br />

Ibarra said that if he’s elected, he hasn’t decided if he<br />

will retain his present job. “I will weigh the needs of<br />

Santa Cruz County and the demands of continuing to<br />

work. Santa Cruz County will be first on my agenda.<br />

First, I must win the election.”<br />

He said his personal assets are experience, education, a<br />

heart of gold and the dedication, new energy, ideas and<br />

vision to serve the people of Santa Cruz County.<br />

In regard to the county’s Comprehensive Plan, he said,<br />

“Since Propositions 400 and 401 will be decided by<br />

the people of Santa Cruz County, I believe we must<br />

wait to see what the outcome of the vote will be.<br />

“Since Santa Cruz County will continue to grow<br />

in the years to come, if elected, I have the maturity,<br />

experience, and education to provide the leadership on<br />

the Board of Supervisors if changes are sought to the<br />

county’s Comprehensive Plan.<br />

“Further, this involves listening to the people and<br />

seeking common ground where all constituents are<br />

happy with any changes. It appears to me everybody<br />

agrees to growth but the deadlock centers on density,<br />

i.e, homes per acre. We should march into the future<br />

together. What we do in life echoes through eternity,”<br />

Ibarra said.<br />

Joel Kramer, 44, lives in Rio Rico. He’s principal<br />

of Pierson Vocational High School in Nogales. He<br />

received a bachelor’s degree in education from the<br />

University of North Dakota and a master’s degree in<br />

administration and supervision from the University of<br />

Phoenix. He’s lived in Santa Cruz County for nearly<br />

20 years.<br />

If elected, Kramer said he intends to keep his<br />

principal’s job. “I believe that I was taught very well on<br />

how to manage my time, to be focused on the tasks at<br />

hand and complete them in a timely fashion, not to<br />

waste the taxpayer’s money.”<br />

In response to the question about himself, he said,<br />

“My strongest asset would be having a professional<br />

conversation with each and every person that I<br />

have encountered. My indication of a professional<br />

conversation entails having good listening skills and<br />

being honest.”<br />

Kramer said the county’s Comprehensive Plan should<br />

be respected. He said, “The Comprehensive Plan has<br />

the growth plan that each character area has chosen.<br />

Focus the growth along I-19 as it stated in the plan,<br />

since this is going to be the hub area for further traffic,<br />

with the possibility of more distribution warehouses<br />

and businesses, once the Guaymas port opens to<br />

shipping.”<br />

Kramer believes that “few, if any amendments should<br />

be accepted. In the interest of planning, unless (it is) an<br />

issue of health and safety, keep the plan as adopted.”<br />

He also said, “Good leadership is as much the<br />

willingness to complete and follow through rather<br />

than modify based on current opinion. What respect<br />

do plans have and how seriously will people take the<br />

next plan in the planning stages if they know they can<br />

change it easily” by going to the supervisors?<br />

John Maynard, 58, has been the District 3 supervisor<br />

for two four-year terms. He said that if re-elected, it<br />

will remain as his only job.<br />

A Rio Rico resident, he’s lived in Santa Cruz<br />

County nearly 20 years and holds a master’s degree<br />

in landscape architecture from California State<br />

Polytechnic University, Pomona.<br />

In describing his strongest asset, he said, “It is<br />

important to ‘think outside the box’ when solving<br />

problems and to weigh the impacts your decisions<br />

could have upon a broad base of constituents, not<br />

just the immediate few bringing a problem to your<br />

attention.<br />

“I also don’t give up easily, sometimes just step back<br />

and look for another avenue to travel to accomplish<br />

my goal.”<br />

When asked if the county’s Comprehensive Plan<br />

should ever be amended, he said, “If there is public<br />

support for a proposed amendment, it should be<br />

considered. If there is considerable opposition, don’t<br />

amend it.<br />

“Both the Sopori and Las Mesas proposed<br />

amendments had considerable public opposition. I<br />

voted ‘no’ in December, and will do so again on Nov.<br />

4,” Maynard said.<br />

(Note: A candidate forum is scheduled Tuesday, Oct.<br />

21, and the public is invited. It will be held at 5:30<br />

p.m. at the <strong>Tubac</strong> Community Center, 50 Bridge<br />

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continued from page 6...<br />

Sunday, Oct 19th - Water Harvesting Designs That Work<br />

(and Why) This is a chance to visit several sites that<br />

demonstrate water harvesting landscapes. The visits will<br />

include in-depth discussion and observation of residents’<br />

vision, site resources and constraints, and budget,<br />

which led to the final design. The course focus is not on<br />

hands-on training but on design ethics, site observations,<br />

and doing more advanced run-off calculations. It is<br />

geared toward owner builders and water harvesting<br />

installers with some experience. A lunch incorporating<br />

native foods is included with a focus of connecting the<br />

dots between integrated water harvesting design, urban<br />

habitat restoration, community food security, and heritage<br />

foods. Class size is limited to 15 participants. Carpool<br />

or Van travel will be arranged. Location: Sites in and<br />

around Tucson, TBA. 9AM to 3PM. Cost: $65 includes all<br />

class materials. Tour led by Barbara Rose and guests.<br />

Contact Barbara Rose (520) 572-7221 for registration<br />

and information www.sonoranpermaculture.org/members/<br />

barbara-rose.<br />

Tuesday, Oct 21st - <strong>Tubac</strong> Breakfast Forum. Breakfast<br />

and a Speaker at the Artist’s Palate Restaurant at 8 am.<br />

Speaker Tom Ryan, Ph D will present Will Your Vote Be<br />

Counted? Cost $12 includes breakfast, beverage, tax and<br />

tip. Call 398-3333.<br />

Tuesday, Oct 21st - Candidates Forum at 5:30 at the<br />

<strong>Tubac</strong> Community Center.<br />

Tues & Wed, Oct 21st -22nd - 3rd Annual Investing in<br />

Solar Arizona Grand Resort, Phoenix, Arizona. Sponsored<br />

by the Financial Research Associates<br />

Wednesday, Oct 22nd - THE HEART OF ART SERIES:<br />

Special evenings hosted by the <strong>Tubac</strong> Center of the Arts<br />

board members to discuss<br />

art with a featured artist<br />

and fellow art lovers. Enjoy<br />

ZLQH DQG KRUV G RHXYUHV<br />

with Terry Voss as he talks<br />

about “Getting Started with<br />

Art”, local support systems<br />

for emerging artists,<br />

5:00pm. Call 398-2371 for<br />

information.<br />

Fri & Sat, Oct. 24th & 25th<br />

- Yoga Restorative Retreat<br />

in Rio Rico. Contact Kathy<br />

Edds at 520-275-2689 for<br />

details.<br />

Saturday, Oct 25th<br />

- Southwest Fiber Festival<br />

from 10am to 5pm at the<br />

Amado Territory Ranch,<br />

I-19 exit 48. A day long<br />

festival of fun and fiber<br />

including vendors, animals,<br />

classes, demonstrations<br />

and competitions. For more<br />

info call 625-8788 or visit<br />

www.southwestfiberfestival.<br />

com.<br />

Saturday, Oct 25th - White<br />

Elephant Parade in Green<br />

Valley.<br />

Sunday, Oct 26 - Free<br />

public voice recital by<br />

lyric soprano, Vicki<br />

Fitzsimmons. St. Andrew’s<br />

Episcopal Church, 969 W. Country Club Dr., Nogales<br />

(exit 8 from I-19). Religious music including several<br />

selections from Handel’s Messiah. Bring your score to join<br />

in singing the Hallelujah Chorus. Reception follows. Nonperishable<br />

food donation for the Borderlands Food Bank is<br />

suggested. 2:00-3:30 p.m.<br />

Sunday, Oct 26th - Printing Press Demonstrations 10<br />

am – 2 pm. Come celebrate the 150th anniversary of<br />

the printing press in Arizona! The Washington Press<br />

is original and printed the first newspaper in AZ, “The<br />

Weekly Arizonian” on March 3, 1859. Volunteers operate<br />

the press and reproduce the first edition of the paperat the<br />

<strong>Tubac</strong> Presidio State Historic Park. For more information<br />

call 398-2252.<br />

Thursday, Oct 30th - Make up Artist Heather Reyes<br />

at Josef’s Salon in Plaza de Anza from 10am to 5pm.<br />

Complimentary appointments while supplies last. Call<br />

398-0900.<br />

Friday, Oct 31st - 4th Annual Halloween Party at the<br />

Artist’s Palate from 3-8pm. Call 398-3333.<br />

Friday, Oct 31st - Celebrate a safe Halloween with us at<br />

the <strong>Tubac</strong> Golf Resort & Spa from 4 to 6pm. Costume<br />

Contest at 5:30 - most original, funniest, scariest, most<br />

creative & best overall. For more info call Kristi Gall at<br />

520-398-3512.<br />

Friday thru Sunday, Oct. 31st - Nov. 2nd - Casa Fina<br />

de <strong>Tubac</strong>’s Grand Opening celebration in La Entrada.<br />

Our treats will surprise you! For more information call<br />

398-8620.<br />

Saturday, Nov 1 - St. Andrew’s 56th Annual Barbecue,<br />

St. Andrew’s Episcopal Church, 969 W. Country Club Dr.,<br />

Nogales (exit 8 from I-19). Pit-roasted beef barbecue,<br />

tortillas, beans, cole slaw, dessert, and beverage. Tickets<br />

available at door: adults ($15), children ($8), pint of<br />

barbecue ($10). Take-out available. Added attraction: Ye<br />

Olde St. Andrew’s Faire selling baked goods, jams, arts &<br />

crafts, much more. 4:30-7:30 p.m.<br />

Tuesday, Nov 4th - Election Day<br />

Tuesday, Nov 4th - <strong>Tubac</strong> Breakfast Forum. Breakfast<br />

and a Speaker at the Artist’s Palate Restaurant at 8 am.<br />

Speaker Nick Prevenas will present Sports in Southern<br />

Arizona and Abroad. Cost $12 includes breakfast,<br />

beverage, tax and tip. Call 398-3333.<br />

Saturday, Nov 8th - LifeForce Yoga from “Blues to Bliss”<br />

Amy Weintraub, internationally acclaimed yoga teacher<br />

and author of “Yoga for Depression” will lead an all day<br />

workshop at the Pocket Sanctuary on Kenyon Ranch,<br />

<strong>Tubac</strong> from 9:30--5:30. Suitable for all levels of yoga<br />

students. Event sponsored by Yoga Saguaro Studio. For<br />

more information contact<br />

Rich Roth, 520-398-2562<br />

or yogasaguaro@yogasaguaro.com<br />

Sunday, Nov 9th - Wellness<br />

Tidbits to Practice at Home<br />

workshop at the <strong>Tubac</strong> Golf<br />

Resort & Spa. Registration<br />

due by Oct 7th. For<br />

information cll 520-207-<br />

9992 or email sejasays@<br />

aol.com.<br />

Wed & Thurs, Nov 12th &<br />

13th - Plein Air Workshop<br />

with Judy Nakari. This 2-day<br />

workshop will focus on four<br />

primary topics: value, color,<br />

composition, and edges.<br />

Learn to begin with the<br />

thumbnail sketch to address<br />

value and composition,<br />

then systematically<br />

progress to the elements<br />

of color and edges to<br />

create your own vision.<br />

Each day will begin with<br />

a demonstration, followed<br />

by individual attention, and<br />

we’ll end the day with a<br />

comprehensive critique of<br />

the day’s paintings. Our<br />

inspiration will come from<br />

some of the unique scenes<br />

in and around <strong>Tubac</strong>. Judy<br />

is a signature member of<br />

SAWG, TNWS, and CWS, and teaches regularly at the<br />

Arizona-Sonora Desert Museum and in Tuscany, Italy. 10-<br />

4PM Meet daily at Manos Gallery in <strong>Tubac</strong> Cost $195<br />

Wed thru Fri, Nov 12th to 14th - Pat Lambrecht-Hould<br />

workshop. The class will consist of a demonstration along<br />

with hands on instruction in the late morning and after<br />

lunch. We will try to have 2 critiques during the class. This<br />

is a workshop in creativity and exploration...my goal is that<br />

you will come away from this class with lots of exciting<br />

techniques and new directions for your work....it will be<br />

great fun. “The work is a process of layering, with multiple<br />

design elements incorporated into the paintings such as<br />

collage and highly textured area’s...It is truly a fusion of<br />

many layers of leafing, collage and acrylic glazes.” 9-4PM.<br />

520-398-8144. $285. $250 first 5 sign ups.<br />

Tuesday, Nov 18th - <strong>Tubac</strong> Breakfast Forum. Breakfast<br />

and a Speaker at the Artist’s Palate Restaurant at 8 am.<br />

Speaker E. Phillip Krieger, Ph D will present Benjamin<br />

Franklin & Lightening. Cost $12 includes breakfast,<br />

beverage, tax and tip. Call 398-3333.<br />

1<br />

SALON GRAND OPENING<br />

<strong>Tubac</strong> Golf Resort & Spa<br />

Wed. Oct. 8th – 10a – 5p<br />

Join us for light<br />

Hors D’oeuvres and drinks<br />

Mingle with our hairstylists<br />

& nail technicians.<br />

Enjoy a complimentary hair<br />

consultation & make-up refresher!<br />

Book a <strong>Tubac</strong> Signature Facial<br />

in October & receive a<br />

complimentary make-up refresher!<br />

(Please mention this ad in the <strong>Tubac</strong> <strong>Villager</strong><br />

at time of booking to receive special.)<br />

520-398-3545<br />

spa@tubacgolfresort.com<br />

www.tubacgolfresort.com


Morning Star Ranch<br />

Magnificent views from this rustic<br />

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acre wildlife preserve. $1,250,000.<br />

Lot 102 - $325,000<br />

Lot 90 - $295,000<br />

Lots have the BEST VIEWS in the Ranch<br />

and are adjacent to each other.<br />

Buy one or both.<br />

Shop and compare!!

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