01.04.2015 Views

Access Virus User Manual - SoundProgramming.Net

Access Virus User Manual - SoundProgramming.Net

Access Virus User Manual - SoundProgramming.Net

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

ACCESS VIRUS OS4 89<br />

The Audio Outputs<br />

THE AUDIO OUTPUTS<br />

In MULTI mode, you can choose a<br />

mono or stereo audio output in the<br />

OUTPUT Select menu independently<br />

for every PART. The signal<br />

can also be routed to the aux<br />

buses that were discussed earlier.<br />

In addition, you may also define a<br />

second mono or stereo output in<br />

the SECOND OUTPUT menu (under<br />

the CTRL menu). This second output<br />

is global, in other words, it<br />

applies to all PARTs. Using the SEC-<br />

OND OUTPUT Balance parameter,<br />

you can set the levels at which the<br />

output signals of the PARTs are<br />

routed to this second output individually.<br />

In conjunction with the conventional<br />

output of the given sound,<br />

you end up with a quadraphonic<br />

signal that is suitable for Surround<br />

applications. Using Panorama (left,<br />

right) and the SECOND OUTPUT<br />

Balance (front, back), you can create<br />

a genuine quadraphonic mix in<br />

the <strong>Virus</strong> and automate it via a<br />

sequencer.<br />

When you opt to use one of the<br />

aux buses as a second output, the<br />

aux bus can also serve as an FX<br />

loop. You can route the aux signal<br />

to a PART and have the PART process<br />

this signal (via filters, effects<br />

etc.) further.<br />

In contrast to the majority of other<br />

effects, the delay/reverb section is<br />

not available individually for each<br />

PART. Instead, it processes the signals<br />

of the PARTs collectively. You<br />

can, however, control the intensity<br />

of the effect individually for each<br />

PART using the respective Effect<br />

Send parameter. Consequently, the<br />

delay/reverb section has just one<br />

signal output, which cannot be distributed<br />

to the outputs of the individual<br />

PARTs.<br />

This is why, for example, the delay<br />

effect of a PART that is routed to<br />

the pair of outputs labeled OUT 2<br />

will still be audible on OUT 1. This<br />

can be desirable yet may also lead<br />

to confusion. To encourage the<br />

former and prevent the latter, set<br />

the Effect Send parameter of the<br />

PART to zero when you’re using<br />

individual outputs.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!