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Access Virus User Manual - SoundProgramming.Net

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76 CHAPTER 9<br />

The Modulation Matrix and Definable Knob<br />

CREATING MODULA-<br />

TION CONFIGURA-<br />

TIONS VIA ASSIGN<br />

As a rule, it is of course desirable to<br />

be able to create modulation routing<br />

configurations on a synthesizer.<br />

In other words, you want to<br />

enjoy the freedom to combine different<br />

modulation sources and<br />

destinations as you see fit. Sometimes<br />

you may come up with ideas<br />

for standard modulations that the<br />

”hard-wired” factory modulation<br />

routing options simply can’t satisfy.<br />

This is why we opted to equip<br />

the <strong>Virus</strong> with a versatile Modulation<br />

Matrix – you’re sure to find it a<br />

welcome addition. On the <strong>Virus</strong>,<br />

you can create modulation routing<br />

configurations freely as you see fit<br />

using ASSIGN options. They are<br />

located in the EDIT menu, where<br />

they appear under the name of –<br />

you guessed it – ASSIGN).<br />

The three ASSIGN options let you<br />

control up to six modulation destinations<br />

via up to three modulation<br />

sources. Simply go to ASSIGN,<br />

select one of the modulation<br />

sources (SOURCE) and one or several<br />

modulation destinations (DES-<br />

TINATION). Each of these<br />

configurations features a parameter<br />

that determines modulation<br />

intensity (AMOUNT). ASSIGN 1 can<br />

control one modulation destination,<br />

ASSIGN 2 can control two and<br />

ASSIGN 3 can control three modulation<br />

destinations, each with<br />

independent AMOUNTs.<br />

These ASSIGN options serve several<br />

purposes: for one, they let you<br />

assign an external MIDI controller,<br />

for example, the keyboard’s modulation<br />

wheel, to the desired parameter.<br />

You can also chose to use the<br />

sound generator’s internal modulators,<br />

such as LFOs and envelopes,<br />

as modulation sources. The control<br />

range of the source may be limited<br />

via the AMOUNT values or inverted<br />

so that the modulation occurs<br />

strictly within the desired value<br />

range for the target parameter. For<br />

your target parameters, you can<br />

chose from among virtually all<br />

sound parameters that feature an<br />

infinitely variable control range –<br />

ergo, you have more than 100<br />

modulation destinations at your<br />

disposal! Since the sources and<br />

destinations may be selected independently,<br />

you may even modulate

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