Access Virus User Manual - SoundProgramming.Net

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72 CHAPTER 8 Master Clock and Midi-Clock MASTER CLOCK AND MIDI-CLOCK The Virus is equipped with a global clock generator that lets you sync the LFOs, arpeggiators and delay up to a common song tempo and rhythm. The clock generator works either internally with a freely variable speed or it can, in turn, by synced up to the MIDI clock of an external sequencer. This synchronization occurs automatically when the device receives a MIDI clock signal via its MIDI In. You can vary the speed of the clock generator within a range of 63 to 190 BPM (beats per minute) via CLOCK TEMPO. When the device is synchronized via MIDI clock, the clock generator automatically accepts the speed dictated by the connected sequencer; the internal tempo setting is in this case meaningless and thus disabled. The individual sections of the Virus are synced up to the clock generator at rhythmic intervals such as 1/16, 1/4 and so forth. These values may be assigned individually for every section. (ARPEGGIATOR CLOCK, CLOCK LFO 1, CLOCK LFO 2, CLOCK LFO 3, DELAY CLOCK, see the respective sections). In SINGLE MODE, CLOCK TEMPO pertains to the current SINGLE PROGRAM and is stored along with it. In MULTI MODE, the CLOCK TEMPO settings for the involved SINGLE PROGRAMs are ignored. Instead, all involved SINGLE PRO- GRAMs are controlled via the same clock generator. Its CLOCK TEMPO is saved in the MULTI PROGRAM (as are the settings for the global delay effect).
ACCESS VIRUS OS4 73 Master Clock and Midi-Clock This feature lets you control the LFOs and arpeggiators of several MULTI PARTS in a common rhythmic context. A small will appear in the display when the Virus is receiving MIDI Clock data. If you’re sure you do NOT want the device to be synchronized automatically to MIDI clock, set MIDI CLOCK RX to Off (in the CTRL menu).) To avoid confusion, please keep in mind that MIDI Clock is not the same thing as MIDI Time Code. The latter doesn’t deal with tempo at all but with timerelated information structured in hours, minutes, seconds, etc. which is of no benefit to you in this context.
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©2000 Access Music GmbH, Germany.
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AUDIO INPUTS - 83 Audio Inputs.....
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LFOs ..............................
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8 CHAPTER 2 Safety Remarks Always
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10 CHAPTER 2 Safety Remarks
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12 CHAPTER 3 Prologue With the bene
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14 CHAPTER 3 Prologue Although far
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16 CHAPTER 4 Introduction THE VIRUS
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18 CHAPTER 4 Introduction cate the
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20 CHAPTER 4 Introduction THE AMPLI
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Page 56 and 57: 54 CHAPTER 5 Concept and Operation
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Page 78 and 79: 76 CHAPTER 9 The Modulation Matrix
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Page 94 and 95: 92 CHAPTER 13 Additional functions
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122 CHAPTER 14 The Parameters AMPLI
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124 CHAPTER 14 The Parameters also
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126 CHAPTER 14 The Parameters PORTA
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128 CHAPTER 14 The Parameters voice
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132 CHAPTER 14 The Parameters ASSIG
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134 CHAPTER 14 The Parameters VELOC
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136 CHAPTER 15 Within the CTRL-Menu
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174 CHAPTER 17 Global-, MIDI- and S
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184 CHAPTER 18 Random Patch Generat
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186 CHAPTER 18 Random Patch Generat
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188 CHAPTER 19 Categories SOUND CAT
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190 CHAPTER 20 The keyboard version
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202 CHAPTER 21 The Vocoder of the V
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214 CHAPTER 22 The Virus and Sequen
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228 CHAPTER 23 Tips, tricks and oth
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252 CHAPTER 24 Appendix SYSTEM EXCL
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254 CHAPTER 24 Appendix Polyphonic
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256 CHAPTER 24 Appendix [256 multi
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258 CHAPTER 24 Appendix PARAMETERS
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260 CHAPTER 24 Appendix No. Class N
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274 CHAPTER 24 Appendix NO REF NAME
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276 CHAPTER 24 Appendix CLASSES Cla
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278 CHAPTER 24 Appendix On non-par
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280 CHAPTER 24 Appendix MOD MATRIX
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282 CHAPTER 24 Appendix DEFINABLE K
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284 CHAPTER 24 Appendix MIDI IMPLEM
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286 CHAPTER 24 Appendix FCC INFORMA
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288 CHAPTER 24 Appendix FCC INFORMA
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290 CHAPTER 24 Appendix DECLARATION
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292 CHAPTER 24 Appendix GARANTIE BE
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294 CHAPTER 24 Appendix
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