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Access Virus User Manual - SoundProgramming.Net

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244 CHAPTER 23<br />

Tips, tricks and other Words of Wisdom<br />

Instead, you are free to select one<br />

of the possible controllers as an<br />

ASSIGN source (e.g. the modulation<br />

wheel or Controller #12). All<br />

you have to do is enter this controller<br />

as the parameter for the DEFIN-<br />

ABLE knob. This configuration is<br />

identical to that of a conventional<br />

parameter that has a dedicated<br />

controller number and knob. The<br />

knob movements are sent to the<br />

selected MIDI Out via the selected<br />

controller and on to the sequencer<br />

where they can be recorded and<br />

sent back to the <strong>Virus</strong>. Reasonably<br />

enough, you should set the controller<br />

number for the DEFINABLE<br />

knob under DEFINABLE Single<br />

because this setting (like the<br />

ASSIGN settings) is stored with the<br />

SINGLE program and doesn’t apply<br />

to all SINGLEs (as is the case with<br />

the DEFINABLE Global setting).<br />

ARPEGGIATOR<br />

In AsPlayed mode, notes are played<br />

in the same sequence in which the<br />

Arpeggiator receives them. As a<br />

rule, the Arpeggiator is able to<br />

store up to 16 notes. At first glance,<br />

it wouldn’t seem possible to play a<br />

pattern in which several notes<br />

have the same pitch. To do this,<br />

you would have to release a key<br />

before you can play it again, and<br />

when you release a key, the corresponding<br />

note is deleted from the<br />

Arpeggiator pattern. You can circumvent<br />

this problem by pressing<br />

a sustain or hold pedal that is connected<br />

to your keyboard while you<br />

enter notes to the Arpeggiator.<br />

These will be held for as long as<br />

you hold the sustain pedal down.

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