Access Virus User Manual - SoundProgramming.Net
Access Virus User Manual - SoundProgramming.Net
Access Virus User Manual - SoundProgramming.Net
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ACCESS VIRUS OS4 151<br />
Input<br />
the <strong>Virus</strong>, so the noise level of the<br />
analog-digital converter increases<br />
automatically. Consequently you<br />
should dial in the cleanest, loudest<br />
possible signal at the external<br />
sound generator. The <strong>Virus</strong> features<br />
a signal level indicator that<br />
allows you to monitor the signal<br />
level visually: see LED MODE in the<br />
CTRL menu. (see “LED MODE” on<br />
page 181).) You should only turn up<br />
the INPUT BOOST when you are<br />
unable to dial in a sufficient signal<br />
level prior to the external inputs.<br />
At a value of 0, the signal level is<br />
not boosted at all.<br />
This is a global parameter, i.e. it<br />
affects all involved PARTs and<br />
INPUT DIRECT THRU (see paragraph<br />
below). It is not stored along<br />
with the SINGLE PROGRAM.<br />
01111111111111111112<br />
1 INPUT GLOBAL<br />
Boost<br />
0≤<br />
61111111111111111154<br />
Input Mode<br />
In the <strong>Virus</strong> you have the option of<br />
using the external analog inputs<br />
instead of the internal oscillators<br />
as signal sources that can be processed<br />
by the filters, envelopes and<br />
the internal effects. In addition to<br />
the external analog inputs, you<br />
also have two internal stereo aux<br />
paths or subgroups available as<br />
signal sources in MULTI MODE. The<br />
output signals of other PARTs can<br />
be routed via their respective OUT-<br />
PUT SELECTs (see appropriate section)<br />
to these aux paths.<br />
You can chose from:<br />
OFF The PART is not assigned<br />
an external input but works with<br />
its own sound sources (the oscillators<br />
and the Noise Generator) in<br />
the manner of a conventional analog<br />
synthesizer.<br />
DYNAMIC Instead of the internal<br />
sound sources, an external signal<br />
source is routed to the filter<br />
section. The envelopes remain<br />
functional so you have to play<br />
notes in order to hear the external<br />
signal source. For instance in this<br />
mode you can manipulate the volume<br />
to “chop up” the input signal<br />
much the way a gate does. If you<br />
turn FILTER KEY FOLLOW up, the<br />
input signal is filtered by a different<br />
filter frequency depending on