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Access Virus User Manual - SoundProgramming.Net

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12 CHAPTER 3<br />

Prologue<br />

With the benefit of two external<br />

audio inputs, the <strong>Virus</strong> may also<br />

serve as an FX device and signal<br />

processor that you can use creatively<br />

to come up with all kinds of<br />

effects. External signals can be<br />

processed with filter, gate and lo-fi<br />

effects, routed to the <strong>Virus</strong> effects<br />

section and serve as a modulation<br />

source for frequency and ring modulation.<br />

Beyond that, you can use internal<br />

or external signals as sources for<br />

the <strong>Virus</strong>’ on-board vocoder serve.<br />

The vocoder works with up to 32<br />

filter bands and offers diverse<br />

manipulation and modulation<br />

options.<br />

The three main oscillators produce<br />

66 waveshapes, three of which are<br />

dynamically mixable so that spectral<br />

effects are possible within the<br />

confines of a single oscillator. In<br />

conventional synthesizers, this<br />

type of effect requires several oscillators.<br />

Synchronization, frequency<br />

modulation and ring modulation<br />

between the audio oscillators<br />

delivers additional complex spectral<br />

effects that you can use for all<br />

kinds of sound shaping purposes.<br />

The filters can be switched in<br />

series or in parallel within the<br />

voices via several options. When<br />

you switch the filters in series, the<br />

saturation stage is embedded<br />

between the filters. Consequently,<br />

an overdriven filter resonance can<br />

be re-filtered within the same<br />

voice! A maximum of six filter<br />

poles (36 dB slope!) enables radical<br />

tonal manipulations.<br />

The LFOs feature 68 continuous<br />

variable waveshapes each, including<br />

a triangle with variable symmetry<br />

and infinitely variable<br />

aperiodic oscillations for random<br />

variation of the controlled parameters.<br />

The LFOs are capable of polyphonic<br />

as well as monophonic<br />

oscillation. In other words, if several<br />

voices are active, the LFOs can<br />

run independently or in sync. A<br />

number of keyboard trigger<br />

options enable you start LFO waveshapes<br />

with variable phase lengths<br />

at the beginning of a note and/or<br />

to cycle once only, like an envelope.<br />

Next to the numerous ”hardwired”<br />

or fixed modulation configurations,<br />

you can assign three<br />

modulation sources to up to six<br />

different modulation destinations

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