A source-book of ancient history - The Search For Mecca
A source-book of ancient history - The Search For Mecca A source-book of ancient history - The Search For Mecca
4IO Growth of Plutocracy Thecelebra- king Genthius and his children a§ prisoners. While celetriumph. brating his triumph, Anicius did a very ridiculous thing. Polybius He sent for the most famous artists from Greece, and XXX. 14. after building an immense theatre in the Circus, he brought Let the the chorus, and bade them all play at once. But when they struck up the tune accompanied by apmwe^Tvdyl Pandemo- ^^' all the flute-players on the stage together ... the most celebrated of the day. He placed them on the stage with propriate movements, he sent to them to say that they were not playing well, and must put more excitement into it. At first they did not know what to make of this order, until one of the Hctors showed them that they must form themselves into two companies and facing round, advance against each other as though in battle. The flute-players caught the idea at once, and adopting a motion suitable to their own wild strains, produced a scene of utter confusion. They made the middle group of the chorus face round upon the two extreme groups; and blowing with inconceivable violence and discordance, the flute-players led these groups against each other. Meanwhile with violent stamping that shook the stage, the members of the chorus rushed against those who were opposite, and then faced round and retired. But when one of the chorus, with dress girt up, turned round on the spur of the moment and raised his hands, like a boxer, in the face of the flute-player who was approaching, then the spectators clapped their hands and cheered loudly. While this sort of sham fight was going on, two dancers were brought into the orchestra to the sound of music; and four boxers, accompanied by trumpeters and clarion players, mounted the stage. The effect of these various contests all going on together was indescribable. But if I
— — Character and Habits of Cato 411 should speak about their tragic actors, some would think I was merely jesting. VI. Cato the Censor Marcus Porcius Cato (another eminent man of the age) was born at Tusculum and brought up on a farm belonging to his father in the Sabine country. There he lived till he began to take part in war and politics. In appearance he was Red-haired, gray-eyed, and savage-tusked as well. Marcus Porcius Cato. Plutarch, Cato, I. Ancient World, 405 f. The estate adjoining that of Cato belonged to one of the most powerful and highly born patricians of Rome, Valerius Flaccus, a man who had a keen eye for rising merit, and generously fostered it till it received public recognition. This man heard of Cato's life from his servants, who told how their master would go to the court early in the morning and plead the causes of all who required his services, and then on returning to his farm would work with his servants, in winter wearing a coarse coat They without sleeves, in summer nothing but his tunic. added that he used to sit at meals with them and eat the same loaf and drink the same wine. Many other stories of his goodness, simplicity, and sententious remarks were told Valerius, who became interested in his neighbor, and invited him to dinner. They grew intimate; and Valerius, noticing his quiet and frank disposition, and thinking him Uke a plant that requires careful treatment and an extensive space in which to develop, encouraged and urged him to take part in poUtical life at Rome. On going to Rome, he at once gained admirers by his able pleadings in the law courts, while he was advanced to His life in the country. Plutarch, Cato, 3. Cato at Rome.
- Page 375 and 376: Hortensian Law 359 vote or followin
- Page 377 and 378: CHAPTER XXXI THE EARLY REPUBLIC: (I
- Page 379 and 380: The Gauls at Rome 363 The Romans ma
- Page 381 and 382: Greek Invasion of Italy 365 mass of
- Page 383 and 384: Pyrrhus Defeats the Romans 367 (Whe
- Page 385 and 386: Italy for the Italians 369 could no
- Page 387 and 388: . ROMAN ORGANIZATION; CHAPTER XXXII
- Page 389 and 390: Organization of Latium 373 was rest
- Page 391 and 392: The Army; Coinage 375 they were una
- Page 393 and 394: Early Roman Art 377 we see an Atala
- Page 395 and 396: CHAPTER XXXIII THE FIRST AND SECOND
- Page 397 and 398: Hamilcar 381 plied with a harbor, c
- Page 399 and 400: — Hannibal 383 III. The Battle of
- Page 401 and 402: The Battle of Lake Trasimene 385 co
- Page 403 and 404: The Character of Hannibal 387 skill
- Page 405 and 406: CHAPTER XXXIV THE END OF GREEK FREE
- Page 407 and 408: The Historian's Duty 391 courage, b
- Page 409 and 410: Roman Envoys Insulted 393 and Gauis
- Page 411 and 412: Destruction of Corinth 395 and fain
- Page 413 and 414: CHAPTER XXXV GROWTH OF PLUTOCRACY;
- Page 415 and 416: . The Senate and the People 399 the
- Page 417 and 418: Governmental Balances; Religion 401
- Page 419 and 420: ' Funeral Customs 403 the others wh
- Page 421 and 422: Agriculture 405 it To obtain wealth
- Page 423 and 424: Supervision of the Farm 407 way his
- Page 425: Hostility to Advanced Studies 409 I
- Page 429 and 430: Cato's Proverbs 413 He said, too, "
- Page 431 and 432: Cato as Censor 415 ought to contrib
- Page 433 and 434: CHAPTER XXXVI THE REVOLUTION: (I) F
- Page 435 and 436: The Agrarian Law 419 by forbidding
- Page 437 and 438: Deposition of a Tribune 421 to him
- Page 439 and 440: Gaius Gracchus as Administrator 423
- Page 441 and 442: Proposal to Extend the Citizenship
- Page 443 and 444: Marius and Sulla 427 This war, dive
- Page 445 and 446: Sulla's Proscriptions 429 him and e
- Page 447 and 448: Dictatorship of Sulla 431 avoid bei
- Page 449 and 450: CHAPTER XXXVII THE REVOLUTION: (II)
- Page 451 and 452: Spartacus 435 as soldier with the R
- Page 453 and 454: a War with the Pirates 437 on his f
- Page 455 and 456: Cicero Denounces Catiline 439 All t
- Page 457 and 458: Cicero against Catiline 441 behavio
- Page 459 and 460: Cassar 443 1 upon Caesar violently
- Page 461 and 462: Gallic Society 445 heritance or abo
- Page 463 and 464: July. Dictatorship of Cssar 447 Man
- Page 465 and 466: — Caesar's Death; Character 449 i
- Page 467 and 468: Supervision of Streets 451 urban qu
- Page 469 and 470: Municipal Census 453 ever wishes sh
- Page 471 and 472: Octavius 455 Octavius was the son o
- Page 473 and 474: — Propertius ; Lucretius 457 fume
- Page 475 and 476: Origin of Religion 459 limited, abl
4IO Growth <strong>of</strong> Plutocracy<br />
<strong>The</strong>celebra- king Genthius and his children a§ prisoners. While celetriumph.<br />
brating his triumph, Anicius did a very ridiculous thing.<br />
Polybius He sent for the most famous artists from Greece, and<br />
XXX. 14. after building an immense theatre in the Circus, he brought<br />
Let the<br />
the chorus, and bade them all play at once.<br />
But when they struck up the tune accompanied by apmwe^Tvdyl<br />
Pandemo-<br />
^^'<br />
all the flute-players on the stage together ... the most<br />
celebrated <strong>of</strong> the day. He placed them on the stage with<br />
propriate movements, he sent to them to say that they<br />
were not playing well, and must put more excitement into<br />
it. At first they did not know what to make <strong>of</strong> this order,<br />
until one <strong>of</strong> the Hctors showed them that they must form<br />
themselves into two companies and facing round, advance<br />
against each other as though in battle. <strong>The</strong> flute-players<br />
caught the idea at once, and adopting a motion suitable<br />
to their own wild strains, produced a scene <strong>of</strong> utter confusion.<br />
<strong>The</strong>y made the middle group <strong>of</strong> the chorus face round<br />
upon the two extreme groups; and blowing with inconceivable<br />
violence and discordance, the flute-players led these<br />
groups against each other. Meanwhile with violent stamping<br />
that shook the stage, the members <strong>of</strong> the chorus rushed<br />
against those who were opposite, and then faced round<br />
and retired. But when one <strong>of</strong> the chorus, with dress girt<br />
up, turned round on the spur <strong>of</strong><br />
the moment and raised<br />
his hands, like a boxer, in the face <strong>of</strong> the flute-player who<br />
was approaching, then the spectators clapped their hands<br />
and cheered loudly.<br />
While this sort <strong>of</strong> sham fight was going on, two dancers<br />
were brought into the orchestra to the sound <strong>of</strong> music;<br />
and four boxers, accompanied by trumpeters and clarion<br />
players, mounted the stage. <strong>The</strong> effect <strong>of</strong> these various<br />
contests all going on together was indescribable. But if I