A source-book of ancient history - The Search For Mecca

A source-book of ancient history - The Search For Mecca A source-book of ancient history - The Search For Mecca

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4IO Growth of Plutocracy Thecelebra- king Genthius and his children a§ prisoners. While celetriumph. brating his triumph, Anicius did a very ridiculous thing. Polybius He sent for the most famous artists from Greece, and XXX. 14. after building an immense theatre in the Circus, he brought Let the the chorus, and bade them all play at once. But when they struck up the tune accompanied by apmwe^Tvdyl Pandemo- ^^' all the flute-players on the stage together ... the most celebrated of the day. He placed them on the stage with propriate movements, he sent to them to say that they were not playing well, and must put more excitement into it. At first they did not know what to make of this order, until one of the Hctors showed them that they must form themselves into two companies and facing round, advance against each other as though in battle. The flute-players caught the idea at once, and adopting a motion suitable to their own wild strains, produced a scene of utter confusion. They made the middle group of the chorus face round upon the two extreme groups; and blowing with inconceivable violence and discordance, the flute-players led these groups against each other. Meanwhile with violent stamping that shook the stage, the members of the chorus rushed against those who were opposite, and then faced round and retired. But when one of the chorus, with dress girt up, turned round on the spur of the moment and raised his hands, like a boxer, in the face of the flute-player who was approaching, then the spectators clapped their hands and cheered loudly. While this sort of sham fight was going on, two dancers were brought into the orchestra to the sound of music; and four boxers, accompanied by trumpeters and clarion players, mounted the stage. The effect of these various contests all going on together was indescribable. But if I

— — Character and Habits of Cato 411 should speak about their tragic actors, some would think I was merely jesting. VI. Cato the Censor Marcus Porcius Cato (another eminent man of the age) was born at Tusculum and brought up on a farm belonging to his father in the Sabine country. There he lived till he began to take part in war and politics. In appearance he was Red-haired, gray-eyed, and savage-tusked as well. Marcus Porcius Cato. Plutarch, Cato, I. Ancient World, 405 f. The estate adjoining that of Cato belonged to one of the most powerful and highly born patricians of Rome, Valerius Flaccus, a man who had a keen eye for rising merit, and generously fostered it till it received public recognition. This man heard of Cato's life from his servants, who told how their master would go to the court early in the morning and plead the causes of all who required his services, and then on returning to his farm would work with his servants, in winter wearing a coarse coat They without sleeves, in summer nothing but his tunic. added that he used to sit at meals with them and eat the same loaf and drink the same wine. Many other stories of his goodness, simplicity, and sententious remarks were told Valerius, who became interested in his neighbor, and invited him to dinner. They grew intimate; and Valerius, noticing his quiet and frank disposition, and thinking him Uke a plant that requires careful treatment and an extensive space in which to develop, encouraged and urged him to take part in poUtical life at Rome. On going to Rome, he at once gained admirers by his able pleadings in the law courts, while he was advanced to His life in the country. Plutarch, Cato, 3. Cato at Rome.

4IO Growth <strong>of</strong> Plutocracy<br />

<strong>The</strong>celebra- king Genthius and his children a§ prisoners. While celetriumph.<br />

brating his triumph, Anicius did a very ridiculous thing.<br />

Polybius He sent for the most famous artists from Greece, and<br />

XXX. 14. after building an immense theatre in the Circus, he brought<br />

Let the<br />

the chorus, and bade them all play at once.<br />

But when they struck up the tune accompanied by apmwe^Tvdyl<br />

Pandemo-<br />

^^'<br />

all the flute-players on the stage together ... the most<br />

celebrated <strong>of</strong> the day. He placed them on the stage with<br />

propriate movements, he sent to them to say that they<br />

were not playing well, and must put more excitement into<br />

it. At first they did not know what to make <strong>of</strong> this order,<br />

until one <strong>of</strong> the Hctors showed them that they must form<br />

themselves into two companies and facing round, advance<br />

against each other as though in battle. <strong>The</strong> flute-players<br />

caught the idea at once, and adopting a motion suitable<br />

to their own wild strains, produced a scene <strong>of</strong> utter confusion.<br />

<strong>The</strong>y made the middle group <strong>of</strong> the chorus face round<br />

upon the two extreme groups; and blowing with inconceivable<br />

violence and discordance, the flute-players led these<br />

groups against each other. Meanwhile with violent stamping<br />

that shook the stage, the members <strong>of</strong> the chorus rushed<br />

against those who were opposite, and then faced round<br />

and retired. But when one <strong>of</strong> the chorus, with dress girt<br />

up, turned round on the spur <strong>of</strong><br />

the moment and raised<br />

his hands, like a boxer, in the face <strong>of</strong> the flute-player who<br />

was approaching, then the spectators clapped their hands<br />

and cheered loudly.<br />

While this sort <strong>of</strong> sham fight was going on, two dancers<br />

were brought into the orchestra to the sound <strong>of</strong> music;<br />

and four boxers, accompanied by trumpeters and clarion<br />

players, mounted the stage. <strong>The</strong> effect <strong>of</strong> these various<br />

contests all going on together was indescribable. But if I

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