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Explorations in Bible lands during the 19th century - H. V. Hilprecht

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604 EXPLORATIONS IX BIBLE LANDS<br />

this sanctuary has suffered more than any o<strong>the</strong>r temple from<br />

<strong>the</strong> ravages of time, chiefly through<br />

quarry for many years by <strong>the</strong> fellaheen.<br />

hav<strong>in</strong>g been used as a<br />

It was constructed<br />

by K<strong>in</strong>g N-user-Re, and called Seshep-eb-Re (" Pleas<strong>in</strong>g<br />

<strong>the</strong> heart of <strong>the</strong> Sun-god").<br />

The temple was built exactlv from east to west, ris<strong>in</strong>g<br />

upon an artificial platform. A street led up to it from <strong>the</strong><br />

town which was situated <strong>in</strong> <strong>the</strong> pla<strong>in</strong>. Through a magnificent<br />

gate one entered an open court, at <strong>the</strong> end of which<br />

<strong>the</strong> impos<strong>in</strong>g structure of <strong>the</strong> obelisk presented itself to <strong>the</strong><br />

eye.<br />

not less<br />

Before <strong>the</strong> obelisk <strong>the</strong>re stood a large altar measur<strong>in</strong>g<br />

than twenty bv eighteen and one third feet, entirely<br />

preserved. It consists of a flat and a round middle piece<br />

surrounded bv four huge slabs, which have <strong>the</strong> form of <strong>the</strong><br />

Egyptian hieroglyph for hotep ("sacrifice "). To <strong>the</strong> right<br />

of <strong>the</strong> entrance gate, <strong>in</strong> <strong>the</strong> open air, n<strong>in</strong>e alabaster bas<strong>in</strong>s<br />

had been placed <strong>in</strong> <strong>the</strong> court. They are still stand<strong>in</strong>g at<br />

<strong>the</strong> spot where <strong>the</strong>v were discovered.<br />

been set apart for <strong>the</strong> kill<strong>in</strong>g of <strong>the</strong> victims, as is<br />

Part of <strong>the</strong> court had<br />

proved bv<br />

<strong>the</strong> small furrows still extant through which <strong>the</strong> blood<br />

flowed. The entire courtyard seems to have been surrounded<br />

bv covered galleries, which <strong>in</strong> part were adorned<br />

with beautiful reliefs. Although even <strong>the</strong>se are terribly<br />

mutilated, yet enough can be recognized to ascerta<strong>in</strong> that<br />

<strong>the</strong>y represent a festival celebrated under <strong>the</strong> Pharaoh.<br />

Still f<strong>in</strong>er are <strong>the</strong> reliefs with which several mortuary<br />

chambers on <strong>the</strong> sou<strong>the</strong>rn base of <strong>the</strong> obelisk were adorned,<br />

belong<strong>in</strong>g to <strong>the</strong> best specimens of Egyptian relief art<br />

known to us. Especially vivid are <strong>the</strong> scenes which represent<br />

life <strong>in</strong> ancient Egypt dur<strong>in</strong>g <strong>the</strong> three seasons of <strong>the</strong><br />

year. Above all th<strong>in</strong>gs <strong>the</strong>se reliefs prove that <strong>the</strong><br />

houses of <strong>the</strong> gods of <strong>the</strong> Old Empire were<br />

fitted out just<br />

<strong>the</strong> same as those of later times, and did not, as w r as for a<br />

long time believed, show onlv bare walls devoid of every<br />

k<strong>in</strong>d of ornament.

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