Explorations in Bible lands during the 19th century - H. V. Hilprecht
Explorations in Bible lands during the 19th century - H. V. Hilprecht Explorations in Bible lands during the 19th century - H. V. Hilprecht
252 EXPLORATIONS IN BIBLE LANDS connection with draining. There is much in favor of Heuzey's view that the origin of the arch may possibly be traced to the peculiar form of the native reed-huts called sari/as by the Arabs of modern Babylonia (comp. the illustration on p. 160). They are the regular dwelling places of the poor Ma'dan tribes which occupy the marshy districts of the interior to-day, and they doubtless represent the earliest kind of habitation in the " country of canals and reeds " at the dawn of civilization. The common mortar found in the buildings of the lowest strata is bitumen (comp. Gen. ii : 3), which was easily obtained from the naphtha springs of the neighboring regions, while at least three different kinds of cement were employed in later centuries (comp. p. 32, above). Vessels of different shapes and sizes were made of terracotta and stone, sometimes even of shell handsomely decorated. It is a remarkable fact that in material, form, and technique the earliest Babylonian vases often strikingly resemble those found in the tombs of the first dynasties of Egypt. A kind of veined limestone or onyx geologically known as calcite appears as a specially favorite material in both countries. The art of melting, hardening, casting, and chasing metals, especially copper and silver, was well established. The chemical analysis of early metal objects by the late Dr. Helm 1 has recently shown that the ancient Babylonian brass founders who lived about 4000 b. c. used not only tin but also antimony, in order to harden copper and at the same time to render it more fusible. Statues and bas-reliefs are less graceful and accurate in their design and execution than realistic, sober and powerful through their very simplicity. In order to give more life and expression to animals and men carved in stone or cast in metal, the eyes of such statues are frequently formed by 1 Comp. Helm and Hilprecht in Verhandlungen der Berliner anthropologischen Geselhchaft, Feb. 16, 1 901, pp. 157/^.
DURING 19 CENTURY: ASSYRIA AND BABYLONIA 253 incrustation, the white of the apple of the eye being represented by shell or mother of pearl and the pupil by bitumen, lapis lazuli, or a reddish-brown stone. Red color is also sometimes used to paint groups of figures, which with an often surprising grace and fidelity to nature are incised in thin plates of shell or mother of pearl, in order to set them off better from the background, 1 somewhat in the same manner as the Phenician artist of the sixth century treated the two inscriptions of Bostan esh-Shaikh (above Sidon) recently excavated by Makridi Bey for the Imperial Ottoman Museum. 2 We do not know when writing (which, contrary to Delitzsch's untenable theory, 3 began as a picture writing) was first introduced into Babvlonia. About 4000 b. c. we find it in regular use everywhere in the countrv. Moreover, the single linear characters are already so far developed that in many cases the original picture can no longer be recognized. Only a few short inscriptions of the earliest historical period, when writing was still purely pictorial, are at present known to us. The one is in the Archaeological Museum of the University of Pennsylvania, another in New York, a third in Paris. Owing to the scarcity of this class of inscribed stones, their precise date cannot yet be ascertained. fifth millennium. They probably belong to the beginning of the These first few conclusions drawn from the architectural remains, the sculptures, and inscriptions of the period of Ur-Nina, incomplete as the picture obtained thereby 1 A large number of such colored plates of mother of pearl obtained from Fara and other South-Babylonian ruins is in the possession of the present writer. 2 Comp. Hilprecht in Deutsche Litteraturzeitung, Nov. 30, 1 901, pp. 3030, seq.j and in "Sunday School Times," Dec. 21, 1901, p. 857. 8 Comp. Delitzsch, Die Entstehung des altesten Schriftsystems, Leipzig, 1897.
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252 EXPLORATIONS IN BIBLE LANDS<br />
connection with dra<strong>in</strong><strong>in</strong>g. There is much <strong>in</strong> favor of<br />
Heuzey's view that <strong>the</strong> orig<strong>in</strong> of <strong>the</strong> arch may possibly<br />
be traced to <strong>the</strong> peculiar form of <strong>the</strong> native reed-huts<br />
called sari/as by <strong>the</strong> Arabs of modern Babylonia (comp.<br />
<strong>the</strong> illustration on p. 160). They are <strong>the</strong> regular dwell<strong>in</strong>g<br />
places of <strong>the</strong> poor Ma'dan tribes which occupy <strong>the</strong> marshy<br />
districts of <strong>the</strong> <strong>in</strong>terior to-day, and <strong>the</strong>y doubtless represent<br />
<strong>the</strong> earliest k<strong>in</strong>d of habitation <strong>in</strong> <strong>the</strong> " country of canals and<br />
reeds " at <strong>the</strong> dawn of civilization. The common mortar<br />
found <strong>in</strong> <strong>the</strong> build<strong>in</strong>gs of <strong>the</strong> lowest strata is bitumen (comp.<br />
Gen. ii :<br />
3), which was easily obta<strong>in</strong>ed from <strong>the</strong> naphtha<br />
spr<strong>in</strong>gs of <strong>the</strong> neighbor<strong>in</strong>g regions, while at least three different<br />
k<strong>in</strong>ds of cement were employed <strong>in</strong> later centuries<br />
(comp. p. 32, above).<br />
Vessels of different shapes and sizes were made of terracotta<br />
and stone, sometimes even of shell handsomely decorated.<br />
It is a remarkable fact that <strong>in</strong> material, form, and<br />
technique <strong>the</strong> earliest Babylonian vases often strik<strong>in</strong>gly resemble<br />
those found <strong>in</strong> <strong>the</strong> tombs of <strong>the</strong> first dynasties of<br />
Egypt. A k<strong>in</strong>d of ve<strong>in</strong>ed limestone or onyx geologically<br />
known as calcite appears as a specially favorite material <strong>in</strong><br />
both countries. The art of melt<strong>in</strong>g, harden<strong>in</strong>g, cast<strong>in</strong>g, and<br />
chas<strong>in</strong>g metals, especially copper and silver, was well established.<br />
The chemical analysis of early metal objects by <strong>the</strong><br />
late Dr. Helm 1 has recently shown that <strong>the</strong> ancient Babylonian<br />
brass founders who lived about 4000 b. c. used not<br />
only t<strong>in</strong> but also antimony, <strong>in</strong> order to harden copper and<br />
at <strong>the</strong> same time to render it more fusible. Statues and<br />
bas-reliefs are less graceful and accurate <strong>in</strong> <strong>the</strong>ir design<br />
and execution than realistic, sober and powerful through<br />
<strong>the</strong>ir very simplicity. In order to give more life and expression<br />
to animals and men carved <strong>in</strong> stone or cast <strong>in</strong><br />
metal, <strong>the</strong> eyes of such statues are frequently formed by<br />
1<br />
Comp. Helm and <strong>Hilprecht</strong> <strong>in</strong> Verhandlungen der Berl<strong>in</strong>er anthropologischen<br />
Geselhchaft, Feb. 16, 1 901, pp. 157/^.