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Explorations in Bible lands during the 19th century - H. V. Hilprecht

Explorations in Bible lands during the 19th century - H. V. Hilprecht

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DURING 19 CENTURY: ASSYRIA AND BABYLONIA 117<br />

exam<strong>in</strong>ation by experimental shafts and trial trenches, and<br />

to make <strong>the</strong> excavation of <strong>the</strong> southwest palace of Oovunjuk<br />

<strong>the</strong> chief object of <strong>the</strong> present campaign. Like <strong>the</strong> southwest<br />

edifice at Nimrud, <strong>the</strong> latter had been destroyed by<br />

fire, when <strong>the</strong> Median armies, murder<strong>in</strong>g and pillag<strong>in</strong>g,<br />

entered <strong>the</strong> gates of N<strong>in</strong>eveh (606 b. a). Consequently,<br />

hundreds of <strong>the</strong> most elaborate sculptures were found<br />

cracked and broken, or almost entirely reduced to lime.<br />

Yet many had more or less escaped <strong>the</strong> results of <strong>the</strong> great<br />

conflagration, thus allow<strong>in</strong>g <strong>the</strong> explorer to determ<strong>in</strong>e <strong>the</strong><br />

spirited scenes which once adorned <strong>the</strong> walls of <strong>the</strong> pr<strong>in</strong>cipal<br />

chambers.<br />

Battles and victories, sieges and conquests, hunt<strong>in</strong>g<br />

scenes and sacrifices to <strong>the</strong> gods, were aga<strong>in</strong> <strong>the</strong> lead<strong>in</strong>g<br />

representations. But <strong>in</strong> <strong>the</strong> general conception of <strong>the</strong> subject,<br />

<strong>in</strong> <strong>the</strong> treatment of <strong>the</strong> costumes worn by <strong>the</strong> Assyrian<br />

The Ru<strong>in</strong>s of N<strong>in</strong>eveh, from <strong>the</strong> North<br />

warriors, as well as by <strong>the</strong> subdued nations, <strong>in</strong> <strong>the</strong> character<br />

of <strong>the</strong> ornaments, <strong>in</strong> <strong>the</strong> arrangement of <strong>the</strong> <strong>in</strong>scriptions,<br />

and <strong>in</strong> many o<strong>the</strong>r important details, <strong>the</strong>re is a marked difference<br />

between <strong>the</strong> bas-reliefs <strong>in</strong> <strong>the</strong> palace of Sennacherib<br />

and those of <strong>the</strong> older palaces at Nimrud. There <strong>the</strong> sculptured<br />

slabs showed large figures or simple groups, divided<br />

<strong>in</strong>to two friezes, an upper and a lower one, by <strong>in</strong>terven<strong>in</strong>g

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