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THE<br />

PHAROS<br />

OF ALPHA OMEGA ALPHA SPRING 2009<br />

HONOR MEDICAL SOCIETY


THE<br />

PHAROS<br />

of <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> honor medical society Spring 2009<br />

<strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Honor Medical Society<br />

Founded by William W. Root in 1902<br />

Editor: Edward D. Harris, Jr., MD<br />

Editor Emeritus: Robert J. Glaser, MD<br />

Associate Editor and Managing Editor<br />

(in memoriam)<br />

Helen H. Glaser, MD<br />

Managing Editor Art Director and Illustrator<br />

Debra M. Lancaster Jim M!Guinness<br />

Administrator Designer<br />

Ann Hill Erica Aitken<br />

Jeremiah A. Barondess, MD<br />

New York, New York<br />

David A. Bennahum, MD<br />

Albuquerque, New Mexico<br />

John A. Benson, Jr., MD<br />

Omaha, Nebraska<br />

Gert H. Brieger, MD<br />

Baltimore, Maryland<br />

Richard Bronson, MD<br />

Stony Brook, New York<br />

John C.M. Brust, MD<br />

New York, New York<br />

Charles S. Bryan, MD<br />

Columbia, South Carolina<br />

Robert A. Chase, MD<br />

Stanford, California, and<br />

Jaffrey, New Hampshire<br />

Henry M. Claman, MD<br />

Denver, Colorado<br />

Fredric L. Coe, MD<br />

Chicago, Illinois<br />

Jack Coulehan, MD<br />

Stony Brook, New York<br />

Ralph Crawshaw, MD<br />

Portland, Oregon<br />

Peter E. Dans, MD<br />

Baltimore, Maryland<br />

Scott K. Epstein, MD<br />

Boston, Massachussetts<br />

Editorial Board<br />

Lawrence L. Faltz, MD<br />

Sleepy Hollow, New York<br />

Faith T. Fitzgerald, MD<br />

Sacramento, California<br />

Daniel Foster, MD<br />

Dallas, Texas<br />

James G. Gamble, MD, PhD<br />

Stanford, California<br />

Dean G. Gianakos, MD<br />

Lynchburg, Virginia<br />

Jean D. Gray, MD<br />

Halifax, Nova Scotia<br />

David B. Hellmann, MD<br />

Baltimore, MD<br />

Pascal James Imperato, MD<br />

Brooklyn, New York<br />

Elizabeth B. Lamont, MD<br />

Chicago, Illinois<br />

Kenneth M. Ludmerer, MD<br />

St. Louis, Missouri<br />

James B.D. Mark, MD<br />

Stanford, California<br />

J.Joseph Marr , MD<br />

Broomfield, Colorado<br />

Stephen J. McPhee, MD<br />

San Francisco, California<br />

Robert H. Moser, MD<br />

Madera Reserve, Arizona<br />

Edmund D. Pellegrino, MD<br />

Washington, DC<br />

Eric Pfeiffer, MD<br />

Tampa, Florida<br />

Richard C. Reynolds, MD<br />

Gainesville, Florida<br />

William M. Rogoway, MD<br />

Stanford, California<br />

Shaun V. Ruddy, MD<br />

Richmond, Virginia<br />

Bonnie Salomon, MD<br />

Deerfield, Illinois<br />

John S. Sergent, MD<br />

Nashville, Tennessee<br />

Audrey Shafer, MD<br />

Stanford, California<br />

Marjorie S. Sirridge, MD<br />

Kansas City, Missouri<br />

Clement B. Sledge, MD<br />

Marblehead, Massachussetts<br />

Jan van Eys, Ph.D., MD<br />

Nashville, Tennessee<br />

Abraham Verghese, MD, DSc<br />

(Hon.)<br />

Stanford, California<br />

Steven A. Wartman, MD, PhD<br />

Washington, DC<br />

Gerald Weissmann, MD<br />

New York, New York<br />

David Watts, MD<br />

Mill Valley, California<br />

Manuscripts being prepared for The Pharos should be typed double-spaced, submitted in triplicate, and conform to the format<br />

outlined in the manuscript submission guidelines appearing on our website: www.alphaomegaalpha.org. They are also available<br />

from The Pharos office. Editorial material should be sent to Edward D. Harris, Jr., MD, Editor, The Pharos, 525 Middlefield Road,<br />

Suite 130, Menlo Park, California 94025.<br />

Requests for reprints of individual articles should be forwarded directly to the authors.<br />

The Pharos of <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Honor Medical Society (ISSN 0031-7179) is published quarterly by <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Honor<br />

Medical Society, 525 Middlefield Road, Suite 130, Menlo Park, California 94025, and printed by The Ovid Bell Press, Inc., Fulton,<br />

Missouri 65251. Periodicals postage paid at the post office at Menlo Park, California, and at additional mailing offices. Copyright<br />

© 2009, by <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Honor Medical Society. The contents of The Pharos can only be reproduced with the written<br />

permission of the editor. (ISSN 0031-7179)<br />

Circulation information: The Pharos is sent to all dues-paying members of <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> at no additional cost. All correspondence<br />

relating to circulation should be directed to Ms. Mara Celebi, Webmaster, 525 Middlefield Road, Suite 130, Menlo Park, California 94025. E-mail:<br />

m.celebi@alphaomegaalpha.org<br />

POSTMASTER: Change service requested: <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Honor Medical Society, Post Office Box 2147,<br />

Menlo Park, CA 94026.<br />

´������ ´�����ˆ�����`��� ´����ˆ�����<br />

“Worthy to Serve the Suffering”<br />

Officers and Directors at Large<br />

Rae-Ellen W. Kavey, MD<br />

President<br />

Bethesda, Maryland<br />

Edward D. Harris, Jr., MD<br />

Executive Secretary<br />

Menlo Park, California<br />

Donald E. Wilson, MD<br />

Vice President<br />

Baltimore, Maryland<br />

C. Bruce Alexander, MD<br />

Secretary-Treasurer<br />

Birmingham, Alabama<br />

Robert G. Atnip, MD<br />

Hersey, Pennsylvania<br />

N. Joseph Espat, MD<br />

Providence, Rhode Island<br />

Ruth-Marie Fincher, MD<br />

Augusta, Georgia<br />

Douglas S. Paauw, MD<br />

Seattle, Washington<br />

Don W. Powell, MD<br />

Galveston, Texas<br />

Joseph W. Stubbs, MD<br />

Albany, Georgia<br />

Medical Organization Director<br />

John Tooker, MD, MBA<br />

American College of Physicians<br />

Councilor Directors<br />

Eric P. Gall, MD, MACP, MACR<br />

Chicago Medical School at Rosalind<br />

Franklin University of Medicine<br />

and Science<br />

Chicago, Illinois<br />

Amy Goldberg, MD<br />

Temple University School of Medicine<br />

Philadelphia, Pennsylvania<br />

Anne Mancino, MD<br />

University of Arkansas School of Medicine<br />

Little Rock, Arkansas<br />

Student Directors<br />

Natalia Berry<br />

Dartmouth Medical School<br />

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University of Miami<br />

Cason Pierce<br />

University of Texas Southwestern Medical<br />

School<br />

Administrative Office<br />

525 Middlefield Road, Suite 130<br />

Menlo Park, California 94025<br />

Telephone: (650) 329-0291<br />

Fax: (650) 329-1618<br />

E-mail: postmaster@alphaomegaalpha.org<br />

www.alphaomegaalpha.org


David P. Hill<br />

Editorial<br />

Marat and Harvey, revolutionaries<br />

Edward D. Harris, Jr., MD<br />

Revolution is defined in several ways. One is the forcible<br />

overthrow of a government or social order in favor<br />

of a new system. This type of revolution invariably<br />

occurs over a short period of time. “Marat’s Terror” by Jesse<br />

Woodard (pp. 17–24) describes the troubled but powerful life<br />

of physician/ polemicist Jean-Paul Marat and his role in the<br />

French Revolution. His fiery doctrines were quenched suddenly<br />

when Charlotte Corday stabbed him while he bathed.<br />

Revolutions in medicine and the medical sciences<br />

are less radical and follow a second definition: a dramatic<br />

and wide- reaching change in the way something<br />

works or is organized and in people’s ideas<br />

about it, a transition from one paradigm to another.<br />

Today’s physicians and scientists are familiar with<br />

this type of revolution. We have experienced the<br />

discovery of penicillin, streptomycin, and cortisone;<br />

the development of vaccines against poliomyelitis<br />

and other infectious scourges; the definition of the<br />

structure of DNA, the translation of the genetic<br />

code, and the establishment of methods to synthesize<br />

DNA; the initiation and growth of transplant<br />

surgery; the technical advances informing CT, MRI,<br />

microarrays, and stem cell biology; and the slower<br />

but no less important revolutions in public health.<br />

We relish the exploration of the unknown.<br />

Why did it take more than 1500 years, from<br />

the first to the seventeenth century, for empiric<br />

observations to enable understanding of the circulation?<br />

Galen, in the first century AD, adopted the<br />

Hippocratic theory of the four humours: blood, phlegm, and<br />

yellow and black bile, and the importance of having balance<br />

among them to ensure good health. Although reported to be<br />

conceited, cruel, and vindictive, he cannot be blamed for the<br />

blind allegiance to his teachings that persisted for centuries.<br />

Those who followed Galen failed to use the tools they had—<br />

eyes, brain, and hands—for at least two reasons: first, human<br />

dissection was prohibited, and second, it was philosophers<br />

and the clergy who for many centuries determined the truths<br />

of life for the people. Most significant among those who led<br />

thought was Aristotle. Bertrand Russell writes that ”it was two<br />

thousand years before the world produced any philosopher<br />

who could be regarded as approximately his equal.” 1 It was<br />

Aristotle who gave science to mankind. He observed, and<br />

deduced logical conclusions. Consider his realization that<br />

no drop of water has been added to nor taken from the earth<br />

and its atmosphere since creation: “This is a cyclic world, says<br />

our philosopher: the sun forever evaporates the sea, dries up<br />

rivers and springs, and transforms at last the boundless ocean<br />

into the barest rock; while conversely the uplifted moisture,<br />

gathered into clouds, falls and renews the rivers and the seas,”<br />

writes Will Durant. 2 Aristotle observed that life was growing<br />

steadily in complexity and power, with increasingly specialized<br />

function. Indeed, he was on the verge of deducing the theory<br />

of evolution. Why then was Aristotle not the one to define the<br />

physiology of the circulation, that the heart (not the brain)<br />

pumped blood through arteries, and that blood flowed back<br />

to the pump through thinner vessels, the veins? He certainly<br />

had each of the tools—eyes, a brain, and hands—needed to<br />

do this.<br />

William Harvey based his<br />

theory of the circulation of the<br />

blood on a series of simple experiments<br />

in which he studied<br />

venous blood flow using<br />

a tourniquet and digital compression.<br />

His famous book,<br />

“Ecercitatio anatomica de motu<br />

cordis,” published in 1628, illustrates<br />

these experiments and<br />

elucidates the observations he<br />

made and deductive reasoning<br />

he used to arrive at this theory.<br />

Traditionalists following in the<br />

footsteps of Galen attempted<br />

to reject Harvey’s conclusions,<br />

but uniformly failed to find<br />

weaknesses in either his experiments<br />

or deductions because<br />

to deny a single part of<br />

Harvey’s theory would be to reject the whole, and this was<br />

impossible. Nevertheless, many tried!<br />

The revolution sparked by Harvey’s new paradigm brought<br />

much new knowledge from diverse sources. For example,<br />

Antoine van Leeuwenhoek built an instrument, the microscope,<br />

that would be a revolution in itself. Leeuwenhoek’s<br />

microscope revealed the presence of red blood cells and, more<br />

importantly, the hair-thin anastomoses between the blood<br />

vessels that he named “capillaries,” a discovery that linked the<br />

veins and arteries to complete the elements of the circulation<br />

that Harvey had outlined.<br />

Scientific revolutions continue to evolve in both intensity<br />

and sophistication, combining the resources of eyes, brains,<br />

and hands to bring biological science to the heights it has<br />

reached today, with more to be ascended tomorrow.<br />

Courtesy of the National Library of Medicine<br />

References<br />

1. Russell B. History of Western Philosophy. London: George<br />

Allen & Unwin; 1974: 173.<br />

2. Durant W. The story of philosophy. New York: Simon and<br />

Schuster; 1953: 53.<br />

The Pharos/Spring 2009 1


The Pharos • Volume 72<br />

Number 2 • Spring 2009<br />

1 Editorial<br />

Marat and Harvey,<br />

revolutionaries<br />

Edward D. Harris, Jr., MD<br />

38<br />

42<br />

DEPARTMENTS<br />

The physician at the<br />

movies<br />

Peter E. Dans, MD<br />

Man on Wire<br />

3:10 to Yuma (1957)<br />

3:10 to Yuma (2007)<br />

Reviews and reflections<br />

Geriatric Bioscience: The Link<br />

Between Aging and Disease<br />

Reviewed by Denise Zwahlen-<br />

Minton, MD<br />

Life in the Balance: A<br />

Physician’s Memoir of<br />

Life, Love, and Loss with<br />

Parkinson’s Disease and<br />

Dementia<br />

Reviewed by Jack Coulehan,<br />

MD<br />

The Light Within: The<br />

Extraordinary Story of a<br />

Doctor and Patient Brought<br />

Together by Cancer<br />

Reviewed by Jack Couelhan,<br />

MD<br />

50 Letters<br />

Page 4<br />

In This<br />

Drinking in earnest<br />

Alcoholic paradigms in Hemingway’s<br />

For Whom the Bell Tolls<br />

A little drink now and then . . . often leads to more<br />

Gregory H. Miday, MD<br />

Remembering to forget<br />

A student’s mind dashing back and forth in time<br />

Page 12<br />

ARTICLES<br />

4<br />

Gabriel Thompson Cade<br />

12<br />

Marat’s terror<br />

A physician-assisted revolution<br />

Jesse D. Woodard<br />

17<br />

Page 17


Issue<br />

New medical terms<br />

The plague of medical transcription services<br />

James G. Gamble, MD, PhD, Theresa Pena, RN,<br />

and Lawrence A. Rinsky, MD<br />

26<br />

Completing the circle<br />

Retreading an otherwise fine tire<br />

Larry Zaroff, MD, PhD<br />

30<br />

The half-tico, half-gringorobot<br />

What a difference a snake meant<br />

Lindsey Finklea<br />

32<br />

Page 26<br />

Page 30<br />

Page 32<br />

Please insert small<br />

version of cover<br />

47<br />

54<br />

POETRY<br />

16<br />

On the cover<br />

See page 26<br />

National and chapter news<br />

Announcing the 2009 <strong>Alpha</strong><br />

<strong>Omega</strong> <strong>Alpha</strong> Robert J. Glaser<br />

Distinguished Teacher Awards<br />

Minutes of the 2008 meeting of the<br />

board of directors<br />

<strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> elects<br />

honorary members<br />

Burning Books<br />

Manuel Martinez-Maldonado, MD,<br />

MACP<br />

25 Marionette<br />

Jason David Eubanks, MD<br />

29<br />

35<br />

36<br />

45<br />

46<br />

49<br />

Four Season Haiku<br />

Steven F. Isenberg, MD<br />

Seeing Patients<br />

Alan Blum, MD<br />

Empty memory album<br />

discarded by the curb<br />

Ben K. Azman, MD<br />

Babette B. Caraccio, MD<br />

James Foy, MD<br />

Helene Hubbard, PhD, MD<br />

Christopher M. Papa, MD<br />

Office Hours<br />

Steven F. Isenberg, MD<br />

The World Is Sleeping<br />

Michael R. Bykowski<br />

I Am the Patient<br />

Suzanne Minor, MD<br />

Significant Other, Late in<br />

53 Life<br />

Eric Pfeiffer, MD<br />

INSIDE<br />

BACK 24 COVER<br />

AΩA NEWS<br />

Full Nelson<br />

Jason David Eubanks, MD


Drinking<br />

in<br />

earnest<br />

Gregory H. Miday, MD<br />

Alcoholic paradigms in Hemingway’s<br />

For Whom the Bell Tolls<br />

The author is an intern in Internal Medicine at Washington<br />

University in St. Louis. This essay won third prize in the<br />

2008 <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Helen H. Glaser Student Essay<br />

Competition.<br />

A<br />

cold crisp glass of Cava while watching the bullfights.<br />

Absinthe, emerald green poured over sugar, shared<br />

between young lovers. And cocktails—before reading,<br />

before dining, before dancing, before everything. Scenes<br />

from Hemingway are inexorably bound to drinking, so it is no<br />

surprise that his work may inform us on the topic of alcoholism.<br />

The pages of his fiction are figuratively soaked in booze<br />

and, in many cases, probably literally as well. The descriptions<br />

of distinct and complex alcohol- related behaviors range from<br />

abstention to healthy social imbibing to pathologic, chronic,<br />

and relapsing alcoholism. Hemingway describes the disease<br />

with such vividness and clarity that medical professionals<br />

might benefit from studying the models presented in his novels.<br />

The author once remarked, “I’m trying in all my stories to<br />

get the feeling of the actual life across—not just to depict life—<br />

or to criticize it—but to actually make it alive. So that when<br />

you have read something by me you actually experience the<br />

thing.” 1p153 He succeeds, and his pen strokes illustrate both the<br />

full-blown end-stage alcoholic and early alcoholism, as well<br />

as the many gradations between the alcohol abusive problem<br />

drinker and the alcohol dependent. His works capture the<br />

diverse symptoms and complications of pathologic drinking,<br />

going beyond the pathology well known to medical students:<br />

neuropathy, cirrhosis, encephalopathy, delirium tremens, etc.<br />

These organic consequences of alcoholism, while medically<br />

important, are dangerously late manifestations of the disease.<br />

Hemingway conveys the subtle and sometimes not so subtle<br />

nuances of the alcoholic, including but not limited to comorbid<br />

psychopathology, personality changes, “craving,” isolation,<br />

obsessive thinking, and compulsive behavior.<br />

Another compelling reason to regard Hemingway’s fiction<br />

as a potent source for understanding alcoholism is the concept<br />

of “autopathography” put forth by Dr. Stephen Moran, which<br />

describes “a type of literature in which the author’s illness<br />

is the primary lens through which the narrative is filtered.” 2<br />

Papa pours a shot…<br />

Photo by Tore Johnson/Pix Inc./Time Life Pictures/Getty Images.<br />

4 The Pharos/Spring 2009


The Pharos/Spring 2009 5


Drinking in earnest<br />

For Whom the Bell Tolls (1943).<br />

Paramount Pictures/Photofest.<br />

Because Hemingway was himself an alcoholic who never<br />

conquered denial, his writings are all the more convincing on<br />

the subject. If his purpose in For Whom the Bell Tolls was to<br />

give the reader, in Aristotlean terms, a poetic understanding<br />

of the human condition, he was uniquely well equipped to do<br />

so with regard to addiction. 3 In dramatic irony, the disease<br />

about which Hemingway so adeptly wrote was not recognized<br />

by his own alcoholic mind, and ultimately played a role in his<br />

suicide. 4p75<br />

For Whom the Bell Tolls focuses on three characters—<br />

Robert Jordan, Pablo, and Pablo’s wife Pilar—who are avatars<br />

of the three common types of alcohol user: abusive, dependent,<br />

and healthy. In addition to providing a tripartite model<br />

for ethanol- related behavior, For Whom the Bell Tolls marks<br />

a literary departure of the author: “Instead of omission, of<br />

suggestiveness by implication, Hemingway adds and becomes<br />

explicit, pausing to develop the many facets of a situation or a<br />

personality. . . . He has devoted nearly five hundred pages to<br />

seventy hours of action.” 3p151 The wealth of detail is ideal for<br />

examining character pathology.<br />

Pablo: Drinking his way through<br />

For Whom the Bell Tolls<br />

The year is 1937 and the Spanish Civil War is raging. Robert<br />

Jordan, rugged, handsome, and equipped with two packs<br />

of explosives, finds himself in the picturesque mountains<br />

of central Spain behind enemy lines, charged with assisting<br />

the International Brigade in its fight against Franco and the<br />

Fascists. An American college professor turned anti- fascist<br />

dynamiter, his primary task is to destroy a bridge near Segovia.<br />

We are introduced to Robert as he surveys the target bridge.<br />

During his reconnaissance, Robert meets Pablo, the leader of<br />

a guerilla unit harbored in the same mountains.<br />

Pablo, played by<br />

Akim Tamiroff.<br />

Paramount Pictures/Photofest.<br />

Pablo cuts a formidable figure, rough and tough talking,<br />

perched on his stolen steed with a carbine rifle over his shoulder.<br />

He is proud and authoritative, and from the remarks of<br />

his compatriots it appears that his braggadocio was earned<br />

through bravery and valiant if violent deeds—“ ‘Pablo . . .<br />

has killed more people than cholera . . . more than the bubonic<br />

plague.’ ” 5p26 It also seems, however, that something<br />

has changed in the past several months. Pablo has become<br />

muy flojo—very flaccid—according to Anselmo, an older<br />

6 The Pharos/Spring 2009


gentleman who has agreed to help Robert explode the bridge.<br />

Anselmo explicitly remarks that Pablo drinks too much. In his<br />

drinking Pablo has become sad and desperate, preferring the<br />

company of his horses to humans. Living in a fantasy world,<br />

he seems fixated on finding an escape from the seeming dead<br />

end of war and life as a fugitive. Robert can see Pablo’s sadness,<br />

and thinks, “That sadness is bad. That’s the sadness they<br />

get before they quit or before they betray. That is the sadness<br />

that comes before the sell-out.” 5p12<br />

Pablo’s condition reeks of late-stage alcoholism. Throughout<br />

the rest of the novel we will see him display six of the seven<br />

DSM-IV criteria for substance dependence: tolerance, withdrawal,<br />

increased intake, excessive time devoted to the substance,<br />

major activities given up because of substance use,<br />

continued use despite consequences, and failed attempts to<br />

abstain. Three of these are required for diagnosis; Pablo never<br />

tries to abstain. 6 In chapter 14, when Robert returns in the<br />

afternoon to the guerrillo camp, he finds Pablo thoroughly<br />

intoxicated.<br />

“I have been drinking all day waiting for the snow.” 5p179<br />

. . . .<br />

“I am drunk,” Pablo said with dignity. “To drink is<br />

nothing. It is to be drunk that is important. Estoy muy<br />

borracho.” 5p211<br />

Here Pablo displays knowledge of his increased tolerance<br />

and obsession with drinking, a self diagnosis. In this chapter<br />

he also displays the Jekyll-and-Hyde personality changes not<br />

mentioned in the DSM-IV but common in alcoholics. When<br />

drunk the alcoholic is prone to drastic mood swings. Pablo,<br />

for instance, is combative with Robert, accusing him of being<br />

Scottish and wearing kilts. He proposes a snowball fight<br />

and eventually provokes the gypsy Agustín, who strikes him<br />

repeatedly in the face. Unconvinced his drinking is the cause<br />

of any of his problems, Pablo simply remarks, “ ‘An intelligent<br />

man is sometimes forced to be drunk to spend his time with<br />

fools.’ ” 5p215<br />

The dipsomaniac is a genuine monomaniac, with alcohol<br />

being a powerful object of desire, hatred, and many of the<br />

alcoholic’s thoughts. Pablo’s monomania is especially evident<br />

during one encounter with Robert. Each man has a cup of<br />

wine, but Pablo’s eyes<br />

were looking at the wine bowl as though he had never seen<br />

one before. . . .<br />

Pablo looked from the wine bowl to Anselmo’s face as he<br />

drank and then he looked back at the wine bowl. 5p331<br />

“Listen, Inglés,” Pablo spoke directly to the wine bowl.<br />

. . . . “I have admired thy judgment much today, Inglés,”<br />

Pablo told the wine bowl.” 5p332<br />

Alcohol has become the center of his life.<br />

By and about Gregory Miday<br />

Raised in beautiful Cincinnati<br />

by a brilliant psychiatrist and an<br />

astute epidemiologist—my mother<br />

and father—I have always had an<br />

interest in understanding mental illness<br />

and the societal impact of psychiatric disorders.<br />

While my primary passion is for internal medicine, I<br />

have not wanted to neglect my other passions: art, history,<br />

literature, and music. My bachelor’s degree from<br />

Northwestern University is in Art History.<br />

Throughout medical school I made a point to continue<br />

reading nonmedical literature for both pleasure<br />

and intellectual fulfillment. I have known people who<br />

struggled with substance disorders, and the idea for<br />

this essay struck suddenly while reading Hemingway’s<br />

oeuvre.<br />

I am an intern at Washington University in St. Louis<br />

in Internal Medicine. I plan to continue to explore the<br />

connections between the humanities and medicine.<br />

The key will be finding the time to do so!<br />

The alcoholic can be a<br />

powerful leader<br />

Pablo’s position as group leader is no contradiction. Early<br />

ethanol abusers may possess an “alcoholic charm” that makes<br />

them attractive members of society. This has been viewed as<br />

a true compensatory reaction by the ill person to mask the<br />

disease. For example early-stage alcoholics are on average<br />

better dressed and groomed than nonalcoholics. 4p36 Also, in<br />

another type of subconscious autoregulation, the alcoholic<br />

may display a high degree of egoism. It is hypothesized that<br />

this develops as the alcoholic realizes he no longer has control<br />

over his drinking. This powerlessness over alcohol manifests<br />

itself as a desire to have control in other arenas. The combination<br />

of charisma and drive for ego satisfaction (derived<br />

from the acquisition of sex, money, power, respect, etc.) often<br />

places alcoholics in “egocentric” positions and occupations.<br />

Thus alcoholics are often writers, actors, politicians (with an<br />

estimated prevalence of thirty percent compared to ten percent<br />

in the general U.S. population), and, in this case, de facto<br />

commanders of guerrilla factions. 4p9<br />

The deceptive compensation can sometimes last decades,<br />

The Pharos/Spring 2009 7


Drinking in earnest<br />

but will eventually fall apart assuming the drinker does not<br />

quit drinking or go into spontaneous remission. As the disease<br />

progresses, the alcoholic neglects his health and appearance,<br />

develops bizarre personality traits, and is frequently inebriated<br />

at inappropriate times. As with Pablo, the untreated<br />

severe alcoholic tends to become antisocial, losing his own<br />

self- respect and the esteem of his peers. The late-stage exhausted,<br />

or “bottom,” alcoholic demonstrates intense emotional<br />

reactions to alcohol, including, according to Dr. Jorge<br />

Valles: moodiness, irritability, impatience, excessive sensitivity,<br />

intolerance, compulsiveness, procrastination, suspiciousness,<br />

jealousy, remorsefulness, irresponsibility, hostility, loneliness,<br />

deceitfulness, and confusion. 7 Watch as Pablo pathetically<br />

caresses a horse in a drunken stupor, whispering sweet nothings,<br />

“ ‘Thou lovely white-faced big beauty. . . . Thou dost<br />

not insult nor lie nor not understand. Thou, oh, thee, oh my<br />

good big little pony.’ ” 5p63–64 Listen as Pablo’s wife reprimands,<br />

“ ‘Borracho!’ ” 5p32 the colorfully loaded term for “drunkard” in<br />

Spanish, then verbally castrates him in front of his new guest<br />

and declares herself the true leader. Feel what Pilar means<br />

when she describes her husband awaking in sobs, “ ‘as though<br />

there is an animal inside that is shaking him,’ ” 5p90 and finally<br />

states, “ ‘But now he is finished. The plug has been drawn and<br />

the wine has all run out of the skin.’ ” 5p89<br />

Gary Cooper plays Robert Jordan.<br />

Paramount Pictures/Photofest.<br />

Let us now focus on protagonist Robert Jordan. Upon<br />

first meeting Pablo’s troops and accompanying them to their<br />

cave hideaway, a large wineskin is produced and drink offered:<br />

“Robert Jordan drank it slowly, feeling it spread warmly<br />

through his tiredness.” 5p20 He then drinks another cup of wine<br />

with dinner. After dinner, he dips for a third cup. There is an<br />

attractive young woman in the cave, Maria, recently orphaned<br />

and brutalized by the facissimos and saved by Pablo’s group.<br />

Robert has felt a “thickness” in his throat since laying eyes on<br />

her, and it is noted that this feeling remains despite the third<br />

cup of wine. While some healthy alcohol users will have a<br />

drink to boost confidence and lower inhibitions, the deliberate<br />

and mindful attempt to self- medicate by using alcohol as<br />

an anxiolytic is a characteristic of problem drinking. Robert<br />

later drinks a fourth cup of wine. When he asks about a fifth<br />

cup Pablo denies him, claiming the wine is near finished (we<br />

later find this is not true but another instance of alcoholic<br />

mendacity to keep more for oneself). In response Robert asks<br />

for a cup of water instead. But not to worry, Robert has no<br />

intention of quitting so early. He empties half the water and<br />

then withdraws a flask from his belt, from which he slowly<br />

pours absinthe, mixing it with the water. A gypsy queries,<br />

“ ‘What drink is that?’ ” Replies Robert, “ ‘A medicine . . . It<br />

cures everything. If you have anything wrong this will cure<br />

it.’ ” 5p50 As he drinks he experiences a pleasant feeling of<br />

euphoric recall, picturing a beautiful Parisian evening as “he<br />

tasted that opaque, bitter, tongue- numbing, brain- warming,<br />

stomach- warming, idea- changing liquid alchemy.” 5p51 After<br />

he finishes his second absinthe, “making a warm, small, fumerising,<br />

wet, chemical- change- producing heat in him,” 5p57 he<br />

passes his cup for more vino. That makes six drinks, not that<br />

anybody’s counting.<br />

A drinking problem? Or just a man<br />

who likes drinking?<br />

The rate and quantity of consumption in this scene are<br />

characteristic of someone who may have a drinking problem.<br />

In addition, when Robert steps outside the cave, he notes that<br />

he is surprisingly clear despite the alcohol. Increased tolerance<br />

and adaptive changes such that one may not feel or appear<br />

intoxicated after six quick drinks are also signs of a possible<br />

alcohol problem. It is important to distinguish the person<br />

with alcohol abuse from the alcoholic. While addiction runs<br />

on a continuum and should be considered on an individual<br />

basis, science has shown that alcohol abusers and alcoholics<br />

are usually distinct entities. The first will have some problems<br />

due to drinking. He will have guilt and will have suffered adverse<br />

consequences from alcohol use but will not demonstrate<br />

physiologic withdrawal upon abstaining. Nor will he have the<br />

same degree of cravings and obsessive thinking and compulsive<br />

behavior that the alcoholic experiences. While his life is<br />

not centered about procuring and ingesting alcohol, and he<br />

may be normal in all other facets of life, he has a pathologic<br />

relationship to alcohol. Even if he continues to drink heavily,<br />

however, he probably will not become an alcoholic. The<br />

8 The Pharos/Spring 2009


est evidence for the differentiation comes from adoption<br />

studies. One sibling of alcoholic parentage adopted by a nonalcoholic<br />

family has the same risk of becoming alcoholic as a<br />

sibling (about twenty percent) reared in the alcoholic home.<br />

Children of nonalcoholics adopted by alcoholic families have<br />

a significantly higher chance of being abusive drinkers, but not<br />

of becoming alcoholic. The implication is that alcoholism is a<br />

disease with strong genetic origins, while problem drinking<br />

may be mostly determined by environmental factors. 8<br />

The likely ethanol- abusive Robert Jordan drinks more or<br />

less continuously throughout the rest of the novel. On day<br />

two, when he visits El Sordo, another guerilla leader nearby,<br />

the two talk over several whiskeys. It is not yet noon. Morning<br />

drinking, especially after a previous night of drinking, can<br />

be repugnant to healthy drinkers, but welcomed by problem<br />

drinkers and alcoholics as the best cure for a hangover and<br />

morning jitters. Later, as Pilar is getting to know Robert and<br />

inquiring about his interests, she states, “ ‘You like to drink, I<br />

know. I have seen.’ ” He responds, “ ‘Yes. Very much. But not<br />

to interfere with my work.’ ” 5p91 A problem drinker’s problem<br />

is almost invariably evident to others before it is self- evident.<br />

A moment of clarity for Robert, when he surely realizes his<br />

reliance on alcohol, comes towards the end of the novel as he<br />

lies on the ground wounded, anticipating what will likely be<br />

his own death.<br />

Then he remembered that he had the small flask in his<br />

hip pocket and he thought, I’ll take a good spot of the giant<br />

killer . . . But the flask was not there when he felt for it.<br />

Then he felt that much more alone because he knew there<br />

was not going to be even that. I guess I’d counted on that,<br />

he said. 5p467<br />

In contradistinction to Robert and Pablo, Pilar exemplifies<br />

the normal, healthy drinker. In the initial scene at the cave,<br />

when Robert offers her a cup of wine, she declines, “ ‘Not until<br />

dinner,’ she said. ‘It gives me heartburn.’ ” 5p32 The next morning,<br />

when offered whiskey: “ ‘I don’t want any,’ Pilar said and<br />

covered her glass with her hand.” 5p142 Then, offered wine instead,<br />

she answers, “ ‘No. Water.’ ” 5p142 Pilar does enjoy a glass<br />

of wine with food, and in her stories she reminisces on the<br />

delight of a cold beer in the afternoon, but during the novel<br />

she never has more than two drinks at a time and possesses<br />

the ability to take it or leave it without much thought or worry,<br />

the hallmark of the normal drinker.<br />

Alcoholism—Genetic pathways<br />

in the brain<br />

The “Big Book” of Alcoholics Anonymous describes alcohol<br />

as “cunning, baffling, powerful!” 9p58–59 and from both a<br />

Ingrid Bergman plays Pilar.<br />

Paramount Pictures/Photofest.<br />

medical and lay perspective it is. One of the most fascinating<br />

aspects of the drug—the crux of the reason why Pablo, Pilar,<br />

and Robert are so different—is that alcohol is selectively addicting.<br />

In the United States, about nine percent of people who<br />

drink will become problem drinkers, with a smaller subset of<br />

those becoming alcoholic. The alcoholic who never takes a<br />

first drink will never suffer from the disease! 10 Ethanol affects<br />

almost all people similarly in its initial stages. It is first a stimulant—people<br />

become talkative and carefree. People drink for<br />

this initial favorable response. These universal reactions are<br />

not limited to humans, and as Anselmo points out in chapter<br />

3: “The gypsies believe the bear to be a brother to man because<br />

he has the same body beneath his hide, because he drinks<br />

beer.” 5p40 Alcohol is later a sedative, but subsequent reactions<br />

vary greatly, and are different among different types of alcohol<br />

users. Normal, healthy drinkers will experience adverse affects<br />

after several drinks, including sedation and sometimes nausea<br />

and unease. They will naturally slow down or stop ingesting,<br />

hence Pilar’s heartburn. Alcoholics also metabolize alcohol<br />

differently, and their central nervous system responses, especially<br />

processes in the deep, primitive brain structures, are<br />

also different, though this is still not well understood. With<br />

ingestion of one-half to an ounce of alcohol, both alcoholics<br />

and nonalcoholics experience not only “euphoria, relaxation,<br />

and [a sense of] well being,” but also improved “concentration,<br />

memory, attention span, [and] creative thinking.” 11p52 These<br />

improvements quickly disappear in the nonalcoholic as blood<br />

The Pharos/Spring 2009 9


Drinking in earnest<br />

alcohol levels rise, but they are persistent in the alcoholic up to<br />

much higher levels of ethanol intake. 11 Most importantly, alcoholics,<br />

despite signals indicating they should cease drinking,<br />

lack the ability to do so. It is this lack of control, and the inherent<br />

unpredictability of whether they will drink to intoxication,<br />

that most specialists believe to be the sine qua non of alcoholism.<br />

10 The abusive drinker reacts similarly to the alcoholic in<br />

many ways, and will binge drink, but will never experience<br />

total loss of control over drinking. It is impossible to separate<br />

the abusive drinker from the early alcoholic. In For Whom the<br />

Bell Tolls, Robert Jordan is a problem drinker, but one cannot<br />

say whether or not he will develop alcoholism.<br />

The purging of the fascists from Avila, a story within a<br />

story told by Pilar, provides the most poignant and deeply<br />

affecting passage in the novel. Alcohol plays a prominent<br />

role in the drama and deserves special attention. The narrative<br />

describes the storming of Avila by Pablo’s guerilla force.<br />

After executing the fascist soldiers, the fascist civilians are<br />

collected from around the city and packed into the town hall,<br />

the Ayuntamiento. A line of townspeople forms, making an<br />

aisle from the building to the edge of a high cliff. One by one<br />

the fascists are forced to walk the line, where they are brutally<br />

clubbed and finally flung over the precipice. The killing<br />

of each fascist is described in detail, and in the lines of the<br />

townspeople we see anger, fear, guilt, pride, and, not to be ignored,<br />

a lot of drunkenness. As the scene unfolds, Hemingway<br />

uses a musical, sonatesque composition of melody, harmony,<br />

and counterpoint. Resounding through the drama is the major<br />

key of death and reprisal, the vertically melodic crescendo of<br />

each killing, and the harmonic minor key composed of the<br />

quotidian aspects of the scene strung together compositionally<br />

by the alcohol that saturates the crowd. 12 Pilar says at first only<br />

a few townspeople are drunk, the “ ‘useless characters who<br />

would have been drunk at any time.’ ” 5p104 As tension builds,<br />

they begin<br />

“. . . handing around bottles of anis and cognac that they<br />

had looted from the bar of the club of the fascists, drinking<br />

them down like wine. . . . Those who did not drink from the<br />

bottles of liquor were drinking from leather wineskins that<br />

were passed about.” 5p115<br />

After the first fascist is flung to his death by a hesitant crowd<br />

the alcohol and strong emotions begin to affect the people in<br />

the lines. When Don Guillermo is brought out pleading for<br />

mercy he is struck on the head and rolls about<br />

“. . . while the drunkards beat him and one drunkard jumped<br />

on top of him, astride his shoulders, and beat him with a<br />

bottle.” 5p118<br />

Pilar observes,<br />

“Two men had fallen down and lay on their backs in the<br />

middle of the square and were passing a bottle back and<br />

forth between them. One would take a drink and then<br />

shout, ‘Viva la Anarquia!’ lying on his back and shouting<br />

as though he were a madman. . . .<br />

“A peasant who had left the lines and now stood in the<br />

shade of the arcade looked at them in disgust and said, ‘They<br />

should shout, “Long live drunkenness.” That’s all they believe<br />

in.’ ” 5p120<br />

Pilar, having dealt with an alcoholic husband, is bitter but<br />

also wise. She recognizes the ability of alcohol to foment mob<br />

behavior and to cause normally sane and sensitive people to<br />

commit heinous acts. While watching the commotion a man<br />

presses against her,<br />

“His breath on my neck smelled like the smell of the<br />

mob, sour, like vomit on paving stones and the smell of<br />

drunkenness . . .<br />

“As I watched, this man turned away from the crowd<br />

and went and sat down and drank from a bottle and then,<br />

while he was sitting down, he saw Don Anastasio, who was<br />

still lying face down on the stones, but much trampled now,<br />

and the drunkard got up and went over to Don Anastasio<br />

and leaned over and poured out of the bottle onto the head<br />

of Don Anastasio and onto his clothes, and then he took a<br />

matchbox out of his pocket and lit several matches, trying to<br />

make a fire with Don Anastasio. But the wind was blowing<br />

hard now and it blew the matches out and after a little the<br />

big drunkard sat there by Don Anastasio, shaking his head<br />

and drinking out of the bottle and every once in a while,<br />

leaning over and patting Don Anastasio on the shoulders of<br />

his dead body.” 5p122–23<br />

Pilar has at once illustrated both “alcoholic insanity” and the<br />

existential futility that seems to plague the alcoholic. As her<br />

story draws to an end and the last of the fascists are killed,<br />

Pilar concludes, “ ‘It would have been better for the town if<br />

they had thrown over twenty or thirty of the drunkards . . .<br />

and if we ever have another revolution I believe they should<br />

be destroyed at the start.’ ” 5p127<br />

There is much disagreement regarding diagnosis and treatment<br />

of alcoholism (and addiction in general), and science has<br />

yet to elucidate many aspects of this complicated condition.<br />

In Great Britain, the concept of alcoholism as a disease is less<br />

widely accepted. 13 But Ernest Hemingway, a highly intelligent<br />

drinker given to solipsistic reverie in his writing, unwittingly<br />

unravels some of the mysteries of alcohol use and abuse in<br />

this novel. By separating out the three most common types of<br />

drinkers, who comprise the majority of the adult U.S. population,<br />

he provides us with entertaining and informational<br />

guides to recognizing and characterizing ethanol behavior.<br />

Alcoholism is a unique disease with broad consequences not<br />

10 The Pharos/Spring 2009


just for the alcoholic, but for family, friends, and society at<br />

large. The indirect victims of this disease are often hurt and<br />

angry, and rightly so. The most powerful condemnation of<br />

alcoholism in this novel comes from the afflicted wife Pilar,<br />

who acidly exclaims:<br />

“Of all men the drunkard is the foulest. The thief when<br />

he is not stealing is like another. The extortioner does not<br />

practice in the home. The murderer when he is at home can<br />

wash his hands. But the drunkard stinks and vomits in his<br />

own bed and dissolves his organs in alcohol.” 5p208<br />

Alcoholics: Often not recognized<br />

and inadquately managed<br />

But the real outrage of alcoholism, and a heavy burden<br />

on the medical profession, is that it is under- recognized,<br />

under- researched, and under- treated. Statistics tell the story:<br />

A recent study of over 40,000 subjects representative of the<br />

U.S. population demonstrated a lifetime prevalence of alcohol<br />

abuse of 17.8 percent and alcohol dependence of 3.8 percent.<br />

Less than a quarter of those with alcohol dependence received<br />

any treatment at all. 14 Unlike in the days of the Spanish Civil<br />

War, there now exist FDA- approved drugs for the treatment<br />

of alcoholism. Other pharmaceuticals are in the pipeline,<br />

and successful rehabilitation therapies ranging from psychotherapy<br />

to twelve-step programs abound. Hopefully, by taking<br />

a multidisciplinary approach that may even include looking to<br />

American literature, the problem may be investigated more<br />

thoroughly and better addressed. The next time you read a<br />

novel, or examine a new patient, keep a vigilant eye for the<br />

alcoholic, because his disease is deadly but treatable, and he<br />

needs your help.<br />

References<br />

1. Hemingway E. Ernest Hemingway: Selected Letters, 1917–<br />

1961. Baker C, editor. New York: Charles Scribner’s Sons; 1981.<br />

2. Moran ST. Autopathography and depression: Describing the<br />

“Despair Beyond Despair.” J Med Humanit 2006; 27: 79–91.<br />

3. Hovey RB. Hemingway: The Inward Terrain. Seattle (WA):<br />

University of Washington Press; 1968.<br />

4. Graham J. The Secret History of Alcoholism: The Story of<br />

Famous Alcoholics and Their Destructive Behavior. Shaftesbury,<br />

Dorset (UK): Element; 1996.<br />

5. Hemingway E. For Whom the Bell Tolls. New York: Scribner;<br />

2003.<br />

6. Substance Use Disorders: Substance Dependence. In: First<br />

MB, editor. Diagnostic and Statistical Manual of Mental Disorders.<br />

Fourth Edition, Text Revision (DSM-IV-TR, 2000). Washington<br />

(DC): American Psychiatric Association; 2000.<br />

7. Valles J. From Social Drinking to Alcoholism. Dallas (TX):<br />

Tane Press; 1969.<br />

8. Goodwin DW, Schulsinger F, Møller N, et al. Drinking<br />

problems in adopted and nonadopted sons of alcoholics. Arch Gen<br />

Psychiatry 1974; 31: 164–69.<br />

9. Alcoholics Anonymous World Services, Inc. Alcoholics<br />

Anonymous: The Story of How Many Thousands of Men and<br />

Women Have Recovered from Alcoholism. Fourth edition. New<br />

York: Alcoholics Anonymous World Services; 2001.<br />

10. Goodwin DW. Alcoholism: The Facts. Third edition. Oxford<br />

(UK): Oxford University Press; 2000.<br />

11. Milam JR, Ketcham K. Under the Influence: A Guide to the<br />

Myths and Realities of Alcoholism. Seattle (WA): Madrona Publishers;<br />

1981.<br />

12. Williams W. The Tragic Art of Ernest Hemingway.<br />

Baton Rouge (LA): Louisiana State University<br />

Press; 1981.<br />

13. Heather N, Robertson I. Problem Drinking.<br />

Third edition. Oxford (UK): Oxford University Press;<br />

1997.<br />

14. Hasin DS, Stinson FS, Ogburn E, Grant BF.<br />

Prevalence, Correlates, Disability, and Comorbidity<br />

of DSM-IV Alcohol Abuse and Dependence in<br />

the United States. Arch Gen Psychiatry 2007; 64:<br />

830–42.<br />

The author’s address is:<br />

4961 Lacleded Avenue, Apartment 111<br />

St. Louis, Missouri 63108<br />

E-mail: miday01@aol.com<br />

The cat drinks water…<br />

Photo by Tore Johnson/Pix Inc./Time Life Pictures/Getty Images.<br />

The Pharos/Spring 2009 11


Gabriel Thompson Cade<br />

The author (AΩA, University of South Carolina, 2008) is<br />

a candidate for an MD/MPH in the Class of 2011 at the<br />

University of North Carolina at Chapel Hill. This essay won<br />

second place in the 2008 <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Helen H.<br />

Glaser Stu dent Essay Competition.<br />

I<br />

have always loved the quiet intensity of the operating<br />

room, the concerned focus of the operating team. The<br />

room was bright and busy. There were beeps and there<br />

were flashes. I held my arms up and stood where they told me<br />

to, and someone helped me with my gloves and apron. We<br />

were all anonymous in our green drapes, but committed to a<br />

common cause. The room smelled clean through my mask,<br />

smelled like alcohol, antiseptic, and conditioned air. It was a<br />

little cold, but comfortable in the layers of aprons. The fetal<br />

heart monitor chirped enthusiastically, a strong, regular rate.<br />

I kept standing where they told me to, I held the clamp where<br />

they pointed. I talked like a second-year medical student to<br />

my preceptor and the assisting physician who was, coincidentally,<br />

the assisting physician on the C- section of my own<br />

birth. It felt very safe, like everything had been thought of.<br />

The operation went smoothly and I didn’t faint, or screw<br />

anything up. There was more blood than I had expected but<br />

it was so incredible to dive into the mesenteric maze of the<br />

human abdomen, to push aside this organ, that organ. Hidden<br />

in the folds of this gastric mess was this incredible treasure,<br />

this pearl. And once located, it was a very short time before<br />

you were holding a brand new baby. And there I was, holding<br />

a new person, with so much life ahead of him.<br />

The baby already looked beautiful. He looked curious. He<br />

looked strong. I could hear his dad laughing when we came<br />

out of the room. I could hear his mom, also laughing, behind<br />

us—her enthusiasm boosted by anesthesia. Their baby had<br />

entered into the world with love and attention all around him.<br />

When I handed him on to the nurse I thought of all the possibilities<br />

in store for this child.<br />

There was another feeling at the edge of my consciousness,<br />

a single tenterhook from something forgotten, but that<br />

notion was overrun by this fresh awe. This was not the first<br />

Rememberi<br />

baby I’d held but it felt like it was. I felt so elated I was going<br />

to be a doctor. I was going to help take care of babies. I was<br />

going to help take care of pregnant women. I was going to<br />

have a front-row seat to the biological wonders of human existence.<br />

This was awesome. This was why I sought out medicine.<br />

Of course, this excitement was only possible because I<br />

had remembered to forget about Africa.<br />

Trying to make a difference in a<br />

hopeless world<br />

I’m watching the baby today. I watch the baby clench his<br />

shriveled hands. I watch his wrinkled pink claws wave blindly<br />

through the space around him and inevitably into his mouth.<br />

I watch him turn his tiny head away while I’m washing him.<br />

He doesn’t say anything, he just clenches his eyes even tighter<br />

and turns away. He doesn’t even like the warm water I’m using<br />

today. Often we don’t even have any water.<br />

I watch him drink tepid formula. He spits it up or, slightly<br />

worse, he immediately passes the wet payload through to his<br />

diaper. I have to cut the diapers in half to fit him. He weighs<br />

four pounds, and when I hold him he almost fits between my<br />

wrist and my elbow. He makes sounds but he doesn’t really<br />

12 The Pharos/Spring 2009


ng to forget<br />

cry. I listen to his heart but it doesn’t make any more sense<br />

to me than his occasional verbal sputters. I’ve only seen him<br />

open his eyes once in the week since his birth. He has thick<br />

and dark hair for his size, and it mats in tangled patches when<br />

he’s sweating. He sweats all the time. I sweat all the time.<br />

Zambia feels so hot lately. The baby smells like milk and baby<br />

powder and he attracts flies. I’m watching him die, so I try to<br />

pay attention to everything, I try to remember everything. I<br />

also try to forget everything.<br />

Sarah says he should have a name. I don’t want to give him<br />

a name.<br />

The baby sleeps with us some nights. He doesn’t move<br />

much at night, and his breathing is so quiet it sounds like<br />

two pieces of paper rubbing together. It is almost completely<br />

lost in the awful whine of the mosquitoes, so if he is sleeping<br />

we have to listen closely to be sure he is breathing. When he<br />

doesn’t sleep I sing to him. Sometimes I ask him not to die.<br />

Sometimes I ask him to stop suffering and die. We didn’t really<br />

adopt him, but his mother died at the clinic. She was the<br />

outside party in an extramarital affair. The teenage children<br />

of that family beat her to death when she showed up seven<br />

months pregnant. She lived long enough only to deliver her<br />

premature son. It probably doesn’t even make things any<br />

Illustration by Erica Aitken. Photo credit: Left, Flying Colours Ltd. Center, Roadsworth. Right, AFP/Getty Images.<br />

worse that he was born with her HIV infection, but I think<br />

about it because of the father, and the rest of his family.<br />

In the last week, when I see pregnant women or babies, I<br />

want to cry. Sometimes I do. I’m sad, of course, and also I feel<br />

very angry. I feel angry because I feel very helpless. I don’t<br />

know what I’m doing with these patients. I don’t know what<br />

I’m doing with this baby. I don’t know how to make a difference.<br />

I especially don’t know how to make a difference when<br />

the world around me looks so hopeless. And I don’t know<br />

how, once I leave here, I will ever close my eyes and not see<br />

the images of this world around me.<br />

Lesson for a student: There is healing<br />

strength in understanding death<br />

We left the clinic a little earlier than usual and drove together<br />

to the hospital where we would meet one of my mentor’s<br />

oldest patients, moving from hospital care to hospice<br />

care. Although my preceptor worked with pregnant mothers<br />

and pediatrics, the bulk of his practice was in the wider world<br />

of family medicine. He took great pride in treating as many<br />

as four generations of a family. He had pictures in his office<br />

of patients he has delivered and is now still treating in their<br />

twenties. With a patient population spanning such a spectrum<br />

of age, he was in a position to witness those great beginnings<br />

as well as to counsel those coming towards the great<br />

endings of their lives.<br />

The patient we were going to see had had a lifetime of reasonably<br />

good health and activity, now culminating in a week<br />

of shallow breaths and the feeling of pressure on her heart.<br />

To me this was one of the great hallmarks of the medical profession:<br />

the role of the physician at the end of life. What can<br />

you do to ease the frightening transition into noncorporeal<br />

existence? What tools of sympathy and empathy can you conjure<br />

up to achieve an effect of soothing compassion? What do<br />

you say to the family? What do you say to yourself about your<br />

abilities to preserve life?<br />

I wanted to save most of my questions until after our<br />

meeting with this patient and her family, but I talked a little<br />

The Pharos/Spring 2009 13


Remembering to forget<br />

to my preceptor during the ride over.<br />

“How often do you have to do this?”<br />

“Not that often, but a few times a year.”<br />

“Do you talk about religion or faith?”<br />

“Sometimes, if the family brings it up.”<br />

“Does it get easier or does it get harder the more you do<br />

it?”<br />

“It feels like the first time every time, which is neither easy<br />

nor hard.”<br />

I stopped after the third question because the answer<br />

surprised me. How did you forget a patient’s death on your<br />

watch? Aren’t you thinking about the last patient you had to<br />

coach into biological collapse? Aren’t you thinking about the<br />

first patient you saw run out of breath, run out of road, run<br />

out of time? Can you really just internalize those moments<br />

and move on? When you participate in this, perhaps the most<br />

intimate of patient interactions, how do you bottle up the<br />

necessary emotional context and go forward?<br />

The patient’s room was filled. Filled with the cards and<br />

flowers from church and community friends. Filled with the<br />

bodies of family members and closer friends. They perched<br />

on chair armrests looking at our patient. They sat on the<br />

other, empty bed, looking out the window, trying to avoid<br />

the nature of the room and what it meant, what our presence<br />

there meant. Everyone spoke quietly to each other and<br />

loudly to the woman lying in the bed. She looked pale, a sort<br />

of ashen gray hue hung off of every exposed bit of flesh. Her<br />

breathing was wet and labored, but she looked very calm, she<br />

looked very happy even, surrounded as she was by life, by the<br />

products of her own life. She raised an old hand to the doctor,<br />

and the skin sagged indifferently below the thin arm bones.<br />

She smiled at him and they held hands for a minute as they<br />

talked.<br />

We asked everyone but the woman’s husband and their<br />

two children to step outside. The room felt bigger but it was<br />

still fragrant and full with the warmth and affection of the<br />

other visitors. I stood in a quiet corner near the door and<br />

tried not to invade the personal nature of the atmosphere.<br />

The conversation was not unexpected and before we even<br />

began there were quiet tears from the husband and daughter.<br />

The son didn’t cry. He seemed almost indifferent to the proceedings,<br />

but I recognized that as its own form of angry remorse,<br />

covered extensively in medical school psychology and<br />

interview- training books.<br />

My doctor spoke calmly and confidently to the patient<br />

and her family. He lamented the limitations of medical care<br />

but stressed the generous magnitude of his patient’s life. He<br />

pointed to all the love he had seen coming into the room and<br />

what a reflection it was of a fulfilling existence. He told the<br />

patient he was sorry. He told the family he was sorry, and<br />

that he couldn’t adequately understand what they were going<br />

through, and he was sorry for that, too. He answered all of<br />

their clinical questions. He deflected most of their spiritual<br />

questions but encouraged them to seek those answers with<br />

someone more capable. He said he could put them in touch<br />

with support groups and that he, himself, would be available<br />

to them for questions they had and assistance they needed<br />

until she passed on.<br />

The family seemed moved by the sincerity of the doctor’s<br />

words. I was moved, too. The daughter hugged him. The husband<br />

hugged him. The woman put up her gray arm again, and<br />

the doctor held her hand and smiled warmly at her. Despite<br />

their tears, the family looked calm. She still looked calm. She<br />

smiled at him, she even smiled at me, the intruder in her last<br />

sanctum of hope. I smiled back, meek but as warm as I could<br />

muster.<br />

I thought to myself, I won’t ever forget this, what it looked<br />

like to face death with serenity. I won’t forget the importance<br />

of these moments for a doctor. I won’t forget the healing<br />

strength in understanding the role of death in life, and in<br />

sharing that understanding with patients.<br />

Memories of deaths, deaths in a faraway<br />

world<br />

It’s really the hardest when the death piles up. It even<br />

sounds funny to me when I say it, but I mean it quite literally.<br />

We usually only lose one patient per day. There’s usually only<br />

one night of crying and wailing from wives and daughters and<br />

mothers. There are only three shelves in the stagnant cold of<br />

our morgue, three steel cots slide out of the metal bunk bed.<br />

We usually only need to keep bodies in the morgue for one<br />

day before the families come and relocate the remains. You<br />

don’t see death when it slips quickly in and out. But when<br />

death hangs around, when it lounges in the corner of the<br />

ward, casting its eye over thirty beds of potential escorts, you<br />

can’t avoid it.<br />

Those three drawers represent our ability to distance the<br />

patients, and ourselves, from death. One hundred feet of<br />

separation from life to death. Those drawers represent the<br />

comfortable capacity of the morgue, but occasionally we are<br />

forced to exceed this expected occupancy limit.<br />

We move the bodies quietly at night, trying not to awaken<br />

other patients, who already cling with such fragility to rest<br />

and peace. We even try not to wake up the families. The<br />

women always scream or sing or wail out loud in any of the<br />

seventy-two dialects used near the clinic. We move the bodies<br />

and then we move the families. They can wail outside.<br />

Tonight I am already awake when the night nurse comes<br />

and raps on my window just after midnight. Three women<br />

have been howling and sobbing outside of the morgue since<br />

that afternoon. My bed is also one hundred feet from the<br />

clinic. One hundred feet from the clinic, one hundred feet<br />

from the morgue; I feel like I don’t ever leave. When she raps<br />

on my window I am sure Philipo is dead. I have spent weeks<br />

watching him die.<br />

14 The Pharos/Spring 2009


HIV- positive, like everyone, paralyzed from the waist<br />

down from a tuberculosis infection in his spine. By the time<br />

Philipo came to us he had already spent months immobilized<br />

in bed, and the sore across his lower back was as large as a<br />

compact disc, and exposed the lower rungs of his spinal column<br />

and his pelvic bones. Every day I clean the dead tissue<br />

away. I almost fainted the first time I did it. I felt the temperature<br />

rise in the room. A bead of sweat gathered on my<br />

forehead and I watched it run down over my eye and gather<br />

again at the end of my nose. I leaned forward, and when that<br />

didn’t feel right I leaned backwards, collapsing onto the bed<br />

behind me where I was able to grab my breath and regain my<br />

composure. Since then I have been able to work quickly and<br />

confidently in tending his wounds—more sores on each hip<br />

also expose the heads and insertion of his femurs.<br />

In the last week, Philipo has begun to regain feeling in his<br />

back. I hoped he would die before it fully returned. His wife<br />

stopped visiting him, his children never came. He looks at<br />

pictures in my National Geographic while I work on him and<br />

he points at things he’s never seen before, places he would<br />

like to go. I like Philipo and I care about him, but we are unable<br />

to speak to each other. Even with his little English, and<br />

my little Nyanja, we are never really connecting with each<br />

other. Even with perfect communication I think I would not<br />

know what to say.<br />

Rearranging bodies in the morgue<br />

I am already dressed so it is easy to slip out of bed and<br />

away from Sarah to head back to the clinic. Philipo doesn’t<br />

weigh anything but he is tall, and even with both of us it is a<br />

little difficult. The nurse helps me move him out of his bed,<br />

across the dirt courtyard, and onto the floor of the morgue.<br />

The women there wail even louder as we walk by with Philipo<br />

wrapped in his own bed sheet. The nurse leaves me and<br />

heads back to the clinic, closing the door behind her, muting<br />

the shrill shrieking from outside and leaving me instead with<br />

the deafening silence of the cooler and its inhabitants.<br />

When I open the bottom drawer I am not surprised to see<br />

the top of a dark head facing me out of the void. The second<br />

drawer is also taken. The third drawer is full. I hate when this<br />

happens. Now I have to reach in and rearrange the bodies.<br />

I have to push one of the bodies up against the side of the<br />

drawer and then I will have to shove in Philipo, a little bit at<br />

a time.<br />

His legs dangle and drag on the floor. Alone with me in the<br />

dim light he feels heavier than he did crossing those hundred<br />

feet. The body already on the drawer rocks over when I am<br />

halfway done and bottlenecks any progress. I practically have<br />

to climb over Philipo to push the other body away, and then<br />

it is a continuous balance to keep the one from overturning<br />

the other. Philipo feels soft, and even a little warm. He smells,<br />

By and about Gabriel Cade<br />

I was raised on a small goat farm in<br />

the mountains of North Carolina where<br />

my father was a family physician and<br />

my mother an ICU nurse. To avoid a<br />

hereditary career in medicine, I dropped out of college<br />

and wandered, walking 2200 miles along the<br />

Appalachian Trail, waiting tables and writing for a<br />

newspaper in Hollywood, climbing rocks and rafting<br />

in New Zealand, and fighting sand fleas and strangers<br />

on “Survivor: Marquesas.” A disjointed collection<br />

of skills and experiences ultimately led to Zambia,<br />

where I worked with my twin sister in a small AIDS<br />

hospice and orphanage. The experiences in Zambia<br />

and other parts of Africa convinced me to return<br />

to finish my undergraduate education and pursue a<br />

medical degree at the University of North Carolina at<br />

Chapel Hill School of Medicine.<br />

well, like Africa, like dirt and work and sunshine and dry<br />

grass and death. He makes the body next to his seem even<br />

more repulsive than usual. It is cold and clammy and stiff, and<br />

smells only like death.<br />

In this moment, I realize that the capacity of the morgue<br />

to comfortably house death has been tied to the capacity of<br />

my own heart to do the same. I realize I am so sick of death.<br />

I am so sick of it. I even try to throw it up, to purge myself of<br />

the aching in the pit of my stomach. I even try to scream. I try<br />

my own wailing to trounce the sorrow and pain around me.<br />

Nothing comes. There’s nothing there. I already feel so emptied<br />

by this work, by this never-ending work. I don’t want to<br />

see any more death. I don’t want to wait for any more patients<br />

to die. I don’t want to be there to help move the body.<br />

Philipo’s legs still stick out of the cooler. It looks grotesque.<br />

I yell at the four bodies. I won’t give them tears, just anger. I<br />

am so angry at them all for dying and leaving me to deal with<br />

their death. I’m angry that when I do sleep I dream of bodies<br />

piled on bodies, and that when I look at patients still alive in<br />

the clinic I can close my eyes and see them dead. I hate that<br />

the dead cling to the inside of my eyelids. I’m so angry that I<br />

can’t do anything to stop it and that, no matter how angry I<br />

get, I will just have to do this again tomorrow night.<br />

When I am home, someday, back in my home in America,<br />

am I going to wake up expecting that rap on my window?<br />

Am I going to sleep again and dream again?<br />

The author’s address is:<br />

118 Milton Avenue<br />

Chapel Hill, North Carolina 27514<br />

E-mail: gcade@med.unc.edu<br />

The Pharos/Spring 2009 15


Dr. Martinez-Maldonado (AΩA, Baylor, 1973) is executive vice president for research<br />

and professors of Medicine and Pharmacology and Toxicology at the University<br />

of Louisville. His address is: Office of Research, Room 200 Jouett Hall, University of<br />

Louisville, Louisville, Kentucky 40292. E-mail: m0mart01@louisville.edu.<br />

Burning Books<br />

Fire engine alarms woke up the stars.<br />

Red lights<br />

Glared on our window panes.<br />

We weren’t sure what to expect,<br />

The sky so bright,<br />

The heat searching for a way into our library.<br />

Over the fence leapt the first firemen—<br />

Axes in hand, superhero helmets<br />

Askance at the sight<br />

Of the spectacle shimmering over their<br />

heads.<br />

More sirens, men on the roof and on ladders<br />

Watering the walls, creating a fall<br />

Of liquid ambers.<br />

Once lame hoses snaked over asphalt<br />

Wet with morning dew, distended<br />

Like boa constrictors after a snack.<br />

Their id numbers<br />

Furiously overheated when the building,<br />

Crackling like an immense popcorn bag,<br />

Tumbled noisily into the uneasy silence<br />

Of the morning light.<br />

It fell away from our shattered windows<br />

Redolent of might,<br />

Aided by the cleverness of promethean<br />

Physicians with their water rays,<br />

Who saved Cecil, Harrison, Dickinson,<br />

Whitman, Pablo Neruda, Juan Ramón,<br />

And, among many others, Richard Wright<br />

And Richard Bright—<br />

From the burn.<br />

Manuel Martinez-Maldonado, MD, MACP


Jesse D. Woodard<br />

arat’s terror<br />

The author (AΩA, University of South Carolina, 2008) is<br />

a member of the Class of 2009 at the University of South<br />

Carolina School of Medicine. This essay won first prize in<br />

the 2008 <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> Helen H. Glaser Student<br />

Essay competition.<br />

When the prominent French revolutionary Joseph-<br />

Emmanuel Sieyes was asked what role he had<br />

during the French Revolution, he responded “J’ai<br />

vecu.” (“I survived.”) Thousands could not make that claim<br />

during the tumultuous decade from 1789 through 1799. The<br />

period was marked by fear, intrigue, and violence, and no life<br />

more closely paralleled the revolution than that of Jean-Paul<br />

Marat. During a decade of hostility he was L’Ami du Peuple<br />

(The Friend of the People), and even as his cries of Liberté,<br />

égalité, fraternité! rang through the streets of Paris, Marat’s<br />

assassination in 1793 showed that history is less a triumph of<br />

ideology than a series of tragic human atrocities.<br />

Marat, in his own time, was known as a madman, a fanatical<br />

demagogue, and the murderer of thousands. A mysterious<br />

skin disease earned him the stigma of a leper, but he is also<br />

remembered as a doctor, a frustrated scientist, and the subject<br />

of the period’s most memorable painting. The scene of<br />

his death in 1793 was immortalized in Jacques-Louis David’s<br />

masterpiece Death of Marat. The indelible depiction shows<br />

a Christ-like Marat lying dead in his bath, the evidence of his<br />

murder in plain view. Upon its completion, the painting was<br />

carried through the streets of Paris in tribute and Marat was<br />

worshipped as a god.<br />

Joseph Boze (1744–1826): Jean Paul Marat (1744–1789). French<br />

revolutionary. 1793. Painting.<br />

Location: Musée de la Ville de Paris, Musée Carnavalet, Paris, France. Photo credit: Alfredo<br />

Dagli Orti, Bildarchiv Pressicher Kulturbesitz/Art Resource, NY.<br />

The Pharos/Spring 2009 17


Marat’s terror<br />

History, though, designates him a villain. The years after<br />

his death are remembered as La Grande Terreur (The Great<br />

Terror), during which as many as forty thousand were guillotined<br />

in the streets of Paris, and Marat is remembered as “the<br />

father of all the horrors which followed his horrible reign.” 1p87<br />

Why did this physician abandon his role as a healer to become<br />

a revolutionary? What was his strange skin condition? And<br />

what led The People’s Friend to be disinterred, cursed, and<br />

burned in effigy only months after his ceremonial burial in<br />

the Pantheon?<br />

Marat—the physician and philospher with<br />

massive ego and ambition<br />

It’s only in Paris that people have eyes for Marat. In the<br />

other departments, he is regarded as a monster.<br />

—Charlotte Corday 2p738–39<br />

The Industrial Revolution of the late eighteenth century<br />

made necessary an elaborate division of labor, dividing commerce<br />

into distinct operations. Such was not the case early in<br />

the century, when men of means and education dabbled in<br />

varied branches of knowledge. John Locke studied philosophy,<br />

became a physician, and wrote an influential political treatise.<br />

Voltaire critiqued French society from England, Goethe<br />

reigned in Germany, and Franklin in America; all were versatile<br />

in a number of fields.<br />

Such was the life to which Jean-Paul Marat aspired. Born in<br />

Neuchâtel, Switzerland, in 1743, he was the son of a Calvinist<br />

father and a Swiss mother.<br />

Marat early applied himself to the study of philosophy, political<br />

theory, and physics, and he confessed an ungratified appetite<br />

for recognition. “From my earliest years I was consumed<br />

with a love of glory,” he wrote, “a passion which often changed<br />

its object in the divers periods of my life, but which has never<br />

left me for a moment.” 1p89<br />

In 1771 Marat published his Essay on the Human Soul,<br />

which was followed the next year by a larger treatise entitled<br />

A Philosophical Essay on Man. The work was a curious examination<br />

of the soul in terms of anatomy and medicine, and<br />

contended that the seat of the soul was in the meninges:<br />

Experience likewise daily confirms it; the slightest inflammation<br />

of the meninges occasions a delirium, and a<br />

temporary insanity. The irritation of the nerves by the fumes<br />

of wine from drinking to excess, or by the fumes of tobacco,<br />

is followed by . . . the loss of reason; this never happens to<br />

any other part of the head. 3p251<br />

Unlike the speculations of John Locke, Thomas Hobbes,<br />

and Jean Jacques Rousseau, Marat’s work was greeted with<br />

bitter ridicule in England and with contempt by the sacred as-<br />

sembly of the Philosophes in France. Undeterred, he resumed<br />

publication but continued to receive only a tepid reception in<br />

intellectual circles. The response convinced him that he was<br />

being persecuted.<br />

Marat left the ridicule of England and sought to create<br />

a new reputation in France. He was reported to have cured<br />

a women dying of tuberculosis and gained a reputation as<br />

the “Doctor of the Incurables.” His arrogance was evident in<br />

his “Essay on Gleets,” which boasted that no case of gonorrhea<br />

was beyond his ability to cure. 4 He secured an honorary<br />

doctorate from Saint Andrews in Scotland and received a<br />

position as physician in the household of the Comte d’Artois,<br />

the king’s brother. Though his experiments in electricity and<br />

optics earned him visits from Benjamin Franklin and serious<br />

discussion in scientific papers, he failed to win membership in<br />

the Académie des sciences. The glory he sought escaped him,<br />

and he never forgave the academy for his rejection, in later life<br />

blaming it for his frustrations.<br />

In time, he began to neglect his patients and commit<br />

himself to his laboratory work. “I devote only two out of<br />

twenty-four hours to sleep,” he wrote during this time, “and<br />

only one to my meals and domestic necessities.” 5pxxi Soon<br />

he was spending all his means on experiments and physics.<br />

Despite his enthusiasm, in 1784 he received a rejection from<br />

the academy after submitting a paper on Newton’s optics, and<br />

was also rebuffed by the Spanish Academy at Madrid. He became<br />

convinced that his genius was unappreciated and his list<br />

of enemies expanded. The jealousies and intrigues, imaginary<br />

or real, became necessary to support his sinking self- esteem.<br />

Marat resigned his position, or was asked to resign, as physician<br />

to the king’s brother. The devouring ambition that drove<br />

him to work twenty hours a day was now turned to a new<br />

enterprise: the politics of the French Revolution.<br />

After 1789 and the storming of the Bastille . . .<br />

anarchy in Paris<br />

Marat rose to prominence among the commoners of Paris<br />

relatively early in the Revolution. As a disciple of Jean-Jacques<br />

Rousseau, the France that Marat envisioned was based on<br />

the Enlightenment notion of the “equality of man.” He sought<br />

to bring this about by rejecting the divinely appointed rule<br />

of King Louis XVI and establishing a new polity based on<br />

Rousseau’s social contract.<br />

Marat was an extremist, while the majority of France was<br />

wary of abolishing the monarchy altogether. Faced with national<br />

bankruptcy, a constitutional monarchy was established<br />

in which Louis XVI remained on the throne while true authority<br />

rested with the Legislative Assembly. These representatives<br />

were a house split into two factions: the moderate Girondins,<br />

seeking to protect the constitutional monarchy, and the radical<br />

Jacobins, eager for a republic without church, nobility, or<br />

a king.<br />

18 The Pharos/Winter 2008


Marat’s daily rants against the aristocracy earned<br />

him the disdain of the privileged and the adoration of<br />

the poor. “To pretend to please everyone is mad,” 2p734 he<br />

wrote. His allegiances to the Jacobins were well known.<br />

He hated the monarchy, and his rhetoric against the<br />

throne galvanized the rebellion.<br />

In the years following the storming of the Bastille<br />

in 1789, anarchy descended on Paris. With the deposition<br />

and capture of Louis XVI in 1792, the notion of a<br />

constitutional monarchy was quickly abandoned and the<br />

hope of a republic spread through Paris. During this unstable<br />

time, the balance of power shifted from the failed<br />

Legislative Assembly to the Paris Commune, a body composed<br />

not of politicians, but of the working class. Many of<br />

the delegates were members of France’s most unpredictable<br />

faction, the “sans- culottes.” The term meant “without<br />

culottes,” the knee breeches worn by the privileged. The<br />

Paris Commune wielded merciless authority and had no<br />

more vocal leader than Jean-Paul Marat.<br />

1792—Purge of<br />

counterrevolutionaries by the<br />

Paris Commune<br />

The revolutionary government survived an early threat<br />

in September 1792. With the Prussian army marching on<br />

Paris, and faced with insurrection at home by those loyal<br />

to the imprisoned king, the Commune sought to rid the<br />

city of any trace of “counterrevolution.” Thousands of<br />

the accused were arrested, imprisoned, and beheaded<br />

on charges of rebellion during the bloody September<br />

Massacres. Others were set free, only to be raped, castrated,<br />

or disemboweled at the hands of mob violence.<br />

Hearts were ripped from the chests of men and eaten.<br />

The head of Princesse de Lambelle, the maid of honor<br />

to Marie Antoinette, was placed on a pike and paraded<br />

beneath the temple fortress where the royal family was<br />

held captive. Blame for these atrocities rested with no<br />

single man, but reputation placed the crimes at the feet<br />

of Marat.<br />

Marat’s newpaper—its appeal<br />

to the poor commoners<br />

Marat’s influence began simply. In early September<br />

1789, he initiated publication of a newspaper that became<br />

Jacques Louis David (1748–1825): Jean Paul Marat, politician<br />

and publicist, dead in his bathtub, assassinated by Charlotte<br />

Corday in 1793. Oil on canvas, 165 x 128 cm.<br />

Location: Louvre, Paris, France. Photo credit: Erich Lessing/Art Resource, NY.<br />

his signature in Paris, L’Ami du Peuple. It was here,<br />

among the common soldiers of the French Revolution,<br />

that he finally found the acceptance he sought. The paper<br />

was controversial from its first issue, marrying philosophical<br />

and political doctrine with violence, suspicion,<br />

and conspiracy. Marat openly denounced France’s most<br />

prominent men as traitors based on presumption:<br />

In order to judge men, you always need proof positive,<br />

clear, and precise. For me, their inaction or their silence<br />

on great occasions is sufficient. In order to believe in<br />

a conspiracy, you demand judicial evidence; for me, it<br />

is enough to see the general course of events, the relationships<br />

between enemies of liberty, the comings and<br />

goings of certain agents of power. 6p158<br />

Not surprisingly, Marat found himself with few political<br />

allies. Attempts were made to weaken his influence by<br />

the circulation of false L’Amis with exaggerated diatribes<br />

and bloodthirsty language. Ironically, Marat attacked<br />

these spurious writings as being too tame to be his own.<br />

Cut off the thumbs of the aristocrats who conspire<br />

against you, split the tongues of the priests who have<br />

preached servitude.<br />

To secure the public tranquility two hundred thousand<br />

heads should be cut off. 5pxxii<br />

This rhetoric did not go unnoticed, and Marat fled to<br />

London. His subsequent return to Paris found four journals<br />

in circulation claiming to be his L’Ami. Undeterred,<br />

Marat wrote “I warn honest men not to play with the<br />

‘People’s Friend,’ any more, as he is never likely to be their<br />

dupe.” 7p26<br />

Marat’s blistering, pruritic,<br />

painful skin disease—what<br />

was it?<br />

I saw him at one time address himself to Louvet; and, in<br />

doing so, he attempted to lay his hand on Louvet’s shoulder,<br />

who instantly started back with looks of aversion,<br />

as one would do from the touch of a noxious reptile,<br />

exclaiming, “Ne me touchez pas!” (“Don’t touch me!”)<br />

—John Moore 8p389<br />

Marat’s journalism was a clandestine affair. Though<br />

he was well known throughout France, the location<br />

of his publishing house changed often and was kept<br />

secret from his political enemies. Several times he was<br />

forced to abandon his publication for fear of arrest. He<br />

19


Marat’s terror<br />

once reportedly avoided capture by hiding in the famously<br />

filthy sewers of Paris, an event recorded in Victor Hugo’s Les<br />

Miserables as Jean Valjean’s “descen[t] into the sewer is to enter<br />

the grave . . . in which we find vestiges of all the cataclysms<br />

from the shell-fish of the deluge down to the rag of Marat.” 9p64<br />

Around this time, Marat began referencing the skin condition<br />

that would later confine him to a daily medicinal bath, the<br />

scene of his assassination in 1793. He described his condition<br />

as an “inflammatory illness, the fruits of the long nights I have<br />

given myself over in order to defend freedom.” 10 History notes<br />

that the lesions were blistered, painful, pruritic, and initially located<br />

primarily in the perineum, later becoming widespread.<br />

Speculators have often assumed an infectious etiology,<br />

the result of his escape through the sewers. Marat, however,<br />

first noted the skin condition in 1788, two years before his<br />

flight. 11 Others argue that this event never occurred and that<br />

Marat simply hid in the attic of his friend. Thus, while his<br />

experience with the miasmas of Paris might have aggravated<br />

his condition, it cannot be assumed that the primary etiology<br />

was infectious.<br />

In an attempt to alienate him from mounting public support,<br />

Marat’s opponents claimed he suffered from either leprosy<br />

or syphilis. These diagnoses are, however, inconsistent<br />

with his symptoms. The lesions of leprosy are patches of diminished<br />

sensation accompanied by peripheral neuropathies.<br />

Furthermore, while little is known about the epidemiology of<br />

leprosy during this period, an examination of some five thousand<br />

skulls in Paris’s eighteenth- century catacombs, France’s<br />

largest mass grave at the time, reported no skulls with lepromatous<br />

bony changes. 12 This finding suggests that the prevalence<br />

was sufficiently low to consider the diagnosis rare. Little<br />

in this description suggests secondary syphilis, either, which<br />

classically presents as a transient, nonpruritic rash, involving<br />

the palms and soles.<br />

Several historians have assumed he suffered from scabies.<br />

Indeed scabies does itch. This, however, was one of the few<br />

infections for which accurate diagnosis and treatment was<br />

available at the time, and it is unlikely that Marat, a physician,<br />

would have allowed that disease to progress. 13<br />

Psoriasis and seborrheic dermatitis have been the most<br />

consistently offered diagnoses. While certainly not the classic<br />

presentation of either, both are known to affect the groin.<br />

At least one investigator offers the diagnosis of dermatitis<br />

herpetiformis, a cutaneous manifestation of gluten- sensitive<br />

enteropathy. 13 The role of bread in revolutionary France bears<br />

mentioning, as the rising cost of grain was, in many ways, the<br />

inciting event of the peasant uprising. History remembers,<br />

perhaps incorrectly, Marie Antoinette’s infamous response to<br />

the lack of bread with the famous reply, “Let them eat cake.”<br />

The diagnosis of hidradenitis suppurativa (HS) neatly accounts<br />

for Marat’s symptoms and should be added to the possible<br />

differential diagnoses. HS is an occlusive disease of the<br />

follicles classically located in the groin and axilla. In males, it<br />

commonly arises during early adulthood, and pruritis may be<br />

an early symptom. HS has a highly variable course, but abscess<br />

formation and draining sinus tracts are the norm. The lesions<br />

are often secondarily infected. If untreated, the disease can<br />

become quite debilitating, and patients may find themselves<br />

unable to walk or sit comfortably.<br />

A complex psychiatric illness that<br />

fueled Marat’s revolutionary fervor<br />

Some argue that investigation should focus on Marat’s<br />

psychiatric state. Dermatological manifestations of psychiatric<br />

disturbances are well documented. Moreover, psychiatric<br />

medications have been used in the treatment of dermatosis<br />

resistant to conventional treatment. Often, an inciting event<br />

leads to repetitive scratching and, later, excoriations and infection.<br />

These pruritic areas are generally located on accessible<br />

areas such as forearms, face, and back.<br />

Although Marat was regarded as insane, few attempts have<br />

been made to diagnose the psychiatric disturbance of a man<br />

who loved “carnage like a vulture.” 14 Marat’s grandiosity and<br />

sleep disturbance suggest a manic state and there appears to<br />

be an element of psychomotor agitation:<br />

In speaking in society he always appeared much agitated,<br />

and almost invariably ended the expression of a sentiment<br />

by a movement of his foot, which he thrust rapidly forward,<br />

stamping with it at the same time on the ground, and then<br />

rising on tiptoe. 7p4<br />

Though Marat was known to spend much time confined<br />

to his house, no specific periods of depression are recorded.<br />

Ironically, he was among the first proponents of electroconvulsive<br />

therapy for treatment of a host of conditions ranging<br />

from edema to eczema, and lead poisoning to paralysis. His<br />

preference for solitude also typifies the diagnosis of schizophrenia,<br />

most likely paranoid type. Supporting such a conclusion<br />

is Marat’s well- documented disheveled appearance. One<br />

historian considered the man “a Caesar draped in rags.” 15 We<br />

have, however, no clear evidence of hallucinations or severe<br />

thought disturbance. A diagnosis of delusional disorder best<br />

accounts for his supposed persecution, as Marat’s thoughts<br />

reflect a fixed false belief in the absence of frank psychosis.<br />

Marat also displays several traits of the cluster A personality<br />

disorders, and a diagnosis of paranoid personality disorder is<br />

most appropriate.<br />

Hated by many, a set up for<br />

assassination—Charlotte Corday,<br />

come forth!<br />

20 The Pharos/Spring 2009


The name of Marat dishonors your race. He was a ferocious<br />

beast, who was about to devour the remains of France by<br />

the fire of civil war.<br />

—Charlotte Corday at trial 16p198<br />

As his skin condition worsened, Marat continued writing at<br />

a furious pace. He published a second journal, Junius François,<br />

in addition to numerous pamphlets. In 1792 he was elected as<br />

the people’s representative to the National Convention, the<br />

first legislative body of the newly formed Republic of France.<br />

He quickly learned that his friends were few as he addressed<br />

the Convention after his election: “ ‘In this Assembly I have a<br />

large number of Personal Enemies.’ ” The assembly cried back<br />

“ ‘All of us, all of us!’ ” 5pxxiv<br />

As his status increased, so too did his denunciations. They<br />

seemed almost random, and his most consistent position was<br />

hypervigilance. Though Marat seemed to hate any man in a<br />

position of prominence, his ire was most consistently aimed<br />

at those in the Girondin party, the ruling majority in the<br />

National Convention. They had initially enjoyed the backing<br />

of the people, but in the mood of the times, today’s radicals<br />

were tomorrow’s moderates. The Girondins had exhausted<br />

their support on a failed war against Prussia and the party’s<br />

reluctance to bring Louis XVI to trial. Inspired by Marat, the<br />

commoners of Paris had no such reservations, and their voices<br />

would not be denied—Louis was guillotined in 1793. In an effort<br />

to silence Marat, the Girondin-led Tribunal arrested him<br />

on the charge of inciting to rebellion. After his acquittal, he<br />

led the Convention to overthrow the Girondin leadership, in<br />

favor of the more radical Jacobin rule. It was a period of soaring<br />

rhetoric and rule by an iron fist, but the Jacobins held the<br />

promise of economic stability. The Girondins fled death, and<br />

many sought refuge in the northern city of Caen.<br />

Marat’s medical condition kept him confined to his baths<br />

but did not prevent him from working on a small table improvised<br />

from an upturned wooden box. On the twelfth of July,<br />

1793, the painter Jacques-Louis David visited Marat beside his<br />

tub to wish him a rapid recovery. He admired Marat, even if<br />

he did not fully understand him, and he held that the only true<br />

martyrs were revolutionary ones. Unknowingly, he was about<br />

to get his most famous subject.<br />

The next day a young woman claiming to be from Caen<br />

appeared at 30 Rue des Cordeliers and sought an audience<br />

with Marat. He refused her on two occasions but relented<br />

when she returned a few hours later, claiming to be in possession<br />

of the names of Girondin sympathizers. The woman was<br />

Charlotte Corday, a passionate admirer of the Girondin party<br />

and, though she had traveled from Caen, she had not come to<br />

betray her fellow patriots. When she began to recount to him<br />

the names of the traitors, Marat replied, “ ‘Good, in a few days<br />

I will have them all guillotined.’ ” 2p736 In an instant she leaned<br />

over the man, pulled a knife out from the top of her dress, and<br />

plunged it down hard into the Marat’s right chest. The knife<br />

By and about Jesse Woodard<br />

I am a member of the class of 2009<br />

at the University of South Carolina<br />

School of Medicine. I currently reside<br />

in Greenville, South Carolina, where I<br />

am completing my fourth and final year<br />

preparing for a career in radiology. In<br />

the few moments of my day that are not<br />

currently consumed with the residency<br />

matching process, I reminisce about how much happier<br />

I would potentially have been had I not abandoned my<br />

first love—cooking. I enjoy listening to folk music, eating<br />

fruit roll-ups in a single bite, and doing the crossword<br />

puzzle with my wife over a cup of coffee.<br />

pierced “between the first and second rib, traversing the upper<br />

part of the right lung as well as the aorta, and going into the<br />

left clavicle.” 3p258 He called for help but any aid was in vain.<br />

Corday did not attempt escape. Expecting her arrest, she<br />

carried her certificate of baptism and a letter to the nation of<br />

France explaining her actions. At trial she calmly defended<br />

her actions, “I knew he was perverting France. I killed one<br />

man to save a hundred thousand.” 16p198 Four days later she was<br />

guillotined. Immediately upon decapitation, one of the executioner’s<br />

assistants—a man hired for the day named Legros—is<br />

said to have lifted her head from the basket and slapped it on<br />

the cheek.<br />

David—a great painter with<br />

strong political views<br />

The responsibility of vengence fell to Jacques-Louis David,<br />

rightly regarded as the greatest neoclassical painter in France.<br />

A Jacobin member of the National Convention, David had<br />

voted for the death of the king, an odd career move since<br />

Louis XVI had commissioned his most famous work to date<br />

The Oath of the Horatii. The work had earned him a reputation<br />

for capturing the revolutionary spirit, and his depiction of<br />

The Death of Marat is a lesson in propaganda.<br />

David sought to portray Marat as a revolutionary martyr,<br />

painting him in a pose much like that of Christ in<br />

Michelangelo’s Pieta and Caravaggio’s Deposition of the Cross.<br />

So striking was this similarity that the work would later be<br />

known as “David’s Pieta.” The wound in Marat’s side and the<br />

linen clothes are clear references to Christ, as is the simple<br />

wooden desk which recollects the cross.<br />

Marat himself is idealized in the painting. His skin is fair.<br />

He appears peaceful, perhaps even smiling. The instrument of<br />

The Pharos/Spring 2009 21


Marat’s terror<br />

22 The Pharos/Spring 2009


death lies harmlessly on the floor. The simple composition<br />

and subtle color forces the viewer to pity the man. The neutral<br />

space above the scene is too conspicuous to be incidental.<br />

Occupying nearly half the canvas, the space leaves the viewer<br />

feeling somber and oppressed. In his left hand, Marat holds<br />

the treasonous letter with which Corday gained her meeting;<br />

in his right, the pen with which he was to record the names of<br />

the traitors. On his desk lies an assignat, a banknote issued by<br />

the revolutionary government and Marat’s instructions for it<br />

to be given to a widow with five children whose husband had<br />

died for the revolutionary cause.<br />

Napoleon: “Vanity made the<br />

French Revolution”<br />

Marat has largely been overshadowed by other infamous<br />

names of the French Revolution, among them Marie<br />

Antoinette, Danton, and Robespierre. The man who brought<br />

an end to the Revolution, Napoleon Bonaparte, captured the<br />

period best: “Vanity made the French Revolution; liberty was<br />

only the pretext.” 17p505<br />

Jean-Paul Marat was no exception. Violent, unstable, and<br />

loud, his life typified the times. He was insane, and all of France<br />

with him. His uncompromising opposition to the throne made<br />

him both a hero and a villain. Perhaps what endeared Marat to<br />

ordinary men and women of France was that he truly wrote as<br />

a friend of the people, elevating Parisian concerns above the<br />

rancor of public debate and power plays. Marat summarized<br />

his own legacy in an address to the National Convention:<br />

My ideas, however revolting they might appear, tended only<br />

to the public good, for no person was ever more fond than<br />

myself of order, and the reign of just laws. If your ideas are<br />

not sufficiently elevated to enable you to understand me, the<br />

worse for you. 18p39<br />

In April 1941 Adolf Hitler issued a declaration that he<br />

intended to celebrate the New Year in the palace of the tsar<br />

in Leningrad, Russia. Thus began a bloody 900-day siege<br />

on the city, which ended with the death of more than one<br />

and a half million Soviet citizens. The port of Leningrad was<br />

defended by the Russian battleship Marat. Originally named<br />

the Petropavlovsk, the ship was renamed during the Russian<br />

revolution. In the battle, German Stutka pilots sank Marat.<br />

The vessel lay wounded in shallow water while retaining many<br />

of her guns. In the years that followed, the ship sustained<br />

the most brutal siege in the war but continued to serve as an<br />

Paul Baudry (1828–1886): Charlotte Corday. Oil on canvas. Inv.<br />

802.<br />

Location: Musée des Beaux-Arts, Nantes, France. Photo credit: Gérard Blot, Réunion des<br />

Musées Nationaux/Art Resource, NY.<br />

all- important Russian battery to withstand the German assault.<br />

Mortally wounded, the Marat refused to be silenced and<br />

defended the homes of those left in Leningrad from the fear of<br />

Nazi oppression. Like its namesake, the battleship continued<br />

to spew venom from a tub.<br />

Acknowledgment<br />

This paper would not have been possible without the guidance of<br />

Dr. J. David Woodard, professor of Modern and Classical Political<br />

Thought and the Strom Thurmond Chair of Political Science at<br />

Clemson University. Dr. Woodard’s insight into the French Revolution<br />

was as invaluable as his assistance in editing this paper.<br />

References<br />

1. Loomis S. Paris in the Terror. New York: Avon Books; 1964.<br />

2. Schama S. Citizens: A Chronicle of the French Revolution.<br />

New York: Alfred A. Knopf; 1989.<br />

3. Burr CW. Jean Paul Marat, Physician, Revolutionist, Paranoiac.<br />

In: Packard FR, editor. Annals of Medical History. New York:<br />

Paul B. Hoeber; 1920: 248–61.<br />

4. Marat JP. An Essay on Gleets: Wherein the defects of the actual<br />

method of treating those complaints of the urethra are pointed<br />

out, and an effectual way of curing them indicated. London: W.<br />

Nicoll and J. Williams; 1891.<br />

5. Warren RF. Dr. Marat of Paris. Am J Psychiatry 1964; 121:<br />

xx–xxv.<br />

6. Zizek J. Marat: Historian of the French Revolution? In: Coller<br />

I, Davies H, Kalman J, editors. French History and Civilization:<br />

Papers from the George Rudé Seminar. Volume I, 2005. Melbourne<br />

(Australia): The George Rudé Society; 2005. www.h-france.net/<br />

rude/2005conference/Zizek2.pdf.<br />

7. Bax EB. Jean Paul Marat; The People’s Friend: A Biographical<br />

Sketch. London: Charing Cross Publishing; 1879.<br />

8. Anderson R. The Works of John Moore, M.D. with Memoirs<br />

of His Life and Writings. Volume III. Edinburgh: Stirling and Slade;<br />

1820.<br />

9. Hugo V. Les Miserables. Volume V. New York: Carleton<br />

Publishing; 1884.<br />

10. Marat JP. Letter to the Jacobins by Jean-Paul Marat 1793.<br />

http://www.marxists.org/history/france/revolution/marat/1793/letter-jacobins.htm.<br />

11. Cohen JHL, Cohen EL. Doctor Marat and his skin. Med Hist<br />

1958; 2: 281–86.<br />

12. Møller-Christensen V, Jopling WH. An examination of the<br />

skulls in the catacombs of Paris. Med Hist 1964; 8: 187–88.<br />

13. Jelinek JE. Jean-Paul Marat: The differential diagnosis of his<br />

skin disease. Am J Dermatopathol 1979; 1: 251–52.<br />

14. Moore J. A Journal During a Residence in France, from the<br />

Beginning of August to the Middle of December 1792. Volume 1.<br />

London: G. G. J. and J. Robinson; 1793: 338. (Available on-line at<br />

books.google.com.)<br />

15. Madelin L. The French Revolution. In the series: The National<br />

History of France. Funck-Brentano F, editor. New York: G. P.<br />

The Pharos/Spring 2009 23


Marat’s terror<br />

Charlotte Corday being led to the guillotine. © Bettmann/CORBIS.<br />

Putnam’s Sons; 1916: 337. (Available on-line at books.google.com.)<br />

16. Besant A. History of the Great French Revolution: A Second<br />

Course of Lectures (Delivered at the Hall of Science, London,) Continuing<br />

the Story of the Revolution from the Death of Louis XVI.<br />

London: Freethought Publishing; 1883.<br />

17. Perry RB. The Present Conflict of Ideals: A Study of the<br />

Philosophical Background of the World War. New York: Longmans,<br />

Green; 1922.<br />

18. Adolphus J. Biographical Memoirs of the French Revolution.<br />

Volume II. London: T. Cadell, Jun. and W. Davies; 1799.<br />

The author’s address is:<br />

639 Bear Drive<br />

Greenville, South Carolina 29605<br />

E-mail: jwoodard@gw.med.sc.edu<br />

24 The Pharos/Spring 2009


� ���������<br />

You take me back<br />

To The Sound of Music,<br />

To the yodeling Von Trapps<br />

Orchestrating “The Lonely Goatherd” from above—<br />

marionette in my mind for the first time—<br />

But nothing compared to you,<br />

The C6 quad<br />

Who opens a jar of peanut butter<br />

Between two, once functionless, hands,<br />

Who brushes her golden hair<br />

One deliberate stroke at a time<br />

And lifts the steaming aroma<br />

Of Columbian coffee<br />

Toward eager lips<br />

With arms and hands<br />

That have found a voice again—<br />

Functional electrical stimulation—<br />

A fractured, incomplete language<br />

Of electrical words<br />

Running in subcutaneous wires<br />

From the implanted chest stimulator<br />

To the forearm motor,<br />

Brio to the listless,<br />

Like the strings of the velvet marionette<br />

Who dances the dance of the manipulator—<br />

Watching you move,<br />

I can’t help but twirl around,<br />

Looking for my invisible strings.<br />

Jason David Eubanks, MD<br />

The author (AΩA, Case Western Reserve University, 2003) is a<br />

Spine Fellow in the Department of Orthopaedics at the University of<br />

Pittsburgh. His address is: 36901 Beech Hills Drive, Willoughby Hills,<br />

Ohio 44094. E-mail: jdeubanks2002@yahoo.com.<br />

The Pharos/Spring 2009 25<br />

Illustration by Laura Aitken


Baloney Below knee<br />

Bed time kamood Bedside comode<br />

Buccal fracture Buckle fracture<br />

Cashews Cast shoes<br />

Café olé spots Café au lait spots<br />

Clot through Claw toe<br />

Crampy todactyly Camptodactyly<br />

Destruction osteogenesis Distraction osteogenesis<br />

Free jerks ataxia Friedreich’s ataxia<br />

Gate analysis Gait analysis<br />

Grandma seizures Grand mal seizures<br />

Hell fracture Heel fracture<br />

Herb palsy Erb’s palsy<br />

Insight to fusion In situ fusion<br />

Knot knees Knock knees<br />

Kind box syndrome Keinbock syndrome<br />

Kay ciel KCl (potassium chloride)<br />

Loose frank fracture Lisfanc fracture<br />

Mass of swelling Massive swelling<br />

Psychoceramic Psychosomatic<br />

Piggin toes Pigeon toes<br />

Plastic dysplagia Spastic dysplasia<br />

Partial phallectomy Partial patellectomy<br />

Pillow fracture, to low fracture Tillaux fracture<br />

Public harness, pubic harness Pavlik harness<br />

Range of emotion Range of motion<br />

Rotator cough Rotator cuff<br />

Screwliosis Scoliosis<br />

Tarsal collision, torso coalition Tarsal coalition<br />

Trigenital nerve Trigeminal nerve<br />

Thibula Fibula<br />

Tibua Tibia<br />

Unicranial cyst Unicameral cyst<br />

Waffle type chew Wassel Type 2<br />

Illustrations by Jim M’Guinness<br />

Cashews<br />

Cast shoes<br />

Screwliosis<br />

Scoliosis<br />

26 The Pharos/Spring 2009


New medical<br />

TERMS<br />

James G. Gamble, MD, PhD, Theresa Pena, RN,<br />

and Lawrence A. Rinsky, MD<br />

The authors are members of the Packard Children’s Hospital at<br />

Stanford. Dr. Gamble (AΩA, University of Maryland, 1974) is professor<br />

in the Department of Orthopaedic Surgery. Ms. Pena is a<br />

nurse in the Pediatric Orthopaedic Clinic. Dr. Rinsky (AΩA, University of<br />

Cincinnati, 1970) is a professor in the Department of Orthopaedic Surgery.<br />

As part of the electronic medical record in teaching hospitals, residents and attending<br />

physicians use telephones to dictate notes of their clinical encounters<br />

with patients. These dictations are transcribed by voice recognition programs<br />

or by transcription services on the Internet. Before application of an electronic signature,<br />

physicians have an opportunity to review and correct their notes. However, with<br />

the hectic schedule of most residents and attending physicians, it can be difficult to<br />

review, in detail, each note before application of an electronic<br />

signature. Transcription errors thus enter<br />

the permanent medical record. Many of these<br />

terms occur repeatedly.<br />

The following list, with the original intent,<br />

relates mostly to the musculoskeletal<br />

system as the terms were discovered in<br />

pediatric orthopaedic clinical notes. The<br />

list is certainly incomplete and should be<br />

considered a work in progress.<br />

Editor’s note<br />

A paper I once dictated contained the<br />

phrase “Cell-free translation,” which came back<br />

as “Self retranslation.” I admit that the latter<br />

might have been more interesting to discuss.<br />

Send correspondence to:<br />

James G. Gamble, MD, PhD<br />

800 Welch Road, Suite 212<br />

Department of Pediatric<br />

Orthopaedics<br />

Stanford, California 94304-5709<br />

E-mail: jgamblemd@gmail.com<br />

Gate analysis<br />

Gait analysis<br />

Waffle type chew<br />

Wassel Type 2<br />

The Pharos/Spring 2009 27


New medical terms<br />

Grandma seizures<br />

Grand mal seizures<br />

Hell fracture<br />

Heel fracture<br />

Knot knees<br />

Knock knees<br />

Piggin toes<br />

Pigeon toes<br />

28 The Pharos/Spring 2009


Four Season Haiku<br />

S<br />

wirling snow tempest!<br />

Coating the crooked fingers<br />

Of dormant trees.<br />

Cherry blossom youth,<br />

Circle memorial to<br />

Young nation’s founder.<br />

Coneflower cafes—<br />

Serving royal pollen to<br />

Monarch butterflies.<br />

Aspen leaves scatter;<br />

Wind-surfing autumnal zephyrs<br />

Above mountain streams.<br />

Steven F. Isenberg, MD<br />

Dr. Isenberg (AΩA, Indiana University, 1975)<br />

is assistant professor of Otolaryngology—Head<br />

and Neck Surgery at Indiana University School of<br />

Medicine. His address is: 1400 North Ritter Avenue,<br />

Suite 221, Indianapolis, Indiana 46219. E-mail: sisenberg@good4docs.com.<br />

The Pharos/Spring 2009 29


Erica Aitken<br />

Larry Zaroff, MD, PhD<br />

Completing<br />

the<br />

circle<br />

The author (AΩA, George Washington<br />

University, 1956) is a consulting professor<br />

at Stanford University School<br />

of Medicine & Program in Human<br />

Biology and a senior research scholar<br />

at the Center for Biomedical Ethics.<br />

He has been a writer for the New York<br />

Times science section, and now works<br />

one day a week as a volunteer family<br />

doctor. In 2006 he was honored as<br />

Stanford’s Teacher of the Year.<br />

He had inoperable lung cancer,<br />

which had spread to the<br />

lymph nodes in the neck, as<br />

well as his liver and brain, and was in<br />

the city hospital for terminal care.<br />

No hospice was available in the 1950s.<br />

I was on the general medical ward, my<br />

initial rotation and exposure to clinical<br />

medicine. In costume: short white<br />

coat, a necklace of stethoscope, jewels<br />

of percussion hammer, tuning fork,<br />

otoscope protruding from pockets. The<br />

Merck Manual for support, making me<br />

ready, but with false credentials. Not<br />

a real doctor. Yet a thrill, intoxicated<br />

by the idea of the act. The days when<br />

I knew little but was asked to know<br />

everything about everything. As students,<br />

we expected to learn from our<br />

teachers, obtain the clinical clues that<br />

would allow a correct diagnosis and<br />

treatment. I thought patients were for<br />

30 The Pharos/Spring 2009


learning on, not learning from. What<br />

could they know? I was wrong. Who<br />

understands a disease better than the<br />

patient?<br />

A first patient. A dying patient.<br />

With generosity and tolerance, he answered<br />

the many questions medical<br />

students were required to ask. When I<br />

put my cold stethoscope on his chest,<br />

he smiled and murmured, “Doc, you<br />

may want to warm that up next time.”<br />

The first of the lessons he taught me.<br />

He led my hand to the hard nodes<br />

above his clavicle, guided me to his<br />

swollen liver, and demonstrated the<br />

weakness in his left hand.<br />

It is easy to remember the details of<br />

that first patient. But after moving to<br />

cardiac surgery for twenty-nine years,<br />

then dropping out of medicine for ten<br />

years to climb mountains, and finally<br />

returning to Stanford in 1995 to study<br />

humanities and staying to teach medical<br />

humanities, I recalled little of general<br />

medicine.<br />

It seemed like a full life. I did not<br />

miss the operating room but missed<br />

the patient contact, the real doctoring<br />

that connected with my teaching—<br />

the literature that embraces illness.<br />

This year when a clinic opened for the<br />

low-income and minimally insured<br />

population of our town, I volunteered<br />

to help the two family doctors who<br />

took time from their busy private practices<br />

to work there. It was a tsunami of<br />

surprises, worse than I expected. I was<br />

as lost and confused as King Lear in<br />

the forest. I knew little of modern general<br />

practice. Fortunately the two doctors<br />

in our clinic were willing to teach.<br />

The first patient I saw was a man in<br />

his late seventies who was in the clinic<br />

for a routine visit and to renew his<br />

prescriptions. He was complicated. Not<br />

the single problem of a stenosed aortic<br />

valve or blocked coronary arteries I had<br />

encountered as a surgeon. Back pain,<br />

high blood pressure, asthma, elevated<br />

cholesterol. And then I noticed he was<br />

sitting in a wheelchair. “My leg, Doctor,<br />

I had polio.” I had not seen a patient<br />

with polio in fifty years. He explained,<br />

“Just missed the vaccine.”<br />

My first medical patient in twentytwo<br />

years had more diseases than I<br />

could imagine. I retreated humbly to<br />

the conference room and consulted the<br />

family doctor working that day. “How<br />

do you deal with so many diseases<br />

in one patient? How can you know<br />

enough? In my first go-around as a<br />

student we had few medications for<br />

high blood pressure, high cholesterol,<br />

asthma.” He smiled and suggested I take<br />

my time, go over each problem, then<br />

ask what was really bothering him. My<br />

patient sat quietly in his wheelchair, did<br />

not complain at my tardiness, allowed<br />

me to ask the dozens of questions he<br />

had answered many times. His blood<br />

pressure was slightly elevated, but his<br />

lungs were clear. He remarked, “Another<br />

cold stethoscope.” I was embarrassed.<br />

Twice in one medical life. I reassured<br />

him that his problems were well controlled.<br />

His last question was a surprise.<br />

“Doctor, could I have—I would appreciate<br />

some samples of Viagra. Might I<br />

have a few tablets?” Another shock. In<br />

my era not only did few doctors talk<br />

about sexuality, but rarely did a patient<br />

bring up the subject. My first patient,<br />

once again: enlightenment. That has<br />

not changed. Given the opportunity and<br />

the time most patients will reveal their<br />

complexity, their charm, and will teach<br />

us. He deserved samples of Viagra.<br />

The author’s address is:<br />

433 Bridgeway<br />

Sausalito, California 94965<br />

E-mail: larryz.zaroff@gmail.com<br />

The Pharos/Spring 2009 31


The half-tico, half-gringo robot<br />

Lindsey Finklea<br />

The author is a member of the Class of 2009 at Eastern<br />

Virginia Medical School.<br />

It was our sixth week teaching English in rural Costa Rica<br />

when my husband Patrick was bitten on the leg by a ferde-lance,<br />

a deadly pit viper. Alone in the jungle, I said a<br />

quick prayer before leaving him behind to search for help.<br />

Months before, back in the United States, we had dreamt of<br />

a journey that would allow us to give of ourselves to others<br />

less fortunate—the beginning of a vocation in social justice.<br />

Within a split second, our world turned over, and we became<br />

the recipients in need.<br />

Patrick, who spoke no Spanish, stood out for his overtly<br />

gringo appearance. Still, the elementary school children we<br />

taught flocked to him for his lively animations and notable<br />

ability to lift seven to eight children at a time. Now, six<br />

hours after the snakebite, he lay in the San José Emergency<br />

Department almost lifeless from shock, unable to communicate,<br />

and at the mercy of the hospital staff.<br />

The hospital was surrounded by armed guards. They kept<br />

order in the long lines that trailed around the corner of the<br />

building. Inside, where the humidity crept into the open-air<br />

hospital, doctors in their long-sleeved coats wiped the sweat<br />

from their foreheads.<br />

Filleting the dreadful compartment<br />

syndrome<br />

“They will cut the fascia to treat the compartment syndrome,”<br />

the doctor stated, nodding as if to indicate agreement.<br />

I did not nod back.<br />

“The what?” I replied. He sketched a swollen leg with a<br />

scalpel making incisions on either side. I nodded.<br />

I kissed Patrick on the forehead as he was taken to surgery.<br />

Afterwards he was placed in the intensive care unit.<br />

During the first of several blood transfusions, the surgeon<br />

informed me Patrick had a fifty percent chance of survival.<br />

The next morning I watched with joy tinged with embarrassment<br />

as the nurses struggled to bathe him and administer an<br />

asthma treatment. He was more than alive—he was yelling<br />

about Snickers bars and Coca-Cola. I began to laugh and to<br />

cry at the same time, and even though his eyes were swollen<br />

32 The Pharos/Spring 2009


shut he recognized my voice and began to cry too.<br />

Relieved that I spoke Spanish, one of the nurses lamented<br />

briefly over Patrick’s obstinance and then left us for a moment.<br />

“Coca-Cola” is the same in English as it is in Spanish.<br />

Five minutes later she returned with a small glass.<br />

Over the course of two weeks Patrick became proficient<br />

at certain Spanish expressions. “I have pain in my leg” and<br />

“Can I have Coca-Cola, amigo?” were his favorites. But most<br />

important was the language the hospital staff learned to use<br />

with him. A reciprocal thumbs up or down meant everything<br />

was going well or poorly. Arms stretched out wide with<br />

eyes closed followed by adios meant it was time for another<br />

operation, seven in all. And tico, the word Costa Ricans use<br />

to refer to themselves, was notification that another blood<br />

transfusion was coming. The doctors often joked that he was<br />

half-tico, half-gringo. But as Patrick suddenly declined into<br />

hallucinations and a lung infection, this primitive system of<br />

words and gestures crumbled.<br />

Dr. Izaguirre, the head attending, was a thin man and his<br />

white coat was stiff with starch. As he grew more frustrated<br />

the creases deprived of a home on his coat burrowed thick<br />

and ominous into his forehead.<br />

Patrick’s most vivid hallucination cast him as the leg<br />

segment of a robot. We were merely props in his play, the<br />

setting and plot changing by the moment. Like a stagehand<br />

laboring to keep the lights on and the curtain from falling,<br />

Dr. Izaguirre swooped in and out of the room almost undetected.<br />

The rest of us struggled to keep Patrick calm and<br />

in bed. The infection was improving, but the hallucinations<br />

were not. The doctor was stumped.<br />

Two days went by—no change.<br />

Robotic mimicking and iatrogenic<br />

hallucinations<br />

On day three, Dr. Izaguirre entered and stood over<br />

Patrick’s bed. Like a mannequin from a display window, the<br />

doctor remained motionless in thought. Patrick lay watchful<br />

from below. After five minutes the doctor raised his hand deliberately,<br />

careful not to wrinkle his coat, and scratched the<br />

The Pharos/Spring 2009 33


The half-tico, half-gringo robot<br />

top of his head. Patrick did the same. The doctor’s forehead<br />

creases grew deep as he lifted his eyebrows in surprise. In<br />

the same rigid, mechanical way, Dr. Izaguirre put both arms<br />

straight ahead. Patrick did the same. The creases moved into<br />

the corners of the doctor’s mouth as he began to smile. They<br />

mimicked each other’s robotic movements for some time and<br />

then began adding machine-like sounds to the narrative. I<br />

will never know what they communicated in this intermission,<br />

but Act Two had begun.<br />

With the same mechanical gestures and kindness, I<br />

watched the staff administer lung treatments, change bandages,<br />

and maintain a sterile environment for Patrick’s open<br />

wounds. In these moments humanity transcended language<br />

and the art of medicine rose above critique.<br />

Dr. Izaguirre ultimately discovered the source of the hallucinations:<br />

one of the medications used for pain. Patrick<br />

recovered in time for his birthday, which was spent in the<br />

hospital dining on cake and Coca-Cola. Two days later we<br />

flew home.<br />

We settled back into the comfort of our lives, but<br />

remained unsettled by the experience. We were changed.<br />

With an appreciative eye, I realized that medicine knows no<br />

gender, no age, and no language. I knew this was my calling.<br />

I am a fourth-year medical student. I am the shadow of<br />

my intern, the gatherer of lab data, the student baffled, humbled,<br />

and challenged by her attending’s knowledge. Tempered<br />

by the daily grind of medicine, my naïveté has been tested.<br />

Still, I see glimpses of humanity all around.<br />

I have not yet met another half-tico, half-gringo patient<br />

who thinks he is a robot—I probably never will. Instead, I<br />

see remarkable patients each with their own idiosyncrasies<br />

and challenges. The physicians who manage these patients<br />

preserve their stories in an imaginary toolbox equipped for<br />

the unexpected and extraordinary. For anyone unfamiliar<br />

with its therapeutic use, I recommend storing a few cans of<br />

Coca-Cola.<br />

The author’s address is:<br />

4 Windy Knoll<br />

Grapevine, TX 76051<br />

E-mail: finlelb@evms.edu<br />

34 The Pharos/Spring 2009


I learned from Dr. Lynn Carmichael that when you<br />

make a house call, you excuse yourself to go to the<br />

bathroom and peek into the medicine cabinet to check<br />

on the pills you’ve prescribed. And there they all were,<br />

in chronological order, unopened.<br />

From Seeing Patients: The Sketchiest Details by<br />

Alan Blum, M.D.<br />

From his earliest days as a medical student, Dr. Alan<br />

Blum (AΩA, Emory University, 1985), Gerald Leon Wallace MD<br />

Endowed Chair in Family Medicine at the University of Alabama,<br />

has captured thousands of patients’ stories in notes and drawings.<br />

The sketches and jottings bring back the essence of a<br />

conversation, a detail of personality, and the fragmentary clues<br />

patients give their doctor about the experience of illness. Dr.<br />

Blum’s address is: 26 Pinehurst Drive, Tuscaloosa, Alabama 35401-<br />

1148. E-mail: ablum@cchs.ua.edu<br />

The Pharos/Spring 2009 35


Empty memory album<br />

discarded by the curb<br />

These poems are the winners of the Winter 2008<br />

contest to write a poem to accompany a photograph of<br />

a empty photo album on the curb. Congratulations to<br />

contest winners Ben K. Azman, MD, Babette B. Caraccio,<br />

MD, James L. Foy, MD, Helene Hubbard, PhD, MD, and<br />

Christopher Papa, MD.<br />

Gutted, abandoned<br />

the book with amnesia<br />

lost memories . . . lost lives<br />

James Foy, MD<br />

Dr. Foy was elected to AΩA at Loyola<br />

University Stritch School of Medicine in<br />

1977. His address is: 3940 Washington Street,<br />

Kensington, Maryland 20895.<br />

He loved her more than life<br />

His warm, attractive wife<br />

With her soft, angelic smile<br />

Destined to beguile<br />

The years they spent together<br />

Pledging their love to one another<br />

But then the joy, the laughter<br />

Would not last forever after<br />

One day her lips grew cold<br />

Her words became more bold<br />

And they would fight and fight<br />

Into the emptiness of the night<br />

Give up he would never<br />

Till he found she had a lover<br />

Broken by the hurt, the pain<br />

He felt he lived his life in vain<br />

So he tossed the photos into the fire<br />

Why cling to the memory of a liar?<br />

The empty album went out the window<br />

Lying by the curb, his love a forgotten shadow<br />

Ben K. Azman, MD<br />

Dr. Azman was elected to AΩA at the University of Alberta<br />

in 1967. His address is: 2435 Kaanapali Parkway, Suite H-7,<br />

Lahaina, Hawaii 96761-1980. E-mail: benazman@hawaii.rr.com.<br />

36 The Pharos/Date


Discarded and but not forgotten<br />

No place for photos or mementos,<br />

His heart is dead to mine.<br />

Icy and unforgiving<br />

Wind will chill the empty pages<br />

No soft breeze will comfort me.<br />

There is not cleansing for my soul<br />

Trapped in love and by love<br />

I live my days and nights alone.<br />

The sight of him pains me,<br />

The thought of him burns<br />

I cast away his image but not his memory.<br />

Who will trample these pages?<br />

Like worthless refuse<br />

As he has done to my heart<br />

Is there healing?<br />

Will the memories fade into peace?<br />

I hope but fear not.<br />

This album is cast away<br />

No more to haunt me<br />

Yet, he haunts me still.<br />

I, too, am a castaway<br />

Adrift in despair and loneliness<br />

Awaiting my end.<br />

Babette B. Caraccio, MD<br />

Dr. Caraccio was elected to AΩA at New York University<br />

School of Medicine in 1982. Her address is: 23 Mianus View<br />

Terrace, Cos Cob, Connecticut 06807. E-mail: babettecmd@<br />

optonline.net.<br />

Empty memory album, discarded by the curb,<br />

Evokes an image dark, intended to disturb,<br />

But faded and lost photos, we knew would never last,<br />

Have now become the remnants of the techniques of the past.<br />

The albums of today, stored in many bytes and bits,<br />

Are in a fast computer that on a desktop sits,<br />

They’re all stuffed there within, a large and neat selection<br />

Of digital results, to forms just near perfection.<br />

They make their rounds with lightening speed, o’er electronic<br />

space,<br />

And unite the far flung family at very distant place,<br />

But there’s that special image which is quite hard to find,<br />

It’s stuck there in the neurons that pass for what’s my mind.<br />

My Dearest<br />

We shared so much so long<br />

Life bulged with unborn dreams<br />

Unexpected joy grew from gentle sweetness<br />

into hearty robust love<br />

Then you left<br />

And took me with you<br />

Except the plastic cover<br />

That hides my empty space keeping everyone<br />

from seeing I have gone<br />

Helene Hubbard, PhD, MD<br />

Dr. Hubbard was elected to AΩA at East Tennessee State<br />

University in 1986. Her address is 408 Manatee Avenue, East,<br />

Bradenton, Florida 34208. E-mail: hhub@kidsdoingbetter.com.<br />

Christopher M. Papa, MD<br />

Dr. Papa was elected to AΩA at UMDNJ—New Jersey Medical School in 1986. His<br />

address is: 17 Clover Hill Lane, Colts Neck, New Jersey 07722-1004. E-mail: doxite@verizon.net.<br />

The Pharos/Date 37


The physician at the movies<br />

Peter E. Dans, MD<br />

Man on Wire<br />

Starring Philippe Petit/Paul McGill, Jean-Louis Blondeau/<br />

David Damato, Annie Alix/Ardis Campbell.<br />

Directed by James Marsh. Rated PG-13. Running time 90<br />

minutes.<br />

On August 7, 1974, while the United States was preoccupied<br />

by the Watergate controversy that culminated<br />

in the resignation of President Richard Nixon the following<br />

day, Philippe Petit, a Paris street performer and magician,<br />

fulfilled a long-held dream. In 1968, while sitting in a dentist’s<br />

office, he had read about the construction of the World Trade<br />

Center (WTC) and became obsessed with walking on a wire<br />

suspended between the Twin Towers. Based on his book, To<br />

Reach the Clouds, this fascinating, fictionalized documentary<br />

©2008 Jean-Louis Blondeau / Polaris Images.<br />

or docudrama recounts the meticulous planning underlying<br />

this remarkable (and illegal) feat. Director James Marsh goes<br />

back and forth in time, intercutting interviews with Petit and<br />

the other principals. Petit comes across as child-like and selfcentered,<br />

but also filled with a courageous (or “foolhardy”)<br />

passion and radiating a charisma that enables him to get<br />

people to help him fulfill his dreams. A climber as a child and<br />

blessed with an extraordinary sense of balance and concentration,<br />

he was fascinated by wire walkers, not circus performers<br />

but those who did daredevil stunts as performance art. The<br />

perfect illustration of the French concept of sangfroid, he relates<br />

how one to two millimeters of error in placement of his<br />

foot or a quarter of a second of inattention can result in losing<br />

one’s life. He adds, “If I die, what a beautiful death! To die in<br />

the exercise of one’s passion.”<br />

38 The Pharos/Spring 2009


Philippe, who was brought up strictly in a privileged environment,<br />

had a “bad boy” side. He enjoyed the aspect of<br />

illegality and the feeling that comes with attempting forbidden<br />

and “impossible” things. He likened himself to a spy as he<br />

reconnoitered entry to the WTC through various subterfuges<br />

and kept in character by watching bank- robber movies. He<br />

sought out co- conspirators who were not only supportive but<br />

had a little larceny in their hearts.<br />

Having walked on wire across the cathedral of Notre Dame<br />

de Paris and the Sydney Harbour Bridge in Australia, he was<br />

ready to tackle the highest manmade structure. Petit and his<br />

co- conspirators made numerous visits to the WTC to determine<br />

how to gain entry and to ascend the 110 floors to the top,<br />

over 450 meters (1476 feet) from the ground. They enlisted<br />

an insider with a top floor office where they could store their<br />

equipment. The film takes us back to a time when<br />

Americans were more trusting. He gained access<br />

to the top floors from the manager of the complex<br />

by posing as journalist for a French magazine seeking<br />

to interview the construction crew to learn<br />

about wind conditions and other potential hazards.<br />

While doing so, his two “magazine photographers”<br />

took pictures of the site to determine placement<br />

of the guy wire; in so doing they learned that the<br />

two corners to serve as anchors for the wire did<br />

not face one another, but were askew. At one point<br />

during his stay, he injured his ankle and had to use<br />

crutches, which paradoxically allowed him greater<br />

entrée as people were more concerned with holding<br />

the door for him than checking his identification.<br />

One of the most ingenious things was how the<br />

team got the guy wire or cable across to the conspirators<br />

in the other tower, 200 feet away. Petit’s friend<br />

Jean Louis Blondeau, who is the most sympathetic<br />

character in the film, learned to use a crossbow, and<br />

they adapted the wire so that it could be shot the<br />

required distance. As they got closer to the event,<br />

Jean Louis and the others began to think of being<br />

potentially responsible for a friend’s death and of<br />

being caught in a litigious America and charged<br />

with assisted suicide or involuntary manslaughter.<br />

How wrong they were!<br />

The day before the walk, they infiltrated the<br />

WTC and got the equipment in place. This, the<br />

most exciting part of the film, involved close encounters<br />

with the guards and a race against the<br />

clock to be able to do the stunt before the WTC<br />

came alive. Beginning at 7:45 am, Petit made an<br />

estimated eight crossings which he prolonged to forty-five<br />

minutes of theater as he knelt and lay down on the wire while<br />

eluding the policemen who were trying to capture him. Finally,<br />

as the wind began to pick up and a misty rain began to fall, he<br />

was warned that a helicopter was getting ready to scoop him<br />

up. He terminated the stunt and was arrested and ordered to<br />

be examined by a psychiatrist who pronounced him sane. The<br />

initial charges of illegal trespassing and disorderly conduct<br />

were dropped in exchange for him giving a show for New York<br />

City children.<br />

The most interesting thing was how the event affected Petit<br />

and his friends. The celebrity was immediate as he hooked up<br />

with a groupie on being discharged from jail, even before he<br />

returned to see his girlfriend Annie, Jean-Louis, and the others<br />

who had helped make it all possible. They and he admit<br />

that it closed a chapter in their lives as they became alienated<br />

from his now famous life. He is shown reflecting on how he<br />

has done sixty more performances including one on the Eiffel<br />

Tower. Vowing never to repeat himself, he follows his “passions,”<br />

living life “on the edge,” although admitting that his “life<br />

©2008 Jean-Louis Blondeau / Polaris Images.<br />

is a mess.” The other beneficiary of the stunt was the WTC,<br />

which had been vilified, but now became part of the public<br />

imagination and began to fill up with tenants. One wonders<br />

how much all of this attention influenced the terrorist plotters<br />

in 1993 and September 11.<br />

The Pharos/Spring 2009 39


The physician at the movies<br />

Glenn Ford and Van Heflin in 3:10 to Yuma (1957).<br />

Columbia Pictures/Photofest © Columbia Pictures.<br />

Remaking a forgotten classic Western<br />

While channel- surfing one evening, I got drawn in by the<br />

acting in the original 3:10 to Yuma and I thought it might be<br />

fun to contrast it with the 2007 re-make to see what it says<br />

about filmmakers and audiences separated by half a century.<br />

3:10 to Yuma (1957)<br />

Starring Van Heflin, Glenn Ford, Leora Dana, and Felicia Farr.<br />

Directed by Delmer Daves. Not rated. Run time 92 minutes.<br />

Based on a short story by Elmore Leonard, the film opens<br />

with a stirring rendition of the title song by Frankie Laine,<br />

known for his recordings of “Mule Train,” “Cry of the Wild<br />

Goose,” and the theme from the television show “Rawhide.”<br />

Like High Noon, the movie focuses on a man’s willingness to<br />

do his duty and keep his word, no matter the cost and no matter<br />

the enticements to turn his back on it. The protagonist is<br />

rancher Dan Evans (Van Heflin), a Civil War veteran who went<br />

West with his wife Alice (Leora Dana) and their two children.<br />

After four years of hardscrabble existence and six months of<br />

drought that threatens the loss of his cattle and his ranch, he is<br />

a failure in the eyes of his family. While rounding up his cattle<br />

that had been dispersed by outlaw Ben Wade (Glenn Ford)<br />

and his gang, Evans and his sons come upon the gang robbing<br />

Russell Crowe and Christian Bale in 3:10 to Yuma (2007). Lionsgate/Photofest © Lionsgate.<br />

a stagecoach loaded with gold. After shooting a gang member<br />

being used as a shield, as well as the guard, Wade takes the<br />

Evans family’s horses and their canteens of water and heads<br />

with his gang to Bisbee.<br />

Passing themselves off as hired hands heading for Mexico,<br />

they report the robbery to mislead the sheriff and line up at<br />

the bar for a celebratory drink. Meanwhile, Evans and his<br />

sons get their horses, which Wade left two miles away, and<br />

herd the cattle back to the ranch. Evans decides to go to town<br />

to talk the banker into not foreclosing on his ranch, which<br />

is now worth more to the bank because of the railroad coming<br />

through. Coming upon the marshal (Ford Rainey) and<br />

Butterfield the stagecoach owner (Robert Emhardt), he tells<br />

them that Wade and his gang were headed to Bisbee. Realizing<br />

that they were duped, they return to Bisbee to find that the<br />

gang has cleared out, all except for Wade, who has dallied<br />

with the barmaid Emmy (Felicia Farr). Although captured and<br />

handcuffed, Wade is unperturbed because he knows that his<br />

gang will rescue him. The decision is made to pay two volunteers<br />

$200 dollars to take Wade to the town of Contention to<br />

catch the 3:10 to Yuma where the federal prison is located.<br />

Evans, desperately in need of the money, volunteers to do so,<br />

as does the town drunk Alex Potter (Henry Jones).<br />

The stagecoach drops Wade, Evans, and Potter at Evans’s<br />

40 The Pharos/Spring 2009


homestead, and the sheriff and the rest head off as a decoy<br />

as if transporting Wade themselves. There are some excellent<br />

scenes around supper, the saying of grace, and Evans cutting<br />

the handcuffed Wade’s meat (no fat, please). Wade becomes<br />

acquainted with Alice and begins to get some insight into their<br />

family. The rest of the film involves their arrival in Contention<br />

and the interplay between Evans and Wade in the hotel’s bridal<br />

suite as they wait for the train. Two significant events, the saving<br />

of Wade by Evans and the arrival of Alice, set the scene for<br />

the well- choreographed and dramatic ending in which Evans<br />

must get Wade to the train as the gang positions itself to rescue<br />

Wade and kill Evans.<br />

3:10 to Yuma (2007)<br />

Starring Russell Crowe, Christian Bale, Peter Fonda, and Ben<br />

Foster.<br />

Directed by James Mangold. Rated R. Running time 122 minutes.<br />

The re-make, which is a half-hour longer than the original<br />

(and feels it) differs significantly. It opens with the Evans<br />

barn being burned by the banker’s hooligan. The elder Evans<br />

son William (Logan Lerman) expresses disdain for his father<br />

Dan Evans (Christian Bale) because he won’t do anything but<br />

simply grovel for more time before foreclosure. While they<br />

go to round up the cattle, they come upon the robbery of the<br />

stagecoach, this time loaded with paper currency, not gold,<br />

and with a lot more shooting and killing. The stage is carrying<br />

Pinkerton detectives, one of whom, Byron McElroy (Peter<br />

Fonda), is Ben Wade’s (Russell Crowe) nemesis. Wade shoots<br />

McElroy in the abdomen at point-blank range. As in the original,<br />

Wade spares the Evans family and heads for Bisbee where<br />

he is captured after dallying with the barmaid Emma Nelson<br />

(Vanessa Shaw). The filmmakers felt compelled to sprinkle in<br />

some profanity, which adds nothing to the dialogue, as well as<br />

partial nudity. The liaison between Wade and the barmaid was<br />

handled off-screen in 1957. There is a medical sidebar when<br />

McElroy is operated on without anesthesia by veterinarian<br />

Doc Potter (Alan Tudyk). Simply removing the bullet leads to<br />

a remarkable recovery and McElroy joins Evans, Doc Potter,<br />

and Butterfield the stagecoach owner (Dallas Roberts) in<br />

transporting Wade to Contention.<br />

The supper at the Evans homestead is more crowded and<br />

not as much a family event. Evans still cuts the handcuffed<br />

Wade’s meat but this time he’s asked to cut off the gristle. We<br />

also learn more about Evans’s Civil War record and that he<br />

lost a leg (not so in the original). Nonetheless, he is able to<br />

run like a deer in some key scenes. From here, the re-make<br />

diverges widely from the original as the film covers the trip<br />

to Contention, which the original did not. There’s a lot more<br />

violence, special effects, and issue- oriented dialogue that the<br />

director acknowledges in the DVD commentary was intentional.<br />

This includes vilifying the Pinkertons for presumably<br />

slaughtering Apache women and children, as well as the railroad’s<br />

exploitation of Chinese and Negroes. In contrast to the<br />

low-key performance by Richard Jaeckel as Charlie Prince,<br />

Wade’s second-in- command, in the original, Ben Foster gives<br />

a riveting performance as a vicious psychopath who is dedicated<br />

to Wade, although the feeling is not mutual. While I’m<br />

not a fan of psychopaths, Foster’s portrayal, which is reminiscent<br />

of Richard Widmark’s performance in The Killers, was,<br />

for me, the highlight of the movie.<br />

Evans’s wife is no longer involved in the ending, which<br />

is much different from the original although the last line is<br />

virtually the same. Director Mangold decided to drop her<br />

(whose role I much preferred) and made the elder son a main<br />

character. Both play the same role in humanizing Wade as he<br />

builds an appreciation of Evans and the importance of trying<br />

to preserve him for his family’s sake. In this version, Wade<br />

quotes the Bible, as many movie villains do these days. He<br />

confesses that his mother left him in a hotel room with a Bible<br />

and promised to return. He read it in three days, but she never<br />

came back for him. His favorite quotations are from Proverbs<br />

13:3 and 21:2. Crowe appears at times to be sleepwalking<br />

through the picture, but to give him his due, he does convey<br />

menace in ways that Glenn Ford did not in the earlier version.<br />

As Wade says to Matthew, who is enamored of Dime Novel<br />

western desperadoes like himself, “Kid, I couldn’t last five<br />

minutes leading an outfit like that if I wasn’t rotten as hell.”<br />

Yet he’s an artist and a philosopher, the prototypical post-’60s<br />

anti-hero. His exchange with Evans as to why he doesn’t do<br />

good deeds is particularly noteworthy.<br />

As one might expect of someone who came of age in the<br />

1950s, I much preferred the original, which features straightahead<br />

storytelling with a powerful performance by Van<br />

Heflin, who specialized as the solid second male co-star, most<br />

especially in Shane. Leora Dana’s role, though smaller, is essential<br />

in conveying the importance of character and family.<br />

Still, as noted, there are some excellent scenes and standout<br />

performances in the re-make, especially by Ben Foster, as well<br />

as Peter Fonda. I was also grateful for the re-make in that it<br />

led me to watch the older version. There are some interesting<br />

features on the DVD, especially the one that shows how the<br />

picture was made. Another, an altogether too brief survey<br />

of the Western outlaws gangs like the James Brothers, the<br />

Youngers, the Daltons, and the Earps, discusses how many of<br />

them walked the fine line between being lawmen and outlaws,<br />

periodically falling to one side or the other.<br />

Dr. Dans (AΩA, Columbia University College of Physicians and<br />

Surgeons, 1960) is a member of The Pharos’s editorial board and<br />

has been its film critic since 1990. His address is:<br />

11 Hickory Hill Road<br />

Cockeysville, Maryland 21030<br />

E-mail: pdans@comcast.net<br />

The Pharos/Spring 2009 41


Reviews and reflections<br />

David A. Bennahum, MD, and Jack Coulehan, MD, Book Review Editors<br />

Geriatric Bioscience: The Link<br />

Between Aging and Disease<br />

David Hamerman<br />

The Johns Hopkins University Press,<br />

Baltimore, Maryland, 2007, 279 pages<br />

Reviewed by Denise Zwahlen-<br />

Minton, MD<br />

Get ready to clear out the cobwebs<br />

everyone! Geriatric Bioscience<br />

will take you back to the days of biochemistry<br />

and pathophysiology lectures<br />

and add in a couple more details. Dr.<br />

Hamerman describes the molecular<br />

process of multiple diseases associated<br />

with aging, including osteoarthritis, diabetes,<br />

osteoporosis, and more. The<br />

depth of knowledge presented<br />

is astounding. I found myself<br />

reading in small sections so<br />

I could fully process the<br />

information covered<br />

and I realized just<br />

how much our<br />

knowledge of aging and diseases has<br />

exploded due to research.<br />

This book is not meant to tell you<br />

how to treat your patient, but how to understand<br />

your patient’s illness and why<br />

certain treatments are recommended<br />

and, further, how to avoid the disease in<br />

the first place if at all possible.<br />

In the preface, Dr. Hamerman expresses<br />

his desire to pass on his vast<br />

knowledge and theories on aging by<br />

presenting a new term he calls “geriatric<br />

bioscience.” Dr. Hamerman defines geriatric<br />

bioscience as “the interrelations<br />

of the biology of aging and disease.” px<br />

His goal with this book is to “promote<br />

greater awareness of the biological basis<br />

of aging and related diseases; introduce<br />

the relevance of early origins of disease<br />

as part of overall development; and<br />

encourage geriatricians to be aware of<br />

assessing risk factors to permit timely<br />

interventions.” pxiii<br />

As a young geriatrician, I especially<br />

enjoyed the chapter covering the<br />

evolution of geriatrics, and that Dr.<br />

Hamerman calls on future geriatricians<br />

to continue the quest for knowledge in<br />

aging and prevention of disease. I have<br />

recommended that our geriatric fellows<br />

read Geriatric Bioscience to develop an<br />

appreciation of the history and future<br />

of geriatrics, as well as to increase their<br />

knowledge of aging, the chronic disease<br />

process, and how closely related these<br />

entities are.<br />

In the body of the book, Dr.<br />

Hamerman conveys the knowledge<br />

he has gained in the science of aging,<br />

spanning his half-century career in<br />

medicine and geriatrics. He covers the<br />

basic science of many common geriatric<br />

syndromes, and discusses how the normal<br />

aging process contributes to the<br />

development of disease and how common<br />

pathways lead to different disease<br />

processes.<br />

The covered geriatric syndromes<br />

were described individually, which<br />

made it easy to go back to find a disease<br />

process; but the discussion of common<br />

pathways between diseases could be<br />

better referenced to other chapters. It<br />

would be interesting to try fitting a patient<br />

with multiple co-morbidities into<br />

the pathways Dr. Hamerman presents<br />

and then discuss how the patient got to<br />

be in the shape he or she is in, as well as<br />

the key points for intervention that were<br />

missed by the patient or the physician.<br />

Overall, I enjoyed reading Geriatric<br />

Bioscience. I feel it is a must-read for<br />

young and in-training geriatricians. It<br />

will help to build knowledge on the<br />

molecular basis of the aging process<br />

and how aging affects chronic disease<br />

and its management and prevention.<br />

Geriatric Bioscience also inspires one to<br />

pursue knowledge in aging and chronic<br />

disease management through research.<br />

Dr. Hamerman has truly fulfilled his<br />

goal of conveying his knowledge, as well<br />

as inspiring future geriatricians to keep<br />

the torch of understanding of the aging<br />

process burning.<br />

Dr. Zwahlen-Minton is an assistant professor<br />

in the Division of Geriatrics at the University<br />

of New Mexico School of Medicine.<br />

Her address is:<br />

MSC10 5550<br />

1 University of New Mexico<br />

Albuquerque, New Mexico 87131<br />

E-mail: dminton@salud.unm.edu<br />

42 The Pharos/Spring 2009


Life in the Balance: A<br />

Physician’s Memoir of<br />

Life, Love, and Loss with<br />

Parkinson’s Disease and<br />

Dementia<br />

Thomas Graboys, MD, with Peter<br />

Zheutlin<br />

Union Square Press, New York, 2008,<br />

224 pages<br />

The Light Within: The<br />

Extraordinary Story of a Doctor<br />

and Patient Brought Together<br />

by Cancer<br />

Lois S. Ramondetta, MD, and Deborah<br />

Rose Sills<br />

William Morrow, New York, 2008, 272<br />

pages<br />

Reviewed by Jack Coulehan, MD<br />

(AΩA, University of Pittsburgh, 1969)<br />

Once upon a time, pathographies<br />

(i.e., illness narratives) and physician<br />

memoirs were few and far between.<br />

Undoubtedly, the experience of illness<br />

raised existential questions for sufferers<br />

then as now, but the only people<br />

moved to communicate their encounters<br />

with illness for public consumption<br />

were those whose business it was to<br />

do so; clergymen and creative writers,<br />

for example. Likewise, while the occasional<br />

doctor published his memoirs,<br />

the public in general wasn’t consumed<br />

by a passion for reading about medical<br />

exploits. This state of affairs is difficult<br />

for us to imagine today because for<br />

several decades now pathographies and<br />

medical memoirs have been hot items in<br />

the publishing world. In the 1970s and<br />

’80s, many such books concentrated on<br />

anger, exposé, and condemnation, with<br />

physicians telling the terrible truth about<br />

medical training and patients documenting<br />

the inhumanity of American medical<br />

care. More recently, many doctor- and<br />

patient-writers have shifted their attention<br />

to the existential and spiritual<br />

dimensions of medical experience.<br />

Life in the Balance and The Light<br />

Within are interesting, and in some<br />

ways surprising, examples of this recent<br />

“greening” of medical nonfiction.<br />

In both, health care professionals and<br />

medical institutions come across as<br />

good guys rather than villains. And in<br />

both books the major theme is interior<br />

growth. Life in the Balance is the story<br />

of a cardiologist who develops progressive,<br />

disabling illness while at the peak<br />

of his profession. Speaking from the<br />

perspective of patient and doctor, Dr.<br />

Thomas Graboys struggles not only<br />

with the meaning of illness in his own<br />

life, but also with its impact on his patients<br />

and colleagues, and the difficult<br />

decision of when to retire from practice.<br />

The Light Within is co-authored by a<br />

gynecologic oncologist and an ovarian<br />

cancer patient with whom she established<br />

a close personal relationship. This<br />

“extraordinary friendship,” as described<br />

in the book’s subtitle, leads both women<br />

to discover deeper meaning in their<br />

lives and work.<br />

Life in the Balance<br />

An eminent Boston cardiologist,<br />

Harvard professor, and protégé of<br />

Bernard Lown, Dr. Thomas Graboys<br />

developed Parkinson’s disease while<br />

still in his late 50s. Shortly after his<br />

wife died of cancer in 1998, Graboys<br />

noticed unusual fatigue and physical<br />

and mental sluggishness. He naturally<br />

attributed these symptoms to grief.<br />

But they continued, and a couple of<br />

years later he experienced episodes of<br />

stumbling, falling, and syncope. Despite<br />

receiving a permanent cardiac pacemaker,<br />

these symptoms recurred in<br />

2002 around the time of his marriage<br />

to Vicki, a woman he had met a year<br />

or so after his first wife’s death. During<br />

2003 Graboys confided to his diary that<br />

it was “increasingly difficult to express<br />

concepts.” p30 He also noticed tremor,<br />

problems with dictation, and frequent<br />

loss of his train of thought, symptoms<br />

“typical of Parkinson’s.” p24<br />

While Graboys recorded these concerns<br />

in his diary, outwardly he denied<br />

that anything was wrong, even to<br />

family and close friends. He courted<br />

and married Vicki without revealing his<br />

symptoms or explaining their implications.<br />

When a long-time nurse colleague<br />

questioned him about his health, he<br />

replied, “I’m just tired.” p26 In fact, his<br />

denial remained intact until the day in<br />

2003 when the chair of Neurology at<br />

Harvard accosted him in the parking lot<br />

and pointedly asked, “Tom, who is taking<br />

care of your Parkinson’s?” p27<br />

Despite some improvement with<br />

treatment, Dr. Graboys faced an even<br />

more difficult challenge in 2004 when<br />

he developed the vivid, violent dreams<br />

and memory lapses that led to a diagnosis<br />

of Lewy body dementia, a form<br />

of progressive dementia sometimes associated<br />

with Parkinson’s disease. With<br />

the cat out of the bag at last, the author<br />

finally began to confront the issue of<br />

professional impairment. But initially<br />

the confrontation was indecisive. He<br />

wrote a letter telling his patients about<br />

his illness, cut back on his practice, and<br />

even had his neurologist certify that he<br />

The Pharos/Spring 2009 43


Reviews and reflections<br />

“will be able to continue as an effective<br />

physician” p34 Finally, in mid-2005<br />

Graboys’s colleagues had to seize the<br />

initiative themselves. “I was told, gently<br />

but firmly, that it was the unanimous<br />

opinion of my colleagues that I was no<br />

longer fit to practice medicine.” p36<br />

Writing now with the assistance<br />

of journalist Peter Zheutlin, Graboys<br />

reviews these events with unblinking<br />

honesty. He acknowledges his betrayal<br />

of Vicki and the subsequent tension and<br />

distrust in their relationship. He confronts<br />

his anger over being ill and the<br />

prolonged denial that led to personal<br />

and professional isolation. At the same<br />

time, however, the author reveals the<br />

thoughtful, generous, and passionate<br />

side of his character: good friend, loving<br />

husband and father, a man determined<br />

not to give up. At one level he<br />

approaches the challenges of declining<br />

physical and mental ability with Stoiclike<br />

equanimity, while at another level<br />

he maintains fierce determination to<br />

fight as long as he can.<br />

“What will become of me?” This is<br />

the question that now lies at the center<br />

Dr. Graboys’ personal world. He knows<br />

that his loss of mental and physical<br />

control will worsen. With almost superhuman<br />

effort and his family’s strong<br />

support, he has been able to adapt to<br />

his limitations and maintain a sense<br />

of meaning in his life. Will that continue?<br />

In a chapter entitled “End Game,”<br />

he addresses the question of suicide.<br />

Reflecting on his condition, especially<br />

the dementia, Graboys asks, “Will I<br />

lose myself, my very essence, to this<br />

disease?” p161 Yet what end-of-life instructions<br />

should he give to his surrogate<br />

decision makers? “Who is to say<br />

how much dementia is too much to live<br />

with? Who will know what really goes<br />

on in my head when I lose the ability to<br />

communicate?” p166<br />

In the last chapter, Graboys acknowledges<br />

that he has no “simple prescription<br />

that will help you or someone you love<br />

live a life beyond illness, or tell you how<br />

to tap the hope that lives within.” p181<br />

Unfortunately, he then goes on to make<br />

several suggestions of the superficial<br />

advice-manual variety: “Use your family<br />

and friends as motivation to live life<br />

with as much grace as you can muster.”<br />

“Find a safe place . . . to unburden<br />

yourself of anger.” “Acceptance is key<br />

to defusing anger, stress, and self-pity.”<br />

“Use your faith in God, if you believe in<br />

God.” pp181–82<br />

I found the last comment dispiriting.<br />

Up until that point (six pages from the<br />

end of the book), Graboys says nothing<br />

explicit about the role of spirituality in<br />

coping with progressive illness. I use<br />

the term “explicit” here because in my<br />

opinion the kind of existential work the<br />

author describes qualifies as implied<br />

spirituality. So I don’t mind the absence<br />

of transcendent language or revelatory<br />

experience. No, I found the bland Godcomment<br />

disappointing because with it<br />

the author introduces a new character<br />

(God) who plays no role in his plot.<br />

Why toss belief into your recommendations,<br />

if you immediately dispose of<br />

it with such a truism? As noted in the<br />

previous paragraph, perhaps my major<br />

complaint about Life in the Balance is<br />

the disconnect between the engaging<br />

personal story that occupies most of<br />

the book and the advice manual last<br />

chapter. I guess Dr. Graboys felt that he<br />

owed his readers a summary take-home<br />

message. However, he didn’t. Trust me,<br />

his story speaks eloquently for itself.<br />

The Light Within<br />

The same is true, although in a much<br />

different way, for The Light Within. Dr.<br />

Lois Ramondetta was a fellow in gynecologic<br />

oncology at the M. D. Anderson<br />

Hospital in 1998 when she was called one<br />

night to the bedside of Deborah Rose<br />

Sills. Sills, a professor of comparative religion,<br />

had undergone surgery for ovarian<br />

cancer the year before and was now<br />

admitted for small bowel obstruction.<br />

Scheduled for surgery the next morning,<br />

she had refused to drink her laxative<br />

on the basis of being “already empty.” p3<br />

Dr. Ramondetta’s verbal intervention<br />

was successful. So, too, was the surgery,<br />

during which no recurrent cancer was<br />

found. Ramondetta and Sills hit it off<br />

well from that moment on. Their relationship<br />

developed over the next seven<br />

or eight years from doctor-and-patient<br />

to close friendship and eventually coauthorship<br />

of this intriguing memoir.<br />

In the early part of the book, the<br />

women’s stories remain largely independent,<br />

except for medical contacts.<br />

Dr. Lois writes about her early marriage<br />

to a medical classmate, its rapid<br />

unraveling under the stresses of residency,<br />

their infant daughter Jessica,<br />

and subsequently the complexities of<br />

her life as a single mother. (The women<br />

almost immediately begin referring to<br />

one another as “Dr. Lois” and “Deb,”<br />

a practice I’ll adopt here.) Deb’s sections,<br />

printed in italics, tell of a highly<br />

regarded university professor adopting<br />

a strange new life as an cancer patient.<br />

She struggles against reinterpreting<br />

herself as sick. As Dr. Lois writes, “One<br />

of the first things I learned . . . was how<br />

much she disliked to be defined by<br />

her illness.” p31 The women also reflect<br />

on their developing relationship. Deb<br />

writes, “the two of us [are] still dancing<br />

our way around each other.” p79 In<br />

a companion section, Dr. Lois observes<br />

that Deb considers friendship “an ongoing<br />

conversation.” p80<br />

The stories converge as the two become<br />

close friends. Some of their interactions<br />

take place at M. D. Anderson, as<br />

Deb first returns for a phase II clinical<br />

trial that requires a seven-month treatment<br />

protocol, highlighted by a bone<br />

marrow transplant, and later for management<br />

of recurrences and complications.<br />

Their friendship also blossoms in<br />

nonmedical settings, both in Houston<br />

and at Deb’s home in Santa Barbara.<br />

Among the stories they share is that<br />

of Dr. Lois’s courtship and marriage to<br />

Nuri, a local disc jockey. Another is the<br />

rock-solid support of Deb’s family. In<br />

addition, the friends begin to collaborate,<br />

first on a lecture and then on an<br />

academic paper about spirituality and<br />

ovarian cancer. This dialogue eventually<br />

leads to the book itself, completed only<br />

after Deb’s death in 2006.<br />

44 The Pharos/Spring 2009


Dr. Lois relates one sobering incident<br />

in the realm of medical ethics.<br />

Toward the end of her life, when cancer<br />

had obstructed her ureters, Deb<br />

decides against having nephrostomy<br />

tubes inserted to prevent renal failure.<br />

“I’m not going to be medicalized,” she<br />

explains. p168 Deb’s choice comes as a<br />

surprise to Dr. Lois, who by that time<br />

had already been practicing medicine at<br />

least six years: “That conversation was<br />

a real eye-opener for me. With most<br />

patients, I had never thought of this as<br />

a choice.” p168 Not a choice? Hadn’t she<br />

ever discussed forgoing life-extending<br />

therapy with one of her cancer patients?<br />

I would hope that Dr. Lois had<br />

done so before Deb’s case, which occurred<br />

after she had completed several<br />

years of gynecologic oncology practice.<br />

Fortunately, Deb is then offered a stent<br />

rather than an external tube, an option<br />

she accepts, thus making her earlier<br />

decision moot.<br />

Although I found The Light Within<br />

interesting and competently written, I<br />

was disappointed because through most<br />

of the book the spiritual dimension—so<br />

often referred to by its protagonists—<br />

doesn’t come alive. Early in the text<br />

Deb introduces Dr. Lois to Buddhism<br />

and Ram Dass’s teaching, “Be here<br />

now.” Much later, Nuri, her fiancé, is<br />

helping her learn the same lesson: “to<br />

enjoy the present—to be in the now,<br />

as Deb had put it.” p156 In the chapter<br />

entitled “Spirituality and Cancer,” Deb’s<br />

ovarian cancer recurs and the question<br />

“How long do you think I have?” arises.<br />

Dr. Lois observes, with regard to their<br />

friendship, “I began to notice that some<br />

of my fellow oncologists were also being<br />

drawn—sometimes against their<br />

will—into similarly deep and spiritual<br />

relationships.” p167 Yet the narrative contains<br />

few reflections on human dignity,<br />

suffering, or the meaning of illness, and<br />

no attempt to evoke in words the spiritual<br />

experiences the authors refer to.<br />

Thus, I was taken by surprise when<br />

on page 197 I came to the episode where<br />

Deb reads a passage from the biblical<br />

book of Isaiah to Dr. Lois: “The voice<br />

said, Cry. And he said, What shall I cry?<br />

All flesh is grass, and all the goodliness<br />

thereof is as the flower of the field.” My<br />

reaction to this passage was immediate<br />

and visceral. I burst into tears. Not just a<br />

single sob or two, not just a crinkling of<br />

my eyes. No, I literally burst into tears,<br />

feeling a sense of loss and a deep yearning<br />

seemingly unattached to any specific<br />

object. As I read on, a quieter version of<br />

the same reaction occurred at page 218<br />

where Abby, Deb’s adolescent daughter,<br />

thanks her dying mother for being her<br />

mother and for fighting so hard to stay<br />

alive. I’m not sure how to interpret these<br />

reactions, and it is probably unprofessional<br />

for a reviewer to cite tears as data<br />

in a book review. Nonetheless, I acknowledge<br />

them because the spirituality<br />

I was looking for all along seemed to<br />

“click” for me in the last chapter of The<br />

Light Within. The authors’ stories may<br />

appear for most of the book to promise<br />

more than they deliver, but in the end<br />

they come together powerfully and, at<br />

least for me, they triggered a revelatory<br />

experience.<br />

Life in the Balance and<br />

The Light Within are<br />

two very different, but<br />

complementary, memoirs.<br />

Neither is stale or<br />

routine. Each is fresh<br />

and surprising in<br />

its own way. Both<br />

are tales that deserve<br />

our attention.<br />

Dr. Coulehan is a published<br />

poet and author.<br />

He is the book review<br />

editor for The Pharos<br />

and a member of its editorial<br />

board. His address is:<br />

Department of Preventive<br />

Medicine, HSC L3-086<br />

State University of New York at Stony<br />

Brook<br />

Stony Brook, New York 11794-8036<br />

E-mail: jcoulehan@notes.cc.sunysb.edu<br />

Office Hours<br />

A search for disease<br />

Amidst innocent chatter.<br />

Anxious eyes.<br />

Hidden fears.<br />

Disease selects a stranger,<br />

And merges our lives.<br />

Adding me to the broth,<br />

That sustains a life.<br />

Each subsequent visit;<br />

A sip of sustenance,<br />

Cratered in a bowl<br />

Of hope.<br />

Cupped by trembling hands,<br />

The bowl touches lips.<br />

Eyes speak,<br />

“OK to drink?”<br />

Eyes that occupy<br />

My pensive moments.<br />

My morning drive.<br />

My sleepless nights.<br />

Steven F. Isenberg, MD<br />

Dr. Isenberg (AΩA, Indiana University, 1975)<br />

is assistant professor of Otolaryngology—Head<br />

and Neck Surgery at Indiana University School<br />

of Medicine. His address is: 1400 North Ritter<br />

Avenue, Suite 221, Indianapolis, Indiana 46219.<br />

E-mail: sisenberg@good4docs.com.<br />

The Pharos/Spring 2009 45


The World Is Sleeping<br />

3:03 AM. The world is sleeping.<br />

Skin stretched over bones,<br />

her weight pretends to depress the hospital mattress.<br />

These waking hours are unbearable pain.<br />

Writhing and worming in bed,<br />

she digs her own grave.<br />

An exhaust fan sounds like tiny hands clapping.<br />

It makes a wind to kiss the sweat of her hairless skull.<br />

Tumors devour her.<br />

Mitotic spindles dance wildly<br />

a choreographed mayhem.<br />

Her body is indifferent to a half-empty syringe.<br />

Blood vessels protrude from her arms,<br />

calling Morpheus to ease her through—<br />

memories of 96 years need more than minutes to pass.<br />

Neon lights buzz to reveal her.<br />

A steady pulse barks out to the stethoscope.<br />

A needle prick, a rose blooms—<br />

a red flash hardens to crimson.<br />

Her heart is now a blood-soaked sponge.<br />

Each contraction rattles and cracks her crusted ribs.<br />

Minutes pass. Time slows.<br />

3:17 AM. The world is sleeping.<br />

Michael R. Bykowski<br />

Mr. Bykowski is a member of the Class of 2011 at The University of Pittsburgh<br />

School of Medicine. His address is: 2158 Fairland Street, Pittsburgh, Pennsylvania<br />

15210. E-mail: bykowski.michael@medstudent.pitt.edu.<br />

46 The Pharos/Spring 2009


Announcing the 2009 <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong><br />

Robert J. Glaser Distinguished Teacher Awards<br />

These awards are based on a national competition conducted<br />

annually through the offices of the deans of U.S.<br />

and Canadian medical schools, and are designed to recognize<br />

distinction in medical student teaching. Each school<br />

may submit one application. Recipients are selected by a<br />

committee jointly appointed by ΑΩΑ and the Association<br />

of American Medical Colleges (AAMC).<br />

Up to four faculty awards of $10,000 each are made.<br />

In addition, each award winner’s nominating institution<br />

receives $2,500 for teaching activities. If that school has<br />

an ΑΩΑ chapter, a $1,000 stipend is awarded toward its<br />

activities.<br />

Nomination materials for 2009 have been sent to every<br />

medical school by the AAMC, which administers all aspects<br />

of the competition. The deadline for nominations is<br />

May 1, 2009. Information and nomination forms are available<br />

at www.aamc.org/about/awards/aoa.htm. Queries<br />

regarding nominations should be addressed to Henry<br />

M. Sondheimer, MD, at the AAMC, 2450 N Street, NW,<br />

Washington, DC 20037-1127; telephone (202) 828-0680;<br />

e-mail: hsondheimer@aamc.org.<br />

The awards will be presented during the annual meeting<br />

of the AAMC in Boston, November 6–11, 2009.<br />

Minutes of the 2008 meeting of the board of<br />

directors of <strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong><br />

The meeting in Menlo Park, California, was convened at<br />

8:30 am by President Rae-Ellen Kavey, MD.<br />

Present were: Secretary-Treasurer C. Bruce Alexander,<br />

MD; member at large N. Joseph Espat, MD; President Rae-<br />

Ellen Kavey, MD, MPH; member at large Douglas S. Paauw,<br />

MD; councilor member Robert G. Atnip, MD; medical organization<br />

member John Tooker, MD; Executive Secretary<br />

Edward D. Harris, Jr., MD; Assistant Treasurer William F.<br />

Nichols; and national office members Mara Celebi, Ann<br />

Hill, Debbie Lancaster, and Carol Wong. Participating by<br />

conference call were Vice President Donald Wilson, MD,<br />

and student member Natalia Berry.<br />

Absent and excused were: members at large Michael V.<br />

Drake, MD, Ruth-Marie Fincher, MD, Don W. Powell, MD,<br />

and Joseph W. Stubbs, MD; councilor members Eric P. Gall,<br />

MD, and Amy Goldberg, MD; student members Smeeta<br />

Sinha and Kara Cavuoto.<br />

The minutes of the 2008 meeting of the board of directors<br />

were reviewed and approved.<br />

New board and honorary members<br />

Nominations for the 2008/2009 board of directors slate<br />

were reviewed and voted upon. Elected to a three-year<br />

term as member at large: Robert Atnip, MD, Pennsylvania<br />

State University. Re-elected to three-year member-at-large<br />

terms: C. Bruce Alexander, MD, University of Alabama at<br />

Birmingham; Donald B. Wilson, MD, Director, Minority<br />

Health & Health Disparities, Owings Mills, Maryland. Elected<br />

to a three-year term as councilor member: Anne Mancino,<br />

MD, University of Arkansas School of Medicine. Elected to a<br />

three-year term as student member: Cason Pierce, University<br />

of Texas Southwestern Medical School at Dallas.<br />

Honorary member nominations were reviewed and<br />

voted upon. Elected to honorary membership were: Lihadh<br />

Al-Ghazali, MBChB, MRCP, FRCP, FRCPCH, United<br />

Arab Emirates University, Al Ain, United Arab Emirates;<br />

Rodolfo A. Armas-Merino, MD, MACP, University of Chile,<br />

Santiago, Chile; Kai-Ming Chan, MBBS, FRCS (Edin.),<br />

FRCPS (Glas.), FHKCOS, FACS, The Chinese University<br />

of Hong Kong, Hong Kong Special Administrative Region,<br />

People’s Republic of China; Ronald Dorfman, MBBCh,<br />

FRCPath, emeritus professor of Pathology, Stanford<br />

University School of Medicine, Stanford, California;<br />

Ogabara K. Doumbo, MD, PhD, University of Mali, Bamako,<br />

Republic of Mali; Torello Lotti, MD, University of Florence,<br />

Florence, Italy; Prof. Dr. med. Dr. H. C. Thomas Ruzicka,<br />

Ludwig-Maximilian University, Munich, Germany; K. V.<br />

Thiruvengadam, BSc, MD, FRCP, FAMS, DSc, FCCP (US),<br />

FCAI, Madras Medical College, Chennai, India; Nuria M.<br />

Greenfield Tortosa, MD, University of Panama School of<br />

Medicine, Panama City, Panama.<br />

Reports of officers and programs<br />

Reports of the president, executive secretary, and managing<br />

editor were presented, followed by reports on the<br />

programs the national office administers.<br />

Ms. Celebi and Ms. Wong presented the report on online<br />

registration of new members. The board decided in<br />

2006 to require registration of new members on-line:<br />

�� ��� �������������������������� ������������������������<br />

dues to support AΩA programs.<br />

�� �����������������������������������������������������<br />

The Pharos/Spring 2009 47


National and chapter news<br />

may only be inducted into the Society after the membership<br />

fees to the local chapter [if any] and to the national<br />

AΩA office have been paid.”<br />

�� ��������������������������������������������������<br />

AΩA web site, which the national office will use increasingly<br />

for communication with members.<br />

The new registration procedures resulted in 96 percent<br />

of all nominees having paid dues as of August 2008, compared<br />

with 38 percent at the same point in 2007, before the<br />

new registration procedures took effect.<br />

The board unanimously approved the following statement<br />

regarding nonpayment of dues by students elected<br />

to AΩA:<br />

As established in the AΩA Constitution (Article IV,<br />

Section 2f), a student chosen for membership in AΩA<br />

“. . . may only be inducted into the Society after the<br />

membership fees to the local chapter and to the national<br />

AΩA office have been paid.”<br />

The AΩA Board of Directors established at its annual<br />

meeting in October 2007 that all new member dues<br />

must be paid through a process of online registration<br />

using the AΩA website, effective with all subsequent<br />

chapter elections. This process has been successful at<br />

enrolling 97% of new members over the past 12 months.<br />

Students who do not initially pay their dues receive<br />

reminders from the National Office, both in person and<br />

through their AΩA Councilor.<br />

By unanimous vote, the AΩA Board now reaffirms<br />

that AΩA membership will not be granted to any student,<br />

who after a reasonable process of notification, has<br />

failed to satisfy the dues requirement prior to September<br />

1 of the year of graduation. After that date, a final letter<br />

of non-election will be sent to the Councilor and to<br />

the Dean of the medical school. It is expected that the<br />

Councilor will then make appropriate efforts to notify<br />

the candidate of his/her status.<br />

This action of non-election as a student will not<br />

preclude any candidate from future election to AΩA in<br />

other defined membership categories.<br />

Dr. Alexander and Mr. Nichols presented the financial<br />

review. AΩA’s financial health continues strong in spite of<br />

the problems in the stock market. The change in registration<br />

procedure resulted in a small improvement in dues<br />

income. National programs accounted for $1.27 million in<br />

actual expenses for the 2007/2008 fiscal year.<br />

New initiatives<br />

The proposal for the Professionalism Fellowship was<br />

discussed and approved. Announcement of the fellowship<br />

was sent to all chapter councilors and deans of schools of<br />

medicine having active AΩA chapters.<br />

A survey of medical students was completed. The survey<br />

sought to determine:<br />

1. Student awareness of AΩA as an organization: Is the<br />

student familiar with AΩA? Does the student understand<br />

its function as a medical honor society?<br />

2. Student understanding of AΩA: Does the student<br />

know about AΩA opportunities within chapters and nationally?<br />

3. Student perception of AΩA: Is the student associated<br />

with AΩA? Is AΩA a negative or a positive influence?<br />

Should honor societies exist in medical training?<br />

4. Visibility of AΩA on campus.<br />

The survey was designed and conducted by student<br />

member Natalia Berry of Dartmouth Medical School with<br />

the input of marketing professor Jackie Luan at the Tuck<br />

School of Busines at Dartmouth. Two groups of students<br />

were surveyed: junior AΩA students and a broader group<br />

of AΩA and non-AΩA students.<br />

Almost 200 third-year students, elected as juniors,<br />

completed the survey, as did an additional fifty senior<br />

students. Names and medical schools remain anonymous.<br />

Most reported first hearing about AΩA from elected students.<br />

Those reporting recognized scholarly achievement<br />

(95%) and professionalism/leadership/service (82%) as the<br />

primary functions of AΩA. Forty-seven percent listed help<br />

in obtaining a residency as a primary function. Of these<br />

elected students, 41% believed that AΩA was active and<br />

visible at their school. Of the small number of elected students<br />

(2% of those responding to the survey) who felt that<br />

there was no appropriate role for a honor medical society,<br />

the principal reasons were that it increased stress and pressure<br />

and competition. The attributes of membership most<br />

important to recently elected junior students were help<br />

with residency match (77%) followed by prestige. A number<br />

of written comments indicated that the lack of visibility of<br />

AΩA on campus resulted in the organization appearing as<br />

if it were a secret society.<br />

Presentation by Stanford Alumni Consulting Team<br />

AΩA’s board of directors decided at its 2007 board<br />

meeting to investigate ways to increase AΩA’s visibility,<br />

both in medical schools and generally, to enhance existing<br />

programs, and to generate revenue for additional<br />

important programs. A group of alumni from the Stanford<br />

University Graduate School of Business, the Stanford<br />

Alumni Consulting Team (ACT), provides pro bono management<br />

consulting services to nonprofit agencies. The<br />

group presented its report to the AΩA board of directors<br />

at this meeting. The board has taken ACT’s proposals under<br />

advisement and will implement selected recommendations<br />

over the next several years.<br />

48 The Pharos/Spring 2009


I Am the Patient<br />

I give my name,<br />

Take a seat.<br />

It feels odd from this vantage.<br />

They call me Ms., ask me in.<br />

This is my turf, but I’m not in charge.<br />

Today I am the patient.<br />

My vitals taken,<br />

I sit, ill at ease not being in charge.<br />

There’s a reason I sought that degree.<br />

The doctor comes in,<br />

Asks my complaint.<br />

I try to be helpful, descriptive,<br />

Though I don’t enjoy being vulnerable,<br />

Or asking for my needs to be met.<br />

I need to be the patient.<br />

My visit almost complete,<br />

I recheck—did I miss anything?<br />

“I hope you feel better,” my physician offers<br />

And I thank him for seeing me as a walk-in.<br />

God, I just hope the cough will ease tonight<br />

And I can get some rest.<br />

I pay my copay,<br />

Get my prescriptions and note for work.<br />

“Oh, you’re a doctor,” the receptionist notes.<br />

I smile.<br />

Not today.<br />

Suzanne Minor, MD<br />

The Pharos/Spring 2009 49<br />

Dr. Minor (AΩA, University of Miami, 2001) lives in Florida. Her address is<br />

16555 NW 25 Avenue, Opalocka, Florida 33054. E-mail: suzieminor@aol.com.


Letters to the editor<br />

Locked-in syndrome<br />

I enjoyed the review of The Diving<br />

Bell and the Butterfly by my friend and<br />

classmate Peter Dans in the Autumn<br />

2008 issue of The Pharos. I would<br />

agree with his characterization of the<br />

film as outstanding and, as a neurologist,<br />

I found the depiction of a patient<br />

with the locked-in syndrome quite<br />

accurate. The protagonist showed<br />

remarkable inner strength and intelligence<br />

despite his desperate condition,<br />

being unable to move or speak and<br />

only able to communicate with eye<br />

blinks. Bauby, the patient, had a contract<br />

to write a feminine counterpart<br />

of The Count of Monte Cristo, presenting<br />

a powerfully ironic situation,<br />

as its author, Alexandre Dumas, père,<br />

penned the first literary depiction of a<br />

person with the locked-in syndrome in<br />

this novel. Whether or not the screen<br />

writer knew this is not clear.<br />

The description of “the paralytic,”<br />

who was in this state for six years, is as<br />

follows:<br />

M. Noirtier, although almost as immovable<br />

and helpless as a corpse,<br />

looked at the new-comers with a<br />

quick and intelligent expression . . .<br />

Sight and hearing were the only<br />

senses remaining, and appeared<br />

left, like two solitary sparks, to<br />

animate the miserable body which<br />

seemed fit for nothing but the<br />

grave. The speaking eye sufficed<br />

for all. He commanded with it; it<br />

was the medium through which his<br />

thanks were conveyed. 1<br />

As in the movie, there were<br />

several people who learned to<br />

communicate with Noirtier by<br />

attempting to interpret his<br />

eye blinks. His granddaughter<br />

Valentine,<br />

however, worked<br />

out a system much like that used by the<br />

speech pathologist in the film. She first<br />

recited the letters of the alphabet until<br />

Noirtier indicated that the first letter of<br />

the word he wanted was reached. The<br />

second letter of the word was than determined<br />

the same way. Valentine then<br />

held up a dictionary and ran her fingers<br />

down the columns until her grandfather<br />

signaled that she was at the word<br />

he wanted.<br />

Although rare, the locked-in syndrome<br />

occurs often enough that it<br />

needs to be considered in the differential<br />

diagnosis of any patient who has<br />

no voluntary movements but seems to<br />

have some level of wakefulness. These<br />

patients are individuals with whom reliable<br />

communication can be achieved,<br />

unlike patients with coma, the chronic<br />

vegetative state, or conditions associated<br />

with minimal consciousness.<br />

The same careful assessment needs<br />

to be applied to children, as the syndrome<br />

has been reported in pediatric<br />

patients. 2 Patients with amyotrophic<br />

lateral sclerosis and some other neuromuscular<br />

conditions can eventually<br />

become locked-in, but this does not<br />

occur calamitously as in the case of a<br />

stroke or traumatic brain injury.<br />

References<br />

1. Dumas A. The Count of Monte Cristo.<br />

Chapter 39, M. Noirtier de Villefort.<br />

2. Golden GS, Leeds N, Kremenitzer<br />

MW, Russman BS. The “locked-in” syndrome<br />

in children. J Pediatrics 1976; 89:<br />

596–98.<br />

Gerald S. Golden, MD<br />

(AΩA, Columbia University College of<br />

Physicians & Surgeons, 1961)<br />

Anatomy—with or without a<br />

cadaver<br />

It was a pleasure to read the<br />

Autumn 2008 issue of The Pharos.<br />

I read with great interest the article,<br />

“Bring out your dead?” by W. Roy<br />

Smythe (pp. 10–15). In Nepal, dissection<br />

is a necessary component of the<br />

gross anatomy curriculum for medical<br />

students. Students dissect certain<br />

regions of the body and are shown<br />

prosected specimens of other regions.<br />

During the practical examinations, students<br />

do not have to dissect the human<br />

body but are shown prosected specimens<br />

and identification of individual<br />

structures followed by a viva voce with<br />

the examiner.<br />

In Nepal, the basic science subjects<br />

of anatomy, physiology, biochemistry,<br />

pathology, microbiology, and pharmacology<br />

are taught in an integrated<br />

organ system-based manner during<br />

the first two years of the undergraduate<br />

medical (MBBS) course. A survey<br />

was carried out in a medical school in<br />

western Nepal to study the emotional<br />

impact of cadaver dissection using the<br />

appraisal of life events (ALE) scale. 1<br />

The loss, challenge, and threat scores<br />

were compared initially on first exposure<br />

to dissection and at the time of<br />

the study. The loss and threat scores<br />

declined over the course of study. The<br />

loss and threat scores were lower than<br />

that reported previously. The challenge<br />

scores were higher. Majority of students<br />

considered anatomy dissection as<br />

a significant positive life experience.<br />

The December 2004 issue of the<br />

magazine The Clinical Teacher had<br />

an interesting article about how a new<br />

medical school in the United Kingdom<br />

teaches anatomy without cadavers. 2<br />

The department decided that they<br />

would rely on living anatomy and<br />

medical imaging. Peer examination, life<br />

models, body projection, body painting,<br />

digital surface anatomy atlases,<br />

computer models, and simulations are<br />

among the various methods used. A<br />

major disadvantage of dissection ac-<br />

50 The Pharos/Spring 2009


cording to the authors is that the color,<br />

texture, and smell of a cadaver is not<br />

like real life and cadavers cannot be<br />

auscultated, palpated, or usefully asked<br />

to change position. 2<br />

I am a medical educator and the<br />

medicine program coordinator in my<br />

medical school, and am interested in<br />

strategies to deal with the knowledge<br />

explosion in medicine. These days<br />

knowing “what not to teach” according<br />

to me is as important as knowing what<br />

to teach. A possible problem is that<br />

anatomists and anatomy teaching have<br />

concentrated on the requirements of<br />

surgeons and surgical specialties. The<br />

majority of medical graduates will not<br />

be surgeons and the anatomical knowledge<br />

they need and the way they approach<br />

the body may be quite different.<br />

During my undergraduate days I<br />

was taught the detailed relations of<br />

various nerves and blood vessels. I do<br />

not remember any of that now and<br />

also did not find it useful in practice.<br />

I personally feel that the procedures<br />

like peer examination, body projection,<br />

and other methods adopted in the U.K.<br />

school 2 will equip students with a more<br />

relevant knowledge of anatomy. A doctor<br />

while doing a physical examination<br />

(palpation) should be able to visualize<br />

what structures lie underneath the<br />

examining hand and should also know<br />

about the surface anatomy of different<br />

organs. With the widespread availability<br />

of CT scans and MRIs cross-sectional<br />

anatomy is becoming more important.<br />

In my undergraduate days, anatomy<br />

was taught in a traditional manner and<br />

was not clinically oriented. Dissection<br />

may be useful in that it is a group activity<br />

and learning takes place in consonance<br />

with adult learning principles.<br />

Students can also be introduced to<br />

death in a sensitive manner. However,<br />

this objective was not fulfilled during<br />

my undergraduate days. Most medical<br />

schools in South Asia do dissections<br />

as a mechanical activity which is mandatory<br />

as it has been included in the<br />

curriculum. I feel medical educators<br />

and doctors other than anatomists and<br />

surgeons should also be engaged in the<br />

important issue of curriculum design.<br />

This may also be required for other<br />

basic science subjects. Their broader<br />

and more holistic viewpoint can have<br />

a significant impact on the narrower<br />

viewpoint of subject experts resulting<br />

in a more relevant curriculum.<br />

Anatomy describes the setting of<br />

events, as rightly pointed out by the<br />

author. The questions are what methods<br />

to use to teach and learn about the<br />

body and to what depth to teach and<br />

which details are necessary and which<br />

are irrelevant and may be omitted.<br />

The guiding principle I feel is that the<br />

undergraduate course in most parts of<br />

the world prepares the student for a<br />

career as a primary care physician. The<br />

teaching of all subjects should keep<br />

in mind this important fact. Facts and<br />

details needed for various postgraduate<br />

courses can be better taught during the<br />

particular course and not during the<br />

undergraduate days!<br />

References<br />

1. Vijayabhaskar P, Shankar PR, Dubey<br />

AK. Emotional impact of cadaver dissection:<br />

a survey in a medical college in western<br />

Nepal. Kathmandu Univ Med J 2005;<br />

3: 143–48.<br />

2. McLachlan JC, De Bere SR. How we<br />

teach anatomy without cadavers. The Clinical<br />

Teacher 2004; 1: 49–52.<br />

Dr. P. Ravi Shankar<br />

Department of Medical Education<br />

KIST Medical College<br />

Lalitpur, Nepal<br />

AΩA membership—more than<br />

high GPA<br />

In recent years, the Gamma AΩA<br />

chapter at UT Southwestern had been<br />

making student nominations based<br />

strictly on GPA, and individuals were<br />

only nominated during their senior<br />

year of medical school. Last year, the<br />

chapter leadership made two important<br />

changes in its selection process.<br />

First, selection criteria were changed<br />

to incorporate leadership, research,<br />

and service activities as outlined in the<br />

AΩA Constitution. Second, for the first<br />

time in over a decade, members were<br />

nominated from the junior class.<br />

The benefits of making these two<br />

minor changes in the selection process<br />

have been tremendous. Weighing<br />

leadership, research, and community<br />

service in the selection process better<br />

insures that student members have the<br />

skill set and commitment necessary<br />

to foster a dynamic organization. By<br />

selecting a small group of members<br />

and student officers prior to the fourth<br />

year, the organization’s leadership has<br />

had more time to identify and organize<br />

projects that serve the community and<br />

that boost the visibility of the organization<br />

and its ideals on campus.<br />

After their selection last spring, the<br />

student officers met with the chapter<br />

councilor, executive committee, and<br />

outgoing student officers. Following<br />

this meeting, the new officers together<br />

came up with ideas for several new<br />

programs designed to improve the<br />

university community, serve the community<br />

at large, and strengthen the ties<br />

of its faculty and former student members.<br />

The officers then organized a<br />

meeting with the newly-selected junior<br />

AΩA members to discuss these project<br />

ideas, identify those ideas with the<br />

most member support, and delegate<br />

responsibilities for development and<br />

implementation.<br />

The AΩA student leadership and<br />

members identified several opportunities<br />

to provide service to the university<br />

community. The organization made<br />

one of its goals to encourage a collegial<br />

atmosphere among medical students.<br />

To achieve this goal, AΩA worked with<br />

the university administration to create<br />

a program where each of the forty<br />

AΩA members serves as a mentor to<br />

the small groups of first- and secondyear<br />

students within the newly created<br />

UTSW Colleges. These mentors<br />

provide support by assisting with instruction<br />

in performing different components<br />

of the physical exam, working<br />

with students to improve their patient<br />

The Pharos/Spring 2009 51


Letters<br />

write-ups, providing encouragement<br />

and advice regarding Step 1 preparation<br />

and the residency application process,<br />

and by hosting their small groups of<br />

students for dinner. AΩA plans to<br />

make this partnership a cornerstone of<br />

its service activities and is working to<br />

improve the overall experience for all<br />

of the involved parties.<br />

In addition, the chapter leadership<br />

felt that, given the academic success of<br />

its members, the group was in a unique<br />

position to offer advice on study<br />

habits and exam preparation to first-<br />

and second-year medical students.<br />

Several AΩA members developed a<br />

survey instrument and polled their<br />

fellow members to determine those<br />

study methods and resources most<br />

consistently utilized. They then incorporated<br />

this information into several<br />

Powerpoint presentations and shared<br />

it with first- and second-year medical<br />

students during a series of lunch workshops.<br />

Several other members are still<br />

working to create a similar resource for<br />

second-year students related to Step 1<br />

and wards preparation.<br />

The chapter community service<br />

project involved partnering with a local<br />

nonprofit organization to provide free<br />

sports physicals for the school-aged<br />

children of north Dallas. AΩA student<br />

members advertised the event, helped<br />

with patient intake and discharge,<br />

and conducted physicals with appropriate<br />

faculty supervision. Physician<br />

volunteers were recruited from the<br />

local AΩA faculty. In total, the group<br />

saw sixty-nine patients during a single<br />

Saturday morning in early September.<br />

AΩA plans to make this community<br />

service activity an annual event.<br />

Moreover, the officers felt it important<br />

to strengthen the relationship<br />

between AΩA faculty, former student<br />

members, and current members. They<br />

contacted all current AΩA faculty<br />

members and asked for responses from<br />

those willing to serve as mentors to<br />

student members. They then compiled<br />

this list of mentors, organized it by<br />

area of medical specialty, and made it<br />

available for all of its student members.<br />

The organization is also working to<br />

acquire contact information for alumni<br />

members so they can be made aware of<br />

the various chapter activities.<br />

To further improve visibility and<br />

communication within the organization,<br />

the student leadership has made<br />

a significant effort to update and improve<br />

its chapter website. The new<br />

website features information about<br />

the various AΩA activities, a list of all<br />

current faculty AΩA members, those<br />

faculty members willing to serve as<br />

mentors for AΩA members, and all<br />

recent student members. It also contains<br />

downloadable copies of the “study<br />

tips” documents, the current selection<br />

process, and the AΩA Constitution.<br />

The chapter has also produced the first<br />

edition of what it hopes will become a<br />

biannual chapter newsletter for distribution<br />

to faculty, student, and alumni<br />

members.<br />

Several forces are responsible for<br />

this rapid and significant revitalization<br />

of the UT Southwestern Gamma<br />

Chapter. Strong faculty and administration<br />

support has been crucial.<br />

However, the main driving force for<br />

these recent changes has been greater<br />

opportunity for student leadership and<br />

greater student member involvement.<br />

This enhanced student involvement<br />

stems directly from the recent changes<br />

in member selection. We encourage<br />

other chapters to re-examine their selection<br />

processes and the organization<br />

of their student leadership so that they<br />

may better contribute to their local institutions,<br />

better serve their local community,<br />

and better promote the ideals<br />

of the national organization<br />

Cason Pierce, Chapter President,<br />

Gamma Texas<br />

(AΩA, University of Texas<br />

Southwestern Medical School, 2008)<br />

Dallas, Texas<br />

Editor’s note<br />

Prior to receiving Mr. Pierce’s letter,<br />

we sent out a reminder of AΩA selec-<br />

tion principles to each chapter councilor,<br />

and requested responses from<br />

each about his or her own chapter<br />

processes:<br />

Most chapters do indeed follow<br />

the guidelines in the constitution<br />

(Article IV, section 2) that stipulate<br />

that from the upper 25% of the class<br />

expected to graduate, one sixth of<br />

the total number may be nominated<br />

for membership. Up to one<br />

half of the total may be nominated<br />

in the spring of the junior year.<br />

Those chosen for nomination from<br />

the upper quartile by the following<br />

guideline (IV.2.c): “Scholastic<br />

achievement should be the primary<br />

but not sole basis for nomination<br />

of a student. Leadership capabilities,<br />

ethical standards, fairness in<br />

dealing with colleagues, potential<br />

for achievement in medicine, and<br />

a record of service to the school<br />

and community at large should be<br />

criteria in addition to the academic<br />

record.”<br />

There are several important<br />

points to stress: One is that<br />

“nomination/nominated” replaces<br />

“election/elected” because students<br />

(or faculty, residents, alums) nominated<br />

are not full members until<br />

they have registered online and<br />

paid first-year dues or lifetime dues.<br />

Another is that within the context<br />

of the constitution, each chapter is<br />

free to weight these less objective<br />

criteria (perhaps best summarized<br />

by the term “professionalism”) as it<br />

chooses.<br />

The message is a simple one:<br />

Those chapters that choose nominees<br />

for membership using only<br />

the Grade Point Average are in<br />

violation of the constitution, and<br />

must change. The evaluation of<br />

the subjective criteria does not sit<br />

squarely on the the shoulders of<br />

the councilor. Fellow students (e.g.,<br />

when elected juniors are considering<br />

seniors) and, most important,<br />

faculty member assessments, are<br />

very important to gather. Members<br />

52 The Pharos/Spring 2009


of numerous chapters have noted<br />

that the selection meetings have<br />

been very rewarding interactive<br />

experiences when input from many<br />

voices is heard.<br />

Edward D. Harris, Jr., MD<br />

Editor<br />

Poetry—perhaps best read<br />

aloud<br />

I enjoyed reading your editorial, “It’s<br />

not a word I can put into feelings,” in<br />

the Spring 2008 issue of The Pharos.<br />

My older brother, Professor John<br />

Pick (born September 18, 1912), graduated<br />

maxima cum laude from the<br />

University of Notre Dame in 1933. He<br />

Significant Other,<br />

Late in Life<br />

we came together<br />

late in life<br />

two rivers mingling<br />

where each had been<br />

apart and unaware<br />

now flowing<br />

as one<br />

our bond<br />

holier than holy<br />

impossible to rend<br />

bound for<br />

a common sea<br />

Eric Pfeiffer, MD<br />

then earned his PhD at the University<br />

of Wisconsin under tutelage of Helen<br />

C. White, PhD. He was editor of<br />

Renaissance, the Catholic Literature<br />

Critique, for at least twenty years.<br />

He taught graduate students various<br />

branches of English, but always insisted<br />

on teaching one undergraduate course<br />

in grammar, rhetoric, etc., so that he<br />

might keep up with any changes in<br />

punctuation, rules of paragraphing,<br />

etc., which helped him as an “editor.”<br />

He enjoyed teaching poetry, but his<br />

specialty was the Victorian novel.<br />

My reason for writing was to point<br />

out that John always insisted his students<br />

read poetry aloud, as a recitation,<br />

and I note your various editors have<br />

Dr. Pfeiffer (AΩA, Washington University in St. Louis, 1960) is a member of the editorial<br />

board of The Pharos. His address is: 3120 W. Hawthorne Road, Tampa, Florida 33611. E-mail:<br />

epfeiffe@health.usf.edu.<br />

also emphasized this. It makes sense,<br />

and emphasizes the real fundamentals<br />

of poetry by the auditory sense of the<br />

rhymes and rhythms of any language.<br />

All readers need to be reminded of this<br />

essential, because it leads to a greater<br />

appreciation of poetry as a means of<br />

communication.<br />

I have been leafing through my collections<br />

of The Pharos from over the<br />

many years, and have been surprised at<br />

the variety and frequency with which<br />

you have promoted poetry. Thanks.<br />

James W. Pick, MD, MS<br />

(AΩA, Northwestern University, 1938)<br />

Shorewood, Wisconsin<br />

Erica Aitken<br />

The Pharos/Spring 2009 53


<strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> elects<br />

honorary members<br />

Individuals who have contributed sub-<br />

stantially to medicine and fields related<br />

to medicine, but who are not eligible<br />

for membership in A!A as graduates of<br />

a medical school with an A!A chapter or<br />

as a faculty member of a medical school<br />

maintaining an active A!A chapter, may be<br />

nominated for honorary membership by any<br />

active member of the society. In 2008 <strong>Alpha</strong><br />

<strong>Omega</strong> <strong>Alpha</strong>’s board of directors extended<br />

invitations to the following distinguished<br />

physicians and scientists.<br />

Edward D. Harris, Jr., MD<br />

Executive Secretary<br />

Lihadh Al-Gazali, MBChB, MRCP, FRCP, FRCPCH<br />

United Arab Emirates University, Al Ain, UAE<br />

Dr. Al-Gazali, a British citizen born in Baghdad, Iraq, is<br />

Professor in Clinical Genetics and Paediatrics in the Faculty<br />

of Medicine and Health Sciences at Al Ain, United Arab<br />

Emirates. She graduated from Baghdad Medical College<br />

and went on to receive pediatric and genetics credentials in<br />

England and Scotland. Her goal in research is to identify and<br />

delineate genetic disorders that are prevalent in the UAE and<br />

Arab populations. Her group and collaborators internationally<br />

have identified more than a dozen recessive genes and has<br />

mapped four of these. Crucial for her research has been her<br />

establishment of a Registry for Birth Defects in the UAE. Her<br />

teaching expertise benefits both<br />

pediatric clerks and sub-interns,<br />

and she was honored with the<br />

Distinguished Performance Award<br />

at UAE University. She is a Fellow<br />

of the Royal College of Physicians<br />

of Ireland and the Royal College<br />

of Pediatrics and Child Health,<br />

United Kingdom. She is the winner<br />

of the 2008 L’Oréal-UNESCO<br />

award for women in science for<br />

Africa and Arab States.<br />

Rodolfo A. Armas-Merino, MD, MACP<br />

University of Chile, Santiago, Chile<br />

Dr. Armas-Merino is a Professor of Medicine at the<br />

University of Chile, and a gastroenterologist at the Hospital<br />

San Juan de Dios in Santiago. He served as the Chairman of<br />

the Department of Medicine at the University of Chile from<br />

1984 to 1994, and has been a Member of the Council of the<br />

Faculty at the University of Chile. In addition, he has been a<br />

member of the Editorial Board of the Revista médica de Chile<br />

and of Gastroenterologia y Hepatologia (Barcelona, Spain).<br />

Professor Armas-Merino has held many other academic<br />

and administrative positions in his career, including the<br />

Presidency (1986 to 1996) and Vice Presidency (1982 to<br />

1987) of the Superior Council of the Chilean Corporation<br />

for Certification of Medical Specialties; membership in the<br />

Council for the Technological Development of the Chilean<br />

Commission for Research in Science and Technology; a member<br />

of the Chilean Council for Research in Health since its<br />

foundation in 2003, and Vice President since 2007.<br />

He has served on a number of International Committees<br />

and belongs to many professional societies, including the<br />

Sociedad Médica de Santiago (President from 1983 to 1985);<br />

Colegio Médico de Chile serving as a Member of the Santiago<br />

Regional Council from 1969 until 1973, and the National<br />

Council from 1973 until 1975. In 1982 he became a Fellow<br />

of the American College of Physicians and served as the<br />

Governor of the ACP Chile Chapter from 1996 until 2000, and<br />

has been a member of the Chapter Council from 1994 until<br />

2008. He was made a Master of the ACP in 2001. He joined<br />

the Chilean Society of Gastroenterology in 1968 and was the<br />

Director from 1975 until 1990, he has been a member of the<br />

Chilean Academy of Medicine since 1989, was Treasurer from<br />

54 The Pharos/Spring 2009


2001 to 2008, and became the Academy Secretary in 2008.<br />

He was President of the Chilean Society of Medical Societies<br />

since its foundation in 2000 until 2007. Professor Armas-<br />

Merino is held in the highest professional esteem in Chile and<br />

internationally.<br />

Kai-Ming Chan, MBBS, FRCS (Edin), FRCPS (Glas),<br />

FHKCOS, FACS<br />

The Chinese University of Hong Kong<br />

Hong Kong<br />

Dr. Chan is Professor and Chair of the Department of<br />

Orthopaedics and Traumatology at the Chinese University of<br />

Hong Kong, and director of both the Hong Kong Centre of<br />

Sports Medicine & Sports Science and the WHO Collaborating<br />

Centre for Sports Medicine at his university. As a mentor/<br />

teacher he has overseen thirty graduate students, and his<br />

funded grants during his career have, to date, totaled almost<br />

$14 million. He has written 196 papers published in peerreviewed<br />

journals, been an editor or co-editor of twenty-five<br />

books, written fifty-two book chapters and assembled 570<br />

conference proceedings. International recognitions of his<br />

energy and accomplishments have included membership on<br />

the International Steering Committee of the WHO-endorsed<br />

Bone and Joint Decade, and being elected president of the<br />

International Federation of Sports Medicine (2002 to 2006).<br />

He is a Fellow of the American College of Surgeons and a<br />

member of the American Academy of Orthopaedic Surgeons<br />

and the American College of Sports Medicine. In 1995 he<br />

was honored by being named an OBE, Officer of the Most<br />

Excellent Order of the British Empire.<br />

Ronald F. Dorfman, MBBch,<br />

FRCPath<br />

Emeritus Professor of<br />

Pathology, Stanford University<br />

Ronald Frederick Dorfman<br />

is an Emeritus Professor of<br />

Pathology at Stanford University<br />

School of Medicine and one of<br />

the most noted hematopathologists<br />

in the world. He is a South<br />

African graduate of the University<br />

of the Witwatersrand and<br />

Medical School in Johannesburg.<br />

His pathology training was at the<br />

South African Institute for Medical Research in Johannesburg.<br />

His major interest for nearly fifty years has been in diseases<br />

of the lymphoid system, making early major contributions<br />

to the role of enzyme histochemistry in the understanding<br />

of Kaposi’s sarcoma and, after moving from South Africa to<br />

Washington University in St. Louis in 1963, reporting the first<br />

case of Burkitt’s lymphoma outside of Africa. During the<br />

same period, he and his colleague Juan Rosai described what<br />

has become the well-recognized entity of sinus histiocytosis<br />

with massive lymphadenopathy commonly referred to as<br />

“Rosai-Dorfman Disease.”<br />

He was recruited to Stanford University in 1968 and,<br />

for thirty-five years co-directed the Laboratory of Surgical<br />

Pathology. During this time, he was a major participant in<br />

seminal clinicopathologic studies of Hodgkin’s disease and<br />

other lymphomas carried out at the University. He was, as<br />

well, one of six expert pathologists involved in a worldwide<br />

study that eventuated in “The Working Formulation of non-<br />

Hodgkin Lymphomas for Clinical Usage.” He is the author of<br />

over 170 peer-reviewed publications and many book chapters<br />

and has trained more than a generation of hematopathologists<br />

including Dr. Roger Warnke who is the current Ronald F.<br />

Dorfman, MBBCh, FRCPath, Professor of Hematopathology<br />

at Stanford University.<br />

Ogabara K. Doumbo, MD, PhD<br />

University of Mali<br />

Dr. Ogobara Doumbo has been the Director of the Malaria<br />

Research and Training Center in Bamako, Mali, since its inception.<br />

He is also Chair of the Department of Epidemiology<br />

of Parasitic Diseases at the University of Mali. Awarding him<br />

honorary membership in AΩA recognizes his excellence in<br />

service through the Malaria Research and Training Center<br />

(MRTC).<br />

The MRTC is a collaborative effort between the staff of<br />

the Faculty of Medicine, Pharmacy and Odonto-stomatology<br />

(FMPOS) and the National Institutes of Health (NIH) in the<br />

United States. This program has also received significant support<br />

from a number of USAID programs including the USAID<br />

Mission in Bamako. This is a uniquely African operation in<br />

which the work is planned, directed, and executed by the local<br />

staff.<br />

In March 1998, President Clinton recognized the MRTC<br />

and made a promise for continued support. A site visit in<br />

October of 2007 clearly demonstrated that the MRTC presence<br />

and its protocols in the treatment of malaria have upgraded<br />

the health of the region under the leadership of Dr.<br />

Doumbo. Dr. Doumbo has contributed hgreatly to the health<br />

of the citizens of Mali and the success of the MRTC. The basic<br />

tenet of AΩA is to be “Worthy to serve the suffering,” and Dr.<br />

Doumbo certainly fulfills this mission.<br />

Torello Lotti, MD<br />

University of Florence, Florence, Italy<br />

Torello Lotti graduated from the Universita di Firenze and<br />

specializes in Dermatology. He is a Professor in the Faculty of<br />

Medicine at the University of Florence. He embodies the spirit<br />

of AΩA. In addition, Torello is a force in organized dermatology<br />

in America and worldwide. He is acknowledged internationally<br />

as an expert clinician. He has the titles of Visiting<br />

Professor at three American medical schools (Bowman Gray,<br />

The Pharos/Spring 2009 55


Honorary members<br />

Medical University of South Carolina, and the University of<br />

Louisville), and is an honorary member of eight international<br />

dermatology societies. He is the founding editor of Journal of<br />

the European Academy of Dermatology.<br />

Prof. Dr. med. Dr. H.C.<br />

Thomas Ruzicka<br />

Ludwig-Maximilian<br />

University, Munich,<br />

Germany<br />

Prof. Dr. med. Dr. H.C.<br />

Thomas Ruzicka, Professor<br />

and Head of Dermatology at<br />

Ludwig-Maximilian University<br />

in Munich, exemplifies the attributes<br />

we expect of AΩA<br />

honorary members, being a<br />

respected leader in academic<br />

medicine who cements with<br />

towering leadership the academic excellence of what may be<br />

the finest dermatology department in the world. Professor<br />

Ruzicka is an internationally renowned authority on atopic<br />

dermatitis with more than 500 full articles and a number of<br />

highly regarded books. He has led world dermatology with<br />

aplomb, beginning a new Munich tradition that has attracted<br />

English speakers in the same way that the Fortbildungswoche<br />

für praktische Dermatologie und Venerologie has been a magnet<br />

for German-language physicians to update their medical<br />

knowledge. His life exemplifies academic excellence, clinical<br />

acumen, and inspirational teaching at all levels with a warmth<br />

and graciousness that marks him in the first order of wonderful<br />

human beings.<br />

K. V. Thiruvengadam, BSc, MD, FRCP, FAMS, DSc,<br />

FCCP (USA), FCAI<br />

Madras Medical College, Chennai, India<br />

KVT, as he is popularly known, is in his eighty-second year,<br />

having enjoyed an outstanding academic record as Professor<br />

and Head of the Department of Medicine at Madras Medical<br />

College in Chennai. Earlier he had a distinguished academic<br />

career at the Stanley Medical College, Chennai, India, as the<br />

best outgoing student of the college and also of the University<br />

of Madras in 1950.<br />

KVT’s primary areas of expertise have been clinical allergy,<br />

infectious diseases, and occupational medicine.<br />

For the past nearly fifty-three years he has focused his<br />

attention on teaching undergraduates and postgraduates—<br />

for nearly thirty-one years in the State Medical Service and<br />

later in private medical institutions for nearly twenty years<br />

to date. Indeed, KVT is a legendary teacher at the bedside,<br />

in small groups, and the lecture hall, and was recognized by<br />

the Medical Council of India with the Dr. B.C. Roy award<br />

for eminent medical teacher. His medical school alma mater,<br />

Stanley Medical College, honored<br />

him with the Star of<br />

Stanley Medal. Many of his<br />

former students have distinguished<br />

themselves in India,<br />

the United States, the United<br />

Kingdom, and elsewhere.<br />

A prize in his name was<br />

established at Stanley for<br />

the senior student graduating<br />

with the highest GPA in<br />

both physiology and medicine.<br />

Lectureships in his name<br />

were instituted at Madras<br />

University and Madras Medical College. An award in his name<br />

was established by the Rotary Club of Chennai.<br />

Along with his teaching efforts, KVT has published more<br />

than 100 peer-reviewed papers. He has given a number of<br />

prestigious lectures on chest diseases, allergy, and internal<br />

medicine. He served as Regent of the College of Chest<br />

Physicians of India, and is a Fellow of the Royal College of<br />

Physicians, Edinburgh.<br />

KVT has been Honorary Physician to the President of<br />

India. The government of India bestowed on him the honorific<br />

“Padma Sri” in 1981.<br />

Nuria M. Greenfield<br />

Tortosa, MD<br />

University of Panama School<br />

of Medicine, Panama City,<br />

Panama<br />

Nuria M. Greenfield<br />

Tortosa just completed<br />

four years as Governor of<br />

the American College of<br />

Physicians for Panama and<br />

has done a remarkable job as<br />

advocate for outstanding patient<br />

care and raising the level<br />

in quality of care in her country. She went to medical school<br />

at the Faculty of Medicine at the University of Panama, graduating<br />

in 1969. She did her internship at the Hospital Santo<br />

Tomas in Panama and then a rural internship at Area Sanitaria<br />

de David, Panama, followed by her residency in Internal<br />

Medicine and a residency in Nephrology. She has served as a<br />

Clinical Professor at the University of Panama since 1993 and<br />

an Adjunct Professor in Internal Medicine at the University of<br />

Guadalajara. She served as the president of the Panamanian<br />

Society of Internal Medicine from 1995 to 1997, and as governor<br />

for the American College of Physicians, Panama Chapter,<br />

from 2004 to 2008. It is hard to convey the importance of this<br />

person to her country’s medical establishment. Dr. Tortosa has<br />

an energy that lifts everyone around her.<br />

56 The Pharos/Spring 2009


Full Nelson<br />

Under the state tournament banner<br />

He wears a wrestler’s<br />

String bikini helmet<br />

And a singlet whose leg holes<br />

Reveal two stumps<br />

Emerging like wary prairie dogs<br />

From their underground dens<br />

As he balances his torso<br />

On truncated arms<br />

That lost necrotizing hands<br />

Twelve years ago.<br />

To me he seems half a man<br />

Until I see him in his circle<br />

Where he escapes my limiting hold—<br />

Reversal—<br />

Just as he did the nights of tears<br />

And the endless days of “stumpy” and “freak”<br />

To place me beneath him<br />

Like the struggling wrestler<br />

Wrapped in his twitching elbows,<br />

Twisting on the mat<br />

Whose painted circle<br />

Belies the geometry of this man,<br />

Complete in his abridgement,<br />

A four limb amputee<br />

Who is both beast and being<br />

In his victorious, gymnasium roar,<br />

A mouth stained red<br />

In the invigorating blood<br />

Of a long-awaited kill.<br />

Jason David Eubanks, MD<br />

The author (AΩA, Case Western Reserve<br />

University, 2003) is a Spine Fellow in the<br />

Department of Orthopaedics at the University<br />

of Pittsburgh. His address is: 36901 Beech Hills<br />

Drive, Willoughby Hills, Ohio 44094. E-mail:<br />

jdeubanks2002@yahoo.com.


Handsome and elegant, a proud reflection of AOA<br />

<strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong> necktie or bowtie<br />

Fashioned from fine silk by Vineyards Vines<br />

of Martha’s Vineyard, Massachusetts.<br />

Necktie, $45.00<br />

Bowtie, $38.00<br />

To order, send a check to<br />

<strong>Alpha</strong> <strong>Omega</strong> <strong>Alpha</strong><br />

525 Middlefield Road, Suite 130<br />

Menlo Park, California 94025<br />

Or order online at<br />

www.asphaomegaalpha.org/store<br />

(Price includes shipping and handling)

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