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Oxbow Spring 2013.pdf - Oxbow Books

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Hot <strong>Spring</strong>s<br />

The Northern Territory and Contemporary Australian Artists<br />

Daena Murray (Author); Nicholas Rothwell (Author)<br />

Dr. Daena Murray, former and now Emeritus Curator of the Museum and Art<br />

Gallery of The Northern Territory, has collected together an extraordinary range of<br />

contemporary artworks with qualities that clearly identify them with the Northern<br />

Territory. Created by both indigenous and non-indigenous artists resident and<br />

active in the Northern Territory, these artworks share characteristics that include<br />

references and responses to the land and its unique colours and geographic<br />

formations; to the diverse culture and cultural changes that have occurred; to<br />

specialist local developments in various art forms such as printmaking, woven<br />

constructions in natural materials, site specific installation art and sculpture; and<br />

to Darwinian origins. Daena Murray’s richly detailed and well informed text, with<br />

introduction by Nicolas Rothwell, appears alongside the chosen artworks.<br />

9781921394416, £70.00, Available Now<br />

HB, 320p, Macmillan Art Publishing<br />

An Interpretation of This Title/Waiting For - (Texts for Nothing)<br />

Nitzsche, Darwin and the Paradox of Content (Vol 1)/Samuel Beckett, in Play (Vol 2)<br />

Joseph Kosuth (Author)<br />

This two-volume set documents installations by acclaimed American artist Joseph<br />

Kosuth which have been commissioned by Juliana Engberg of the Australian<br />

Centre for Contemporary Art in Melbourne, Australia. Joseph Kosuth’s work,<br />

executed principally in text formed of neon lighting, first appeared in the 1960s<br />

and has consistently explored the role of language and its meanings in art. The<br />

two volumes contain texts by Joseph Kosuth, Jualan Engberg of ACCA, and Pat<br />

Fisher from the Talbot Rice Gallery as well as significant essays by John Welchman,<br />

noted Art historian and Professor of Modern History at the University of California,<br />

San Diego, and Ronald Jones, an artist and critic who leads the Experience Design<br />

Group at Konstfack University College in Stockholm. The photography of the<br />

installations is simply stunning.<br />

9781921394553, £52.00, Available Now<br />

HB, 184p, Macmillan Art Publishing<br />

Art – Modern Period<br />

50<br />

Power + Colour<br />

New Painting from the Corrigan Collection of 21st Century Aboriginal Art<br />

Jane Raffan (Author)<br />

The enthralling power and colour of Aboriginal painting of Tjukurpa (Law) and<br />

country has brought Aboriginal art to the forefront of contemporary art practice<br />

in Australia. Aboriginal art has also played an important role in the formulation of<br />

Indigenous Land Rights debates and Native Title Jurisprudence. 2012 marked the<br />

twentieth anniversary of the High Court of Australia’s decision in Mabo, which<br />

overturned the British doctrine of terra nullius (empty land) – the false premise<br />

on which the colony was founded – and forever changed the legal landscape for<br />

Indigenous rights. The thesis of Power + Colour: New Painting from the Corrigan<br />

Collection of 21st Century Aboriginal Art charts the history of Aboriginal art’s<br />

impact on Australian law, and explores the inextricable nexus of Aboriginal law<br />

and sense of self – an entirety that is inseparable from country.<br />

9789491431074, £42, August 2012<br />

9781921394744, £80.00, Available Now<br />

HB, 475p, Groningen Archaeological Studies 19, Barkhuis<br />

HB, 368p, Macmillan Art Publishing

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