Julius Caesar 8. What does Antony predict in his soliloquy? 10 ...

Julius Caesar 8. What does Antony predict in his soliloquy? 10 ... Julius Caesar 8. What does Antony predict in his soliloquy? 10 ...

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Act III Study Questions Julius Caesar NAME Act III, Scene 1: L Why does Caesar not read Artemidorus' letter? 2. Why does Cassius think their assassination plan has been discovered? 3. Why does Caesar get angry at Metellus? 4. What does Brutus tell the frishtened senators after Caesar's assassination? 5. How does Calphurnia's dream come true? 6. What does Antony want from the conspirators? 7. What restrictions does Brutus place on Antony when he allows him to speak at the funeral? 8. What does Antony predict in his soliloquy? 9. What information does the messenger bring to Antony? 10. What are Antony's intentions as the scene ends? Act III, Scene 2 & 3: 1. How does Brutus justiff the killing of Caesar to the people of Rome? 2. What is the crowd's reaction to Brutus' speech? 3. What two reasons does Antony give to prove Caesar wasn't ambitious?

Act III Study Questions<br />

<strong>Julius</strong> <strong>Caesar</strong><br />

NAME<br />

Act III, Scene 1:<br />

L Why <strong>does</strong> <strong>Caesar</strong> not read Artemidorus' letter?<br />

2. Why <strong>does</strong> Cassius th<strong>in</strong>k their assass<strong>in</strong>ation plan has been discovered?<br />

3. Why <strong>does</strong> <strong>Caesar</strong> get angry at Metellus?<br />

4. <strong>What</strong> <strong>does</strong> Brutus tell the frishtened senators after <strong>Caesar</strong>'s assass<strong>in</strong>ation?<br />

5. How <strong>does</strong> Calphurnia's dream come true?<br />

6. <strong>What</strong> <strong>does</strong> <strong>Antony</strong> want from the conspirators?<br />

7. <strong>What</strong> restrictions <strong>does</strong> Brutus place on <strong>Antony</strong> when he allows him to speak at the<br />

funeral?<br />

<strong>8.</strong> <strong>What</strong> <strong>does</strong> <strong>Antony</strong> <strong>predict</strong> <strong>in</strong> <strong>his</strong> <strong>soliloquy</strong>?<br />

9. <strong>What</strong> <strong>in</strong>formation <strong>does</strong> the messenger br<strong>in</strong>g to <strong>Antony</strong>?<br />

<strong>10</strong>. <strong>What</strong> are <strong>Antony</strong>'s <strong>in</strong>tentions as the scene ends?<br />

Act III, Scene 2 & 3:<br />

1. How <strong>does</strong> Brutus justiff the kill<strong>in</strong>g of <strong>Caesar</strong> to the people of Rome?<br />

2. <strong>What</strong> is the crowd's reaction to Brutus' speech?<br />

3. <strong>What</strong> two reasons <strong>does</strong> <strong>Antony</strong> give to prove <strong>Caesar</strong> wasn't ambitious?


4. How <strong>does</strong> <strong>Antony</strong> use irony <strong>in</strong> <strong>his</strong> funeral speech?<br />

5. what is the mean<strong>in</strong>g of the pun "brutish beasts"? who says it?<br />

6- How <strong>does</strong> <strong>Antony</strong> use caesar's cloak to manipulate the crowd?<br />

7. How <strong>does</strong> <strong>Antony</strong> say that <strong>Caesar</strong> died?<br />

8' <strong>What</strong> is the news that the messenger br<strong>in</strong>gs to <strong>Antony</strong> at the end of the scene?<br />

9. Why is C<strong>in</strong>na out on the streets?<br />

<strong>10</strong>. <strong>What</strong> is the excuse the mob uses to kill C<strong>in</strong>na?<br />

Parallel Structure<br />

Parallel structure is the expression of similar ideas <strong>in</strong> similar grammatical form. It can make<br />

ord<strong>in</strong>ary prose more poetic and a speech more powerful.<br />

Identify and expla<strong>in</strong> the parallel elements <strong>in</strong> each of the follow<strong>in</strong>g examples.<br />

l. Most high, most mighty, and most puissant <strong>Caesar</strong>...<br />

2' Brutus is noble, wise, valiant, and honest; / <strong>Caesar</strong>was mighty, bold, royal, and lov<strong>in</strong>g.<br />

3' Not that I loved caesar less, but that I roved Rome more.<br />

4, I come to bury <strong>Caesar</strong>, not to praise him.<br />

5' who is here so base, that / would be a bondm an? ... who is here so rude, that would not<br />

be a /Roman?


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Practice 5<br />

Use the follow<strong>in</strong>g passage from Act III, scene i of <strong>Julius</strong> <strong>Caesar</strong><br />

to answer questions 1-12.<br />

Brutus. Be patient till the last.<br />

Romans, countrymen, and lovers, hear me for<br />

my cause, and be silent that you may hear.<br />

Believe me for m<strong>in</strong>e honor, and have respect to<br />

m<strong>in</strong>e honor, that you may believe. Censure me<br />

<strong>in</strong> your wisdom, and awake your senses, that you<br />

may the better judge. If there be any <strong>in</strong> t<strong>his</strong><br />

assembly, any dear friend of <strong>Caesar</strong>'s, to him I<br />

say that Brutus' love to <strong>Caesar</strong> was no less than<br />

<strong>his</strong>. If then that friend demand why Brutus rose<br />

aga<strong>in</strong>st <strong>Caesar</strong>, t<strong>his</strong> is my answer: not that I<br />

loved <strong>Caesar</strong> less, but that I loved Rome more.<br />

Had you rather <strong>Caesar</strong> were liv<strong>in</strong>g and die all<br />

slaves, than that <strong>Caesar</strong> were dead, to live all free<br />

men? As <strong>Caesar</strong> loved me, I weep for him; as he<br />

was fortunate, I rejoice at it; as he was valiant, I<br />

honor him; but, as he was ambitious, I slew him.<br />

There is tears for <strong>his</strong> love;joy for <strong>his</strong> fortune;<br />

honor for <strong>his</strong> valor; and death for <strong>his</strong> ambition.<br />

Who is here so base that would be a bondman?<br />

If any, speak, for him have I offended. Who is<br />

here so rude that would not be a Roman? If any,<br />

speak, for him have I offended. Who is here so<br />

vile that will not love <strong>his</strong> country? If any, speak,<br />

for him have I offended. I pause for a reply.<br />

All. None. Brutus. none!<br />

Bra. Then none I have offended. I have<br />

done no more to <strong>Caesar</strong> than you shall do to<br />

Brutus. The question of <strong>his</strong> death is enrolled <strong>in</strong><br />

the Capitol, <strong>his</strong> glory not extenuated where<strong>in</strong> he<br />

was wonhy, not <strong>his</strong> offenses enforced for which<br />

he suffered death.<br />

Enter Marc <strong>Antony</strong> [and others] with<br />

<strong>Caesar</strong>'s body.<br />

Here comes <strong>his</strong> body, mourned by Marc <strong>Antony</strong>,<br />

who, though he had no hand <strong>in</strong> <strong>his</strong> death, shall<br />

receive the benefit of <strong>his</strong> dy<strong>in</strong>g, a place <strong>in</strong> the<br />

commonwealth, as which of you shall not? With<br />

t<strong>his</strong> I depart, that, as I slew my best lover for the<br />

good of Rome, I have the same dagger for<br />

myself when it shall please my country to need<br />

my death.<br />

All. Live. Brutus. live. live!<br />

lBrutus comes down.f<br />

First Plebian Br<strong>in</strong>g him with triumph<br />

home unto <strong>his</strong> house.<br />

50<br />

55<br />

60<br />

65<br />

70<br />

75<br />

80<br />

85<br />

90<br />

Second Plebian. Give him a statue with <strong>his</strong><br />

ancestors.<br />

Third Plebiqn. Let him be <strong>Caesar</strong>.<br />

Fourth Plebian. <strong>Caesar</strong>'s better parts<br />

Shall be crowned <strong>in</strong> Brutus.<br />

First Plebian We'll br<strong>in</strong>g him to <strong>his</strong> house<br />

with shouts and clamors.<br />

Bru. My countrymen-<br />

Second Plebian. Peace, silence! Brutus<br />

speaks.<br />

Second Plebian. Peace, ho!<br />

Brz. Good countrymen,let me depart alone,<br />

And, for my sake, stay here with <strong>Antony</strong>.<br />

Do grace to <strong>Caesar</strong>'s corpse, and grace <strong>his</strong><br />

speech<br />

Tend<strong>in</strong>g to <strong>Caesar</strong>'s glories, which Marc<br />

<strong>Antony</strong>,<br />

By our permission, is allowed to make.<br />

I do entreat you, not a man depart,<br />

Save I alone, till <strong>Antony</strong> have spoke. Exit.<br />

<strong>Antony</strong>. Friends, Romans, countrymen, lend<br />

me your ears.<br />

I come to bury <strong>Caesar</strong>, not to praise him.<br />

The evil that men do lives after theml<br />

The good is oft <strong>in</strong>terred with their bones.<br />

So let it be with <strong>Caesar</strong>. The noble Brutus<br />

Hath told you <strong>Caesar</strong> was ambitious.<br />

If it were so, it was a grievous fault,<br />

And grievously hath <strong>Caesar</strong> answered it.<br />

Here, under leave of Brutus and the rest-<br />

For Brutus is an honorable man,<br />

So are they all, all honorable men-<br />

Come I to speak <strong>in</strong> <strong>Caesar</strong>'s funeral.<br />

He was my friend, faithful and just to me;<br />

But Brutus says he was ambitious,<br />

And Brutus is an honorable man.<br />

He hath brought many captives home to Rome,<br />

Whose ransoms did the general coffers fill.<br />

Did t<strong>his</strong> <strong>in</strong> <strong>Caesar</strong> seem ambitious?<br />

When that the poor have cried, <strong>Caesar</strong> hath wept;<br />

Ambition should be made of stemer stuff.<br />

Yet Brutus says he was ambitious,<br />

And Brutus is an honorable man,<br />

You all did see that on the Lupercal<br />

I thrice presented him a k<strong>in</strong>gly crown,<br />

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Which he did thrice refuse. Was t<strong>his</strong> ambition?<br />

Yet Brutus says he was ambitious,<br />

And sure he is an honorable man.<br />

I speak not to disprove what Brutus spoke,<br />

But here I am to speak what I do know.<br />

You all did love him once, not without cause.<br />

<strong>What</strong> cause withholds you then to mourn for<br />

him?<br />

O judgment! Thou art fled to brutish beasts,<br />

And men have lost their reason. Bear with me;<br />

My heart is <strong>in</strong> the coff<strong>in</strong> there with <strong>Caesar</strong>,<br />

1.<br />

,<br />

3.<br />

Brutus's words seem to <strong>in</strong>dicate that he is<br />

A confident<br />

B fearful<br />

C repentant<br />

D vengeful<br />

The fact that Marc <strong>Antony</strong> speaks to the<br />

crowd after Brutus gives <strong>his</strong> speech is<br />

significant because<br />

A t<strong>his</strong> lets him address a group ofpeople<br />

who are already angry<br />

B t<strong>his</strong> gives Brutus an opportunity to<br />

escape the crowd<br />

C t<strong>his</strong> demonstrates that <strong>Antony</strong> had<br />

noth<strong>in</strong>g to do with <strong>Caesar</strong>'s death<br />

D t<strong>his</strong> allows him to refute what Brutus<br />

has said<br />

Which best expresses the MAIN idea of<br />

<strong>Antony</strong>'s speech?<br />

A <strong>Caesar</strong> cared deeply for the common<br />

people of Rome.<br />

B Brutus's words and actions show him to<br />

be an honorable man.<br />

C <strong>Caesar</strong> was not as ambitious as Brutus<br />

believed him to be.<br />

D People will remember <strong>Caesar</strong> more for<br />

<strong>his</strong> evil deeds than for the eood he did.<br />

<strong>10</strong>5<br />

1<strong>10</strong><br />

And I must pause till it come back to me.<br />

First Plebian Meth<strong>in</strong>ks there is much<br />

reason <strong>in</strong> <strong>his</strong> say<strong>in</strong>gs.<br />

Second Plebian. If thou consider rightly of<br />

the matter, <strong>Caesar</strong> has had a great wrong.<br />

Third Plebian There's not a nobler man <strong>in</strong><br />

Rome than <strong>Antony</strong>.<br />

Fourth Plebian. Now mark him. He bee<strong>in</strong>s<br />

to speak aga<strong>in</strong>.<br />

4.<br />

5.<br />

Which of the follow<strong>in</strong>g details MOST<br />

supports <strong>Antony</strong>'s position?<br />

A <strong>Caesar</strong> brought many captives to Rome.<br />

B <strong>Caesar</strong> refused the crown three times.<br />

C <strong>Caesar</strong> was <strong>Antony</strong>'s friend.<br />

@2008 byApplied Practice, Ltd., Dallas, TX. All rights reserved.<br />

D Everyone <strong>in</strong> the crowd once loved<br />

<strong>Caesar</strong>.<br />

Based on <strong>in</strong>formation presented <strong>in</strong> t<strong>his</strong><br />

passage, which of the follow<strong>in</strong>g is true?<br />

A The crowd's response to Brutus is<br />

positive, but the crowd's response to<br />

<strong>Antony</strong> is hostile.<br />

B <strong>Antony</strong> loved <strong>Caesar</strong>, but Brutus had no<br />

personal affection for <strong>Caesar</strong>.<br />

C Brutus places the good of Rome above<br />

all else, but <strong>Antony</strong> places loyalty to<br />

friends above all else.<br />

D Brutus uses only logic to persuade the<br />

crowd, but <strong>Antony</strong> uses emotion as well<br />

to persuade the crowd.


6. Which of the follow<strong>in</strong>g words <strong>in</strong> a<br />

glossarT means the same as gql$ as it is<br />

used <strong>in</strong> l<strong>in</strong>e 85?<br />

A spr<strong>in</strong>ges-snares or traps, especially<br />

for small game<br />

B repositories-places where valuables<br />

are placed for safekeep<strong>in</strong>g<br />

C ord<strong>in</strong>ances-resulations or established<br />

practices<br />

D catafalques-raised structures used<br />

dur<strong>in</strong>g state funerals<br />

7. In <strong>Antony</strong>'s speech, <strong>his</strong> assertions that<br />

'Brutus is an honorable mant'are placed<br />

<strong>in</strong> such a way that <strong>his</strong> audience<br />

A sees how much <strong>Antony</strong> respects Brutus<br />

B is rem<strong>in</strong>ded that Brutus raised some<br />

valid po<strong>in</strong>ts<br />

C is caused to doubt that Brutus is<br />

honorable<br />

D gets the feel<strong>in</strong>g that <strong>Antony</strong> and Brutus<br />

will rule Rome io<strong>in</strong>tlv<br />

<strong>8.</strong> Which literala device best applies to these<br />

repetitive assertions that "Brutus is an<br />

honorable man?"<br />

A hyperbole<br />

B sarcasm<br />

C pun<br />

D metaphor<br />

9. In l<strong>in</strong>es ll - 12 Brutus equates kill<strong>in</strong>g<br />

<strong>Caesar</strong> with<br />

A patriotism<br />

B Romanticism<br />

C <strong>in</strong>dividualism<br />

D treason<br />

<strong>10</strong>. Which l<strong>in</strong>e(s) conta<strong>in</strong>s an example of<br />

personification?<br />

A L<strong>in</strong>e 20 -<br />

"Who is here so base that<br />

would be a bondman?"<br />

B L<strong>in</strong>es40 -4l -"1<br />

havethe samedagger<br />

for myself when it shall please my<br />

countrymen..."<br />

C L<strong>in</strong>e 87 * "When that the poor have<br />

cried, <strong>Caesar</strong> hath wept."<br />

D L<strong>in</strong>e <strong>10</strong>1 - "O judgment! Thou art fled<br />

to brutish beasts."<br />

11. How do Brutus's word choices create a<br />

rhythm pattern that makes <strong>his</strong> speech <strong>in</strong><br />

l<strong>in</strong>es 1-25 more effective? Support your<br />

answer with evidence from the text.<br />

(extended response)<br />

12. How can a reader know that what <strong>Antony</strong><br />

says <strong>in</strong> <strong>his</strong> speech may be less than<br />

objective? Support your answer with<br />

evidence from the text. (short answer)<br />

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<strong>Julius</strong> <strong>Caesar</strong> Act IV Study Questions<br />

NAME<br />

Act IV Vocabulary-Copy the def<strong>in</strong>tions from p. 892 and then write 2-3 orig<strong>in</strong>al sentences <strong>in</strong><br />

the space provided <strong>in</strong> which you use the words <strong>in</strong> their appropriate context.<br />

L. legacies<br />

2. chastisement<br />

3. rash (adj.)<br />

4. mirth<br />

Sentences:<br />

Act IV. Scene i.<br />

1. <strong>What</strong> are Anthony, Octavius, and Lepidus do<strong>in</strong>g at the beg<strong>in</strong>n<strong>in</strong>g of the Scene?<br />

2. Why do they want <strong>Caesar</strong>s will? <strong>What</strong> is ironic about t<strong>his</strong>?<br />

3. <strong>What</strong> is Anthony's Plan for Lepidus? <strong>What</strong> is <strong>his</strong> reason?<br />

Act IV. Scene ii.<br />

4. <strong>What</strong> <strong>does</strong> Brutus tell Lucilius about dy<strong>in</strong>g love?<br />

5. <strong>What</strong> practical <strong>in</strong>struction <strong>does</strong> Brutus give Cassius about their disagreement?<br />

<strong>What</strong> is unusual about t<strong>his</strong>?<br />

Act IV. scene iii.<br />

6. <strong>What</strong> wrong Does Cassius say Brutus has done him?<br />

7. In response, what <strong>does</strong> Brutus condemn Cassius for do<strong>in</strong>g?


B. what <strong>does</strong> cassius threaten to do if Brutus cont<strong>in</strong>ues to ,,urge,, him?<br />

9' Accord<strong>in</strong>g to Brutus, how has Cassius wronged him? what is ironic about Brutus,s<br />

Accusation?<br />

<strong>10</strong>' To prove that he has been wronged, what <strong>does</strong> Cassius tell Brutus to do to him?<br />

11. what is the real reason for Brutus's ill temper? Give all of the Details<br />

L2. Messala br<strong>in</strong>gs what ilr news of the triumvirate,s actions <strong>in</strong> Rome?<br />

13. what reason <strong>does</strong> cassius give for NOT go<strong>in</strong>g directly to philippi?<br />

14. what reason <strong>does</strong> Brutus give for go<strong>in</strong>g directly to philippi? who prevails?<br />

15. what happens to make Brutus speed up <strong>his</strong> plan to go to philippi?


<strong>Julius</strong> <strong>Caesar</strong> Act V Study Questions<br />

NAME<br />

Act V Vocabulary. Copy the def<strong>in</strong>itions from p. 9<strong>10</strong> and then write 4-5 orig<strong>in</strong>al sentences <strong>in</strong> the<br />

space provided <strong>in</strong> which you use the words <strong>in</strong> their appropriate context.<br />

fawned:<br />

presage:<br />

demeanor:<br />

disconsolate:<br />

misconstrued:<br />

meditates:<br />

Sentences:<br />

Act V, scene i.<br />

7. <strong>What</strong> hope of Octavius and Anthony is answered? <strong>What</strong> <strong>does</strong> t<strong>his</strong> say about Brutus?<br />

2. <strong>What</strong> <strong>does</strong> Cassius mean by the follow<strong>in</strong>g statement?<br />

"Flatterers! Now Brutus thank yourself;/T<strong>his</strong> tongue had not offered so today,/lf<br />

Cassius might have ruled."(45-47)<br />

3. <strong>What</strong> om<strong>in</strong>ous sign has Cassius seen that causes him to fear the com<strong>in</strong>g battle?<br />

4. <strong>What</strong> <strong>does</strong> Brutus say he will do if they lose the battle? Whv is he reluctant to do<br />

t<strong>his</strong>?<br />

Act V, scene iii.<br />

5. <strong>What</strong> horrible mistake <strong>does</strong> Cassius make? <strong>What</strong> is the outcome of t<strong>his</strong> mistake?


6. <strong>What</strong> is Tit<strong>in</strong>ius's reaction to Cassius's action?<br />

7. <strong>What</strong> is Brutus's response to Cassius and Tit<strong>in</strong>ius's actions?<br />

Act V. scene iv.<br />

<strong>8.</strong> <strong>What</strong> role <strong>does</strong> Licilius take upon himselfi <strong>What</strong> was Anthony's response to <strong>his</strong><br />

masquerade?<br />

Act V, scene v.<br />

9. <strong>What</strong> request <strong>does</strong> Brutus make of Clitus? <strong>What</strong> is <strong>his</strong> response?<br />

L0. <strong>What</strong> <strong>does</strong> Brutus ask Volumnius to do? <strong>What</strong> reason <strong>does</strong> he give? <strong>What</strong> is<br />

Volumnius's response?<br />

11. <strong>What</strong> <strong>does</strong> Strato do for Brutus? <strong>What</strong> <strong>does</strong> Strato ask Brutus to do first? Whv?<br />

12. <strong>What</strong> overture of peace <strong>does</strong> Octavius make to Brutus's men?<br />

l-3. How do Anthony and Octavius honor Brutus?


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Practice 6<br />

Use the follow<strong>in</strong>g passage from Act V, scene v of <strong>Julius</strong> <strong>Caesar</strong><br />

to answer questions 1,-12.<br />

Brutus. Our enemies have beat us to the pit.<br />

[,ow alarums.]<br />

It is more wonhy to leap <strong>in</strong> ourselves<br />

Than tarry till they push us. Good Volumnius,<br />

Thou know'st that we two went to school<br />

together.<br />

Even for that, our love of old,I prithee,<br />

Hold thou my sword hilts whilst I run on it.<br />

Volumnius. That's not an office for a friend,<br />

my lord. lAlarum still.]<br />

Clitus. Fly, fly, my lordl There is no<br />

tarry<strong>in</strong>g here.<br />

Bru. Farewell to you, and you, and You,<br />

Volumnius.<br />

Strato, thou hast been all t<strong>his</strong> while asleep;<br />

Farewell to thee too, Strato. Countrymen,<br />

My heart doth joy that yet <strong>in</strong> all my life<br />

I found no man but he was true to me.<br />

I shall have glory by t<strong>his</strong> los<strong>in</strong>g day<br />

More than Octavius;and Mark AntonY<br />

By t<strong>his</strong> vile conquest shall atta<strong>in</strong> unto.<br />

So fare you well at once, for Brutus' tongue<br />

Hath almost ended <strong>his</strong> life's <strong>his</strong>tory.<br />

Night hangs upon m<strong>in</strong>e eyes; my bones would<br />

rest,<br />

That have but labored to atta<strong>in</strong> t<strong>his</strong> hour.<br />

fAlarum. Cry with<strong>in</strong>, "FlY, flY, flY!"]<br />

Clitus. Fly, my lord, flyl<br />

Bru. Hence,I will follow.<br />

fExeunt Clitus, Dardanius, and<br />

Volumniusl<br />

I prithee, Strato, stay thou by thy lord.<br />

Thou art a fellow of a good respect;<br />

Thy life hath had some smatch of honor <strong>in</strong> it.<br />

Hold then my sword, and turn away thy face,<br />

While I do run upon it. Wilt thou, Strato?<br />

Strato. Give me your hand first, Fare you<br />

well, my lord.<br />

Bru. Farewell, good Strato. [1/e runs on <strong>his</strong><br />

40<br />

45<br />

50<br />

55<br />

60<br />

65<br />

75<br />

sword.f <strong>Caesar</strong>, now be still.<br />

I killed not thee with half so good a will.<br />

[Dies.]<br />

@2008 byApplied Practice, Ltd., Dallas, TX. All rights reserved.<br />

Alarum. Reteat. Enter <strong>Antony</strong>, Octavius,<br />

Messala, Lucilius fas prisoners]; and the<br />

army.<br />

Octavius. <strong>What</strong> man is that?<br />

Messala. My master's man. Strato, where<br />

is thy master?<br />

Strato. Free from the bondage you are <strong>in</strong>,<br />

Messala.<br />

The conquerors can but make a fire of him,<br />

For Brutus only overcame himself,<br />

And no man else hath honor by <strong>his</strong> death.<br />

Lucilius. So Brutus should be found. I<br />

thank thee, Brutus,<br />

That thou hast proved Lucilius' say<strong>in</strong>g true.<br />

Octavius. All that served Brutus, I will<br />

enterta<strong>in</strong> them.<br />

Fellow, wilt thou bestow thy time with me?<br />

Strato. Ay, if Messala will prefer me to you.<br />

Octavius. Do so, good Messala.<br />

Messala. How died my master, Strato?<br />

Strato. I held the sword, and he did run on<br />

it.<br />

Messala. Octavius, then take him to follow<br />

thee,<br />

That did the latest service to my master.<br />

<strong>Antony</strong>. T<strong>his</strong> was the noblest Roman of<br />

them all.<br />

All the conspirators save only he<br />

Did that they did <strong>in</strong> envy of great <strong>Caesar</strong>;<br />

He only <strong>in</strong> a general honest thought<br />

And common good to all made one of them.<br />

His life was gentle, and the elements<br />

So mixed <strong>in</strong> him that Nature might stand up<br />

And say to all the world, "T<strong>his</strong> was a manl"


1. The paradox Brutus expresses <strong>in</strong> l<strong>in</strong>es 19-<br />

21 reveals that he believes that<br />

A he has won the battle despite the loss of<br />

all <strong>his</strong> troops<br />

B be<strong>in</strong>g loyal and honest is more<br />

important than military or political<br />

success<br />

C <strong>Antony</strong> and Octavius have only won a<br />

small battle and will later lose the war<br />

D <strong>Antony</strong> and Octavius will be better<br />

leaders than he and Cassius would have<br />

been<br />

2. Which of the follow<strong>in</strong>g <strong>does</strong> NOT show<br />

that help<strong>in</strong>g someone to take <strong>his</strong> own life<br />

was considered honorable?<br />

A Volumnius's answer to Brutus<br />

B Brutus's request to Strato<br />

C Lucilius's reply to Strato<br />

D Messala's f<strong>in</strong>al words to Octavius<br />

3. Brutus tries to persuade Strato to help<br />

him commit suicide by appeal<strong>in</strong>g to <strong>his</strong><br />

A personal <strong>in</strong>tegrity<br />

B affection for Brutus<br />

C fear ofbe<strong>in</strong>g captured<br />

D duty as a citizen of Rome<br />

4. In Strato's first words to Messala, which<br />

of the follow<strong>in</strong>g words could replace<br />

overcame and best reta<strong>in</strong> the sense of<br />

Strato's words?<br />

A killed<br />

B dishonored<br />

C stabbed<br />

D defeated<br />

5. Brutus's words <strong>in</strong> l<strong>in</strong>es 40-41 reveal that<br />

Brutus<br />

A still believes that <strong>his</strong> decision to kill<br />

<strong>Caesar</strong> was right<br />

B discovers that death is a better<br />

resolution to the battle than capture<br />

C is just as afraid of death as <strong>Caesar</strong> was<br />

D had never really resolved <strong>his</strong> conflict<strong>in</strong>g<br />

feel<strong>in</strong>gs about assass<strong>in</strong>at<strong>in</strong>g <strong>Caesar</strong><br />

6. Which best expresses the MAIN idea of<br />

<strong>Antony</strong>'s speech?<br />

A Brutus's fellow conspirators killed<br />

<strong>Caesar</strong> for personal reasons.<br />

B Brutus always acted as a man of the<br />

highest pr<strong>in</strong>ciples.<br />

C Brutus's fellow conspirators were<br />

jealous of <strong>his</strong> reputation.<br />

D Brutus participated <strong>in</strong> <strong>Caesar</strong>'s<br />

assass<strong>in</strong>ation because he was mixed up.<br />

46 @2008 by Applied Practice. Ltd., Dallas, TX. All rights reserved.


I III<br />

)<br />

II<br />

)<br />

IIIItII<br />

)<br />

)<br />

)<br />

t<br />

)<br />

t<br />

;<br />

E<br />

7. Based on <strong>in</strong>formation presented <strong>in</strong> t<strong>his</strong><br />

passage' a reader could <strong>predict</strong> that<br />

A Strato will become a serv'ant of<br />

Octavius<br />

B Brutus's body will be returned to Rome<br />

C Messala will be released by Octavius<br />

D <strong>Antony</strong> will accept thp crown which<br />

<strong>Caesar</strong> rejected<br />

<strong>8.</strong> The analogy that Brutus uses <strong>in</strong> l<strong>in</strong>es 1'4<br />

serves primarily to<br />

A show he feels condemned to hell by <strong>his</strong><br />

bad decisions<br />

B reveal that he feels like a hunted and<br />

cornered animal<br />

C re<strong>in</strong>force <strong>his</strong> refusal to be forced <strong>in</strong>to<br />

slave labor <strong>in</strong> a m<strong>in</strong>e<br />

D h<strong>in</strong>t that he prefers to rush <strong>in</strong>to battle<br />

rather than carefully plan <strong>his</strong> actions<br />

9. <strong>Antony</strong>'s praise for Brutus <strong>in</strong> <strong>his</strong> f<strong>in</strong>al<br />

speech suggests that he and Brutus share<br />

which common value?<br />

<strong>10</strong>. Which recurr<strong>in</strong>g Shakespearean theme is<br />

represented <strong>in</strong> the Passage?<br />

A An honorable death br<strong>in</strong>gs glory and<br />

respect.<br />

B Only the strong survive.<br />

C Servants want to kill their masters.<br />

D ln the end, everyone is alone'<br />

11. Why is Strato will<strong>in</strong>g to help Brutus take<br />

<strong>his</strong> own life? Support your answer with<br />

evidence from the text. (short answer)<br />

12. How do <strong>Antony</strong>'s words reveal <strong>his</strong><br />

character? Support your answer with<br />

evidence from the text. (short answer)<br />

I t<br />

)<br />

Il<br />

D<br />

A ambition<br />

B dishonesty<br />

C honor<br />

;<br />

tI<br />

;'<br />

D envy<br />

D<br />

)<br />

D<br />

E<br />

)<br />

Ii<br />

)<br />

)<br />

@2008 by Applied Practice, Ltd., Dallas, TX' All rights reserved'


Essay response.<br />

From the seven questions below choose three to write an essay response. Each essay must<br />

conta<strong>in</strong> an <strong>in</strong>troduction with a clear thesis (that directly answers the question and states <strong>his</strong><br />

op<strong>in</strong>ion on the question), a body (<strong>in</strong> which you organize sub-po<strong>in</strong>ts and support them with the<br />

text), and a conclusion. Write youl responses on loose leaf paper or type.<br />

1. <strong>Julius</strong> <strong>Caesar</strong> has several parallel scenes-for example, the first and second scenes of<br />

Act2. In what ways are these scenes parallel? AND f<strong>in</strong>d another example of t<strong>his</strong>, and<br />

expla<strong>in</strong> the parallelism.<br />

2. Take two ma<strong>in</strong> characters, and analyze their leadership qualities. Use specific examples<br />

from the play to illustrate your po<strong>in</strong>ts.<br />

3. Compare and contrast the funeral orations of Brutus and <strong>Antony</strong>. Why was <strong>Antony</strong>'s<br />

more persuasive than Brutus'?<br />

4. <strong>What</strong> is Brutus' character flaw? Use specific examples from the play to illustrate <strong>his</strong><br />

hav<strong>in</strong>g t<strong>his</strong> flaw. How <strong>does</strong> it lead to <strong>his</strong> downfall?<br />

5. Many people argue that the title, The Tragedy of <strong>Julius</strong> <strong>Caesar</strong>, places an odd focus on<br />

<strong>Caesar</strong> given that he dies <strong>in</strong> the third act, and, therefore, cannot be the ma<strong>in</strong> character.<br />

Do you agree with t<strong>his</strong> argument? If so, who is the ma<strong>in</strong> character of the play2If you<br />

disagree, why do you th<strong>in</strong>k the title is appropriate? Use specific examples from the play<br />

to illustrate your po<strong>in</strong>ts.<br />

6. Choose one of the follow<strong>in</strong>g characters: Brutus, <strong>Antony</strong>, or Cassius. Identify four or five<br />

important personality traits for t<strong>his</strong> character and prove your evaluation with references to<br />

the text.<br />

7 . In what sense is the spirit of <strong>Caesar</strong> greater than <strong>Caesar</strong> the man?

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