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Australian film - Federation of Australian Movie Makers

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Hi all from Auckland.<br />

We’ve had a pretty full-on three months, although the windup <strong>of</strong> the Angela Fox Project as described in<br />

our last report has taken much <strong>of</strong> our time.<br />

However, for our March meeting we were delighted to welcome Margot Francis, a renowned New Zealand<br />

<strong>film</strong> editor. Her latest full-length work, “A Piece <strong>of</strong> my Heart” was to be screened on national television the<br />

following Sunday.<br />

Margot worked as an editor in New York for 18 years, then back in New Zealand for the last 8. With a love<br />

<strong>of</strong> documentary and drama she says all <strong>film</strong> is effectively related to documentary or drama - even home<br />

movies. The more she edits the more she learns. Each segment she edits has to tell a story, even a 30 second<br />

commercial. She observed, “If it has an idea but no story what is the point?”<br />

To a layman the job <strong>of</strong> the editor is to ‘bond bits together’ although he is actually influencing the success or<br />

otherwise <strong>of</strong> the end result. Margot suggests that when editing you put the shots together quickly as it is<br />

essential to become familiar with your material. Spend time looking for those moments that you really like<br />

adding markers so you can find these bits easily later. You may not know just yet how you’re going to use<br />

them, but when you’ve selected your cuts, look at them again. Take the time to sit and watch to make the<br />

connection.<br />

Once the <strong>film</strong> is shot – throw the script away. The material will tell you what is needed – it will tell you<br />

what is too long or boring. You can’t plan everything. Sometimes it works, sometimes it doesn’t. When it’s<br />

edited and you have looked at the beginning, middle and end you will soon know if it works. If you are interested<br />

in what you’ve made the <strong>film</strong> is well edited.<br />

Transitions are important but make sure each is natural and not noticed, and music can completely change<br />

the mood <strong>of</strong> the <strong>film</strong> controlling the pace <strong>of</strong> more than 50% <strong>of</strong> the story. Then, a <strong>film</strong> has got to be fun to<br />

watch. If people are squirming in their seats it’s uninteresting and the movie has no power. If your audience<br />

isn’t hooked ask yourself why you have lost them. Maybe the <strong>film</strong> is not developing, or too much <strong>of</strong> the<br />

same material is being shown.<br />

Finally, a <strong>film</strong> must stand on its own – it alone should tell the story.<br />

Thanks Margot - a wonderful evening. While we are probably all aware <strong>of</strong> the pointers she made, the manner<br />

in which we adopt and use them will soon show up in the level <strong>of</strong> acclaim our own movies receive.<br />

Martin Coles.<br />

FREE MEMBERSHIP PROMOTION 2009<br />

I would like to thank the seven Clubs who participated in the Free Membership Voucher promotion. Unfortunately<br />

due to their Club’s efforts in participating in this promotion there were no takers for the free <strong>of</strong>fer<br />

<strong>of</strong> club membership.<br />

Editor.<br />

<strong>Australian</strong> <strong>film</strong> & video<br />

Page 39

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