Australian film - Federation of Australian Movie Makers
Australian film - Federation of Australian Movie Makers
Australian film - Federation of Australian Movie Makers
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After zooming in to the timeline you can see any misalignment <strong>of</strong> tracks more clearly (see the first diagram above).<br />
By moving the first and third tracks to the right, virtually perfect synchronisation has been achieved (as shown in the<br />
second diagram above).<br />
Step 2– Delete audio<br />
tracks that are not required,<br />
in this case all<br />
the tracks except the<br />
audio track recorded<br />
from the mixing console<br />
and the audio<br />
track from camera 1<br />
(with the shot gun<br />
mike, to add Ambience<br />
and audience reactions),<br />
see diagram at<br />
right.<br />
I found that in this<br />
situation it was better<br />
to make a copy <strong>of</strong> the<br />
camera 1 audio track,<br />
and add it to a new<br />
track. This means that<br />
it is not part <strong>of</strong> the<br />
camera 1 take and will<br />
not be chopped up as<br />
different camera takes<br />
are selected. The original<br />
audio track from<br />
camera 1 can then be<br />
deleted (see diagram<br />
the on the next page).<br />
Page 28<br />
<strong>Australian</strong> <strong>film</strong> & video