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Australian film - Federation of Australian Movie Makers

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Bits & Pieces with Rob Farquharson<br />

Multicamera Editing With Sony Vegas<br />

Recently I was asked to record an end <strong>of</strong> year public show staged by an amateur circus group<br />

and I decided that a multicamera shoot was necessary. The cameras were set up as shown<br />

below:<br />

Camera one was positioned well above the<br />

heads <strong>of</strong> the audience and was used to capture<br />

long to medium shots. Camera two was placed<br />

on the floor and was above head level. It was<br />

used to capture medium close-ups to close-ups.<br />

Camera three was in a similar position on the<br />

other side <strong>of</strong> the hall and was used to cover<br />

mostly medium to medium close-ups. A fourth<br />

camera was used in VCR mode to capture<br />

sound directly from the sound mixing desk via<br />

a stereo line out.<br />

There was no chance to see the show in advance<br />

as no full dress rehearsal was held. The<br />

positioning <strong>of</strong> the cameras and lighting were<br />

out <strong>of</strong> my control and I had to make the best <strong>of</strong> the situation as it unfolded. Camera one (an HDV camera fitted with<br />

a directional shotgun microphone) was not manned and the extra resolution <strong>of</strong> HDV was to be used to zoom the picture<br />

in as necessary in Vegas (the new Pro 9 version in this case). I manned camera two and the President <strong>of</strong> the<br />

Newcastle and Hunter Valley Cine Society, Frank Embleton, manned camera three. There was no electronic synchronisation<br />

system used. The show consisted <strong>of</strong> a first half <strong>of</strong> 45 minutes duration and a second half <strong>of</strong> 25 minutes duration.<br />

A separate mini DV tape was used for each half in each camera, giving a total <strong>of</strong> six tapes with video and audio<br />

and two tapes with audio only. All cameras were allowed to run continuously throughout the performances to enable<br />

speedier synchronisation <strong>of</strong> the various tracks when loaded into Vegas. The shoot was done in widescreen mode.<br />

After capturing the video from each tape, the video files were imported into Vegas, with the video/audio material<br />

from each tape being placed on a separate track as shown below.<br />

Page 26<br />

<strong>Australian</strong> <strong>film</strong> & video

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