Preliminary Injunction

Preliminary Injunction Preliminary Injunction

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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 than in the Bradbury and Jaws cases, since the Defendants copied not only the incidents and their sequence, but also the title, the dialogue, and every aspect of the main characters, including their names. Accordingly, the ordinary reasonable observer would immediately recognize the similarity of expression between the XXX Adaptation and the Fifty Shades Trilogy. 3. The XXX Adaptation Is Not A Fair Use. After receiving a cease and desist letter from Plaintiffs, Defendants changed the DVD cover of the XXX Adaptation to include the words “A Parody” in small type. Kohn Decl., Exs. 6 & 7. Plaintiffs thus expect Defendants will argue that the XXX Adaptation is protected by copyright law’s fair use defense. That defense, however, has no application here, as merely calling a film a parody does not make it one. To the contrary, “[t]his case presents a classic example of an unfair use: a commercial use of a fictional story that adversely affects the story owner’s adaptation rights.” Stewart v. Abend, 495 U.S. 207, 238 (1990) (emphasis added). Any fair use defense raised by Defendants must be analyzed under the Copyright Act’s four non-exclusive factors: (1) the purpose and character of the use; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work. See 17 U.S.C. § 107. Because fair use is an affirmative defense to a claim of infringement, Defendants bear the burden of proof on the issue. See Perfect 10, Inc. v. Amazon.com, Inc., 508 F.3d 1146, 1158 (9th Cir. 2007). They cannot meet that burden here, as all four fair use factors clearly favor Plaintiffs. The Ninth Circuit’s decision in Bradbury is instructive in applying the “ordinary observer” or intrinsic test here. In that case, author Ray Bradbury alleged that a television production entitled A Sound of Different Drummers was an infringing adaptation of his short story “The Fireman” and his novel Fahrenheit 451. See 287 F.2d at 479. The Court found it “apparent that an ordinary person or observer, after reading The Fireman, Fahrenheit 451, and seeing the picture A Sound of Different Drummers, would note similarities as we did which would bring about a belief that A Sound Of Different Drummers is a dramatization or adaptation of Fahrenheit 451.” Id. at 484. -15- Memorandum ISO Plaintiff’s Motion for Preliminary Injunction

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 a. The Purpose and Character of the Use. The first fair use factor focuses on the purpose and character of the use, “including whether such use is of a commercial nature or is for nonprofit educational purposes.” 17 U.S.C. § 107(1). The XXX Adaptation plainly was produced for commercial gain, which weighs against fair use. See Abend, 495 U.S. at 237 (motion picture adaptation of story was released for commercial gain); Dr. Seuss Enters., L.P. v. Penguin Books USA, Inc., 109 F.3d 1394, 1401 (9th Cir. 1997) (defendants’ commercial use, a book about the O.J. Simpson trial, cut against fair use). Defendants cynically have sought to capitalize on the worldwide success of the Fifty Shades Trilogy by hastily producing a porn movie version. Indeed, they have boasted on Twitter that the XXX Adaptation is their “biggest film of the year” and has been the number-one bestseller on defendant Right Ascension’s Adult DVD Empire website and the Adult Video News list of bestselling adult films. See Kohn Decl., Exs. 24, 31. Under the first factor, courts also consider whether the new work is “transformative” of the original, asking whether it “adds something new, with a further purpose or different character,” altering the first “with new expression, meaning, or message,” rather than merely superseding the object of the original. Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 579 (1994); Dr. Seuss, 109 F.3d at 1400. Adapting a copyrighted work into a new medium of expression – turning a short story into a play, or a novel into a motion picture – is not “transformative” for purposes of the fair use analysis. See Napster, 239 F.3d at 1015; Castle Rock Entm’t v. Carol Publ’g Group, 150 F.3d 132, 143 (2d Cir. 1998). Although parody may qualify as a fair use, “[t]he threshold question when fair use is raised in defense of parody is whether a parodic character may reasonably be perceived.” Campbell, 510 U.S. at 582. Where a defendant does not copy from the original work in order to critique or comment on the original, the use is not parodic or transformative. As the Supreme Court explained: “For the -16- Memorandum ISO Plaintiff’s Motion for Preliminary Injunction

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than in the Bradbury and Jaws cases, since the Defendants copied not only the<br />

incidents and their sequence, but also the title, the dialogue, and every aspect of the<br />

main characters, including their names. Accordingly, the ordinary reasonable<br />

observer would immediately recognize the similarity of expression between the<br />

XXX Adaptation and the Fifty Shades Trilogy.<br />

3. The XXX Adaptation Is Not A Fair Use.<br />

After receiving a cease and desist letter from Plaintiffs, Defendants changed<br />

the DVD cover of the XXX Adaptation to include the words “A Parody” in small<br />

type. Kohn Decl., Exs. 6 & 7. Plaintiffs thus expect Defendants will argue that the<br />

XXX Adaptation is protected by copyright law’s fair use defense. That defense,<br />

however, has no application here, as merely calling a film a parody does not make<br />

it one. To the contrary, “[t]his case presents a classic example of an unfair use: a<br />

commercial use of a fictional story that adversely affects the story owner’s<br />

adaptation rights.” Stewart v. Abend, 495 U.S. 207, 238 (1990) (emphasis added).<br />

Any fair use defense raised by Defendants must be analyzed under the<br />

Copyright Act’s four non-exclusive factors: (1) the purpose and character of the<br />

use; (2) the nature of the copyrighted work; (3) the amount and substantiality of the<br />

portion used in relation to the copyrighted work as a whole; and (4) the effect of<br />

the use upon the potential market for or value of the copyrighted work. See<br />

17 U.S.C. § 107. Because fair use is an affirmative defense to a claim of<br />

infringement, Defendants bear the burden of proof on the issue. See Perfect 10,<br />

Inc. v. Amazon.com, Inc., 508 F.3d 1146, 1158 (9th Cir. 2007). They cannot meet<br />

that burden here, as all four fair use factors clearly favor Plaintiffs.<br />

The Ninth Circuit’s decision in Bradbury is instructive in applying the<br />

“ordinary observer” or intrinsic test here. In that case, author Ray Bradbury<br />

alleged that a television production entitled A Sound of Different Drummers was an<br />

infringing adaptation of his short story “The Fireman” and his novel Fahrenheit<br />

451. See 287 F.2d at 479. The Court found it “apparent that an ordinary person or<br />

observer, after reading The Fireman, Fahrenheit 451, and seeing the picture A<br />

Sound of Different Drummers, would note similarities as we did which would<br />

bring about a belief that A Sound Of Different Drummers is a dramatization or<br />

adaptation of Fahrenheit 451.” Id. at 484.<br />

-15-<br />

Memorandum ISO Plaintiff’s Motion for <strong>Preliminary</strong> <strong>Injunction</strong>

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