16.03.2015 Views

Martin Guitar

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Success Story:<br />

<strong>Martin</strong> <strong>Guitar</strong><br />

EDM I Milling I Laser Texturing I Tooling & Automation I Customer Service


<strong>Guitar</strong> Maker Finds Surprising Benefits from Metalcutting<br />

Innovations<br />

Sometimes solutions are found in very unlikely places.<br />

Technologies can end up providing substantial benefit well<br />

outside the area of application for which they were originally<br />

developed. In just such a case, a world-famous guitar manufacturer<br />

found that metalcutting innovations created by GF<br />

AgieCharmilles were perfectly suited to boost productivity<br />

when working with wood.<br />

With 175 years of history behind it, <strong>Martin</strong> <strong>Guitar</strong> has long<br />

produced the acoustic guitar of choice for some of most<br />

renowned musicians of our time. Elvis, Eric Clapton, Johnny<br />

Cash, Tom Petty, Willie Nelson, Sting, Jimmy Buffet and Paul<br />

Simon are just a few of the legendary guitarists to make music<br />

history on a <strong>Martin</strong>. The company’s influence continues today,<br />

with prominent artists such as Beck, Dave Matthews, John<br />

Mayer and Jonny Lang relying on the quality of <strong>Martin</strong> guitars<br />

to convey their music to the world.<br />

Above everything, <strong>Martin</strong>’s success has stemmed from an<br />

undying commitment to quality. The company treats its manufacturing<br />

processes as an art form, with many manual operations<br />

that employees spend years mastering and perfecting.<br />

Any change to the production processes is undertaken with<br />

the utmost caution.<br />

“We will not sell a guitar unless we are absolutely sure that it<br />

meets our rigorous quality requirements,” says Fred Walters,<br />

engineering project manager at <strong>Martin</strong> <strong>Guitar</strong>. “We view our<br />

reputation as being on the line with every guitar we make, so<br />

there is no room for compromise. This means our production<br />

processes have to be as close to perfect as possible, as we<br />

simply do not allow the production or sale of any second quality<br />

guitars.”<br />

While most manufacturers avoid the production of seconds for<br />

obvious reasons, <strong>Martin</strong> <strong>Guitar</strong> is especially mindful of it. With<br />

guitars, different woods produce dramatically varying levels<br />

of sound quality. The tonal woods that offer the best sounding<br />

results are in increasingly short supply and quite costly to<br />

acquire.<br />

This makes Mr. Walters’ job extremely challenging. As engineering<br />

project manager, his responsibilities include identifying<br />

potential new processes and meticulously evaluating<br />

whether they can be successfully integrated without affecting<br />

the quality of the finished product. Typically, processes requiring<br />

extensive physical labor receive the most attention, as they<br />

tend to be the most time-consuming and can be exhausting<br />

for employees.<br />

In searching for ways to streamline the manufacturing process,<br />

significant inefficiency was discovered in the method for<br />

installing frets on a guitar’s neck. Fret slots were cut all the<br />

way across, from one end of the fingerboard to the other. The<br />

metal fret was then installed and trimmed to be flush with the<br />

guitar’s neck. This would leave an opening under the fret, between<br />

the metal and wood, that would have to be hand-filled<br />

with glue, which then required 24 hours of drying time. Finally,


excess glue was removed by hand, to achieve a smooth, unbroken<br />

surface along the edge of the neck.<br />

“This process created somewhat of a bottleneck in our fretting<br />

operation,” says Mr. Walters. “In evaluating the process,<br />

we knew that pocketed fret slots would allow us to produce<br />

the same or possibly improve the quality of our guitar neck,<br />

without the manual application of glue and associated waiting<br />

time for drying. Unfortunately, we hadn’t found a viable solution<br />

for machining the pockets.”<br />

Pocketed fret slots needed to be 0.135” deep and just 0.022”<br />

wide. <strong>Martin</strong> <strong>Guitar</strong> possessed several vertical machining<br />

centers with a maximum spindle speed of 15,000 rpm. The<br />

machines could produce the pockets, but required 69 seconds<br />

per slot, translating into 23 minutes to finish one board.<br />

Also, the diameter-to-depth ratio resulted in unreliable tool<br />

performance with frequent failure. Realizing that its machines<br />

lacked the levels of performance needed to update the<br />

process, the company contacted Holco, Inc., its distributor for<br />

production and inspection equipment.<br />

were developed for shops working with metal, they have really<br />

improved our operations.”<br />

To get even more out of its investment, <strong>Martin</strong> <strong>Guitar</strong> has<br />

started using the HSM 800 for the pearl inlays on its guitar<br />

fingerboards, bridges and headplates. Taking advantage of the<br />

machine’s high precision, <strong>Martin</strong> cuts both wood and pearl to<br />

ensure that the two pieces fit together seamlessly. Accuracy is<br />

extremely important to the application, as even a slight mismatch<br />

means that the parts will not fit together correctly.<br />

“We’re constantly looking for other ways to take advantage of<br />

the capabilities of the Mikron machine,” says Mr. Walters. “It’s<br />

cutting edge technology and we’ll always look for unique ways<br />

to apply it.”<br />

<strong>Martin</strong> <strong>Guitar</strong> is proof of the value in thinking outside the box<br />

when considering the application of new technologies. That is<br />

a lesson that all manufacturers should take to heart, regardless<br />

of the materials they use or the products they produce.<br />

“For the size of cut the pocketed fret slots required, they<br />

needed a machine with high cutting speeds and a high performance<br />

spindle with virtually no run-out,” says Scott Conti,<br />

the Holco sales representative that works with <strong>Martin</strong> <strong>Guitar</strong>.<br />

“It was a wood cutting application, but it was really calling<br />

out for the innovations that have been made in metalworking<br />

machines. Once we started thinking outside the box in that<br />

regard, we found the solution.”<br />

The suggested solution came in the form of a Mikron HSM 800<br />

from GF Agie Charmilles. The machine’s high-speed spindle<br />

operates at a maximum speed of 42,000 rpm and, coupled<br />

with high feed rates, provides the required levels of performance<br />

needed to cut the pockets without snapping tools.<br />

<strong>Martin</strong> <strong>Guitar</strong> provided sample materials for test cuts and<br />

found that the results were favorable enough to justify ordering<br />

the machine.<br />

After installing the HSM 800, <strong>Martin</strong> <strong>Guitar</strong> worked to optimize<br />

cutting speeds and feeds. Depending on the specific material<br />

being machined, cutting speeds vary between 30,000 rpm and<br />

38,000 rpm and feed rates of 325 IPM to 475 IPM are used.<br />

While it would take 23 minutes to machine a single board on<br />

the old machining centers, the HSM 800 can machine pocketed<br />

fret slots in just 9.6 seconds each, translating to 3 minutes<br />

5 seconds per board. This eliminated approximately 87%<br />

of the machining time. Additionally, with the elimination of<br />

run-out, tool life was increased and the process achieved the<br />

level of stability needed to eliminate the chances of producing<br />

scrap.<br />

“By finding a reliable way to produce pocketed fret slots, we’ve<br />

been able to do away with the gluing process required with<br />

the old way of installing frets,” says Mr. Walters. “In addition<br />

to removing a bottleneck from production, it’s resulted<br />

in approximately $40,000 per year in cost savings. Also, with<br />

the pocketed fret slot we no longer have the thru slot showing<br />

on the edge of the fingerboard, so the look and feel of the<br />

neck is improved as well. While the innovations we’re using


GF Machining Solutions<br />

GF Machining Solutions<br />

560 Bond Street<br />

Lincolnshire, IL, 60069<br />

USA<br />

Website: www.gfms.com/us<br />

Email: info.gfms.us@georgfischer.com<br />

Phone: 847-913-5300<br />

© Machining Solutions, 2015<br />

The technical data and illustrations are not binding.<br />

They are not warranted characteristics and are<br />

subject to change.<br />

Facebook: facebook.com/gfmachiningsolutions<br />

Twitter: twitter.com/gfms_us<br />

YouTube: youtube.com/agiecharmilles<br />

Version 1.1

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!