ToneLab LE's manual - Vox

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F. REVERB EFFECTS Here you can make settings for the reverb effect that is placed after the cabinet. You can choose one of eleven types. (*): This indicates a parameter that you can control from an expression pedal. SLAP SPRING BOUNCE PLATE GARAGE CHAMBER CANYON ROOM STUDIO HALL ARENA TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 TIME LO DAMP HI DAMP PRE DELAY ---- MIX 1.0~10.0 0.0~10.0 0.0~10.0 0~70[ms] ---- 0.0~10.0 1. SLAP .......................................Mono In/Stereo Out 1 This models a tiny room with a very short reverb time. 2. SPRING..................................Mono In/Stereo Out 1 This models the spring reverb system used in guitar amps — ideal for surf music! 3. BOUNCE ................................Mono In/Stereo Out 1 This models a spring reverb that produces a higher-density reverberation. 4. PLATE.....................................Mono In/Stereo Out 1 This models a type of reverb unit that works by vibrating a metal plate instead of a spring. It is adjusted to a fairly short reverb time. This reverberation is characterized by a rapid attack, and is suitable for percussive playing. 5. GARAGE.................................Mono In/Stereo Out 1 This models a garage that produces a high-density reverberation. 6. CHAMBER .............................Mono In/Stereo Out 1 In years past, recording studios often used a room (echo chamber) that was specially designed to produce reverberation and contained a speaker and mic used to record reverberation. This model simulates a mild-sounding echo chamber. 44
7. CANYON ................................Mono In/Stereo Out 1 This models the reverberation of a canyon. 8. ROOM ....................................Mono In/Stereo Out 1 This models the reverberation of a typical room, with numerous early reflections. 9. STUDIO ..................................Mono In/Stereo Out 1 This models the reverberation of a large room. 10. HALL.....................................Mono In/Stereo Out 1 This models the reverberation of a concert hall with numerous echoes. 11. ARENA .................................Mono In/Stereo Out 1 This models an arena with smooth and dense reverberation. [1] "TIME"................................................ 1.0...10.0 * Sets the reverb time, which will differ depending on the reverb type. [2] "LO DAMP" ........................................ 1.0...10.0 * Adjusts the attenuation of the low-frequency range. [3] "HI DAMP".......................................... 1.0...10.0 * Adjusts the attenuation of the high-frequency range. [4] "PRE DLY"...................................... 1.0...70[ms] Sets the initial delay before the reverberation begins. By adjusting this setting you can clarify the definition of the original sound. [6] "MIX" .................................................. 1.0...10.0 * Adjusts the mix amount of the reverb. BLOCK DIAGRAM Mono In / Mono Out 1 Mono In / Mono Out 2 Mono In / Mono Out 3 Mono In / Stereo Out 1 Mono In / Stereo Out 2 Stereo In / Stereo Out 1 Stereo In / Stereo Out 2 Stereo In / Stereo Out 3 REVERB DELAY MODULATION PEDAL CABINET AMP TYPE Amp/Effect TYPE 45
Page 1 and 2: Owner’s Manual E 1
Page 3 and 4: CE mark for European Harmonized Sta
Page 5 and 6: Create Your Own Program ...........
Page 7 and 8: LISTEN TO THE PROGRAMS 8. Use the B
Page 9 and 10: Introduction WELCOME ABOARD! Many t
Page 11 and 12: AN OVERVIEW OF TONELAB LE Let’s t
Page 13 and 14: using a crunch or high gain lead so
Page 15 and 16: 4 SETTING/GLOBAL SECTION 4.1 EXP-CT
Page 17 and 18: 6 EFFECT CONTROL SECTION Introducti
Page 19 and 20: Setup NOTE: You must turn off the p
Page 21 and 22: OUTPUT SETTINGS Here’s how to spe
Page 23 and 24: NOTE: If you haven’t connected an
Page 25 and 26: 8. To adjust the reverb mix amount,
Page 27 and 28: Explanations of the Amp, Cabinet an
Page 29 and 30: 2. AC15TB The AC15TB is a modern-da
Page 31 and 32: 15. TWEED 1X12 (TWD 1X12) The TWEED
Page 33 and 34: your tone requirements are unique.
Page 35 and 36: 2. ACOUSTIC Wanna go “unplugged
Page 37 and 38: D. MODULATION EFFECTS This section
Page 39 and 40: 6. TEXTREM ........................
Page 41 and 42: E. DELAY EFFECTS Here you can make
Page 43: 7. CROSS DELAY (CROSS DL) .........
Page 47 and 48: Using the expression pedals EXPRESS
Page 49 and 50: CONTROL SWITCH SETTINGS You can mak
Page 51 and 52: Control via MIDI MIDI stands for Mu
Page 53 and 54: “OFF”: “On”: Parameter chan
Page 55 and 56: 4. You’re using the ACOUSTIC peda
Page 57 and 58: Program List Program Change Variabl
Page 59: IMPORTANT NOTICE TO CONSUMERS This

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